Tag Archives: WLW

Pure AM Radio Nostalgia: Vintage Aircheck Recordings from the 1970s by Dan Greenall

2 Replies

Many thanks to SWLing Post contributor Dan Greenall for once again sharing a remarkable collection of vintage off-air AM radio recordings. In this post, he shares recordings made from his home and during his travels across North America and the Caribbean.

Dan writes:

Hi Thomas

Judging by the interest on my Internet Archive page, vintage AM radio audio clips from the 1970’s are among the most popular files. In addition to the one posted on the SRAA in September 2023, here are the remaining ones I have to take you back 50 years.

VOA Marathon 1973

The Voice of America station from Marathon Key, Florida is heard signing off on its frequency of 1180 kHz. This recording was made while on vacation in West End, Bahamas in December 1973. Reception of the station in much of North America was tough due to the signal being south beamed to Cuba. However, at least one listener in New Zealand managed reception as evidenced by the attached QSL image from 1972.

Audio Player

ZNS3 Bahamas 1973

ZNS3 radio on 1060 kHz from Freeport, Bahamas is heard with a station identification jingle. The recording was made while on vacation in West End (near Freeport) on Grand Bahama Island in December 1973.

Audio Player

Bermuda AM/FM airchecks 1975

Brief airchecks from 5 local radio stations recorded while visiting Bermuda in March 1975. They are as follows:
ZBM1 1230 kHz
ZBM2 1340 kHz
ZBM-FM 89.1 MHz
ZFB1 960 kHz
ZFB-FM 94.9 MHz

Audio Player

WVMT Burlington VT 1975

Brief aircheck from radio station WVMT in Burlington, Vermont on 620 kHz recorded in March 1975 in Montreal, Quebec. Starts with “Mandy” by Barry Manilow, station ID, then into NBC news.

Audio Player

XERF Ciudad Acuna, Mexico 1971

Short audio recording of radio XERF on 1570 kHz as received in Ancaster, Ontario, Canada in November 1971.
“This is radio station XERF in Ciudad Acuna, Coahuila, Mexico. This is Paul Kallinger, your good neighbor along the way.”
Used a Hallicrafters S-52 communications receiver and a longwire antenna.

Audio Player

KPCR Bowling Green, MO 1973

KPCR radio in Bowling Green, Missouri as heard in Ancaster, Ontario, Canada on 1530 kHz during an overnight DX test on December 17, 1973. They only ran 1000 watts, but 50 kw WCKY in Cincinnati was off the air that night. Used a Realistic DX150A receiver and a longwire antenna.

Audio Player

KFDI Wichita, KS 1974

A brief aircheck from KFDI Radio 1070 in Wichita, Kansas as heard in Ancaster, Ontario, Canada on February 22, 1974. Receiving equipment was a Realistic DX150A using a longwire antenna.

Audio Player

WDXR Paducah, KY 1974

WDXR radio in Paducah, Kentucky is heard signing off for their broadcast day. This recording was made circa 1974 while they were operating on 1560 kHz. Receiver location was Ancaster, Ontario, Canada and equipment was a Realistic DX150A and longwire antenna.

Audio Player

WANN Annapolis, MD 1974

A brief aircheck of WANN radio in Annapolis, Maryland heard here signing off for their broadcast day. The recording was made circa 1974 while they were operating on 1190 Khz, A lucky catch for me since WOWO in Fort Wayne, Indiana was usually heard on 1190. Receiver location was Ancaster, Ontario, Canada, (40 miles SW of Toronto) and equipment used was a Realistic DX150A and a longwire antenna.

Audio Player

WCPC Houston, MS circa 1974

One of the easiest ways to log the state of Mississippi on the AM broadcast band in the 1970’s from my location near Hamilton, Ontario, Canada, was WCPC in Houston, MS on 940 kHz around local sunset. Here they are giving a station ID as heard on a Realistic DX-150A receiver and a long wire antenna.

Audio Player

XEMO Tiajuana, Mexico circa 1971

Here is a brief English language aircheck from radio station XEMO in Tiajuana, Mexico as received in Ancaster, Ontario, Canada (a distance of 3392 km or 2108 miles) circa 1971. They were broadcasting on their frequency of 860 kHz. At the very end, there is a quick “X E M O Tiajuana Mexico” in Spanish.

Audio Player

WGR Buffalo, NY 1973

Here is a brief aircheck/jingle from radio station WGR in Buffalo, New York on 550 kHz as recorded in 1973 at Ancaster, Ontario, Canada. That same year, the song “Get Down” by Gilbert O’Sullivan reached number 7 on the Billboard Top 100, and WGR aired it regularly as heard here in the second recording, Most of the time they would just ID as “GR-55”.

