Category Archives: Guest Posts

A shortwave solar eclipse for Europe

Hi I’m FastRadioBurst 23 from the Imaginary Stations crew letting you know about this week’s shows. The first  broadcast is to Europe via Shortwave Gold on Sunday 7th April 2024 at 0900/1300 hrs UTC on 6160 kHz and then at 2000 UTC on 6160 kHz and 3975 kHz. Sadly Europe will miss out on the eclipse on Monday 8th so we bring you the next best thing, a shortwave solar eclipse with KSOL – The eclipse edition. We won’t leave you in the dark (well probably for a minute or two) and will supply some tunes to bring you a bit of sunshine.

On Thursday 11th April via WRMI we bring you another episode of The Shortwave Music Library at 0200 UTC on 9395 kHz. Expect the unexpected, as DJ Frederick goes through his record collection and pulls out some eclectic tunes!

More on KSOL here!

For more information on the shows please email [email protected] and check out our old shows here.

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International sounds for the umbraphiles

Hi I’m FastRadioBurst 23 from the Imaginary Stations crew letting you know about this week’s shows. The first  broadcast is to Europe via Shortwave Gold on Sunday 31st March 2024 at 0900/1300 hrs UTC on 6160 kHz and then at 2000 UTC on 6160 kHz and 3975 kHz. This week we will bring you the worldwide sounds of Skybird Radio International. Tune in, chill out and listen to sounds from all around this planet of ours.

On Thursday 4th April via WRMI we bring you another episode of KSOL – The Eclipse Edition at 0200 UTC on 9395 kHz. You could use this show as a rehearsal for the big event on the folowing Monday. You’ll need your solar glasses, telescopes, binoculars and solar filters at the ready and listen in while we bring you some path of totality musical classics. It may go dark for a few minutes but don’t worry, normal service will be resumed!

For more information on the shows please email [email protected] and check out our old shows here.

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Turning those clocks back again

It’s another week gone again and I’m FastRadioBurst 23 from the Imaginary Stations crew letting you know about this week’s shows. The first  broadcast is to Europe via Shortwave Gold on Sunday 24th March 2024 at 1000/1400 hrs UTC on 6160 kHz and then at 2100 UTC on 3975 kHz. This time we turn the clocks back for a bit of time anomaly broadcasting with KTAB. We’re talking old time business with some real oldies but goodies. It’s all about the power of the wireless. Tune in and go way back into time with us.

On Thursday 28th March via WRMI we have a dreamy paradise lost of a show called WSFR – Lost Island Radio at 0200 UTC on 9395 kHz. Get those bags packed and that passport at the ready as you are going to be transported to a dreamy destination far far away.

Don’t worry, you won’t be marooned as we will bring you back safely to your armchair after the hour concludes. Tune into WRMI at the alloted time (Do give yourself enough time to check in and settle down of course) for some paradise island classics.

For more information on the shows please email [email protected] and check out our old shows here.

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Tuning In: An Artistic and Auditory Exploration of Korean Radio by Carlos Latuff

Many thanks to SWLing Post contributor and noted political cartoonist, Carlos Latuff, who shares this special dive into the world of radio both in and targeting the Korean peninsula. His report includes off-air recordings along with his own original artwork.


Koreas’ Radio War

by Carlos Latuff, a special for the SWLing Post

The war that divided Korea in two began in 1950. A truce was signed by both sides in 1953, but a peace agreement never came to fruition. Therefore, North Korea and South Korea remain at war. And this war is not just happening on the ground, but also over the airwaves.

Every day, a battle for hearts and minds takes place on AM, FM and shortwave. Whether the DPRK broadcasts are directed to South Korea, or South Korean broadcasters (including clandestine ones) broadcast to the DPRK.

I bring here a small collection of radio listenings made between February 29th and March 17th, all of them happened in Porto Alegre, Brazil, using a XHDATA D-808 receiver, with long wire antenna (outdoor), except for Radio Free Asia, listened with a Toshiba TR 486 receiver, using a telescopic antenna (indoor). Translations from Korean to English were made using transcription and translation apps.

KBS World

KBS World Radio was created in 1953, the year the truce was signed between the two warring Koreas, under the name “The Voice of Free Korea”, and today, as a public radio station, it broadcasts to several countries in different languages. Its programming includes news, music, variety, and of course, opposition to the DPRK government.

 

As part of the effort to promote “regime change” in the DPRK, the Seoul government, through its intelligence service, maintains clandestine radio stations (“Echo of Hope” and “Voice of the People”) whose role is basically broadcast 24 hours a day anti-Communist propaganda to North Korea, along South Korean and American pop music.

Echo of Hope

Voice of the People

Radio Free Asia

Created by the CIA in 1951, at the height of the Cold War and the conflict in Korea, Radio Free Asia has undergone changes throughout its history, but continues to be operated by the United States government and aims, in its own words, to “provide independent, uncensored and accurate local news” for countries like China, Vietnam and, of course, North Korea. Content directed at the DPRK follows the same principle as South Korean clandestine broadcasters: basically anti-Communist orientation, in order to achieve a “regime change”. The articles broadcasted on the radio are the same as those published on the Radio Free Asia’s website.

