Shortwave listening and everything radio including reviews, broadcasting, ham radio, field operation, DXing, maker kits, travel, emergency gear, events, and more
Many thanks to SWLing Post contributor, Rose, who shares the following announcement:
The beloved ThisIsAMusicShow has ceased broadcasting for the foreseeable future, but you can rest assured, as the broadcast slot that was used by TIAMS (Thursdays between 0200-0300 UTC on WRMI 5850 kHz) is now in good hands.
In the first 30 minutes, starting at 0200 UTC, you will hear a monthly episode of Radio Carpathia, presented by Luca, featuring the best music from Eastern Europe and sometimes beyond, as well as some digital text and sometimes an image in MFSK64. New shows air on the Thursday that follows the third Sunday of every month (it’s not always the same), and will be repeated throughout the month.
In the other half of the hour, you will get to hear a special program from Radio Northern Europe International (whose normal program airs at 0100 UTC on the same day and frequency), called RNEIxtra, which introduces listeners to new genres, presenters, and music outside of the normal RNEI remit. Previous RNEIxtra shows have been DJ mixes, video game jazz, data experiments, and my personal favorite: Japanese music specials! We love getting new presenters on air on RNEIxtra so look out for exciting new shows and contact us if you want to give shortwave a try! New shows come out on the Thursday that follows the second Sunday of every month.
Reception reports for Radio Carpathia can be sent to radiocarpathia[at]gmail[dot]com, or by post to:
Luca Trifan
O.P. 6, C.P. 615
400810 Cluj-Napoca
ROMANIA
and will be answered with a physical QSL card, regardless of how they are sent.
RNEI welcomes reception reports to qsl[at]rnei[dot]org.
Both Luca and I are looking forward to receiving your feedback and reception reports, and we hope you will enjoy this new, albeit quite different programming.
Thank you for sharing this news, Rose. TIAMS was an excellent program. I certainly hope we haven’t seen the last of it. Very pleased your stations have both stepped up to fill in the gap!
Hi SWLing post community, Fastradioburst23 here letting you know about this weekend’s Imaginary Stations shows on shortwaves this Sunday 6th August 2023. The first show will be beamed to Europe via the services of Shortwave Gold in Germany at 2000 utc on 6160 khz and will be the debut of KSEA. It’s an ocean themed mix special so grab a waterproof jacket and a radio (with marine band on it of course) and go on a seaward journey with us.
Then later on at 2200 hrs UTC on 9395 kHzvia WRMI we have CTRN for all locomotive fans. We’ll be playing all sorts of songs about stations, signals and rolling stock. Remember to leave any baggage in the guard’s van with your name and address clearly marked on the label before going to your alloted seat. We will be coming around with the buffet trolley so we need to keep the walkways clear. Please enjoy your trip and remember to take all of your belongings with you when you leave the train. Thank you!
For more information on the shows email Imaginarystations (at) gmail (dot) com
Carlos’ Radiofax portable receiving and recording station.
Many thanks to SWLing Post contributor, Carlos Latuff, who recently shared a number of Radiofax images of Typhoon Khanun he’s decoded over the past few days–apologies as I’ve been traveling and could not post when received. Carlos writes:
Attached is a satellite image broadcasted today by Japanese meteorological agency via radiofax (7795 kHz USB), and received by me in Porto Alegre, Brazil, at 19h10 UTC.
Even with image quality compromised by the signal, it’s possible to spot powerful typhoon Khanun, approaching Okinawa, with winds of 220 km/h.
Receiver is a Xhdata D-808 with loop antenna, signal decoded by HF Weather Fax app.
Also:
Tropical cyclone forecast broadcasted today by Japanese meteorological agency via radiofax (7795 kHz USB), received in Porto Alegre, Brazil, at 19h50 UTC.
Typhoon Khanun is approaching Okinawa, with winds of 220 km/h.
In addition:
Radiofax (detail) from the meteorological agency of Japan, received today at 19:50 UTC in Porto Alegre, frequency 7795 kHz (USB). In the circle, position of the powerful typhoon Khanun, in southern Japan.
Thank you for sharing these, Carlos. It’s amazing that with such simple equipment we can track and download weather events and imagery like this. Pretty amazing!
Many thanks to SWLing Post contributor, Rose with RNEI, who writes:
Hei Thomas,
This week we’re showcasing a new show as we like to do from time to time and this time it’s DK Radio. It’ll be on the WRMI broadcasts of RNEI for this week only (that’s 01UTC Thursday on 5850, 13UTC Thursday on 15770 and 01UTC Sunday on 5010.)
It might be noteworthy due to it being a full DJ’ed DnB mix on shortwave which isn’t all that common!
Wishing you well,
Rose
Radio Northern Europe International https://rnei.org
Thanks so much for the tip, Rose! I look forward to tuning in!
Two out of the five transmitters broadcasting RRI’s programmes are temporarily suspended as of 1 August
Dear friends, the Radio Romania Board of Administrators decided to temporarily suspend the use of 2 out of the 5 Radiocom shortwave transmitters that ensure the broadcast of Radio Romania International programmes, because of budget cuts. As of August 1, our programmes are aired via one transmitter in ?ig?ne?ti, one in S?ftica (both of them near Bucharest) and one in Galbeni (east). As soon as the budget of the institution is restored, we will resume broadcasts on all 5 transmitters.