Audio Player Audio Player

Vintage AM radio airchecks 1975 recorded from Bermuda

These brief vintage AM broadcast band airchecks were recorded in March 1975 while vacationing in Warwick, Bermuda at the Belmont Hotel.
1. ZDK, Antigua, West Indies 1100 kHz
2. WKAQ, San Juan, Puerto Rico 580 kHz
3. Radio Paradise, Basse Terre, St. Kitts, West Indies 1265 kHz
4. WHN, New York, NY 1050 kHz
5. WKBR, Manchester, NH 1250 kHz
6. WRKO, Boston, MA 680 kHz
7. CFBC, St. John, NB, Canada 930 kHz

Audio Player

KKJO St. Joseph, MO 1973

In the wee hours of October 28, 1973, this DX recording was made of radio station KKJO in St. Joseph, MO broadcasting on 1550 kHz in the AM broadcast band. My receiving post was some 800 + miles distant in Ancaster, Ontario, Canada. I was using a Realistic DX150A communications receiver hooked up to a long wire antenna. You can hear the station fade gradually in and out a number of times during the recording, but fortunately faded in around the 2:49 mark to catch their station ID and announcement about returning to Central Standard Time. Paul Simon’s “Kodachrome” is heard at first, and Art Garfunkel’s “All I Know” afterward, 2 very popular songs in 1973.

Audio Player

KRLD Dallas, TX 1974

KRLD in Dallas, Texas on 1080 kHz was not heard often at my listening post in Ancaster, Ontario, Canada during the 1970’s. WTIC in Hartford, CT was normally received on this frequency instead. Here is a recording made in early 1974 when KRLD managed to make it through. My receiver was a Realistic DX150A hooked up to a longwire antenna.

Audio Player

Vintage AM radio airchecks 1973 part 2

Here are a few more airchecks from the AM broadcast band recorded in 1973 at Ancaster, Ontario, Canada unless otherwise noted below.

1. WLW Cincinnati, OH 700 kHz
2. WIRK West Palm Beach, FL 1290 (recorded in West End, Bahamas)
3. WINZ Miami, FL 940 (recorded in West End, Bahamas)
4. WSMB New Orleans, LA 1350 (recorded in West End, Bahamas)
5. WDBO Orlando, FL 580 (recorded in West End, Bahamas)
6. WPOM Riviera Beach, FL 1600 (recorded in West End, Bahamas)
7. KFYR, Bismarck, ND 550
8. KWAM Memphis, TN 990
9. WPTR Albany, NY 1540
10. WOKY Milwaukee, WI 920
11. WIBC, Indianapolis, IN 1070
12. WPDX Clarksburg, WVA 750 (special DX test early hours of Feb. 18, 1974)
13. WMAQ Chicago, IL 670
14. WBT Charlotte, NC 1110
15. WNOE New Orleans, LA 1060
16. WSM Nashville, TN 650
17. WJR Detroit, MI 760

Audio Player

73

Dan Greenall, Ontario, Canada

Click here to view all of Dan Greenall’s Archive.org contributions and click here to browse his collections on the Shortwave Radio Audio Archive.

“Lies, Spies and Secrets – Hidden History of Cincinnati Radio”

2 Replies

Many thanks to SWLing Post contributor, Lee Hite, who writes:

Following up on Dave Snyder’s WLW post, here is the rest of the story about WLWO.

Click to download: Lies, Spies and Secrets – Hidden History of Cincinnati Radio (PDF in Google Drive)

Thanks

Lee Hite

What a fascinating read! Thank you for sharing, Lee. 

Video Presentation: WLW Radio -100 Years – Behind The Scenes by Dave Snyder

4 Replies

A view of the iconic WLW tower taken from the neighboring VOA Bethany site and museum.

Many thanks to SWLing Post contributor, David Snyder, who shares this presentation outlining the history of WLW for the National VOA Museum of Broadcasting YouTube channel.

Video description:

Behind the scenes pictures from the efforts of Powel Crosley, Jr. creating the famous WLW Radio Station, including the largest USA AM broadcast transmitter at 500,000 watts.

Click here to view on YouTube.

Most excellent! Thank you for sharing this, David.

Radio Waves: WLW at 100, WWVB Upgrades, Ofcom Radio Amateur Data, and Unlocking the Airwaves

9 Replies

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Mike Terry, Dave Zantow, and John Figliozzi  for the following tips:

WLW-AM Begins 100th Year On Air (WVXU)

It wasn’t Cincinnati’s first radio station, but WLW-AM is still the biggest.

Cincinnati industrialist Powel Crosley, Jr. began broadcasting WLW-AM over a 20-watt station from his College Hill home on March 2, 1922 – which means that the station is entering its 100th year today.

