KSKO 89.5 McGrath, Alaska LIVE Request Show On WRMI Shortwave THIS WEEK!

Join me, Paul Walker, on WRMI Shortwave for “The LIVE Friday Night Request Show Dance Party Thingy” being relayed from NPR/community radio station KSKO 89.5 McGrath, Alaska.

It’ll take place Saturday July 10th 0300-0500UTC on 7780kHz to the east coast US and Western Europe, 7730kHz to the west coast US, Canada along with Hawaii, and the South Pacific (NZ, Aus, etc) and 4980kHz to the Caribbean and South America.

I’ll be taking phone calls with requests with a number given out during the show as it’s truly
LIVE. No station money was spent for this, It’s coming out of my pocket just to have something different up on shortwave for a few hours.

The music during the show could be ANYTHING from any genre and any year. It’s a combination of what *I* want to hear and what listeners request. I’ve had Judas Priest, Garth Brooks and Weird Al Yankovic back to back to back during the Friday night show before because they were all request in that order by 3 different listeners.

A note:  5850kHz/7570kHz is beamed towards Vancouver, 7330kHZ is beamed towards the US/Mexico border according to Jeff white which affords 7730 better coverage of the Pacific Ocean region countries than 5850 or 7570.

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Radio Waves: The Enduring Appeal of Shortwave Radio, Ampegon Ships 100kW Transmitter, 4,270 km FM DX, Emisión Sefarad, and the Eswatini Transmitter

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors David Goren, Tracy Wood, and David Iurescia for the following tips:


Deep in the dial: Lawrence English on the enduring appeal of shortwave radio (The Wire)

To mark The Wire’s Radio Activity special issue, the Room40 label head examines the uncanny sonic properties of high frequency transmission

100 years ago this December, voices spoken on one side of the Atlantic shot through the atmosphere and materialised on the other side of the ocean. It was a moment of jubilation for those involved and proof of concept that formalised the possibilities of an emergent zone of signalling and communications called radio. It also helped to bring into focus the unrealised potential of this technology as a mechanism for access to, and transference of, signals of all sorts from around the globe.

These first transatlantic voices were carried on wavelengths of around 200 metres. At that time, which was before the creation of the International Telecommunication Union who coordinate the use of various frequency bandwidths on the radio spectrum, the length of the waves sat at the cusp of two bandwidths: the lowest end of medium wave and the highest end of shortwave. Not only had this amateur broadcast achieved new distances over which communication might pass, but it also demonstrated the process of skywave propagation. This method, whereby radio signals are bounced off the ionosphere (the electrically charged upper layer of Earth’s atmosphere), extends the range of transmission of a radio signal considerably.

What made skywave propagation especially interesting was that, as a technique, it was being actively explored by both amateur radio enthusiasts (the so-called ham radio movement) and commercial interests alike. In fact, throughout the 1920s experimental approaches to radio (broadcast and otherwise) were an area of intense interest and research. This attention was aided by booms in broadcast hardware and a growing understanding about how the technology could be deployed to radically reconfigure the ways in which transmission of voice, music and other signals might be achieved over greater and greater distances.[]

Ampegon Ships First of Four 100kW Shortwave Transmitters (Ampegon)

Ampegon has shipped the first of a series of four new 100kW shortwave transmitters from its factory in Kleindöttingen, Aargau, Switzerland. The transmitter RF and PSM sections were carefully moved out of the factory and onto a lorry for transfer to our shipping partner. There it will be securely packed in shipping crates and prepared for onward transport.

Ampegon’s TSW-2100 100kW shortwave transmitter is an economical and reliable transmitter system intended for regional to international broadcasting. Its relatively high output power provides good signal strength hundreds of kilometers away from the transmitter when attached to a good antenna, while it is still of sufficiently low power to allow operation from standard low voltage three-phase electrical connections.

Almost all shortwave transmitters currently in production feature digital DRM capabilities, since they are specified with DRM modulators and content servers. This permits the delivery of stereo FM-quality sound and a digital data channel over the same 9/10kHz broadcast band as an analogue transmission. Additionally, when used in DRM mode, power consumption is reduced by approximately 40%-50%, saving broadcasters hundreds of thousands of dollars each year in electricity costs!

With this transmitter safely on its way to its new home, attention turns to completing the next two systems currently under testing. All transmitters undergo rigorous factory acceptance testing to ensure installation and commissioning can be completed with minimum possible disruption.

For further information about Ampegon’s high power shortwave transmitter range, please see our product pages at: www.ampegon.com/products/sw-tube-transmitters/

To learn more about DRM transmissions, please visit the DRM consortium here: www.drm.org[]

FM radio station on 90.7 MHz near Quebec is heard across the Atlantic in Ireland – 21st June 2021 (EI7GL)

21st June 2021: This was a remarkable day for VHF propagation with a very rare trans-Atlantic opening on the 88-108 MHz FM band.

