Category Archives: FM

A review of the Sangean HDR-14 portable AM/FM HD radio

Late last year, we learned that Sangean was planning to introduce a small portable HD radio to their product line: the Sangean HDR-14. Readers were excited about this release––indeed, I’ve received more inquiries and comments from readers about this radio than about any other HD radio.

While there have been numerous portable FM HD radios on the market over the years, there have been very few compact HD portables that can also pull AM HD signals from the ether. Shortly after Sangean made their announcement that the HDR-14 was forthcoming, I contacted them and requested a review unit. They sent me a review sample from the first production run in May.

Due to my exceptionally busy schedule this summer, it’s taken me longer than I’d like to be able to write up a complete review. On the plus side, while I’ve not had a chance to sit down and write, I have had time to listen; thus I’ve had more on-the-air time with the HDR-14, with the result that my review is built on nearly three months of use.

Initial impressions

Size comparison: Sangean HDR-14 (left) and the C. Crane CC Skywave SSB (right)

The HDR-14 has a practical AM/FM portable radio design: the front panel features a backlit display, speaker grill, power button, memory preset buttons and a few other buttons to control essential functions like tuning, HD mode/channel selection, band, and information display toggle.

Like most similar Sangean radios, the chassis is a hard gloss plastic finish, while the front panel is mostly matte. The buttons are raised and have a pleasing tactile response.

On the left side of the radio you’ll find a coaxial power port (5VDC with a positive tip), volume wheel and headphones jack. I do wish Sangean had used a standard micro USB port, but their alternate choice might be be a result of the fact that USB power supplies are so RF noisy…? This is, however, mere speculation on my part.

On the right side, the only feature is one mechanical key lock switch––a bonus for me, as I prefer mechanical key locks over push buttons.

On the back of the radio you’ll find the usual silk-screened product specifications and model information. You’ll also find the large battery compartment cover which easily slides open to reveal positions for three AA cells.

The telescopic antenna is sturdy and about twenty-five inches in length, fantastic for FM radio reception.

One unique feature of the HDR-14 is that it doesn’t have a tilt-out stand on the back, rather a foot that swings out from the bottom/base of the radio. The foot gives the HDR-14 excellent stability while standing up, say, on a night stand next to the bed. Brilliant addition, Sangean!

Features and specifications

For such a compact portable, the HDR-14 sports a compliment of features:

HD Radio digital and analog AM / FM-Stereo reception
40 Memory Presets (20 FM, 20 AM)
PAD (Program Associated Data) Service
Support for Emergency Alerts Function\
Automatic Multicast Re-Configuration
Real Time Clock and Date with Alarm and Sleep Function
2 Alarm Timer by Radio, Buzzer
HWS (Humane Wake System) Buzzer and Radio
Snooze Function
Information Display for Channel Frequency, Call Sign, Radio Text, Audio Mode, Service
Mode, Signal Quality and Clock Time
Easy-to-Read LCD Display with Backlight
Low Battery LED Indicator
I/O Jacks: DC In, Headphone and HD / FM Rod Antenna

The clock and alarm features make the HDR-14 ideal for travel. Sangean’s “Human Wake System” is one of the best wake up alarm systems I’ve ever used on a radio: the buzzer alarm sound will slowly increase in volume for 1 minute, then stop for one minute of silence, and repeat up to one hour. Of course, this will wake most of us on the first go. If not, it’s patiently persistent, but a gentle way to wake: I like this.

The internal speaker is well balanced though it lacks any notes of bass. Still, music is quite pleasing, and the spoken word sounds brilliant and clear. Note that my expectations for audio fidelity are always fairly low from radios in this size class (although the Sangean WR-7 showed me that compact radios are capable of amazing fidelity).

Operation

Tuning the radio and storing frequencies to memory are each straightforward and simple.

Keep in mind, however, that the Sangean HDR-14 can receive both AM and FM radio in analog and HD. On either band, if you tune to an analog station with accompanying HD channels that can be received, the HD Radio logo will flash on the display, indicating that the signal is blending from analog to digital. Once the radio locks onto the HD signal, the HD Radio logo on the display will cease flashing and appear steady.

Saving a station to a memory is simple: 1) tune to a frequency, use the page button to select the desired memory page of five presets; 2) press and hold the button where you would like to store the frequency, and when you hear a beep, the station has been stored. If you chose, for example, the third page and first memory position, “31” (indicating “page 3” and “memory 1,” respectively) will appear on the top line of the display. After entering your presets, you can then recall a station by selecting a page and simply pressing the preset.

