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For six-and-a-half decades, Germany’s international public broadcaster has been providing the world with news and information. Deutsche Welle’s offerings are more diverse and widely used than ever before.
“Dear listeners in faraway countries” — with these words from German President Theodor Heuss, Deutsche Welle (DW) began broadcasting on May 3, 1953. Germany’s foreign public radio station was charged with providing audiences abroad with a political, economic, and cultural picture of the country.
DW broadcast via shortwave and initially only in German. The first foreign languages were added in 1954. In 1992, DW expanded into television and, shortly thereafter, the internet.
“Of course the days of just shortwave were easier,” says Deutsche Welle Director General Peter Limbourg. “But thanks to the internet, social media, and our network of partners, we now have the chance to reach significantly more people than we used to. We offer a mix of news, background, and think pieces, presented in a modern fashion and oriented around the interests of our diverse and often very young target audiences.”
Limbourg has been DW’s director general for the past four and a half years.[…]
Many thanks to SWLing Post contributor, Dan Robinson, who writes:
Here’s a blast from the past that might be interesting reading for the SWLing Post.
Back in 1986, just before ending my three year tour as VOA East Africa bureau chief, I had an opportunity to visit Zanzibar, with a group of journalists. Back then, Zanzibar was still under the socialist government in charge at the time, and was still attached to Tanzania’s socialist government.
Zanzibar town was full of old structures, and clay/stucco type buildings [see photo at top of page]–it was a wonderfully exotic place, with pristine beaches. The main hotel at the time was in poor condition — this was way before any of the extensive hotel development that the island has seen in recent decades.
One day we were traveling across the island, but I made a point of stopping at what was then still Radio Tanzania/Zanzibar. This was of course years before that station would become ZBC, which remains on the air today, and that time the power was still far lower than the station we know today that serves some fairly wide sections of East Africa and up into the Gulf region.
I hadn’t remembered snapping this photo, but found it recently while going through some old prints. This is what I believe to be Radio Tanzania/Zanzibar as it looked back in 1986 [see below].
Another photo [below] shows old Zanzibar town (shot taken from just off the shore).
Two other shots [below] show a graveyard on Grave Island, off Zanzibar, with one of the stones belonging to someone named Henry Bodley Carpenter (click here for more info) who served on the H.M.S. Briton and died in 1873.
Thanks so much, Dan, for taking the time to share these photos of Zanzibar with us. I imagine your work with the Voice of America took you to many corners of our wonderful planet!
I still get a small thrill when I put Zanzibar in the logs! Thank you again.
When Deutsche Welle went on the air 65 years ago, the broadcaster opted for a melody from “Fidelio” for its signature tune. Ludwig van Beethoven’s opera is about an act of liberation.
A political prisoner is starved and nearly tortured to death because the prison’s military governor knows that the prisoner could incriminate him. The incarcerated man’s wife masquerades as a young man and, thus camoflaged, makes her way into the dungeon. When the governor attempts to stab the prisoner, the woman jumps between them and pulls out a pistol. At that very moment, trumpets sound out and the Minister, a higher authority, enters the scene. A friend of the prisoner, he recognizes what has been going on and sets the political prisoners free.
At this happy ending of the opera “Fidelio” by Ludwig van Beethoven, Minister Fernando sings the words “Es sucht der Bruder seine Brüder” (The brother seeks his brothers), and continues: “Und kann er helfen, hilft er gern” (And if he can help, he does so gladly.)
The melody to the words is anything but catchy; it is nearly ungainly in fact. Nonetheless, it was chosen as the signature tune when Germany’s international broadcaster began its shortwave radio transmissions on May 3, 1953.
The symbolism in the words
The choice not only had to do with the musical motif, but was also based on the symbolism in the words. Only eight years after World War II’s end, building new friendships and international relationships was no easy task for the new Federal Republic of Germany.
One sought to proceed in a “brotherly” manner with listeners and partners abroad through friendly exchange. Trust was to be built in a fair and impartial sharing of information.
For many years, the melody, played on a celesta keyboard, penetrated the constant ebb and flow of interference noise on the shortwave radio spectrum. It thus made its way to the speakers of shortwave radio sets around the world – often in endless repetitions leading up to the news at the top of the hour.
Click here to download a clip of the DW interval signal recorded on February 22,1982 at 1400 UTC. (Source: IntervalSignal Database)
The broadcaster then had its headquarters in Cologne, and the Beethovenfest classical music festival took place only sporadically in Bonn, 30 kilometers upstream the Rhine.
