Tag Archives: Sangean

Recommending the Tecsun PL-880 over the Sangean ATS-909X

Many thanks to SWLing Post contributor, Direwolf131, who recently commented on one of the Sangean ATS-909X reviews in the Post archives.

Direwolf131 writes:

I’m a few years after Steve’s comments but I will have a go at it, at least anecdotally speaking. I’ve owned a half dozen Sangean ATS-909’s, which includes two of the 909X’s, and one super-909 from radiolabs. The 909X is the finest looking portable I have ever seen or lain hands upon, and that includes several Sony’s that I still think of as neat looking, I had the white cabinet 909X first and then the much more striking (to my eyes) black cabinet 909X after returning the first one due to rock hard buttons.

They are both extremely attractive, and exceptionally well made, especially by today’s cheap Chinese standards. I must confess that I also still find the original 909’s almost equally neat looking, though not quite sporting the same robustness of build.

The 909x’s sound wonderful on MW & FM, and its a decent performer reaching out to fairly distant FM stations. Unfortunately that is largely the best of the radio, its performance on MW & SW is best described as pathetic, and not just due to being deaf, it has a lot of noise, even when attached to the superb RF systems tuned EMF antenna. The older 909 is also to my experience substantially better then the 909X when matched up to a serious outboard antenna, such as the above EMF, I found this difference especially surprising, its not even close.

The PL-880 from Tecsun blows it away on SW and MW sensitivity, while also offering the superb advantage of genuinely ECSS tuning anything on MW & SW, you cannot decently receive any MW or SW signal via ECSS with the 909X as its SSB can only be fine tuned to 40 Hz, which is terribly disappointing, you can zero beat the little Tecsun easily. serious ECSS capability is to my mind a much more attractive option then a sync circuit, and unfortunately with the beautiful little Sangean 909X you get neither.

I do hope anyone who happens upon this pays attention, because for the money the PL-880 is far and away the better performer, in fact my little 1103 from Degen/Kaito out performs the 909X, as does my Grundig Yacht Boy-400, and my Sangean ATS-803A. Its my great hope that Sangean seriously upgrades these deficiencies in the otherwise gorgeous 909X, its circuitry is noisier than the old 909 and its not nearly not as sterling a performer hooked up to household current and a decent outboard antenna as the old 909, its 40 hz tuning SSB once a great reason to buy a 909, is no longer competitive, especially against the superb PL-880 which again is capable of excellent ECSS even by Icom R75 standards, Sangean would do well to drastically improve the SSB performance of the 909X.

I hope this helps, I liked the original review up top, but again its several years old, and the ATS-909X is now known to be clearly outclassed by the more affordable Tecsun, actually by the PL-660 to boot, I really hope Sangean addresses the issues, its such a beautiful receiver, you just want it to be as good as it looks, unfortunately it’s not!

Thank you for sharing your evaluation and comments!

The Sangean ATS-909X is an interesting radio indeed. Almost everyone loves the design, audio and overall quality of the 909X.  Yet performance reviews are somewhat polarizing: some 909X owners claim the 909X has strong performance characteristics on shortwave, while others believe it’s almost deaf. Your findings coincide with mine from the Mega Review where I pitted the ATS-909X against the Tecsun PL-880, PL-660 and Sony ICF-SW7600GR. In that review, where I relied on a whip antenna, the 909X was noticeably less sensitive than the other three competitors. Based on the premium one pays for the 909X, I was surprised.

I have learned over the years, however, that the 909X can handle larger outdoor antennas and doesn’t easily overload. Additionally, the 909X requires a fresh set of batteries for optimal performance/sensitivity. Some users have even modified the radio with a 4:1 impedance transformer–click here to read a post/comments about this mod.

I would love to see Sangean produce an updated/upgraded version of the 909X, but at this point I’m not exactly holding my breath. I’ve heard that they’re slowly pulling out of the market. Hope I’m proven wrong because I’d love to see a new shortwave set from Sangean.

A review of the Sangean HDR-16 AM/FM HD Radio

It’s funny that, while I’ve written dozens and dozens of radio reviews over the years, I’ve never written even a single review that included an HD radio.

Well, the time to begin is now: HD radio, here we come.