The HDR-14 does have a useful “HD Seek” function that searches for HD signals automatically. In addition, there is an HD Auto Preset System that will scan the band for HD signals, then auto-store them in memory presets according to their signal strength. The first memory on the first page will be the strongest station received.

If the HDR-14 acquires an HD station that multicasts (and in my market, most do), the display will note “HD1,” “HD2,” or “HD3,” based on the number of multicast HD signals per broadcaster. You can flip through these with the tune up/down buttons once the display indicates multicast signals.

The HDR-14 also features an alpha-numeric RDS system which makes identifying the station and even their programming/music quite easy. I find that the RDS decode is quite good: it works on even marginal FM signals.

Performance

The last Sangean HD radio I reviewed was the HDR-16, and I was impressed by its performance. As you can imagine, my hope was that the HDR-14 would pack the HDR-16’s performance in a smaller package…So, did it?

Let’s just say it comes quite close.

The HDR-16’s analog AM broadcast band performance is, overall, better than that of the HDR-14. The HDR-14 isn’t poor, but its noise level is slightly higher than the HDR-16’s. I can’t say I’m disappointed with the HDR-14’s analog AM performance, however; it’s just what one would expect. I do wish it had impressed me.

I’ve only received one AM HD signal with the HDR-14, so I can’t comment on the AM HD performance other than to say I was impressed with the steady HD lock. I listened to WWFD in Germantown, MD: I could receive the station both day and even at night when power output was decreased dramatically. I find that AM HD sort of boggles the mind; it’s odd listening to a clear, static-free signal on the AM dial.

Click here to view on YouTube.

I’ve had several SWLing Post readers tell me they were impressed with the HDR-14’s ability to acquire AM HD signals. One reader added that it’s the best he’s ever used…wow! As I travel this year, I hope to snag a few more AM HD signals myself.

The HDR-14 is a very sensitive FM analog receiver. I find that I can receive all of my benchmark local and distant analog FM stations. The HDR-14 seems to be every bit as good as the HDR-16 in terms of sensitivity.

One caveat is that when I tune to an FM analog signal which happens to be adjacent to a strong FM station, sometimes the strong adjacent station bleeds into the audio. FM selectivity isn’t as good as the HDR-16.

In terms of FM HD performance, you might recall that in my review of the Sangean HDR-16, I mentioned that one of my benchmark distant HD FM stations is WFAE HD2. WFAE’s transmitter is just over one hundred miles from my home shack, and I’m well outside even the the fringe reception area. I’m pleased to note that, on more than one occasion, from my porch, I’ve gotten a reliable HD lock on WFAE with the HDR-14. I’m convinced that when the leaves fall off the trees this fall (they do attenuate signals) reception will be fairly near to reliable.

Listening to the HDR-14 from a hospital room.

While waiting for a block of time to pen this review, I’ve spent a lot of time tuning to FM HD signals in a least five different urban and regional markets in two countries. And I can say I’m very impressed with reception; the HDR-14 seems to snag every available HD signal.

Summary

Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget some of my initial impressions. Here is the list I formed over the time I’ve spent evaluating the HDR-14.

Pros:

Excellent overall FM Analog and HD performance
Excellent AM HD reception (a stand-out for pocket sized HD receivers)
40 memory presets
Built-in speaker has first-rate fidelity for spoken word and music (see con)
Uses standard AA cells
Excellent build quality
Gentle but persistent alarm
Useful swing out stand for bedside listening and alarm usage
Compact form factor, ideal for travel

Cons:

AM analog performance is acceptable but not for weak-signal work
FM Analog selectivity is mediocre, some strong adjacent station bleed-through
Built-in speaker lacks bass response, so not optimal for all music listening (see pro)

Conclusion

While I have mixed feelings about digital radio in general––but especially In-band on-channel (IBOC) HD radio––I do love exploring all that over-the-air radio has to offer. Like it or not, HD radio is a part of that landscape for the foreseeable future.

HD Radio has opened up a few alternative music stations that otherwise I’d never have discovered in my local market. In addition, I find that NPR and public radio stations often multicast commercial-free talk, jazz, and classical music, which makes HD Radio a worthy addition at home and while I travel. In large urban markets, HD Radio certainly increases the number of available commercial options sometimes by a factor of two or possibly more.

