Carlos’ Shortwave Art and Recording of Okinawa Fishery Radio

Many thanks to SWLing Post contributor and noted political cartoonist, Carlos Latuff, who shares yet another example of his radio log art, this time for Okinawa Fishery Radio. Carlos notes:

Okinawa Fishery Radio Station, Okinawa, #Japan, 8761 kHz (USB), broadcasting weather reports and navigation alerts to Japanese fishing boats.

Heard in Porto Alegre, Brazil, Feb 9, 2022, 08h59 (UTC).

Click here to listen on YouTube.

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HF Monitoring in Ukraine?

Many thanks to SWLing Post contributor, Al Hearn, who writes:

Given the emerging situation in the Ukraine, I would appreciate any tips and suggestions that you might offer directly or on your blog as to what we might find interesting in terms of SWL — related broadcast stations, pirate stations, unencrypted government stations, ham nets, or numbers stations that might be monitored for increased activity. KiwiSDR could be an important tool in such monitoring.

Thank you for any information you can provide.

Al Hearn
WA4GKQ

You are not alone in asking this, Al. Indeed, I’ve gotten a numerous inquiries as of late and as tensions continue to rise along the border.

There are numerous KiwiSDRs in the region and throughout Europe that should be positioned well for monitoring pirates, hams, etc. (see map at top of post).

A reminder that the RTL-SDR blog did share a note of caution recently for SDR users in the Ukraine.

Of course, the limiting factor to me is that I don’t speak the language, so I would appreciate any comments from and SWLing Post community members in the region. Have you noticed any new HF activity? What stations are you turning to for information?

Please comment.

I do hope for a peaceful outcome to all of this.

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DX Central’s MW Frequency Challenge: Week 11 Results and Week 12 Announcement

Many thanks to SWLing Post contributor Loyd Van Horn at DX Central who shares the following announcement:


Another great week of DX and another productive one for us at DX Central and for many DXers, according to the logs!  We spent the week diving back into another graveyard frequency (1490) and the results speak for themselves!

As a reminder, our live streams on Sunday nights have been so much fun getting to interact and hear about what you heard in the previous week.  If you haven’t been able to make it to a livestream yet, you are missing out!  Join us Sundays at 1945 CST / 0145 UTC (Monday morning, UTC) on our YouTube channel:  youtube.com/c/dxcentral

A total of 22 DXers from three countries (Mexico, Canada and the US) and 18 US States brought in 127 logs for Week 11 of our MW Frequency Challenge.    76 unique stations in 34 U.S. states and three countries made it to this week’s log. Continue reading

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FTIOM & UBMP To Cease Broadcasts From Germany & Bulgaria

The following message is from “Uncle Bill” Tilford, producer and host of From the Isle of Music and Uncle Bill’s Melting Pot:

I began From The Isle of Music six years ago and Uncle Bill’s Melting Pot five years ago, starting small on WBCQ and eventually expanding to Europe and beyond with Channel 292 for both programs and Space Line for FTIOM.  I am not a wealthy man,  and my programs have been literally 99.9% self-funded during that period.  The very small handful of contributors has been appreciated but has never been large enough to put a dent in costs. 

Over the past two years, my living expenses have increased precipitously while my income and contributions have not.  With great reluctance, I must make some difficult financial decisions.  One of them is that broadcasts on Space Line have already ceased,  and broadcasts on Channel 292 will cease March 5.  This is a purely financial decision, I have very much enjoyed working with both stations and will deeply miss the audiences that I will probably lose.  While the financial support from listeners was minimal, the emotional support has been huge, many of those listeners feel like family now.  

Broadcasts will continue on WBCQ The Planet where these programs began.  FTIOM will continue on 7490 kHz, currently Tuesdays 0000-0100 UTC, and UBMP will continue on 7490 kHz Sundays, currently 2300-0000 UTC.  Both of these livestream on WBCQ.com, so listeners unable to catch the terrestrial broadcast (or who are asleep at those hours) may be able to record live for later listening.  Both programs will also be part of the new special  lineup on 4790 kHz which is being fully sponsored by Angela and Allan Weiner.  More details about that will be forthcoming, that frequency may reach parts of Europe terrestrially as an early morning show at a tolerable hour.  Note however that both broadcasts on 7490 can be “breakfast listening” using the WBCQ.com website or some remote WebSDRs in Eastern Europe, a key target area for the broadcasts from Europe. 

I regret the necessity for these changes and hope listeners will find the remaining options on WBCQ usable.