KCBS Pyongyang

Korean Central Broadcasting Station (KCBS) Pyongyang is the DPRK’s domestic radio station, whose programming reaches North and South Korea, even being heard in Japan. News about the achievements of North Korean leader Kim Jong-un, music and attacks on Seoul government, seen by Pyongyang as a puppet regime.

Voice of Korea

On October 14, 1945, the year Japan was defeated in World War II, KCBS Pyongyang and Voice of Korea were founded (domestic and international radio stations respectively). Voice of Korea broadcasts programming in several languages ??to the world via shortwave. The content is not much different from KCBS Pyongyang: achievements of North Korean leader Kim Jong-un, attacks on Seoul government and the United States, and traditional/patriotic music.

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It’s shortwave sleepy time again!

Hi all SWLing Post Community, FastRadioBurst 23 from the Imaginary Stations crew letting you know about our shortwave shows this week. The first is another very chilled, dreamy and sleep inducing programme (in the best way possible of course). It’s called WZZZ 2 and is broadcast to Europe via Shortwave Gold on Sunday 17th March 2024 at 1000/1400 hrs UTC on 6160 kHz and then at 2100 UTC on 3975 kHz. More music to snooze to!

On Thursday 21st March via WRMI we have another adventure in sound called WMMR – Mystery Mix Radio. You will only know what tunes will be played if you tune in at 0200 UTC on 9395 kHz. Don’t worry, they will be of the highest quality and of an eclectic mix from very own DJ Frederick. And here’s more on WZZZ:

For more information on the shows please email [email protected] and check out our old shows here.

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Snoozin’ on the shortwaves

Hi all SWLing Post Community, FastRadioBurst 23 from the Imaginary Stations crew letting you know about our shows this week. The first is a very chilled and dreamy WZZZ via Shortwave Gold on Sunday 10th March 2024 at 1000/1400 hrs UTC on 6160 kHz and then at 2100 UTC on 3975 kHz. This is a horizontal themed show and there’ll be lots of tunes to drop off to and songs to dream to. If you love a snooze you’ll love WZZZ!

On Thursday 7th March via WRMI we have the fourth installment of the great Radio Ace. Tune in at 0200 UTC on 9395 kHz for further adventures of Flash Frisbone! And here’s more on WZZZ:

For more information on the shows please email [email protected] and check out our old shows here.

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Bob Reviews the Model L87 Digital Voice Recorder

Many thanks to SWLing Post contributor, Bob Colegrove, who shares the following guest post:


The Model L87 Voice Recorder

Reviewed by Bob Colegrove

L87 Voice Recorder (Source:  Amazon)

Introduction

Whenever I read a radio product review, the author invariably says whether the device has a line-out port.  This seems to say a lot about the importance attached to this feature by a great number of our fellow radio enthusiasts.  Besides audio recording, the port can be used for computer processing of facsimile and teletype signals.  For basic recording, it seems to boil down to three purposes:

  • to provide a permanent archive of some things we have heard,
  • to replay portions of a weak signal to determine its identity, or
  • to share our catches with fellow enthusiasts.

There was a time before cassettes (BC) when I used a mini reel-to-reel tape deck to record radio broadcasts.  This was not much bigger than a cigar box.  It used 3-inch magnetic tape reels.  There was no capstan.  The take-up and supply reels rotated at constant speeds to provide tape motion for recording and rewinding.  Thus, the tape would gradually accelerate past the heads as the diameter of the take-up reel increased.  Consequently, a recorded tape did not travel at a constant speed and could only be played on the original recorder.  I never used it much, and when it stopped working, I never bothered to replace it.

This winter I seem to be focused once again on medium wave DXing, and I began to think a recorder would be useful to help identify stations.  I couldn’t get much of a consensus as to what recorders other hobbyists were using, so I went on the Internet to explore the market.  Long story short, I wound up with an unbranded voice recorder.  Neither the hardware nor the manual gives much of a clue as to who made it.  The state of today’s small electronics market is replete with anonymous items.  Anyway, the price was reasonable, and I have it.

There are probably a dozen or more equally capable recorders currently available, including those from Sony.  So, this is not a model versus model comparison, but rather an enumeration of salient features of the Model L87 Voice Recorder and a conclusion as to its usefulness as an accessory for radio listening.

My recorder is marketed by Amazon [affiliate link] under the brand name of “G” (http://gtoptc.com/).  It has 8 GB of system storage and 64 GB on a removable SD (TF) card.  If you Google “L87 Voice Recorder” you will see that Amazon, Walmart, and eBay sell, what are by all appearances, identical recorders with greater or lesser system memory and different size SD cards.  Some include an external microphone.

Description

To say the voice recording industry has come a long way since my reel-to-reel experience is an understatement.  Digital media, miniaturization, and functionality pretty much sum up the improvements.

This device is billed as a voice recorder.  It is intended to be used in dictation or brought into a classroom, conference, or other meeting to gather an audible transcription of the proceedings.  Attaching it to the line-out jack of a radio is not an application that is listed in the promotional literature.  So, in selecting a device a radio enthusiast must be assured that line-in capability is available.