WLW-AM wasn’t Cincinnati’s first commercial radio station, but it is the oldest surviving station from the 1920s. WMH was operated by the Precision Instrument Co. from Dec. 30, 1921, to January 1923.  WMH was sold to Crosley and merged into WLW, says Randy Michaels, the former WLW-AM programmer and Jacor/Clear Channel executive who is the best radio historian I know.

In 1934, WLW-AM became “the Nation’s station” when President Franklin D. Roosevelt flipped a switch in the White House to activate the station’s unprecedented 500,000-watt experimental transmitter under its Tylersville Road tower. WLW-AM broadcast at “super power” around the clock for five years, through 1939, and continued the mega-wattage output midnight-2 a.m. until 1943. For years WLW-AM has boasted that the 50,000-watt signal reaches 38 states. (I’ve heard the station in New Jersey, Maryland, North Carolina, Florida, Georgia, Illinois and Missouri.)

For 99 years, WLW-AM has broadcast some of the most popular personalities in town: Jim Scott, Gary Burbank, Bob Trumpy, Marty Brennaman and Joe Nuxhall, Cris Collinsworth, Jim LaBarbara, Bill Cunningham, Mike McConnell and Dale Sommers. Before them came Ruth Lyons, Bob Braun, Doris Day, Rosemary Clooney, newsman Peter Grant, sportscaster Red Barber and comedian Red Skelton.

Although WLW-AM likes to promote itself as “news radio,” it’s perhaps best known for carrying Reds and most Bengals games, plus University of Cincinnati football and basketball and Xavier basketball.[…]

WWVB broadcast system upgrades may include temporary outages (WWV)

The WWVB broadcast system is being upgraded with new equipment to improve the reliability of the signal. In order to install this equipment, beginning on March 9, 2021 the WWVB signal may be operated on a single antenna at approximately 30 kW radiated power for periods up to several days in duration, and may have occasional outages. Periods of reduced power operation lasting longer than 30 minutes will be logged on the WWVB Antenna Configuration and Power web page, and any outage longer than five minutes’ duration will be recorded on the WWVB Outage web page. Upgrades are expected to be complete by March 31, 2021.

Ofcom released age of radio amateurs data (Southgate ARC)

Following a Freedom of Information request about the age of radio amateurs Ofcom said they do not hold Date-of-Birth information for many radio amateurs but released what information they do have

Ofcom say “We do not hold a full breakdown of the age of issued amateur radio licensees as date of birth is not a mandatory field for licence applications.”

In September 2000 the then communications regulator (RA) abolished the ban on people under 14-years-old holding a Full amateur licence, since that time a person’s date of birth has served little regulatory purpose.

The data Ofcom released showed they only had Date-of-Birth information for:
7,312 out of 28,845 Foundation licences
4,104 out of 12,127 Intermediate licences
44,944 out of 54,072 Full licences

As of March 1, 2021 there was a total of 95,044 valid UK amateur radio licences.

Download the FoI reply and the available age data at
https://ofcom.org.uk/__data/assets/pdf_file/0022/214915/age-of-amateur-radio-licensees.pdf

You can submit a Freedom of Information request to Ofcom online at
https://www.whatdotheyknow.com/new/ofcom

Unlocking the Airwaves (UMD)

Unlocking the Airwaves: Revitalizing an Early Public and Educational Radio Collection is a comprehensive online collection of early educational public radio content from the National Association of Educational Broadcasters (NAEB). The forerunner of CPB and its arms, NPR and PBS, the NAEB developed and distributed educational radio programs and accompanying print materials to schools and communities across the United States. What’s more, the NAEB lobbied extensively to unlock the airwaves—to access precious frequency space—in order to bring the voices of poet Robert Frost, architect Frank Lloyd Wright, anthropologist Margaret Mead, and conservationist “Ranger Mac,” among many other individuals, into American homes and classrooms.

The NAEB’s history is the dramatic story of idealists who believed in the utopian possibilities of technology for education and social uplift and who faced considerable challenges in pursuit of those goals, including economic depression, world war, and the scarcity of the electromagnetic spectrum. It’s a story that has much to tell us about 20th century American culture, as well as the 21st century’s environment of online educational technology and podcasting that we live in today.

Despite its historic importance and contemporary relevance, most of the NAEB members’ programs were never heard again after their initial brief moments on the air. The archives for the radio programs and their related paper documentation have been split for over 25 years between two institutions: the University of Maryland and the Wisconsin Historical Society. Unlocking the Airwaves reunites the split collections, finally realizing the potential of the collections of the NAEB for exploration and and the broader public.

Click here to explore Unlocking the Airwaves.

Do you enjoy the SWLing Post?

Please consider supporting us via Patreon or our Coffee Fund!