The move from Cologne to Bonn, and the media partnership with the re-established and much bigger music festival, had to wait until the new millennium. Then it seemed only fitting that Deutsche Welle should once again associate itself with Beethoven.[…]
Many thanks to SWLing Post contributor, DanH, who writes:
I put up a couple of videos on my “Willow Slough DX” YouTube channel nine hours ago that may rate at least an Arte Johnson (Laugh-in) “verrry interestink”. These are two videos of the North Korean shortwave station Voice of Korea operating with their new time zone and on their new schedule.
These are the two most recent videos of SW station receptions that I have posted during the last couple of days.
[The first video] is the VOK shortwave sign-on recorded at the newly scheduled time of 04:00, May 5, 2018 UTC on 15180 kHz. Distance: 5600 miles. Receiver: Sangean ATS-909X. Antenna: suburban 83m horizontal loop. Receiver location: Davis, California, USA. North Korea has changed its time zone to match UTC +9 which is used by South Korea. I was accustomed to tuning in Voice of Korea at 38 minutes past the scheduled hour for the English language news. Now I tune in at 8 minutes past the same hour. VOK broadcasts that were scheduled for 04:30 UTC now begin at 04:00 UTC. At the time I write this VOK shortwave programs listed on Short-Wave.info still show the old times:
[The second video] is the VOK shortwave newscast at the new time of 04:08, May 5, 2018 UTC on 15180 kHz. Some interference is heard half way through the clip:
Thanks for sharing this, Dan! It never crossed my mind that VOK would change their international broadcast time based on the fact they shifted their country’s time zone. From a North Korean perspective, though, I suppose this makes sense. Thanks for the tip!
Nairobi, Kenya | AFP | Burundi’s press regulator on Friday said it was suspending broadcasts by the BBC and Voice of America (VOA) by local radio stations ahead of a constitutional referendum on May 17.
The head of Burundi’s National Communications Council told journalists in the capital Bujumbura that a six-month ban would come into force on Monday.
Karenga Ramadhani accused the BBC and VOA of “breaches of the law governing the press and ethics”.
The BBC, he said, “damaged the reputation” of President Pierre Nkurunziza during a discussion programme and had “ignored” previous warnings.
Burundi’s government earlier this week urged the regulator to “take action” against the BBC which it accused of spreading “incendiary statements… hatred and subversion”.
VOA is accused of spreading “very tendentious” information and hiring a journalist “sought by Burundian justice”.
French broadcaster RFI also received a warning for disseminating “tendentious and misleading” information.[…]
Bills head to Senate accompanied by applause from stakeholders
The House has unanimously passed the Music Modernization Act, a compromise bill that creates a framework for better compensating artists for digital plays of their music and making it easier for music rights organizations to collect those fees from distributors of streamed music like Pandora and Spotify, as they do from traditional plays on TV and radio.
The bill has been billed as the most significant change in music licensing laws in decades, and drew praise from a chorus of stakeholders. It now heads to the Senate, where it is also expected to pass.
It actually incorporates a trio of bills. The base Modernization Act creates a single licensing entity for reproduction rights for digital uses, like those of Spotify, Pandora, Google, Apple and Amazon. It also randomly assigns judges to preside over ASCAP and BMI rate-setting cases, according to the Recording Industry Association of America (RIAA).
Art Bell, a radio host best known for a paranormal-themed nightly show syndicated on hundreds of stations in the 1990s, died at his home in southern Nevada, authorities said Saturday.
Nye County Sheriff Sharon Wehrly announced in a Facebook video that Bell died Friday in Pahrump. He was 72. An autopsy will be conducted to determine cause of death, she said.
Bell hosted the popular radio talk show “Coast to Coast AM” before he left the airwaves in 2002. He broadcast the show from his radio station, KNYE, in Pahrump.
The program focused on Bell’s conspiracy theories and his fascination with the paranormal and unexplained phenomenon such as UFOs and crop circles. He served as his own producer, engineer and host, according to the Las Vegas Review-Journal.
Fans, including celebrities like William Shatner and singer Josh Groban, took to Twitter to praise Bell. Groban recalled staying up late to listen to the host’s “one of a kind” voice and how “his shows were so weird & spooky but somehow managed to hold off your skepticism.”
Former business partner Alan Corbeth said during Bell’s 2008 induction into the National Radio Hall of Fame that nobody was better than Bell at understanding “how to create theater of the mind…”[…]
