Shortwave Radio Audio Archive contributor, Tom Gavaras, shared this studio recording of Radio Moscow from January 1, 1980. We posted this recording on the SRAA, but I also wanted to share it here as I’m sure there are readers who might have even heard this show over shortwave live back in the day.
I’m certain anyone familiar with Radio Moscow during the Cold War also remembers the voice of Joe Adamov. Enjoy:
Audio PlayerThank you for sharing this recording, Tom!
Happy New Year!
Kandersteg, Switzerland (Photo by Matt Foster)
Many thanks to SWLing Post contributor, David Iurescia (LW4DAF), who shares the following note from SwissInfo.ch:
Audio PlayerSince you’re no doubt wondering what Christmas sounds like in Switzerland’s four national languages, we’ve dusted off an old radio interview, produced in 1975 by the Swiss Short-wave Service, later Swiss Radio International and ultimately SWI swissinfo.ch:
Thanks for sharing this bit of radio nostalgia, David!
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Paul, Dennis Dura, Wilbur Forcier, and the Southgate ARC for the following tips:
A century ago, the age of radio began in Germany. Cultural broadcasts made radio popular before the Nazis appropriated it for their propaganda.
On December 22, 1920, the first radio broadcast in Germany hit the airwaves. “Attention, attention — this is Königs Wusterhausen on radio wave 2700.” This was how a Christmas concert by the employees of the German Reichspost was announced. Featuring a clarinet, reed organ, string instruments and piano, they played in the broadcasting building of the city of Königs Wusterhausen.
Modest sound quality
Transmission quality was poor: static and crackling accompanied the musical performance. Only official agents of the German Reichspost could listen to this transmission since in accordance with the Treaty of Versailles, private citizens in Germany were forbidden from listening to radio signals.
Society on the move
Nonetheless, radio in Germany was born. Society at the time of the Weimar Republic was in transition. Painters were no longer merely depicting the natural worlds — Cubism, Dadaism and abstract art were unearthing new dimensions of the imagination that had no direct reference to reality. Musicians and composers were creating hitherto unheard-of sounds with jazz and twelve-tone techniques joining familiar rhythms and keys. Writers and poets were creating parallel plots and stories. Consumer products were being mass-produced. Aviation was connecting people over thousands of kilometers — and radio was booming.
The first official radio entertainment program in Germany was broadcast on October 29, 1923. The Allies had by then lifted the ban on listening to radio waves. The fact that we even have an acoustic record of it today is due to a coincidence: a few months after it was broadcast, the program was re-enacted and preserved on disc.
Broadcasting with a mission
Meanwhile, inflation was soaring in Germany. Poverty and misery were rampant, especially in the big cities. “Radio was welcomed in Germany like a liberating miracle, especially at a time of intense emotional and economic hardship,” Hans Bredow, considered the “father” of German radio, said at the time.
Like many radio pioneers of the Weimar years, Bredow had lofty ambitions to widen national perspectives in his position as Radio Commissioner to the German Reich’s Postal Minister. This new technology was to signal an end to the age of ignorance and prejudice.
In December 1923, there were a total of 467 listeners. One year later, there were already one million listeners within the Reich’s entire territory. And in 1932, there were more than four million paying radio subscribers — and at least as many non-paying listeners. The daily broadcasting time also increased steadily. In 1923, it was 60 minutes; by 1932, there were already 15 hours of radio programs every day.
Entertainment for the masses
It was the new possibilities of simultaneous acoustic reporting that captivated the “Radioten, ” a derogatory term that was used for radio lovers at the time. An extraordinary media event at that time, the radio achieved its exciting effect through its immediacy and “live” character. And it gave birth to a genre unknown until then: the radio play.
Meanwhile, heated debates abounded about the negative effects of radio on listeners, culture and politics. Many intellectuals and artists distanced themselves from the new medium. Among them was the Austrian composer Arnold Schönberg. “Broadcast media caters to the majority. At any time of the day or night, people are served a feast for the ears without which they apparently can no longer live today. I assert the right of the minority against this delirium for entertainment: one must also be able to broadcast what is necessary, and not only the trivial.”[Continue reading full story at DW…]
The International Space Station cost more than $100 billion. A ham radio set can be had for a few hundred bucks.