If you like chasing AM and FM HD signals, you’ll be very pleased with the HDR-14. It’s first rate, and I recommend it.

The Sangean HDR-14 RDS display (Photo: Thomas)

I’ll close by adding that I continue to be impressed with Sangean as a company. They’ve always been one of the quality leaders in the portable radio marketplace, and still make products with the radio enthusiast in mind––something of a rarity these days. I always look forward to seeing what they’ll come up with next!

The Sangean HDR-14 can be purchased at a number of retailers including:

Click here to check out the Sangean HDR-14 on Sangean’s website.

Credit card radios: Paul seeks info about the “SW One-Station Radio Clip T2”

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The Sony SRF-201

Many thanks to SWLing Post contributor, Paul, who writes:

On a recent visit to London’s Design Museum, I was thrilled to see a number of very interesting radio designs and models, some of which were familiar, and others I had never seen before.

Two which caught my eye were tiny Sony models from the mid 1980s.

The Sony FM RADIO SRF-201

One – the Sony SRF 201 -seems to be a little more well-known, and I’ve found plenty of information about it online, including some for sale, although it seems that the internal battery in most models is shot.

The SW One-Station Radio Clip T2

The other, which I’ve not found much about yet, and am hoping you or your readers might help with, seems to be known as ‘SW One-Station Radio Clip T2‘. It looks as though it might be a branded/promotional model for Radio Tampa, and seems to be pre-set to, or allows tuning on, shortwave between 3.945/6.115/9.760 MHz. Possibly this one is more recent than the 1980s, looking at the earphones.

I’m having trouble finding much online about the second radio, and wondered if you could help shed some light on it? I can’t even find a ‘Radio Tampa’!

Unfortunately, while the museum has great iPads at each section with some more information, the unit at the Sony section was not functioning!

Post readers: If you can shed some more light on the SW One-Station Radio Clip T2, please comment!

Thanks for sharing this, Paul. I have a soft spot for credit card radios since I used to sneak one into my 5th grade class and listen to FM stations. Somehow, I never got caught!

A review of the Tecsun R-9012 shortwave radio

19 Replies

Many thanks to SWLing Post contributor, Laurence Neils, who shares the following guest post:

A review of the Tecsun R-9012

by Laurence Neils

I have cheap radios. I can’t really justify buying more expensive ones given how much time (not all that much) I spend listening to the short wave broadcasters. The consequence of this is that, when I do listen to shortwave stations, I have the rather standard ultraportables to listen on.

My go-to radio is the Tivdio V-115, which has pulled out quite nice reception for me, and offers several functions I like a lot. However, it was missing one that interested me the most: analog or analog-like tuning. If I want to listen to something, I either have to know its frequency and try it, or I have to let the radio do an automatic scan. While it’s quite good at pulling out stations and letting me hear them, it can take a few minutes to do a full scan, and canceling it doesn’t result in the part scanned so far to be stored. Very few stations I am interested in hearing are convenient to jump into several minutes after they start (my interest is in spoken content rather than music, and neither news nor stories make a ton of sense if the introductory information was not heard).

From a recommendation here on the SWLing Post, I chose to purchase a Tecsun R-9012 radio to help me do a convenient scan, which is useful because it allows me to find stations without knowing their frequency, and leaves me to not remember all seventy frequencies a certain broadcaster is using this year.

Physical Description

When I bought my Tecsun R9012, it arrived quite quickly from Amazon. It included a short manual, whose contents could be loosely paraphrased as “insert batteries and turn on”. Other than that, the radio is all that’s there.

The R9012 is relatively small, but not as thin or compact as the Tivdio, which will be my main comparison unit for this review. It is your basic rectangle form factor, and about the size of the small tape recorders that were the last to be phased out for portable recorders. It would be easy enough to put this in a backpack, jacket pocket, or glove compartment, but you have no chance comfortably fitting it into a standard pocket. On the back, there is a flip-out kickstand that can hold the radio at about thirty degrees from horizontal and the battery compartment. This radio is powered from two AA batteries.

The right side of the R9012 contains the analog tuning knob, which I will discuss quite a bit later, and the power switch, which is not connected to anything else (not integrated into the volume knob or mode selector).

