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Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
On. Oct. 30, 1938, America was rocked by shocking news: Aliens had been spotted crash-landing outside Grover’s Mill, N.J. Additional sightings were soon made across the Northeast, including reports of Martians unleashing poisonous gas on Manhattan and burning onlookers alive with ray guns. Periodically, the breathless news reports would be reduced to static.
Listeners reacted in real time; many of them flooded the streets wearing gas masks and wet towels over their faces. Stores were raided, bridges and expressways were inundated with traffic, and pregnant women reportedly went into early labor.
Of course, the alien invasion never actually happened. The news bulletins were part of a live Halloween program a young producer and a cast of talented actors were presenting over the radio. The producer was 23-year-old Orson Welles, and the name of the episode was “War of the Worlds.” The H.G. Wells-adapted story had been produced for radio as part of Welles’s regular Sunday night broadcast, “The Mercury Theater on the Air” — a program that had hitherto been largely ignored, as it was up against a wildly popular variety show starring comedians Edgar Bergen and Charlie McCarthy.
Only this Sunday was different, as millions of Americans who had tuned in to listen to Bergen and McCarthy changed their dials when the duo introduced a guest opera singer. “No one was in the mood for opera that night, and much of the country stumbled onto Welles’s broadcast by mistake, not knowing the news bulletins they heard were part of a radio drama,” explained Carl Amari, a syndicated radio host and the founder of Radio Spirits, a large distributor of classic radio programs. [Continue reading…]
As the U.S.-funded broadcaster is forced to shut most of its Russian operations, its Web traffic indicates that Russian people are eagerly consuming its stories
Radio Free Europe, the U.S.-funded operation that got its start by piping American-flavored news through the Iron Curtain in 1950, could see big trouble brewing for its Russian operation in recent years.
The Kremlin kept putting the screws to its Russian-language broadcasts, throwing up ever more regulatory hurdles. But it was in late 2020 that the hammer really came down. The “media regulator” demanded that every broadcast, digital story and video carry an intrusive disclaimer at the top stating that what followed was the product of a foreign agent.
“Basically, it was like telling our audience to go away,” said Jamie Fly, the CEO of Radio Free Europe/Radio Liberty, as the organization has been known since a 1976 merger.
A new Prague-based internet radio station has started to broadcast news, information and music tailored to the day-to-day concerns of some 300,000 Ukrainian refugees who have arrived in the Czech Republic since Russia launched its military assault against Ukraine.
In a studio at the heart of the Czech capital, radio veterans work together with absolute beginners to provide the refugees with what they need to know to settle as smoothly as possible in a new country. Continue reading →
Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Much thanks to the many contributors who shared the following items:
Drivers of certain vehicles in Seattle and other parts of Western Washington are shouting at their car radios this week. Not because of any particular song or news item that’s being broadcast, but because an apparent technical glitch has caused the radios to be stuck on public radio station KUOW.
The impacted drivers appear to all be owners of Mazda vehicles from between 2014 and 2017. In some cases the in-car infotainment systems have stopped working altogether, derailing the ability to listen to the radio at all or use Bluetooth phone connections, GPS, the rear camera and more.
According to Mazda drivers who spoke with GeekWire, and others in a Reddit thread discussing the dilemma, everyone who has had an issue was listening to KUOW 94.9 in recent weeks when the car systems went haywire.
KUOW sounded unsure of a possible cause; at least one dealership service department blamed 5G; and Mazda told GeekWire in an official. [Continue reading…]
While it’s been widely contested who actually invented the first radio (both Italian physicist Gugliemo Marconi and Serbian-American inventor and engineer Nikola Tesla were fighting for the first patent, per PBS), it was Marconi who came out top in 1904, when the U.S. Patent Office officially dubbed him the inventor of the new breakthrough technology. According to APM Reports, in 1920, Americans had their first commercially licensed radio station in Pittsburgh, Pennsylvania: KDKA. That number quickly rose after KDKA broadcast the election that saw Warren G. Harding become the 29th president, and by 1924, 500 stations were available for listening.
By 1930, over “40% of American households owned a radio,” per APM Reports. This became known as “The Golden Age of Radio.” As revealed by PBS, in 1930, 12 million Americans owned radios — growing to a whopping 28 million by the end of the decade.
Access to the radio came at a turbulent time in history. As the Great Depression caused widespread suffering for millions of Americans (via History), the households that could afford a radio saw it as a welcome source of entertainment and news that made them feel connected to the rest of the country. These days, with over 15,445 radio stations available in the U.S., it’s clear the radio still remains relevant, but its impact on society truly began nine decades ago. Let’s take a look at the real reason the 1930s were considered “The Golden Age of Radio.” [Continue reading…]
ST. PETERSBURG, February 7. /TASS/. The International Consortium for the Preservation of Arctic Cultural Heritage, based at the Russian State Hydrometeorology University (RSHU), initiated a cross-border radio broadcast in languages of the North’s indigenous peoples, the university’s representative in Moscow Andrei Bryksenkov told TASS.