Those readers living outside North America may be scratching their heads, asking, “What exactly is ‘HD radio?’” To answer in clear terms, I’ll turn the question over to Wikipedia:

HD Radio is a trademarked term for iBiquity’s in-band on-channel (IBOC) digital radio technology used by AM and FM radio stations to transmit audio and data by using a digital signal embedded “on-frequency” immediately above and below a station’s standard analog signal, providing the means to listen to the same program in either HD (digital radio with less noise) or as a standard broadcast (analog radio with standard sound quality). The HD format also provides the means for a single radio station to simultaneously broadcast one or more different programs in addition to the program being transmitted on the radio station’s analog channel.

Got that?  In brief, HD radio is digital radio broadcasts that occupy the same FM/AM spectrum currently allocated for analog broadcasts.  Wikipedia adds:

[HD radio] was selected by the U.S. Federal Communications Commission (FCC) in 2002 as a digital audio broadcasting method for the United States, and is the only digital system approved by the FCC for digital AM/FM broadcasts in the United States.

For my own part I had mostly ignored HD radio, assuming there would be few stations to listen to from my rural home location. That is, until recently, when I purchased a car that has built-in HD radio reception. I was impressed by the number of commercial stations I found that I can receive via HD radio. In truth, only a handful of the mainstream HD station offerings had any appeal for me, but I really took notice when I received a commercial-free jazz station via the HD2 channel of my favorite NPR member station, WFAE.  Having been a jazz fan since I studied music in college, I was intrigued: could a portable HD radio receive this distant HD station reliably?  I had my doubts; moreover, I really didn’t want to purchase a radio, then be obligated to send it back if it didn’t receive anything.

Instead, I contacted Sangean.  The company was more than happy to send me a loaner radio for review. I requested the HDR-16––at the time it was Sangean’s most affordable HD portable, one about which a number of SWLing Post readers had expressed their curiosity.

Overview

The Sangean HDR-16 is a simple radio with a modern design. The chassis is a glossy black hard plastic and feels substantial. It has a useful fold-out carry handle and substantial telescoping whip antenna. The front face features a 16-character two-line backlit display, five function buttons, five dedicated preset buttons, and a dedicated power button. On the right side of the radio you’ll find a dedicated (two function) tuning knob and smaller volume/tone knob. The left side of the radio features an “aux-in” port, a “rec-out” port, an earphone jack, and a 7.5 volt “DC-in” port.

Features

  • HD Radio digital and analog AM / FM-Stereo reception
  • 10 Memory Presets (5 FM, 5 AM)
  • PAD (Program-Associated Data) Service
  • Support for Emergency Alerts Function
  • Automatic Multicast Re-Configuration
  • Automatic Simulcast Re-Configuration
  • Auto Ensemble Seek
  • Real Time Clock and Date with Alarm and Sleep Function
  • 2 Alarm Timer by Radio, Buzzer
  • HWS (Humane Wake System) Buzzer and Radio
  • Snooze Function
  • Tone & Bass Control
  • Information Display for Channel Frequency, Call Sign, Radio Text, Audio Mode, Service Mode,   Signal Quality and Clock Time
  • Easy to Read LCD Display with Backlight
  • “Battery Low” LED Indication
  • Auxiliary Input for Additional Audio Sources
  • Record Output for Connecting to Hi-Fi System or Recording from Audio Program
  • I/O Jacks: DC In, Line-Out (Rec-Out), Aux-In, Headphone and HD / FM Rod Antenna

Audio

The HDR-16 sports two 2.5” front-facing speakers that deliver crisp audio that can be customized with simple treble/bass EQ settings. I found increasing the treble just a bit and the bass quite a lot produced the best audio for music broadcasts.  Even the default audio settings are pretty good, however. The HDR-16 doesn’t have the rich fidelity of the Eton Field BT or the Tecsun S-8800, but it does offer stereo sound that is room filling and pleasant. Sangean obviously took audio fidelity seriously when designing the HDR-16.

The left side features AUX in, Record Out, Earphone and a DC power port.

Note that the the HDR-16 sounds especially good in spoken word/news broadcasts.

Operation and Ergonomics

The Sangean HDR-16 is a very simple and intuitive radio to operate. I sorted out all of its functions simply by following button and knob labels, but even the most tech-challenged person in your family could give the owner’s manual a single read-through and operate the HDR-16 with ease.