The left side gives you a 3.5mm audio out jack. This supports all the headphone types I’ve tried. One benefit of this radio is that headphones with integrated microphones, such as the ones that come with the iPhone as well as various sets that are intended for phone use, will work with it. Some other radios won’t work well with that type of headset. The Tivdio, for example, will play through the headphones but forgets to turn off the speaker if there is a microphone on them, making the headphones pretty much pointless.

Next to that jack is a power port, supposedly to recharge the batteries. A connector for this is not included, nor do they seem to sell one. I suppose the theory is that you might already have a suitable one in that box of old cables we all have, but I can’t see this as a particularly useful feature given the RFI you’ll get if you connect a radio directly to the mains to recharge. Above the ports is the volume knob, which is a very basic analog one, and then the wrist strap, which is integrated into the case. There doesn’t seem to be a way to remove or change it, should you desire that.

On the front of the radio, the speaker takes up the left half. This is fine for standard listening, but don’t expect wonders of audio fidelity. On the right half, there is the twelve-position mode switch (from left to right, FM, MW, SW from low to high frequency) and the tuning display.

FM performance

The Tecsun has a standard FM function, with stated coverage from 76 to 108 MHz. This is the leftmost position on the mode selector. The band is not divided into multiple switch positions, meaning that stations will be relatively packed into dialing space when compared to shortwave, which is spread across ten bands.

I didn’t buy this radio to use it for FM. I have very little interest tuning for FM stations. Some people may enjoy the experience of manual tuning for a station they can locate quickly, but I’m not one. I can easily type the frequency I want on my Tivdio, and I intend to keep doing that for FM. I mostly intended to test FM performance on the R9012 because I was curious to see whether there would be anything audible in the 76-87 MHz section. I know that our TV standards have switched off using analog audio, so I assumed there would be nothing, but I’d never formally put that to the test.

FM on the R9012 has problems. In fact, it has a lot of problems. Among other things, the FM process on this radio doesn’t seem to have a very good idea where things are. I’d be tuning through looking for some station and I’d find it…only to see that I was in a completely foreign part of the spectrum where that station had no business being. It seems that, unless you’re very focused in on a station, the R9012 is liable to pick up some other broadcast and layer them on top of each other. Never mind that the broadcasts have nothing to do with each other and aren’t anywhere near each other on the band. If you have a specific station you want, you can tune to it and have no problems. If you want to see what’s there, you’ll have a very fun time listening to stations that you might want to listen to, only to find that that was an image, you’ve lost it now, and you can’t find it again.

Sometimes, I managed to find a part of the spectrum that gave me three different images simultaneously. Ironically, the broadcast I intended to use as my landmark, the local classical music broadcast, which is located very close to the middle of the FM spectrum, was strong enough or at a coincidental frequency that I identified images of it at six different places on the scan, in addition to where it should be. So I got my answer about 76-87 MHZ. According to the R9012, there’s a lot of signal there. It’s just coincidence that it sounds exactly the same as standard FM broadcasts with extra static.

FM performance gets worse: this radio is extremely sensitive to location.

In order to get nice reception, you have to have the radio in a good position. This seems to be completely random. Standing up so the antenna lies flat on the top, but is not extended produces almost silence. Lying down so the antenna is touching the table (not a metal table) or chair (not a metal chair) causes most signals and images to come through quite clearly. Extending the antenna to medium length helps reception. Extending it all the way introduces a lot of interference. On FM, volume also changes a lot. We may reasonably expect for the signal to change if we connect something conductive to the antenna by, say, touching it with our conductive fingers. Maybe reception will get more static, or maybe it will in fact improve. What we don’t expect is for the broadcast to switch from comfortable volume to let’s see if we can get you some tinnitus volume. Unfortunately, that’s sometimes what happens on FM if you touch the R9012’s antenna. Or tilt it a bit in the wrong direction. This doesn’t seem to happen much if it is tuned onto a station, but if it is anywhere in the middle or if there’s some static, the volume change is very noticeable, in that it makes you want to get the radio off as soon as possible.

In summary, this radio just can’t really do FM. If your other radios are broken, you’ll be fine by using this, but don’t buy it if you intend to do FM things.

