Video: Antonio’s Kenwood R-2000 Modifications

Many thanks to SWLing Post contributor, Dan Robinson, who shares the following:

Antonio Fernandez, who is in Spain, posted this on the Extreme page. Very interesting R-2000 mods:

Major modifications are adjustable RF GAIN (using the former TONE control), BFO Pitch control (former AM Squelch, FM Squelch is retained) and DSP Audio filtering for SSB and CW. Internal DSP module is SOTABEAMS Laserbeam Filter Module. The former DIMMER and NB push switches are used for switching on (bypassing) the DSP module and bandwidth (CW, SSB) selection.

Click here to view on YouTube.

Those are brilliant modifications on a classic receiver!  Thank you for sharing, Dan!

Check out more videos from Antonio Fernandez on his YouTube channel.

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“National Press Club and Journalism Institute support VOA and its journalism”

View of the Capitol Building from the roof of the Voice of America on 330 Independence Ave., S.W.

(Source: National Press Club Press Release)

WASHINGTONApril 16, 2020 /PRNewswire/ — The National Press Club and the National Press Club Journalism Institute stand with Voice of America and its director, Amanda Bennett, against unsupported criticism by the White House of its coronavirus coverage.

Bennett is a highly respected journalist who has been a staunch advocate of the independence guaranteed in The VOA Charter signed by President Gerald R. Ford in 1976. To claim, as the White House has done, that VOA has been reporting Chinese propaganda flies in the face of the facts. VOA has reported on the Chinese undercount of coronavirus deaths in the city of Wuhan, reported on China’s misleading count of cases testing positive and reported on China’s use of Twitter to spread disinformation globally.

“From its founding during World War II to combat Nazi propaganda with accurate and unbiased information, the Voice of America has consistently served the world in a manner in which all Americans can and should be proud,” said National Press Club President Michael Freedman. “From Edward R. Murrow to Amanda Bennett, VOA has represented the best in journalism and we stand firmly behind its reporters, who are dedicated to truth and accuracy.”

“The attacks from the president and from White House officials not only undermine VOA’s mission, but they pierce a firewall that is supposed to protect the publicly financed news agency from political interference,” said NPC Journalism Institute President Angela Greiling Keane.

When Amanda Bennett was honored with the National Press Club’s Fourth Estate Award last year, she said: “Here’s what we do do: We broadcast all around the world the uncensored version of speeches. The unheard views of opposition parties. The stories of disappeared teachers, politicians, journalists – sometimes even whole populations. And we also show the world America in all its — yes, greatness – and also its flaws and faults. We are as independent as all of you are, and – again – God willing, we stay that way. As we say, we broadcast the First Amendment.”

The National Press Club, The World’s Leading Professional Organization for Journalists™, represents more than 3,000 reporters, editors and professional communicators worldwide. The Club’s nonprofit affiliate, the National Press Club Journalism Institute, promotes an engaged global citizenry through an independent and free press, and equips journalists with skills and standards to inform the public in ways that inspire civic engagement.

PRESS CONTACT: LINDSAY UNDERWOOD FOR THE NATIONAL PRESS CLUB; [email protected]; (202) 662-7561

SOURCE National Press Club

Related Links

http://press.org

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Ham Radio Friedrichshafen 2020 has been cancelled

Many thanks to SWLing Post contributor, Harald Kuhl, who shares the following announcement from Ham Radio Friedrichshafen:

Radio silence due to coronavirus COVID-19: Ham Radio not taking place as planned
15.04.2020

Friedrichshafen – Due to current developments in regard to the spread of coronavirus COVID-19, Messe Friedrichshafen has been forced to make a very difficult decision: the international amateur radio exhibition Ham Radio will not be taking place in the planned period of June 26 to 28, 2020, but instead from June 25 to 27, 2021. The Federal Government and the Minister-Presidents of the Länder decided yesterday, April 15 that no major events shall take place until August 31, 2020.