The RRI programmes in Romanian, English, French, German, Spanish, Russian, Arabic, Chinese and Hebrew are affected. All of them may be received on only one frequency instead of 2, as of August 1, 2023. The frequencies as well as any other prospective changes operated by Radiocom further to reception monitoring and to your feedback on reception quality will be announced in our broadcasts, on our web page and on Facebook.
Budget restrictions also prompted a reduction of the night time power of medium wave transmitters that broadcast Radio Romania News and Current Affairs programmes and of some regional stations.
We invite you to follow RRI’s programmes online at www.rri.ro (including on demand), on SoundCloud, on Android and iOS apps, via TuneIn and via satellite. You can find more details on our home page. You can also follow us on Facebook, Twitter, Instagram, YouTube, LinkedIn and Spotify.
Many thanks to SWLing Post contributor, Alan Roe, who shares his A-23 (version 4.0) season guide to music on shortwave. Alan provides this amazing resource as a free PDF download:
Many thanks to SWLing Post contributor, TomL, who shares the following guest post. Click here to check out all of the posts in this Audio Plugin series:
Audio Plugins For Radios, Part 2 – SDR Recording
by TomL
I started investigating using the old Kenwood transceiver to send audio to my laptop and process the receive audio using VST Host for a number of functions: Noise reduction, Equalization, reduce Sibilances and fading distortion, increase presence of vocals without sounding boxy, etc. It was a qualified success depending on what VST apps I used, in what order they were used, and what settings each of them were set to. In this episode of ongoing discovery, I will attempt to show how easy it is to OVER-process the shortwave broadcast audio plus comparisons to my regular Audacity post-recording treatment.
Audio Examples
I noticed for the first time that the SDR creates a somewhat compressed file which can be seen when comparing the Waveforms of SDR vs. VST Host output files. This means that the unprocessed SDR file will always appear to sound louder because of this compression. This loss of Dynamic Range makes it harder to do the comparison. Therefore, the Audacity-only examples below are reduced 3dB or 5dB to maintain apparent loudness.
Example 1: KBS Weekend Playlist – S6-S9 signal, somewhat severe fading and moderate polar flutter.
SDR Console 3.2 using my usual NR4 set to 2dB Reduction, 30% Smoothing, and 3dB Rescale plus a Blackman-Harris-7, 5.3 kHz filter.
AUDACITY file is using my usual Audacity noise reduction:
VST version 2: Used my first set of VST apps. Sounds harsh with hash-noise and overdriven:
VST version 3: Used way too much bass, too much grunge, attenuated highs, still overdriven:
VST version 4: Using a different order to the Denoiser apps, added in Modern Exciter app, cut back on some bass but still too much, and overly forward sounding midrange:
VST version 5: My current Baseline setup. Adjusted the Denoiser apps, less extreme bass & treble, adjusted the De-Esser app, set the midrange to be less forward with just a single setting:
To my ears, Audacity processing is nice but as discovered before, sounds compressed and does not reduce some of the other problems inherent in shortwave signal fading and loss of musicality. It sounds utilitarian. Also, the noise is a bit more gnarly.
Versions 2-5 go through iterations of listening to the exact same segment over and over (and over) and trying different VST apps and settings. I think my comments are mostly accurate next to each version. However, you may think differently and perhaps prefer the sound of one of the other versions?
Example 2: Encore Classical Music, WRMI (fading S9 signal) – Audacity vs. Version 5 VST settings. VST is quieter and sounds less harsh than the Audacity version. A generally more smooth sound.
Example 3: RCI in Russian, S7-S9 with moderate polar flutter – 7kHz filter in SDR Console but VST Host is using BritPre, an analog preamp using a 6 kHz low pass filter to try to reduce DSP filter “ringing”. It shows some interesting possibilities.
Example 4: RCI in Russian – Music from the same broadcast and VST Host setup in Example 3. The screeching flute is under more control and strings more defined in the VST version.
Conclusions
I like the results of the audio processing that eventually ended up with “version 5” (plus the possibilities at 7kHz, too). It is not Earth-shattering but is an incremental improvement in my opinion (there is always room for improvement). I can use it in a simple Workflow anytime I want to record something off of the SDR. Also, I had already been using Voicemeeter Pro, a software audio mixer. It is setup with different profiles to do SDR, Ham, FM Broadcast, and now, VST Host audio routing. This process took a long time but seems satisfactory to use as a Baseline setup, which then can be tweaked slightly depending on various types of audio coming from the SDR. These changes in VST Host can be stored as their own unique profiles for audio processing.
However, a word of warning! Messing with Windows audio Sound settings and mixer software is potentially a confusing process and one can easily end up with a spaghetti-pile of conflicting connections, no audio output, doubled echo output, distortion, way too loud, way too soft, etc. If you start this experimentation, make sure to write down your current Windows Sound settings, both the Playback and the Recording settings for each item listed.
Having an SDR radio + Voicemeeter + VST Host is a very flexible setup. I can now safely say that the only thing I need Audacity for is to Normalize the peak audio to the -1 dB broadcast standard volume, which is a HUGE time saver. The SDR Console IQ files can be scheduled and processed from there at a later time. Also, the use of Voicemeeter Pro allows me to switch when to use VST Host anytime I feel like it, and Voicemeeter Pro comes with its own (manually engaged) Recorder.
Part 3 of this series will discuss Technical details for my setup. Your setup may need different settings or you may find a better way than I did. This will take some dedicated time.