Mediumwave performance

The MW frequencies are mostly there, with stated specs including from 525 to 1610 kHz. While there are broadcasts between 1610 and 1710 KHZ, that’s not a ton of the spectrum. I don’t have much interest in MW. I tested the radio’s performance, and it seems fine. Strong stations come in loud and clear. Stations that have low broadcast powers are easy to tune in. I was able to get some skywave MW in here as well, but I really don’t have any interest in that. I was able to verify, however, that the terrible effects that plague FM performance don’t appear on MW. I got no images of distant stations, no rapid volume switches, and the position of the radio doesn’t seem to affect MW reception all that much. Perhaps this is due to the different antenna that most radios employ in tuning MW. However, the manual doesn’t say whether this radio has such an alternative antenna and I haven’t gone to the effort of disassembling it to find out.

Shortwave performance

Once again, the crazy stuff seen on the FM band doesn’t appear during shortwave listening. I was able to tune in quite a few stations, although this probably isn’t a DX-capable device unless you’re willing to go out into RFI-free areas. That sounds enjoyable, but it’s not really my thing. When I got signal, it came in quite clearly. I got very little interference from the device itself, although it does seem quite susceptible to RFI from power lines. Of course, so is everything else, but if you put its antenna closer to a line, you’d know it.

Frequency coverage

Shortwave is covered in ten bands that allow access to the more populated areas of the spectrum, but have many gaps. Certain descriptions claim that the radio has coverage from 3.90 to 21.85 MHz. This is so misleading I’d be willing to call it a lie. The actual ranges are as follows:

SW1: 3.7 – 4.10Mhz
SW2: 4.75 – 5.06Mhz
SW3: 5.95 – 6.20Mhz
SW4: 7.10 – 7.30Mhz
SW5: 9.50 – 9.90Mhz
SW6: 11.65 – 12.05Mhz
SW7: 13.60 – 13.80Mhz
SW8: 15.10 – 15.60Mhz
SW9: 17.55 – 17.90Mhz
SW10: 21.45 – 21.85Mhz

So what if most signals are in there somewhere? Those gaps are very large. For example, the only broadcast frequency for WWV that would be covered on this set is the 5MHZ one. 10, 15, and 20MHZ are all located in various gaps on the bands.

This turned out to be quite annoying. I know that these are standard areas of the spectrum, in which people place a preponderance of broadcasts, but the fact remains that a lot of broadcasts occur between the bands on this set. I checked the A18 shortwave schedule to identify how crazy I was. Of the 5530 broadcasts that were listed between the limits of 3.90 to 21.85 MHZ, 1870 of them or 33.8% of the total, are outside the range of this set.

It strikes me that the largest band on this radio covers only 500 kHz of space, whereas the smallest gap between bands covers 750 kHz. In many cases, bands cover only 100 kHz of bandwidth. While I guess it’s better that they’re there rather than their being completely absent, perhaps some effort could have been done to open that up a bit more. I quickly analyzed where missing signals were, and if Tecsun could extend the 5.95-6.20 MHz band down to 5.8 MHz, 7.10-7.30 up to 7.60 MHz, expand the 9.5-9.9 band, and give an extra 50 kHz to the 11.65-12.05 band, most of the missing spectrum, nearly a thousand broadcasts, would be brought back into coverage. This could be done and still keep the maximum band width at 500 kHz. Therefore, as they didn’t seem to feel this an important issue, it falls to me to consider it so.

Manual tuning

So I bought this to tune manually. It stands to reason that I should review how well it does that.

The analog dial is on the right, and protrudes outward. Once again, the knob does its job, but not all that well. It was very easy to use this to pan through the spectrum and pick up stations, but the wheel doesn’t make it all that easy to do so quickly. You have to turn it by grasping, as the wheel has a fair bit of resistance. I don’t doubt that this feature helps to keep from knocking it off frequency, but you have to use two fingers to rotate freely, and that slows the process down. Meanwhile, the wheel has a rather disconcerting way of stopping, where the wheel seems to have hit an obstruction. However, this essentially increases the resistance, rather than feeling like a barrier. It’s noticeable, but it feels like something’s blocking the turning mechanism, rather than that the mechanism has reached its limit. Actually, it is possible to keep turning the dial, which I assume will eventually damage something, but if you’re not used to how it feels, you may do so without realizing that you’re not actually going anywhere.

The wheel has quite a bit of travel. On my set, it will rotate about three full turns. I believe this is necessary because all of FM, including the standard and Japanese bands, is in one section. Therefore, the wheel needs to be able to turn a lot in order to separate those stations. However, this means that panning over a shortwave band that covers at most 500 kHz of spectrum includes a great deal of panning over static. This works to scan quickly, but there are undoubtedly even faster ways to do so.