“Due to current developments relating to the coronavirus, we have the unfortunate duty of announcing that we cannot hold the 45th edition of Ham Radio as planned,” explains Klaus Wellmann, Managing Director of Messe Friedrichshafen. In recent weeks, it was already necessary to make the same decision in regard to other events (Aqua-Fisch, IBO, AERO, Tuning World Bodensee, and Motorworld Classics Bodensee). Project Manager Petra Rathgeber also expressed her sadness about this turn of events: “We very much regret that this event cannot take place as planned. However, the health of all exhibitors and visitors is of utmost importance to us. Unfortunately, our trade fair calendar and the dates of other industry events leave no room for postponing this fair to another date this year.” Christian Entsfellner, Chair of the German Amateur Radio Club (DARC), adds: “Our members, domestic and foreign guests, and we ourselves have been hit hard by this decision, which now became necessary to make on short notice. Until we get together again in Friedrichshafen, we as amateur radio operators are looking forward to keeping in contact with one another using amateur radio.” However, radio amateurs do not have to do without everything the Ham Radio fair normally has to offer: On the Ham Radio website, exhibitors will be presenting product innovations in the form of a virtual trade fair. DARC will also be offering presentations there.

The exhibitors, visitors, and partners involved are currently being informed about this opportunity.

Thank you for sharing this, Harald! Not a surprising development, but sad nonetheless. I assume Covid-19 might also lead to the closure of Ham Fair 2020 in Tokyo.

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myNoise: possibly the best ambient sound generator on the planet

My wife has an amazing ability: when she’s deep into research, writing, editing, or creating something, she has a laser-focus like none other: she can tune out the world around her to the point that it’s honestly hard to get her attention. She can work in almost any environment, and tune out (nearly!) all distractions. It’s quite impressive. She credits this ability to focus in distracting surroundings to our children, who at a young age developed the less-rare ability to generate noise, both wide in variety and sometimes quite intense in volume.

Me? Completely the opposite.

When I’m writing or working on a project––indeed, whenever I need to concentrate––I either have to work in a controlled environment where I have few interruptions, or I have to artificially create that controlled environment.  I usually do this through the use of an ambient noise or instrumental (non-vocal) music. It’s rare that I’m working in an environment with no interruptions, so being able to manufacture my own audio space is important for my productivity.

When I’m here at SWLing Post HQ, I’ll often tune to an HF frequency that has no signal occupying the space. In other words, I’ll listen to shortwave radio static that might include the odd ionosonde sweep and occasional static crash….it creates a white noise that, in essence, nulls out everything else around me. Plus, as a radio geek, I confess to feeling quite at home in that static.

To help me catch some zzzs when I travel, I’ll often do the same: simply tuning to an unoccupied HF frequency and letting it play through the night. I find that it nulls out hotel hallway traffic, like doors banging and loud talking, allowing me to get some needed rest.

Photo by Jp Valery

I also turn to noise generators and numerous YouTube channels that specialize in long ambient field recordings, because finding a reliable (unoccupied) radio frequency doesn’t always work due to garrulous local radio interference or simply a lack of free space on the FM band.

Introducing myNoise

This year at the Winter SWL Fest my friend, David Goren, recommended a website––and accompanying application––called MyNoise.net. As an audio engineer and radio producer, David has a finely-tuned ear and can notice looped sounds, audio irregularities, and poorly-made recordings. So I knew if David Goren was impressed with this collection of ambient noises, they would be first-class.

MyNoise.net is the product of Dr. Stephane Pigeon, a man with an impressive CV that includes consultant work for Roland Corporation and numerous audio websites and applications.

What makes his site so unique is: 1) the sheer number and variety of ambient soundscapes, and 2) the ability to finely-tune and customize each sound in a remarkable number of ways.

Want to travel to a pebble beach, a primeval forest, a Japanese garden, or fall asleep on the bridge of a starship? Yeah, you’re covered––really. And not with, as is typical, short hiccuping loops with background muck imbedded: the MyNoise collection (at time of this post) contains over 200 customizable sound generators, with lengthy live field recordings, and they’re clean. The real deal…high fidelity at its best.

If you like ambient audio, his site provides an incredibly rich deep-dive…

But don’t take my word for it.  Listen for yourself!

Radio Soundscapes

myNoise slider controls allow you to change the level of audio tracks and loops.

When David first introduced me to myNoise, he pointed out two soundscapes in particular: one was called “Shortwaves,” the other, “Numbers Stations.” (Now that’s what I’m talking about!) Every night of the SWL Fest, I listened to these two noise machines as I slept. It was wonderful.