As outlined in a previous post, Paul Logan in the north of Ireland managed to hear a radio station from Greenland on 88.5 MHz from roughly 13:00 to 14:00 UTC on the 21st of June.

Near the end of this opening, Paul also managed to hear a radio station near Quebec in Canada, a distance of approximately 4,270 kms !

The radio station in question was the 100 kilowatt transmitter of CBRX-FM-3 ICI MUSIQUE which is located at Riviére-du-Loup just to the east of Quebec City in Canada.

A short audio clip from Paul is embedded below…

 

[Click here to continue reading this post on EI7GL’s blog…]

For 35 years, mother-daughter duo has run a radio show on Ladino and Sephardic Jewish culture from Madrid (South Florida Sun Sentinel)

Matilde Gini de Barnatán and her daughter Viviana Rajel Barnatán didn’t set out to make Jewish history in Spain.

In the 1960s and ’70s, Matilde, now 85, established herself in Argentina as a prominent researcher, teacher and scholar of the history of Sephardic culture and the Spanish Inquisition in Ibero-America. Her extensive expertise and recognition in Argentine intellectual circles helped her become a close friend of the renowned writer Jorge Luis Borges.

Viviana Rajel, now 55, studied acting in Buenos Aires.

But in April 1986, as Israel was establishing its diplomatic relations with Spain, so did the Spanish government with its Jewish ancestry. Through its state-owned public radio service, the country set out to develop a cultural project in the form of a radio show to reintroduce Ladino — or Judeo-Spanish, an endangered Romance language spoken by past generations of the Sephardic Jewish Diaspora — as a vital piece of Spanish heritage.

It was “a gesture of friendship between Spain, Israel and the Sephardic communities around the world,” according to Viviana Rajel.

Due to the lack of native Ladino speakers in Spain at the time, there was virtually no one available to take on the endeavor. Through academic networks of Sephardic scholars that linked Spain with Argentina, Matilde was found and asked to relocate and be the project’s primary role — which its developers pitched as a way to redress the historical wrong of the Spanish Inquisition, the 15th-century expulsion of Jews from the country.

Viviana Rajel followed her mother because she wanted the show to portray the matriarchal essence behind the oral tradition of Ladino, which traditionally passes from generation to generation through the women of the family.

Hence was born “Emisión Sefarad” (or “Sepharad Broadcast”), a weekly radio show available online and on shortwaves in Judeo-Spanish that broadcasts every Sunday on the Spanish National Radio’s overseas service. April marked 35 years of the program, which has aired uninterrupted since its launch.

Click here to continue reading, noting that this article is behind a paywall.

The incredible reach of the Eswatini transmitter (Evangelical Focus)

TWR Africa has been spreading hope throughout the African continent since 1974 engaging millions in more than 50 countries.

Radio, the internet, mobile devices, TWR360, and other media sources open doors to allow the gospel to spread to countries where Christianity is legally forbidden, to animistic tribes in the Nuba Mountains who are cut off from the rest of civilization, and to displaced people fleeing war in northern Mozambique. We have been equipped with powerful media tools to take the Good News into places where we physically cannot go. Through the power of the Spirit, we can use radio and other mass media to accomplish the task Jesus gave us to make disciples of all nations.

TWR broadcasts from various transmitter sites in Africa including TWR Eswatini and the Middle East on shortwave, and TWR West Africa on medium wave (AM). In addition, TWR broadcasts programs via several TWR partner FM radio networks and a satellite channel that offer direct-to-home services to various parts of the continent.[]

 


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Live video of startup, tuning, and transmitting from Alexanderson Alternator SAQ

Hats off to the crew at the UNESCO World Heritage Grimeton Radio Station!

Today is Sunday July 4, 2021. Besides being Independence Day here in the States, it’s also Alexanderson Day in Sweden!

This morning, I discovered a video on the Grimeton Station YouTube channel: a recording of their live stream live stream starting around 08:30 UTC today.

In the video, you can watch the crew of the Grimeton station startup, tune, and transmit on their 1924  Alexanderson Alternator with the callsign SAQ. Their message is sent in CW on 17.2 kHz. The video is absolutely fascinating and I highly recommend watching it. The startup and tuning procedure are simply amazing. I can only imagine the dedication and resources it takes to keep this marvel of 1920s engineering fully functional today:

Click here to watch on YouTube.

Happy July 4th, everyone!

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Radio Northern Europe International Show #19 announcement

Many thanks to SWLing Post contributor, Roseanna, with Radio Northern Europe International who shares the following announcement:


Hei alle sammen,

We’ve been continuing to write your QSL cards and we’re now sending them within 2 months of receipt of your emails!