But let’s get one gripe out of the way…perhaps a case of simplicity gone too far:  the HDR-16 only has five station preset buttons. Five! Actually, it offers a total of 10 memory allocations: five for AM, five for FM. Still…even in my rural market, I can easily program ten station memories on an FM radio, especially since HD Radio channels offer that many more new options. But the HDR-16 forces me to curate my presets down to a mere five stations per band. In my view, this strict limitation is an unfortunate design oversight.

Performance

The HDR-16 is an AM/FM radio that receives both legacy analog broadcasts and HD/digital broadcasts on both bands.  I’ll break down performance by mode and band below.

HD performance

Digital FM

Of course, what I was most eager to explore was FM HD reception from my home. After unpacking the HDR-16, I placed the radio on my kitchen countertop and initiated an HD Seek scan via the dedicated button on the front panel. Couldn’t have been easier.

The HDR-16’s scan/seek functionality is impressively quick.

I quickly found there were a number of commercial radio stations––about four, to be exact––that I could instantly receive with little to no effort. Mind you, I live in a relatively rural market in a mountainous area. No doubt, if I initiated an HD radio search in LA or New York City, the dial would be chock-full of terrific stations.

All of the HD radio stations I received were either local, or powerhouses from neighboring markets. I was disappointed to find that I could not receive my most desired station, WFAE HD2.

I then moved the HDR-16 to a south-facing window and tuned to WFAE’s FM frequency of 90.7. I found I could easily receive the analog station and its RDS information, but still had no option to listen to HD2. After tinkering with antenna position and placement in our kitchen window, a sweet spot for reception was found, and voila! WFAE HD2 came in fully decoded, without any drops.

Recalling the days when I used to tinker with the rabbit ears on a TV, once I found that sweet spot, I carefully left the HDR-16 alone and didn’t move it further. As a result, over the course of the afternoon, I had nearly 100% copy from WFAE HD2.

I knew WFAE was a fringe station and checked their propagation map for HD radio. My location was actually outside of the fringe reception area.  I looked up GPS coordinates of the WFAE 90.7 MHz transmitting site and found it is exactly 101 miles/162 km from my home.

Obviously, the HDR-16 is a sensitive HD radio on FM!

Via the 1/8″ stereo AUX in jack, you can use the HDR-16 as amplified stereo speakers for your favorite portable music device.

Turns out, FM HD reception is pretty flaky when dealing with fringe stations, though.

Over the course of the next weeks, I tried the HDR-16 in different positions and locations.  There was only one spot in my house where the HDR-16 could get reliable reception of WFAE HD2. When I started the evaluation, it was August; our trees were still had a canopy full of green leaves. Sangean kindly allowed me to hang onto the HDR-16 to see if reception improved in late fall when all of the leaves were off the trees. As I write this review, we’re in winter, and the tree branches are bare. But curiously, reception of WFAE’s fringe signal is about the same as before. Nor have I noticed any difference in the reception of other commercial stations.

The HDR-16 accepts four C cells.

My conclusion is that the HDR-16 is a true performer on the FM band in HD mode. I have no other HD radios with which to compare it, but based on what I know about HD radio, this rig certainly exceeded my expectations.

Digital AM

The HDR-16 can also receive AM HD signals. There are far fewer AM HD broadcasters on the air, however. In fact, one of the first in our region dropped their HD coverage last year due to a lack of listeners.

With that said, I’ve read that a number of HDR-16 owners who live in the vicinity of AM HD broadcasters love the fact they get a digital audio quality signal on the AM band. One SWLing Post reader recently told me he even gets the occasional night-time AM HD DX signal with an HDR-16.

There are no local AM HD stations near me, and despite my best efforts, I never decoded an AM HD broadcaster in the evening. Perhaps if I did a little research and planning, then inductively coupled the HDR-16 to a MW mag-loop antenna, it would increase my chances.

Analog performance

FM

I’ve done almost as much analog FM listening on the HDR-16 as I have HD listening.

The HDR-16 can hold its own with most of my portable radios, in that it can receive all of my benchmark FM stations, and even some fringe analog stations.

RDS decoding also seems to be quite effective, even with fringe stations.

AM

AM (mediumwave) performance is surprisingly good. Perhaps my expectations were low, but I expected analog AM reception to be an afterthought. Or perhaps to have acceptable AM HD reception, Sangean had to put some extra effort into overall AM performance. Honestly, I don’t know, but what I do know is I’ve been pleased with the HDR-16 on the AM band. The AGC is pretty stable, noise relatively low, and sensitivity better than on other similar digital radios.