Your support makes articles like this one possible. Thank you!

Clyde Haehnle: Loss of a broadcasting icon

Leave a reply

(Source: The VOA Museum via David Snyde)

Museum Icon Passes Away

The National Voice of America Museum of Broadcasting mourns the loss of one of its major leaders and benefactors. Clyde Haehnle passed away peacefully on Sunday, April 8th.   Over the years, this icon in the development of broadcasting technology, not only locally but nationally, was the driving force behind the museum.

A veteran broadcasting engineer and executive, Mr. Haehnle was instrumental in the early meteoric development of Powel Crosley’s WLW. While working at WLW, fresh out of electrical engineering school at the University of Cincinnati, he was assigned in 1942 to work on design and construction of VOA-Bethany Station, the transmission facility of the newly- minted Voice of America. The facility operated from 1944 thru 1994 and beamed programs worldwide from the highest power shortwave transmitters built in the world at that time.

The rhombic antenna design requiring extensive mathematical calculations fell to Mr. Haehnle. His work accomplished with pencil, paper and a slide rule resulted in some of the most efficient antenna arrays ever built and enabled the VOA programs transmitted from the hilltop north of Cincinnati to be heard by eager listeners worldwide. P of Engineering at AVCO Broadcasting. He held many patents in electronic technology and continued to be a curious and thoughtful proponent of technology well into his ninth decade.

Mr. Haehnle’s untiring leadership and support has enabled the National Voice of America Museum of Broadcasting to develop into a rich educational institution celebrating the role broadcasting has made in the dissemination of programs globally encouraging democratic principles to truth-starved audiences.

The Museum plans a celebration of Mr. Haehnle’s extraordinary life later this spring.

Read more about Clyde.

When WLW was the one and only “Super Station”

3 Replies
WLW's diamond-shaped Blaw-Knox radio tower at night (Original photo by RP Piper via Creative Commons)

WLW’s diamond-shaped Blaw-Knox radio tower at night (Original photo by RP Piper via Creative Commons 2.0)

(Source: National Endowment for the Humanities)

For a Brief Time in the 1930s, Radio Station WLW in Ohio Became America’s One and Only “Super Station”

by Katy June-Friesen

When President Franklin Roosevelt, sitting in the White House, pushed a ceremonial button on his desk in May 1934, a five hundred thousand-watt (500 kW) behemoth stirred in a field outside Cincinnati. Rows of five-foot glass tubes warmed. Water flowed around them at more than six hundred gallons per minute. Dozens of engineers lit filaments and flipped switches, and, within the hour, enough power to supply a town of one hundred thousand coursed through an 831-foot tower.

Thus began WLW’s five-year, twenty-four-hour-a-day experiment: a radio station that used more power and transmitted more miles than any station in the United States had or would. The so-called super station—licensed by the new Federal Communications Commission (FCC) on a temporary basis—amped up the debate among broadcasters, government regulators, and listeners about how radio should be delivered to serve the “public interest,” a mandate laid out in the Radio Act of 1927, and influenced legal, programming, and technical decisions that shape the broadcast system we know today.

Since radio’s beginnings in the early 1920s, industry and government leaders promoted it as the great homogenizer, a cultural uplift project that could, among other things, help modernize and acculturate rural areas. The challenge was how to reach these areas, many of which received few or no radio signals in the mid-1930s. One solution was high-powered, clear-channel stations that could blanket large swaths of the country with a strong signal. These stations operated on “cleared” frequencies that the government assigned to only one station to prevent interference.

WLW had operated on one of forty designated clear channels since 1928. The station’s creator and owner, an entrepreneur, inventor, and manufacturer named Powel Crosley Jr. frequently increased the station’s wattage as technology and regulation allowed. In 1934, when WLW increased its power from 50 kW to 500 kW, all other clear-channel stations were operating at 50 kW or less. Now, WLW had the ability to reach most of the country, especially at night, when AM radio waves interact differently with the earth’s ionosphere and become “skywaves.” People living near the transmitter site often got better reception than they wanted; some lights would not turn off until WLW engineers helped rewire houses. Gutters rattled loose from buildings. A neon hotel sign near the transmitter never went dark. Farmers reported hearing WLW through their barbed-wire fences.

Continue reading…

Ted Landphair takes us to the VOA Bethany transmitting station

Leave a reply
bethanyvoa

VOA Bethany transmitting station, now a museum and park.

Veteran Voice of America “Americana” reporter and essayist, Ted Landphair recently posted an essay on his blog outlining the past and present of VOA’s Bethany, Ohio transmitter site. This article is a fascinating read and takes us back to the the site’s roots in WLW and wartime propaganda.

Thanks Ted–and to Kim Elliot for bringing this article to my attention.