Just like the last few months, we’ve split the broadcasts into 3 versions;
• WRMI & On-Demand Version: RNEI 19 + RNEIxtra (Mammas Mest Metal & Stephen’s feature) + HamDRM.
• Channel 292 & Radio Onda version: RNEI 19 + HamDRM + This is an Express Music Show.
• World FM version: RNEI 19 only.

RNEI #19 is packed full of great music including:
• The show starting with some Icelandic Rock
• Cindy Chiche
• A really pretty song from Døssi
• Spooky vibes in our traditional pick from Gyda
• Scandipop.co.uk‘s fantastic song of the month that has some Sámi Lyrics!
• Some MFSK64 embedded in two parts of our dance mix at the end of the dance mix!

The 4th show of Mamma’s Mest Metal will bring some amazing symphonic metal this month, it’s an amazing genre and some of Mamma’s picks this month are fantastic!
Stephen is bringing us a feature on the Scottish artist Julie Fowlis with some really beautiful songs and, lastly, YH brings us another fantastic episode of This is an Express Music Show.

Daz has coded some HamDRM data for you to have a go at decoding too!
You can use EasyDRF, Easypal & WinDRM on Windows (or Wine in Linux) and QSSTV & TRXAMADRM on Linux. We recommend against Easypal due to some security flaws we’ve noticed and WinDRM because it’s an older version of EasyDRF.

We have found that 158° has a good signal in South Eastern and Northern Europe, 80° has a signal in Brazil and surrounding areas as well as Portugal & Spain and 332° is good between Ukraine and Italy. These happen because there is some backbeam with these directional antennas so give them a go and see what happens!
Also keep an eye on our announcements for extra broadcasts!

If you miss the show you can always catch up on demand and, if you prefer to only hear our music, we have Spotify Playlists of each show usually published after the first broadcast!

Wishing you well,
Roseanna

Click here to read this post at the RNEI website.

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lab599 Discovery TX-500 UK distributors and dealers

If you live in the UK and have been waiting for the arrival of the lab599 Discovery TX-500 transceiver, this is a positive development:

Lab599 have informed me that Nevada Radio will be the exclusive distributor of the TX-500 in the UK.

In addition, Waters and Stanton will be a TX-500 dealer and distrubutor.

The price will be £899 and both retailers are taking deposits (Nevada a £83.33 deposit, Waters and Stanton a £100 deposit) for the first delivery due in September 2021.

Click here to check out the TX-500 at Nevada Radio and here for Waters and Stanton.

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The Beam Box Model FM 10

Many thanks to SWLing Post contributor, Paul, who recently shared a link to this Craigslist listing and asked if anyone in the SWLing Post community might be familiar with this Beam Box Electronically Directable FM Antenna.

He included a link to the following review in an archived issue of Radio-Electronics:
https://worldradiohistory.com/Archive-Radio-Electronics/70s/1978/Radio-Electronics-1978-03.pdf

The Cragslist post actually included the following images of the owner’s manual:


I’ll admit that I’m not at all familiar with this antenna, but I see how it might have been ideal for a component system. I’m curious if it was FM DX-worthy!

Please comment if you’ve ever owned the Beam Box!

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Guest Post: Recording Music on Shortwave Part 2 – Weak signal recovery

An example of an AirSpy SDR# software screen.

Many thanks to SWLing Post contributor, TomL, who shares the following guest post:


Recording Music on Shortwave Part 2 – Weak signal recovery

by TomL

The QRM noise cloud surrounding my condominium motivated my first foray into noise reduction software to find a little relief (Please refer to Part 1 posted here) using SDR recordings.  I was able to use the freeware software Audacity to reduce some of that type of noise to tolerable levels on strong broadcasts.  But what about non-condo noise, like out in the field??

NHK Japan

I took my trusty Loop On Ground antenna to the usual county park Forest Preserve which is relatively low in RF noise.  I did some usual recording on 25 meters and poked around for something being captured by SDR Console.  On 11910 kHz is NHK broadcasting daily from Koga, Japan.  It is hearable at this location but is always an S7 or weaker signal despite its 300 KW of power no doubt due to being beamed away from the Midwest USA.

I recorded it using the SDR Console 10kHz bandwidth filter and created a separate noise recording from a nearby empty frequency.  Here is the 2 minute portion of a Japanese music teacher. No noise reduction was applied:

I opened the noise and broadcast recordings in Audacity to see what I could do.  Part 1 of my previously mentioned post details how I apply the Noise file.  A big downside of using any kind of noise reduction software is that it is ridiculously easy to destroy the desirable characteristics of the original recording.  Applying too much noise reduction, especially in the presence of constant, spiky lightning noises, will create both digital artifacts as well as very dull sounding results.  So I used the Effect – Noise Reduction (NR) feature very carefully.