Many of my shortwave portables, like the PL-660, PL-310ET, and PL-880, could outperform the HDR-16 on the AM band, but frankly performance is on a level that it’s going to please most radio listeners. I’ve even had luck getting solid copy from one of my favorite AM DX stations, CFZM (740 kHz) with the HDR-16.

Should you purchase the HDR-16 for AM/MW DXing? No; there are better radios for this exclusive function. But for what I would consider a “bonus” band on a digital radio, I’m very pleased.

Summary

Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget some of my initial impressions. Here’s the list I’ve developed over the time I’ve spent evaluating the HDR-16.

Pros:

  • Excellent FM HD radio reception
  • Excellent FM analog reception
  • Very good AM broadcast band reception for a modern digital portable
  • Good audio from internal stereo speakers
  • Nice carry handle that tucks away
  • Both auxiliary-in and -out jacks for audio
  • Dedicated earphone jack
  • Design is compact, sleek, yet sturdy
  • One of the more affordable HD radio options currently on the market
  • Easy access to bass/treble tone controls through volume multi-function
  • HD seek functions work on all but the most fringe stations

Cons:

  • No ability to internally recharge C batteries
  • No external antenna jack to improve FM HD reception with directional antenna
  • Limited to just 10 memory presets (five for AM, five for FM)
  • Fringe HD stations may continuously flip between digital and analog, annoying when HD station content and analog broadcast content are quite different Update: I recently tried to have the receiver replicate this behavior but it did not, so I’m striking it from the cons list!

Conclusion

Can I recommend the HDR-16? Absolutely.

If you’re looking for an AM/FM HD radio that’s well-rounded, simple to operate, and provides quality audio, I don’t believe you could go wrong with the HDR-16. The HDR-16 has proven to me that it’s a worthy FM HD receiver as it’s sensitive enough to snag fringe HD stations with some reliability. I’m certain I could design a small FM antenna and get 100% copy from my favorite HD station 101 miles from my home.

I think the HDR-16 would be a safe purchase for anyone, as it’s easy to operate, relatively compact, and makes the process of seeking HD stations a breeze.

I’m especially pleased with the HDR-16’s AM analog reception. It pleasantly surpassed my expectations and makes it easy to recommend the HDR-16. The HDR-16 is one of the few HD portables that also includes AM HD reception.

If you’re looking for a well-rounded HD and analog portable, grab the HDR-16. If you’re looking for a mediumwave DX machine, go for a benchmark mediumwave radio instead, like a GE Super Radio, C.Crane CC Radio 2E, CC Radio EP Pro or even a “Holy Grail” vintage Panasonic RF-2200.

I like Sangean’s high gloss finish (though it does show fingerprints rather well!).

I’m very tempted to purchase the HDR-16; I’ve found it difficult to justify, though. Living in a rural location, I have fewer HD stations to choose from––all but one are commercial, chock-full of advertising, and lack any real variety and diversity. I am very pleased with WFAE’s jazz station on HD2, but it’s hard to justify a $100 purchase just to receive one station over the air. Especially since I can easily stream WFAE HD2 from my Sangean WFR-28, Como Audio Solo, or Amazon Echo.

But if I lived in an urban area, with the accompanying diverse radio market, I wouldn’t hesitate to buy the HDR-16.

Here are some retail options for the HDR-16––at the time of this writing, almost all retailers price it at $100–Amazon, New Egg and some eBay vendors offer free shipping:

In closing…I should add that there’s another tempting Sangean HD radio coming just around the corner: the HDR-14. It’ll be priced lower than the HDR-16, and is even more compact, suggesting that it might make an excellent portable for the traveler. I will certainly review the HDR-14 when it’s available, as I’ll be very curious if its equally effective at snagging fringe HD FM stations.  Note that the HDR-14, unlike the HDR-16, has only one speaker, so I doubt audio fidelity will match that of the HDR-16, which should be a better choice for home and local use.

Sangean HDR-14: a new AM/FM HD pocket radio

Many thanks to SWLing Post contributor, Steve Lekuecher, who writes:

A technology forum friend recently noticed Universal Radio listed a new Sangean HD portable (HDR-14) on their website which is very similar in form to the Sangean DPR-65 and I was curious if you are considering reviewing it.

https://www.universal-radio.com/catalog/spcialty/0214.html

Thanks for the tip, Steve! Yes, I’ll certainly review the HDR-14!