Conclusions

It’s a radio. It will pick up stations and make noise. In that, it works. However, this isn’t exactly a great set. The $22 price tag may forgive some of its flaws but not all of them.

Radios like the Tivdio models cost similar amounts and cover the spectrum more fully with some extra features. When I purchased this model, I expected the lack of features to be made up by convenient scanning over shortwave, relatively good sound, and relative disposability. I got enough for me to keep the set, but nothing more.

Pros:

Mediumwave is rather sensitive for those who enjoy listening to those signals.
Radio has a kickstand and the antenna can be rotated freely.
Radio supports headphones with inline microphone.

Cons:

FM is plagued by images of other stations that should not be there. This is rather bad.
FM is far too sensitive to antenna position.
Shortwave coverage, while it includes most of the spectrum in use, has big gaps that are actually being used by a lot of broadcasters.
Analog tuning works, but not really well. The knob can turn but does so with effort.

Would I recommend people to purchase this? Probably not.

Those who have higher-priced devices will get nothing from this. Those getting into the hobby aren’t going to get a ton of benefit from this, because tuning on shortwave requires enough familiarity with dial position that they may spend too long figuring it out. It would be useful on FM only if most other radios have been broken. It’s not even that good as an emergency set because of the FM sensitivity problem.

If all you want is analog tuning over the bands that are provided, the radio will do it for you. If you want more, buy something else.

Thanks for sharing your evaluation Laurence. Thanks for focusing on one of the points that is often overlooked with analog radios: the frequency coverage on various shortwave bands. The R-9012 does seem particularly segmented.

Tecsun R-9012 retailers:

Amazon.com (affiliate link)
eBay

Post readers: Do you own the R-9012? What are your thoughts? Please comment!

Do you like the SWLing Post? Consider supporting us via Patreon or our Coffee Fund! Thank you!

Jason gives a favorable review of the Sangean DT-120

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Sangean DT-120

In reply to Olivier’s post about the Sony SRF-M95, SWling Post contributor, Jason, notes:

Another amazing AM ultra light performer, the Sangean DT-120 or DT-180

I have the DT-120 in my pocket and it has got many hours of use. Travelling in outback Australia in April/May I was very impressed with it’s performance on AM.

Camped at the Devils Marbels 412km north of Alice Springs, I could receive it’s 783 kHz AM signal OK, weak obviously but definitely listenable. Of course the signal from Radio National at Tennant Creek on 684 AM was stronger, since it’s only 100km to the north of Devils Marbles.

Very happy with the little Sangean. It’s by far and away the pocket radio with the best DX reception I’ve ever owned, but the Tecsun R-209 and the Sangean SR-35 are probably the two best AM DX pocket radios with a speaker.

One day I will pick up a Sangean DT-250, but it’s probably not much better than the Sangean DT-210 I already have, which is another good choice with a speaker.

Thanks for sharing your comments, Jason! And, wow, I’d love to make that camping pilgrimage to the Devil’s Marbles–sounds remote and fantastic!

If you like ultralight radios like the Sangean DT-120, check out our endurance test of the Sangean DT-160CL and Sony SRF-39FP.

Guest Post: A DSP Hi-Fi “Stupid Radio Trick”

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Many thanks to SWLing Post contributor, TomL, who shares the following guest post:

Stupid Radio Trick – DSP “Hi-Fi”

by TomL

If you can remember the 1960’s, there was an audiophile rage going on called Hi-Fi. The base unit consisted of a ponderous piece of furniture consisting of a rectangular cabinet and equally large mellow sounding speaker of fairly smooth frequency response, say in the range of around 40 – 15000 Hz. They would have a built-in radio (using vacuum tubes) with large analog scale. Most would also have a “record player” embedded on the top to spin some vinyl discs (78 or 33 rpm).

For pedestrian consumers, it became a decision of how to keep up with the Joneses, so-to-speak. And that meant a trip to Sears to look at the latest offerings. When the decision finally came to purchase, of course no one could buy it outright. So, to add to the suspense, one had to put money down on “Lay-A-Way” plan that did not allow you to take possession of your prized choice until the last monthly payment! One had to visit or mail in a check every month.