An application for the broadcast has been filed with the Arctic Council. “The application must be filed from two countries, and we plan to go along with Norway – with the Sami Radio, which is a part of Norway’s big television and radio concern. <…> The idea has been supported at all levels. As for the cross-border broadcast, we, probably, will begin from the shortwave broadcast, as it covers bigger territories and is less costly,” he said.
At the initial stage, the pilot broadcast will be organized on the territories of Finland, Norway and Russia. The project’s initiators are ready to cooperate with other countries. “One transmitter in Krasnoyarsk may cover 80% of the Russian North. Norway has such a transmitter, which covers the Scandinavian territory. Another two transmitters are on Alaska,” he continued. Later on, the broadcast will be also on middle and long waves, thus one frequency will carry 3-4 channels, he added. One of them will be in Russian and English, and the rest – in languages of the indigenous peoples.
The audience will learn about traditions, skills of the peoples living in the North. The content will fully focus on culture. The countries, participating in the project, will open newsrooms. “We hope the general center, which will coordinate the project, will be at the Arctic Council,” he said.
The International Consortium for the Preservation of Arctic Cultural Heritage includes St. Petersburg’s committee on the Arctic, the Arctic museum and exhibition center in St. Petersburg, the Association of indigenous low-numbered peoples of the North, Siberia and Far East, and others. [Read full article…]
The modernization of radio’s regulatory rulebook that began under the prior administration continues at the Federal Communications Commission. It is slated to approve a half dozen changes at the Commission’s February meeting, in what Chair Jessica Rosenworcel says is a “cleaning up” of the broadcast radio rules.
“The Commission’s current rules for full-power and translator radio stations contain a number of provisions that are redundant, outdated, or in conflict with other rules,” said Rosenworcel. She said the proposal would “update and clean up” those provisions “in order to reduce any potential confusion, alleviate unnecessary burdens, and make sure our rules reflect the latest technical requirements.”
The proposed order (MB Docket No. 21-263) would update six rules, while scrap plans to change another. They include –
Eliminate Transmitter Power Limit Rule For AMs.
The draft order says the FCC has tentatively concluded the rule is “outdated and unnecessary” given its current reliance on actual operating antenna input power as the most accurate and effective means of ensuring that AM stations adhere to their authorized power limits. The FCC also agreed with comments filed by the National Association of Broadcasters that said the elimination of the technical restriction will allow AMs of any class to use transmitters of any rated power. That, it says, will benefit all AMs by broadening the market of transmitters, enhancing the secondary market for AM transmitters, and reducing the number of transmitters that need to be disposed of.
Clarify AM Fill-in Area Definition
The FCC is poised to amend the definition of an “AM fill-in area” used when an FM translator simulcasts an AM station. [Continue reading…]
On Thursday, February 3 at 1:13 p.m. EST, Falcon 9 launched 49 Starlink satellites to low Earth orbit from Launch Complex 39A (LC-39A) at Kennedy Space Center in Florida. Falcon 9’s second stage deployed the satellites into their intended orbit, with a perigee of approximately 210 kilometers above Earth, and each satellite achieved controlled flight.
SpaceX deploys its satellites into these lower orbits so that in the very rare case any satellite does not pass initial system checkouts it will quickly be deorbited by atmospheric drag. While the low deployment altitude requires more capable satellites at a considerable cost to us, it’s the right thing to do to maintain a sustainable space environment.
Unfortunately, the satellites deployed on Thursday were significantly impacted by a geomagnetic storm on Friday. These storms cause the atmosphere to warm and atmospheric density at our low deployment altitudes to increase. In fact, onboard GPS suggests the escalation speed and severity of the storm caused atmospheric drag to increase up to 50 percent higher than during previous launches. The Starlink team commanded the satellites into a safe-mode where they would fly edge-on (like a sheet of paper) to minimize drag—to effectively “take cover from the storm”—and continued to work closely with the Space Force’s 18th Space Control Squadron and LeoLabs to provide updates on the satellites based on ground radars.
Preliminary analysis show the increased drag at the low altitudes prevented the satellites from leaving safe-mode to begin orbit raising maneuvers, and up to 40 of the satellites will reenter or already have reentered the Earth’s atmosphere. The deorbiting satellites pose zero collision risk with other satellites and by design demise upon atmospheric reentry—meaning no orbital debris is created and no satellite parts hit the ground. This unique situation demonstrates the great lengths the Starlink team has gone to ensure the system is on the leading edge of on-orbit debris mitigation. [Read at SpaceX…]
Many thanks to SWLing Post contributor, Dave Zantow, who shares a link to this 1947 “Blondie & Dagwood” episode #21. Dave notes that the part of the episode with a radio slant starts at approx. 24:22:
Thanks, Dave! I’m not sure I’ve ever watched an episode of Blondie and Dagwood, although I’ve certainly read hundreds of the comic strips and listened to many episodes of the OTR shows.