With permission, I have made a couple one-minute audio recordings of the two radio-specific soundscapes from myNoise.net. Keep in mind that these recordings were set at a preset level and left alone; in other words, I did not move the control sliders during the recording. In reality, the sounds can be tailored to your listening pleasure via the sliders and generous array of controls. By the way, I suggest wearing headphones.

Sample of “Shortwaves”

Sample of “Numbers Stations”

While I love these two radio sound generators, I have to say, I’ve truly enjoyed exploring the more than 200 sound generators also available on myNoise.

How to listen

MyNoise.net is a free website supported by user donations.  (Donations, by the way, can unlock an array of extra features and sounds.) Even though I have the app (see below), I still sent a bit of extra support though their website; after all, this is just the sort of project I love supporting.

MyNoise is also available as an iOS or Android app. If you have a mobile device or tablet, I highly recommend downloading the app and purchasing the full set of recordings for a mere $10.

A screenshot of the myNoise app running on my iPad

Stephane also has a YouTube Channel with a number of soundscapes.

Click here to check out myNoise.net.

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Hack a broken VGA cable to make a binocular ferrite cores for your NCPL antenna

Many thanks to Oscar (EA3IBC) who shares this simple hack.

I’ve gotten quite a few emails from Post readers telling me that the only thing holding them back from building a NCPL antenna is the BN-73-302 binocular ferrite core needed for the 1:1 Balun. While so much of the world is sheltering at home due to Covid-19, it’s less convenient to purchase one just for this purpose.

But almost everyone has an old VGA or USB cable with ferrite cores they can cannibalize for this  very purpose. Oscar shared this super-simple hack on Twitter:

1. Cut the cable and remove the ferrite cores

2. Tape the two cores together

3. And wind four turns on both sides

Admittedly, this 1:1 balun might not have the same properties as the BN-73-302 from our tutorial, but it seems to be working for Oscar. Check out this screenshot he shared from SDR# while hooked up to his NCPL antenna:

Thanks again!

Readers, you can follow Oscar on Twitter by clicking here.

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DRM featured on BBC Digital Planet

DRM broadcast (left) as seen via a KiwiSDR spectrum display.

Many thanks to SWLing Post contributor, Ed, who writes:

The April 14, 2020 edition of the BBC World Service program ‘Digital Planet’ includes a story about the status of Digital Radio Mondiale (DRM) broadcasts on shortwave. The segment had no breaking news, but SWLing Post readers might enjoy hearing an updated explanation on BBC of how DRM works on shortwave and other bands, where it’s being used, and what unique services it can offer. The segment includes a clip of digital audio played over shortwave and an interview with Ruxandra Obreja, Chair of the DRM Consortium and DRM Association.

The segment was followed by a casual conversation between BBC producer Gareth Mitchell M7GJM and interviewer Bill Thompson about SWLing and Amateur Radio–which was great to hear discussed on BBC World Service!

The entire segment and followup discussion begins at 21:17 and ends at 31:49 minutes into the mp3 recording found at this BBC URL:

Thank you for the tip, Ed! Digital Planet is a fantastic technology show–check out more episodes on their website.

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The meager “benefits” of Covid-19 from an SWL’s perspective

The Tecsun PL-680

Many thanks to SWLing Post contributor, Richard Langley, who shares the following note:

One of the benefits of the Covid-19 pandemic, as if there are any real benefits of a pandemic, is serendipitous programming on SW. I speak in particular of the ERT Proto Programma now airing on the Voice of Greece. As noted today (14 April), here in NB, on 9420 kHz tuning in around 19:50 UTC or so, there was classical opera being broadcast and after the news at 20:00 UTC, we were treated to “Musical Choices by Elena Maraka,” which is an eclectic music program of jazz and blues (funk, etc.). Nice. By the way, in a couple of hours, Proto Programma joins the Second Program (Deftero Programma).

Thank you, Richard, for sharing this note. Just one more reason 9420 kHz is a preset on all of my digital receivers.

And, you’re right: there are no real benefits of a pandemic. Still, it is fascinating from a listener’s perspective to hear how it changes the content of our shortwave landscape.

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