I was unaware the HDR-14 was in the works, so I reached out to Sangean who supplied a little more detail.

The Sangean HDR-16 sports stereo speakers, but it limited to five presets per band.

It sounds, of course, like the HDR-14 will retail at a lower price than the larger HDR-16 (which is currently down to $99.99 shipped on Amazon).

I’ve been evaluating the HDR-16 this fall and have been favorably impressed overall.

I expect to post my review of the HDR-16 within the next two weeks.

Sangean plans to start shipping the HDR-14 mid to late January 2018. I’ll order it as soon as it’s on the market. I’m intrigued by the HDR-14 because of its size–very compact. I’m very curious, though, if it can match its larger brother (the HDR-16) in terms of sensitivity and overall performance. We’ll soon see.

Thanks again, Steve, for the tip!

I’ve posted an image of the sales flyer below. Click on the image to enlarge:

Tecsun PL-680 Beats Expectations

 

I have been procrastinating over investing in another portable shortwave radio to replace my ageing (but still going strong) Sangean ATS909. Also known in the U.S. as the rebadged Radio Shack DX–398, the Sangean has been a most reliable rig for in-the-field DXpeditions. My unit is one of the early first generation versions that I purchased on the second-hand market, so I’m guessing it has to be at least 16 years old now. It continues to provide a full rich tone quality on AM/FM and is very sensitive on shortwave providing you use an external antenna of 5 metres (16 feet) or more. The radio received some bad press because of its poor SW reception using just the telescopic rod antenna, which frankly was justified. The in-built whip is useless! But all of my work has been with an external antenna, and the results have been most successful over the years.

But the old ATS909 has lived a hard life, having been bounced around in the car on rough dirt tracks, dropped a few times, and thanks to a recent home renovation project it now has paint splattered all over it. On one occasion, I’d even left it outside on the ground after a spot of gardening, subjecting it to half an hour of heavy rain, before realising my forgetfulness. The radio was soaked but still going strong when I picked it up. However, the digital readout was all messed up. After 24 hours of drying, and it fired up beautifully again, and has been fine ever since! That’s some impressive build quality there! Thanks Sangean!

Anyway, a few months ago I decided to “pull the trigger” and purchased a new Tecsun PL-680 AM/FM/SSB/Air Band radio. This rig has been on the market since around February 2015. So far, it has performed very well for me.

Interestingly, on the built-in telescopic antenna reception is only marginally better than the Sangean, but the Tecsun is really quite sensitive with an external long wire antenna. In fact, I’ve had it hooked up to my three double bazooka (coax) dipoles for 80, 40 and 20 meters, and the performance has been excellent. The tone quality is not quite a good as the Sangean, lacking richness and depth on MW, FM and SW. But for DXing, the audio appears just right for digging out clear audio from the noisy shortwave bands.

pl680-at-the-beach

Recently, I hooked up both portables for a side-by-side comparison using four different external antennas outside the shack with switches between the two radios. I was eager to check how they measured up in terms of sensitivity and selectivity. The results for the Tecsun were impressive, picking up all of the weaker signals that the Sangean could hear.

Indeed, on several shortwave broadcast bands, the Tecsun appeared to be just a touch more sensitive at digging out some of the weakest signals. The audio also appeared a little clearer for those weak signals, perhaps because it has a narrower audio response than the Sangean. And selectivity for the PL-680 was about the same as the ATS909, generally very good.

On the ham bands, however, the SSB audio quality of the ATS909 sounds more pleasant to my ears than the PL680. But the Sangean’s tuning process in SSB is somewhat more cumbersome than for the Tecsun.

The PL-680’s synchronous detector effectively reduces adjacent signal interference. It’s easy to use and is a strong feature in its favor. However, occasionally it can fail to lock on to a weaker signal or when the signal is subject to deep fading. One other characteristic of the Tecsun is that it has a rather overly generous S-meter, hitting S4 or 5 for all but the weakest signals. This is a meter not to be taken too seriously!

But the PL-680 is not without its faults!

Click here to continue reading the full story.

Rob Wagner, VK3BVW, is the author of this post and a regular contributor to the SWLing Post. He also blogs at the Mount Evelyn DX Report.