Many thanks to SWLing Post contributor, Zack Schindler, who writes:
In the early 1980’s CBC Radio 1 had a radio play show called Nightfall. Most episodes dealt with the supernatural. I used to listen to this from CBE (1550 khz) in Windsor Ontario. One episode that aired in 1981 was called Shortwave Goodbye and the story was about a “ham radio enthusiast who receives messages from the future. When he gets rich gambling, will he be able to rid himself of his shrewish wife before she and her lover can kill him first? “
Many thanks to SWLing Post contributor, Dan Robinson, who passes along this interesting radio show from the CBS Radio Workshop and a description from his friend, Art Chimes.
Art writes:
Airing in 1956-57, The CBS Radio Workshop was an anthology series that featured a wide range of productions, often in experimental formats. On Nov. 11, 1956, the program was “Report on the Weans,” an adaptation of a satirical article by Robert Nathan published in Harper’s Magazine, “Digging the Weans.”
It is 6,000 years in the future. The American continent is unpopulated, but archaeologists from Africa — apparently now the center of civilization — are digging in various sites, uncovering artifacts of the 20th century people who once lived there. In a gentle satire of anthropology, we find the experts completely mis- (or over-) interpreting their findings, such as Macy’s bargain basement, which they think is a tomb full of items to be used in the afterlife.
The magazine article [click here to download PDF] is a straightforward parody of an academic paper. The radio show, however is presented as a report broadcast on “Radio Rhodesia” on the mega-, micro- and strato-beams, complete with an interval signal used at the beginning and end that features bird chirping. (I can’t help you on the particular species, sorry.)
Many thanks to SWLing Post contributor, Jarno (PA3DMI), who shares the following Old Time Radio (OTR) show, The Spy on the Kilocycles, which features Henry Fonda who had just completed his military service (October 8, 1945).
How would Christmas Eve at the Front have sounded on a radio back in 1943? Something like this…
Christmas Eve, 1943: America’s third in WWII.
On this day, exactly three-quarters of a century ago, America tuned into a special live broadcast that would not only engage American listeners, but also every major network in the US at the time: CBS, NBC, and Mutual Broadcasting Company. The simulcast program, “Christmas at the Home Front,” starred troop entertainment veterans Bob Hope and Bing Crosby, as well as numerous others including screen actor Lionel Barrymore–also well-known for his regular portrayal of the miserly Scrooge in NBC’s annual radio drama “A Christmas Carol”–and featured an address by then-President Franklin D. Roosevelt.
This broadcast also included live audio feeds from North Africa, Italy, New Guinea, Guadalcanal, New Caledonia, China, India, Panama, Alaska, Pearl Harbor and even Navy ships in undisclosed locations. Keep in mind, this was 1943. These audio feeds weren’t carried over the Internet or a satellite network, they were shortwave radio signals from remote sites–signals that were bounced off of the ionosphere and back to the studios where they were incorporated in a live radio show. No doubt, this holiday special required months of planning to orchestrate and perhaps even a leap of faith to execute.
Being something of a WWII radio buff, I’ve listened to this recording a few times in the past. And after receiving Bill’s message about it recently, I listened again; the audio obviously came from a recording at NBC studios, very pristine considering the recording’s age and the number of times it’s likely been copied or changed formats, but also with demarcated track switches, not exactly as it would have sounded on the air at the time.
Radio broadcast with entertainer Bob Hope, 1943. Source: Broadcasting and Recorded Sound Division, Library of Congress
So I did what any self-respecting radio geek would do: I fed the recording into an AM transmitter to recreate the sound as it might have played on American radios of the time, and made an off-air recording of the entire broadcast.
Hopefully now, with the help of this recording, you may be able to imagine what families on Christmas Eve in 1943, huddled around their radios, might have experienced as they strove to feel a little closer to loved ones serving in the war, while enjoying a little light entertainment and absorbing the latest message from their president.
But it’s also meaningful to note that times have certainly changed since 1943. Without a doubt, it’s often easy to be lulled into a nostalgic appreciation of that time, and former times generally, made all the rosier by the present knowledge that the outcome of the war was, in many respects, favorable to us. But those who know history know the truth: that war is hard, that our struggles both here and abroad were real, and that people died–as many as 85 million. When the drama was over, the fallen did not rise again to play in another film; they were gone, forever. This is the grim shadow that lies beneath the warmth of entertainment broadcasts like this one.
Fortunately, our civilization continues, and will always view the war and the political circumstances surrounding it through the fading glass of advancing time and hear it through the crackle of increasing distance. And fortunately, our then-enemies are now among our strongest allies. We have a diverse and international audience here at the SWLing Post, so I hope this recording is recognized for what it is: simply a moment in entertainment history that the passing of time allows us to enjoy, during a war the likes of which we hope never again casts such a shadow over us. One such was enough.
Now sit back, close your eyes, and set your time machine’s dial back to Christmas Eve, 1943…
Imagine you’ve just turned on the family console radio, the frequency dial gradually warming with its familiar glow, and have tuned to your local NBC station; soon, the voices of well-known entertainers begin to fill the parlor and the rest of the household, their tasks or play momentarily abandoned, quietly join you there to listen…