William “Bill” Tilford, Owner/Producer
Tilford Productions, LLC

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Celebrating World Radio Day 2022!

Today is UNESCO World Radio Day and this year the theme of trust highlights the importance of radio as an accessible form of information.

Below are some of the many projects celebrating World Radio Day:


Cities and Memory: Shortwave Transmissions

As mentioned in a previous post, we at the Shortwave Radio Audio Archive are truly honored to have been a resource for this incredible and diverse sound project organized by Cities and Memory.

We encourage you to explore the creative work from over 120 artists and composers.

A great many of these remarkable dynamic works draw on a wide array of recordings from the SRAA; the resulting compositions and soundscapes are rich with sonic textures, evocative collages of sound and memory, which emerge into further sources of inspiration.

Our profound thanks to Cities and Memory––and all of the participating artists––for this truly brilliant collection which you can check out on the Shortwave Transmissions project page.


BBC World Service Documentary: “World Wide Waves ’22: The sounds of community radio”

As we mention in a previous post, this brilliant radio documentary focusing on community radio is available on the BBC World Service website and BBC Sounds

Here’s the description:

For World Radio Day 2022, we tune in to radio stations around the world that connect communities, spark conversations, keep traditions alive and give a voice to their listeners. From Aboriginal Koori Radio in Australia to a community station in India run by rural women from the lowest Dalit caste, the airwaves carry intimate wisdom, vital knowledge, beats and tunes that keep reminding us who we are.

Note that this piece was produced by our friend David Goren, of Shortwaveology fame. Continue reading

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Cities and Memory Shortwave Transmissions released to mark World Radio Day!

We at the Shortwave Radio Audio Archive are truly honored to have been a resource for this incredible and diverse sound project organized by Cities and Memory.

We encourage you to explore the creative work from over 120 artists and composers.

A great many of these remarkable dynamic works draw on a wide array of recordings from the SRAA; the resulting compositions and soundscapes are rich with sonic textures, evocative collages of sound and memory, which emerge into further sources of inspiration.

Our profound thanks to Cities and Memory––and all of the participating artists––for this truly brilliant collection:


 

13 February 2022

UNIQUE ARCHIVE OF SHORTWAVE RADIO COMPOSITIONS LAUNCHED TO MARK UNESCO WORLD RADIO DAY

To mark UNESCO World Radio Day on 13 February, a unique collection of compositions built from eight decades of shortwave radio recordings is being released.

Shortwave Transmissions, a project by one of the world’s biggest sound projects Cities and Memory in collaboration with the Shortwave Radio Archive, sees more than 120 artists remix and recompose iconic shortwave recordings to create brand new compositions reflecting on and celebrating our relationship with radio.

 

The project can be explored in full at https://citiesandmemory.com/shortwave and features:

  • Recordings from the mysterious spy radio and “numbers stations” around the world
  • Coverage of world-changing events such as 9/11, the invasion of Kuwait, Kennedy’s assassination, Tiananmen Square protests, the death of Fidel Castro and many more
  • Rare international recordings from North Korea, Saudi Arabia, St. Helena, the Falkland Islands and Antarctica
  • Recordings covering a huge period of time from 1934 through to the present day
  • Space travel documented including the Sputnik, Apollo and Challenger missions
  • Recordings of famous voices such as Winston Churchill and King George V
  • Station IDs, interval signals and final broadcasts from radio stations
  • Stuart Fowkes, founder of Cities and Memory, said:

“Shortwave radio is one of the most fascinating sonic worlds – each recording is a unique time capsule capturing vital moments in world history as well as the thrill of pirate radio, clandestine radio stations, secretive number stations and military and spy radio.

These are sounds to be treasured: all of humanity is truly out there to be listened to at the turn of a dial – and is source material for some extraordinary compositions.”

Taking the world of shortwave radio to an entirely different place, each recording has been reshaped and reimagined as a creative recomposed sound by more than 120 musicians and sound artists, in turn reflecting on current concerns covering everything from climate change to the Covid-19 pandemic.

Shortwave Transmissions is the latest project from Cities and Memory, a global, collaborative network of sound recordists and artists based in Oxford, UK. Previous global sound projects have included #StayHomeSounds (a global mapping of the sounds of the Covid-19 lockdown), Protest and Politics (the biggest ever collection of the sounds of protest) and Sacred Spaces, the first global survey of the sounds of churches, temples, prayer and worship.

It has more than 5,000 sounds on its global sound map covering more than 100 countries and territories, and more than 1,000 worldwide contributing artists since its launch in 2015.

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