In this example, I used the Effect – Amplify feature on the one minute noise file.  I applied just +1dB of Amplify to the whole file.  Then I highlighted a 10 second section I thought was representative of the general background noise and chose Edit – Copy.  Then, I opened the broadcast file, Pasted the 10 seconds of noise to the END of the file and highlighted just the 10 seconds of noise. Then I chose Effect – Noise Reduction – Get Noise Profile button.  Amplifying the noise file by +1db does not sound like much but it seems to help according to my tests.  Anymore than this and the Noise Profile would not recognize the noise without destroying the music.

I used the NR feature three times in succession using the following (NoiseReduction/Sensitivity/FrequencySmoothing) settings:  Pass1 (3dB/0.79/1), Pass2 (2dB/1.28/1), Pass3 (1dB/2.05/0).  Part of what I listened for was choosing the Residue circle and Preview button for any music or dialog that was being filtered out.  If I heard something that came from the desired part of the recording in Residue, I knew that I hit the limit concerning the combination of Noise reduction and Sensitivity settings to engage.  I used those Residue & Preview buttons over and over again with different settings to make sure I wasn’t getting rid of anything wanted.  I also used the higher Noise reduction with lower Sensitivity to try to get rid of any momentary spiky type noise that is often associated with SWLing.

I messed around with a lot of test outputs of differing dB and Sensitivities and a lot seemed to depend on the strength of the broadcast signal compared to the noise.  If the broadcast was weak, I could push the dB and Sensitivities a little harder.  I also noted that with strong signal broadcasts, I could NOT use more than 1 dB of Noise reduction beyond a Sensitivity of about 0.85 without causing damage to the musical fidelity.  This was a pretty low level of nuanced manipulation.  Because of these minor level Audacity software settings, it dawned on me that it is very helpful to already be using a low-noise antenna design.

If the Sensitivity numbers look familiar, that is because I tried basing the series of Sensitivity on Fibonacci numbers 0.618 and 0.786.  Don’t ask me why these type of numbers, they just ended up sounding better to me.  I also needed a structured approach compared to just using random numbers!  Probably any other similarly spaced Sensitivity numbers would work just fine, too.

Now if you really want to go crazy with this, add Pseudo Stereo to your favorite version of this file (also detailed in Part 1) and playback the file using VLC Media Player.  That software has a couple of interesting features such as an Equalizer and a Stereo Widener.  You may or may not like using these features but sometimes it helps with intelligibility of the voice and/or music [VLC will also let you right-click a folder of music and choose to play all it finds there without having to import each MP3 file into a special “Library” of music tracks where they bombard you with advertisements].

You can also turn on Windows Sonic for Headphones if you are using the Windows operating system.  However, this can sometimes be too much audio manipulation for my tastes!

Here is the resulting NHK noise-reduced file with 9ms of delay with High & Low Filters:

Radio Thailand

Five days later I was out in the field again.  This time I found Radio Thailand on 11920 kHz finishing up a Thai broadcast.  It was a weaker S5 signal than the NHK example, so it would be a good test.

When I got home, I recorded the broadcast file at a Bandwidth filter of 8 kHz and using Slow AGC and the extra Noise file at 12kHz using Fast AGC.  In a previous test I had noticed a very slight improvement in sound quality in the way noise seems to get out of the way quicker compared to Slow AGC (which is usually how I listen to shortwave broadcasters).  I now try to remember to record the Noise file with Fast AGC.

Here is the original without any noise reduction:

This time the Noise file using Amplify +1dB did not help and I used it as-is for the 10 second Noise Profile.  I then tried multiple passes of NR at higher and higher Sensitivities and ended up with these settings the best: Pass1 (1dB/0.79/0), Pass2 (1dB/1.27/0), Pass3 (1dB/2.05/0), Pass4 (1dB/3.33/0).

As a comparison, I tried recording only with SDR Console’s noise reduction NR1 set to 3dB and got this.  I hear more noise and less of the music coming through:

Now for more crazy Pseudo Stereo to finish up the Audacity 4Pass version (nice Interval Signal of Buddhist bells ringing and station ID at the very end):

Summary

I do not understand why applying 3 or 4 separate 1dB Sensitivities of noise reduction is superior to just one Pass at 3dB Sensitivity (in Audacity) or the one 3dB noise reduction (in SDR Console).  My guess is that doing 1 dB at different Sensitivities shaves off some spiky noise a little at a time, somehow allowing for more of the musical notes to poke through the noise cloud.  Who knows but I can hear a difference in subtle musical notes and sharpness of voice and instruments.  Probably the Fast AGC helps too.

Music is a Universal Language that we can share even when we don’t understand a word they are saying. And there is more music on the air than I thought.  Some of these recordings sound surprisingly pleasing after noise reduction. The fake stereo is pumped through a CCrane FM Transmitter to a few radios in the home, or I can use the Beyerdynamic DT990 Pro headphones.

Enjoying the Music!

TomL

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