So where am I going with all this? Well, as you can see from the photo [above], I have purchased three portable radios for three very different purposes. All three were painstakingly studied and reviewed and weighed against all other possible choices. All are highly rated by the usual reviewers like RadioJayallen, SWLing Blog readers and other internet personalities. The Sangean is for home use and listening to baseball games when I did not want to fire up the stereo hooked up to the Grundig Satellit 800. The small Sony ICF-19 is a phenomenal knock around radio for the car and listening while out to lunch or a walk in the park. The large Tecsun S-8800 is a possible replacement for my ailing 20+ year old Sony ICF-2010 for shortwave use.

Well, I was tired of listening to any one of them in terms of sound quality. The Sangean has too much upper bass/lower mid range, the small Sony is very carefully maximized for total speech clarity, and the Tecsun seems to lack a little in the mid range frequencies (compared to highs and lows). Staring at them, I thought to self, “What if I turn on the Sangean and Sony together???” What ensued was a revelatory sonic experience (it sounded pretty good)! One seemed to fill in the other in certain ways. But it was not perfect.

Duh, I had the new Tecsun in a carry case while trying to decide if I send it back for a tuning quirk and dug it out and plopped it on top. Turning it on, I heard more lows and highs, just like a Field Radio should have but with the mid range filled in! After very careful volume adjustment, I now have something that could rightly be called DSP Hi-Fi. At least, that is what I am calling it for now. ?

Violin and piano pop-out of an orchestra but not too harsh sounding. Rock & Roll sounds loud and punchy without that boombox effect. Bass lows are there (could be better, now all I need is a small subwoofer connected to the Tecsun line-out ???). Highs are there too but well controlled. Mid range voice clarity is stunning, as if someone is in the room with me but not sounding too forward! It is not room-filling but acts more like a near-field monitor. I like that I can line-up the speakers over each other.

The really fortunate thing is that all three radios have complete DSP for FM and receive my favorite over-the-horizon station with very similar reception quality. Also, they process DSP with a similar delay before output to its respective speaker. The sound is fairly coherent and even though it is still mono output, the full range of musical fidelity can be appreciated better. It is not audiophile quality but it is very satisfying and I can actually hear more details in the music than with any one of the radios by themselves. Just goes to show you that you CAN teach a new Radio dog old Tricks (LOL)!

Happy Listening,

TomL

I love it, Tom! Thanks for pointing out that sometimes it takes a “stupid radio trick” to really produce some amazing audio fidelity! This reminds me that in the early 90s, I used to have a Zenith Transoceanic and RadioShack DX-440 on my radio table in my room. If I recall correctly, the Zenith was on my left and the DX-440 on the right. I used to tune to shortwave, MW and FM stations and produce a makeshift “stereo” effect by playing both at the same time. Sometimes, on shortwave, it actually helped me discern voices in weak signal work!

Thanks again, Tom!

Olivier is pleased with the Sony SRF-M95, shares internal photo

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Many thanks to SWLing Post contributor, Olivier Tkaczuk (F4BXV), who writes:

Hello, my name is Olivier TKACZUK 36 years F4BXV and I live in the north of France.

Just to present my last Sony SRF-M95 AM/MW bought on eBay for 13 euros.

[I regularly receive] Absolute Radio in England…and also Radio Nacional de España.

[H]ere is an internal photo:

Thank you for your website it gives me taste on the radio.73’s Olivier F4BXV

Many thanks, Olivier! I’ve always loved this über-compact AM/FM radios. They remind me of the small radios I used to sneak into school when I was a kid! Sounds like the SRF-M95 is a capable little receiver as well–thanks for sharing the photos.

Glad you’re enjoying the SWLing Post!

Click here to search eBay for the Sony SRF-M95.

Full text of the PIRATE Act (H.R.5709)

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Many thanks to SWLing Post contributor, Ulis (K3LU), who shares a link to the full text of the H.R.5709 – PIRATE Act–a bill to “amend the Communications Act of 1934 to provide for enhanced penalties for pirate radio, and for other purposes.”

Here’s an excerpt from the preface of the bill:

SECTION 1. SHORT TITLE.

This Act may be cited as the “Preventing Illegal Radio Abuse Through Enforcement Act” or the “PIRATE Act”.

SEC. 2. PIRATE RADIO ENFORCEMENT ENHANCEMENTS.

Title V of the Communications Act of 1934 (47 U.S.C. 501 et seq.) is amended by adding at the end the following new section:

“SEC. 511. ENHANCED PENALTIES FOR PIRATE RADIO BROADCASTING; ENFORCEMENT SWEEPS; REPORTING.