Also, there is a matter of compatibility.  The L87 voice recorder works very well with the Eton Elite Executive, Tecsun PL-880, Sony ICF-SW7600GR and Grundig Satellit 800.  The recorder was tested on a Sony ICF-2010 and did not work.  Apparently, the 2010s were designed to operate with older recorders having high-impedance microphone inputs.

Specifics

  • Memory – built-in system 8 GB, plus an included 64-GB SD (TF) card, 72 GB total.  This we are told will produce 3,343 hours of recording at 32 kbps.
  • Battery – 500 mAh rechargeable lithium ion, having up to 13 hours continuous recording at 512 kbps, and 24 hours of playback with earphones.
  • File formats – Recording:  WAV or MP3; or it can act as a player for any uploaded MP3, WAV, FLAC, APE, OGG, or WMA file.
  • Recording bit rates – for WAV:  512, 768, 1024, or 1536 kbps; for MP3:  32, 64, 128, or 192 kbps.
  • Gain settings – seven.
  • Voice activation – auto recording begins once the sound reaches a settable decibel level and stops when there is no sound.  Probably of minimal use for the radio monitoring purpose.
  • File management – files are named with a time stamp (year, month, day, hour, seconds).
  • Optional password protection.
  • A-B repeat function – a portion of recording can be blocked for repetition.  The A and B start-stop points do not alter the file and disappear when the file is closed.
  • Physical – dimensions:  4.13 inches long × 1.06 inches wide, × 0.39 inch thick; weight:  2.8 ounces.
  • Numerous other recording settings, including those for noise reduction.
  • First available – April 26, 2022.
  • Website – https://gtoptc.com/.

Experience

Being quite small, ergonomics is a consideration, and may take some practice.  As I am right-handed, I unexpectedly realized that I grabbed this little device in my left hand, like a cell phone.  That leaves my right hand free to press buttons, but I also tend to operate the controls with my left hand.  Like many small travel radios, many buttons are dual purpose, and one must get used to short presses, long presses, and correct button sequences.

As an example of complexity, a change in volume requires a quick press of the VOL button, then repeated presses of the up/down buttons to arrive at the desired level.  Fast forward and rewind are somewhat problematic.  A short press of either button will quit the file you are listening to and queue up the preceding or next file, while a long press will incrementally rewind or fast forward the file you are listening to.

As it is marketed, this is a “voice recorder.”  It provides a line-in capability, but you will have to supply your own stereo patch cord.  Once programmed to line-in, you will not have to reset it when making follow-on recordings.  Although it comes with an internal speaker, you can also swap out the patch cord with earphones for playback without changing any settings.  Just to try it out, I used the built-in microphones to record a radio at normal volume.  While the recording was acceptable, it was prone to any noise produced in the room or pressing recorder buttons.

L87 Buttons and Ports (Source:  L87 Voice Recorder Instruction Manual)

Battery and storage capacity will not likely be a problem, as this device will continue to operate for many hours when properly prepared for use.

The device records in stereo, which likely doubles the file size for our purpose of generally needing only monaural recording.  I have not found a way to change it.  On the other hand, I recorded some classical music content from a local stereo FM station and connected the recorder to a nice set of shelf speakers for playback.  The sound quality of the MP3 file at 128 kbps was excellent, at least to my ears.

The display is quite small, but very sharp and colorful showing essential information such as file name, time, file format, bit rate, and volume setting.

File management is neither intuitive nor very versatile.  I could not find a way to create new folders or move files using the recorder.  Connecting the recorder to the computer, I could create new folders which were recognized in the recorder’s folder function, but the display would indicate an incompatible format when I tried to save a new file to the computer-created folders.  The recorder would however play prerecorded files transferred to the new folder by the computer.  Lesson:  just stick with the basic file functionality and save the manipulations for the computer.

The recorder comes with a USB-C cable which is used to recharge the battery and transfer files to or from a computer.  Or, if the included SD card is used for storage, it can be removed and used on the computer for file transfer.

As a retired technical writer, I tend to be quite critical of user manuals that come with appliances and electronic gear.  This one is only fair – no better or worse than most others I have come across recently.  We’re not just talking picky grammar issues here.  Some explanations are entirely missing, for example how to properly set the recorder input gain.

File Processing

A few years ago, I used an open-source audio file processing program called Audacity to digitize our collection of vinyl and tapes.  Such applications serve as a quick way to process or edit the recorder files, for example, trimming the files to a desired size or normalizing their amplitude.

Conclusion

In retrospect, there are some things I should have recorded off the radio back in the ‘60s and ‘70s.  But the fact that I’ve enjoyed the radio hobby without a recorder all these years probably does not qualify it as essential equipment in my radio shack.  Useful?  Yes.  If you are interested in recording from your radio, and are a frequent traveler, these recorders are convenient, requiring very little space in the bag.  Because of its small size, hand dexterity and attentive thought processes must be developed to use it effectively.  This recorder has amazing capability, is well constructed, and appears to work as intended.

The Model L87 Voice Recorder on Amazon.com (Note: This affiliate link supports the SWLing Post at no cost to you.)

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