Battery Endurance Contest Results: Sangean DT-160CL vs Sony SRF-39FP

Sangean_DT-160CL_17

On August 4, 2016, the same day I received my new Sangean DT-160CL, I popped a fresh set of CVS Max Alkaline batteries into the DT-160CL as well as into my trusted Sony SRF-39FP. The mission? To see which radio could perform longest on a set of batteries.

I set my stopwatch as I turned on both radios, tuned to the same frequency, set the volume to the same levels…and waited.

And waited.  And waited.  And as I waited, I posted updates.

But at last, the waiting is at an end:  here are the contest’s final results.

Sangean DT-160CL: Impressive Performance

IMG_9137

On August 9, I reported that the Sangean DT-160CL finally threw in the towel, logging an impressive 116 hours 30 minutes of operating time–!

Without a doubt, this is one of the longest run times I’ve ever experienced from an AM/FM radio with digital display.

Interestingly, the day after the DT-160CL shut down, I turned it back on, and it operated for an additional 45 minutes or so, obviously absorbing a little more voltage from rested cells. During that 45 minutes period of time, the audio and overall performance was respectable. No doubt the DT-160 shuts down before audio is terribly compromised.

Sony SRF-39FP: The Endurance King!

Sony-SRF-39FP

Amazingly, the Sony SRF-39FP kept running well beyond 116 hours. Well beyond…

By Wednesday morning–one full week from the time I began the endurance contest–the Sony SRF-39FP finally began showing signs of low-voltage: the audio had a small amount of splatter and sensitivity began to be compromised.

Unlike the Sangean DT-160CL, which clearly has a cut-off voltage, the SRF-39FP kept milking the battery for its last vestiges of power.

I decided that I would call a “time of death” for this AA battery when the Sony struggled to receive local AM stations, as well as transmission from my in-house SStran AM transmitter.

This happened approximately 163 hours and 54 minutes into its marathon run.

IMG_9142 (1)

This stopwatch app tracked the full endurance test. I pressed “stop” when the Sony SRF-39FP finally gave up.

Wow, wow, wow.  I simply had no idea any portable could operate almost one full week on one AA cell–! 

IMG_9145 (1)

In truth, I’m sort of relieved the ’39FP finally gave up the ghost. I was beginning to think the thing was powered by some supernatural force…

When I started this test, I thought the Sony SRF-39FP was rated for about 40-80 hours of run time on a single battery.  I couldn’t remember where I got that number until I recently re-read this article from The New Yorker, which highlighted the 39FP’s role in correctional facilities:

“The SRF-39FP is the gold standard among prison radios in part because it runs on a single AA battery, and offers forty hours of listening time…”

Wait, just forty hours? Perhaps from the cheapest AA battery made…

With an advanced chemistry cell like the Duracell Quantum or Energizer Advanced Lithium series, you’ll clearly get three to four times that performance.

DX mode

And here’s the thing: I’m convinced I could’ve gotten much more time out of the SRF-39FP.

Like similar Sony portables, the SRF-39FP has a “DX/Local” switch. When set to DX, the receiver is made to deliver maximum performance.

If you’re listening to a local station, however, “Local” mode is a better choice. You’ll still be able to receive your target station, yet draw much less from the battery.

I left the Sony SRF-39FP in “DX” mode for the entire battery endurance test. Had it been in “Local” mode, I believe I’d be reporting an even longer run time. How much longer, I don’t know, but you can bet that my curiosity will soon get the best of me…I plan to do a separate endurance test to find out.

Clear choices for battery longevity

Sangean-DT160CL and Sony SRF-39FPNo doubt, our little test has proven that radios marketed to the prison system do offer excellent battery performance.

Now I’m very curious whether the standard Sangean DT-160 will offer the same battery performance as its clear-cased counterpart, the DT-160CL. The only difference in the two appears to be that one offers a clock, while the other doesn’t. I wonder if that would have any significant difference on battery life.

Additionally, the Sony SRF-39FP has shown us that analog receivers can be much more efficient than their digital counterparts. We’ve known this a long time at Ears To Our World, and which is why almost all of the radios we supply to schools in remote, rural locations are analog.

Sadly, analog radios are getting much more difficult to find these days as DSP-based receivers have become more affordable to produce.

The Sangean DT-160 is available at Amazon.com and Universal Radio. The Sangean DT-160CL (the version tested) is available through Amazon.

Click here to search eBay for the Sony SRF-39FP.

Readers: Know of any other battery-miser radios? Please comment!