“(a) Increased General Penalty.—Any person who willfully and knowingly does or causes or suffers to be done any pirate radio broadcasting shall be subject to a fine of not more than $2,000,000.

“(b) Violation Of This Act, Rules, Or Regulations.—Any person who willfully and knowingly violates this Act or any rule, regulation, restriction, or condition made or imposed by the Commission under authority of this Act, or any rule, regulation, restriction, or condition made or imposed by any international radio or wire communications treaty or convention, or regulations annexed thereto, to which the United States is or may hereafter become party, relating to pirate radio broadcasting shall, in addition to any other penalties provided by law, be subject to a fine of not more than $100,000 for each day during which such offense occurs, in accordance with the limit described in subsection (a).

“(c) Facilitation.—Any person who knowingly and intentionally facilitates pirate radio broadcasting shall be subject to a fine of not more than $2,000,000.

“(d) Annual Report.—Not later than one year after the date of enactment of the PIRATE Act, and annually thereafter, the Commission shall submit to the House Committee on Energy and Commerce and the Senate Committee on Commerce, Science, and Transportation a report summarizing the implementation of this section and associated enforcement activities for the previous fiscal year, which may include the efforts by the Commission to enlist the cooperation of Federal, State, and local law enforcement personnel (including United States Attorneys and the United States Marshals Service) for service of process, collection of fines or forfeitures, seizures of equipment, and enforcement of orders.

“(e) Enforcement Sweeps.—

“(1) ANNUAL SWEEPS.—Not less than once each year, the Commission shall assign appropriate enforcement personnel to focus specific and sustained attention on the elimination of pirate radio broadcasting within the top five radio markets identified as prevalent for such broadcasts. Such effort shall include identifying, locating, and taking enforcement actions designed to terminate such operations.

“(2) ADDITIONAL MONITORING.—Within six months after conducting the enforcement sweeps required by paragraph (1), the Commission shall conduct monitoring sweeps to ascertain whether the pirate radio broadcasting identified by enforcement sweeps is continuing to broadcast and whether additional pirate radio broadcasting is occurring.

“(3) NO EFFECT ON REMAINING ENFORCEMENT.—Notwithstanding paragraph (1), the Commission shall not decrease or diminish the regular enforcement efforts targeted to pirate radio broadcast stations for other times of the year.

“(f) State And Local Government Authority.—The Commission may not preempt any State or local law prohibiting pirate radio broadcasting.

“(g) Revision Of Commission Rules Required.—The Commission shall revise its rules to require that, absent good cause, in any case alleging a violation of subsection (a) or (b), the Commission shall proceed directly to issue a ‘Notice of Apparent Liability’ without first issuing a ‘Notice of Unlicensed Operations’.

“(h) Pirate Radio Broadcasting Database.—

“(1) IN GENERAL.—Not later than 90 days after the date of the enactment of this section, and semi-annually thereafter, the Commission shall publish a database in a clear and legible format of all licensed radio stations operating in the AM and FM bands. The database shall be easily accessible from the Commission home page through a direct link. The database shall include the following information:

“(A) Each licensed station, listed by the assigned frequency, channel number, or Commission call letters.

“(B) All entities that have received a Notice of Unlicensed Operation, Notice of Apparent Liability, or Forfeiture Order by the Commission.

“(2) CLEAR IDENTIFICATION.—The Commission shall clearly identify in the database—

“(A) each licensed station as a station licensed by the Commission; and

“(B) each entity described in paragraph (1)(B) as operating without a Commission license or authorization.

“(i) Definitions.—In this section:

“(1) PIRATE RADIO BROADCASTING.—The term ‘pirate radio broadcasting’ means the transmission of communications on spectrum frequencies between 535 to 1705 kHz or 87.7 to 108 MHz without a license issued by the Federal Communications Commission, but does not include unlicensed operations in compliance with part 15 of title 47, Code of Federal Regulations.

“(2) FACILITATES.—The term ‘facilitates’ means providing access to property (and improvements thereon) or providing physical goods or services, including providing housing, facilities, or financing, that directly aid pirate radio broadcasting.

“(3) KNOWINGLY AND INTENTIONALLY.—The term ‘knowingly and intentionally’ means the person was previously served by the Commission with a notice of unlicensed operations, notice of apparent liability, or citation for efforts to facilitate pirate radio broadcasting.”.