Perhaps that explains, in part, the appeal of having one of humankind’s greatest scientific inventions communicate with Earth via technology that’s more than 100 years old. But perhaps there’s a simpler explanation for why astronauts and ham radio operators have been talking, and talking, for years.
NASA astronaut Doug Wheelock was just a few weeks into his six-month mission at the space station when feelings of isolation began to set in.
Wheelock would be separated from loved ones, save for communication via an internet phone, email or social media. At times, the stress and tension of serving as the station’s commander could be intense.
One night, as he looked out a window at the Earth below, he remembered the space station’s ham radio. He figured he’d turn it on—see if anyone was listening.
“Any station, any station, this is the International Space Station,” Wheelock said.
A flood of voices jumbled out of the airwaves.
Astronauts aboard the space station often speak to students via ham radio, which can also be used in emergencies, but those are scheduled appearances. Some, like Wheelock, spend their limited free time making contact with amateur radio operators around the world.
“It allowed me to … just reach out to humanity down there,” said Wheelock, who interacted with many operators, known as “hams,” during that stay at the space station in 2010. “It became my emotional, and a really visceral, connection to the planet.”
The first amateur radio transmission from space dates to 1983, when astronaut Owen Garriott took to the airwaves from the Space Shuttle Columbia. Garriott was a licensed ham who, back on Earth, had used his home equipment in Houston to chat with his father in Oklahoma.
Garriott and fellow astronaut Tony England pushed NASA to allow amateur radio equipment aboard shuttle flights.
“We thought it would be a good encouragement for young people to get interested in science and engineering if they could experience this,” said England, who was the second astronaut to use ham radio in space.[…]
The International Space Station cost more than $100 billion. A ham radio set can be had for a few hundred bucks.
Perhaps that explains, in part, the appeal of having one of humankind’s greatest scientific inventions communicate with Earth via technology that’s more than 100 years old. But perhaps there’s a simpler explanation for why astronauts and ham radio operators have been talking, and talking, for years.
NASA astronaut Doug Wheelock was just a few weeks into his six-month mission at the space station when feelings of isolation began to set in.
Wheelock would be separated from loved ones, save for communication via an internet phone, email or social media. At times, the stress and tension of serving as the station’s commander could be intense.
One night, as he looked out a window at the Earth below, he remembered the space station’s ham radio. He figured he’d turn it on — see if anyone was listening.
“Any station, any station, this is the International Space Station,” Wheelock said.
A flood of voices jumbled out of the airwaves.
Astronauts aboard the space station often speak to students via ham radio, which can also be used in emergencies, but those are scheduled appearances. Some, like Wheelock, spend their limited free time making contact with amateur radio operators around the world.[…]
Belgian amateurs activate the following special event callsigns to remind everyone of Covid-19 restrictions and express gratefulness to medical personnel:
OS2HOPE, OT5ALIVE, OT4CARE, OR20STAYHOME, OT6SAFE, OP19MSF, OQ5BECLEVER, OR6LIFE, OO4UZLEUVEN and OT2CARE.Due to the recent stricter COVID-19 measures, many radio amateurs will be forced to spend most of the following weeks at home again. Many are obliged to telework. Teleworking is definitely becoming the new standard for several employees. COVID-19 has accelerated teleworking for almost all companies.
At the request of the Royal Union of Belgian Radio Amateurs (UBA), the BIPT has decided to once again grant permission to apply for customised special call signs. The exceptional conditions apply to special call signs with an encouraging meaning.
These appropriate special call signs may be used at the home address of radio amateurs. The conditions are the same as during the first lockdown in spring.
Radio amateurs are allowed to re-request the special call sign obtained during the first lockdown.Operation until January 31, 2021.
For QSL information see QRZ.com
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Many thanks to SWLing Post contributor, Paul Rawdon, who shares the following:
Audio Player[This is] a recording of a story featured on HCJB’s DX Party Line hosted by Clayton Howard. As far as I remember it was recorded in December 1974. It’s a short story from SPEEDX about the reception of Tristan Da Cunha and St Helena.
SPEEDX ran from 1971 until a declining membership forced its closure in 1995 archived copies of its monthly bulletin can be found here: https://worldradiohistory.com/Speedx.htm
Happy Christmas.
Wow! What a timely contribution! Thank you, Paul and Merry Christmas!
Note: Jeff Murray and I posted at Christmas in 2014–I thought it would be fun to dig it out of the archives once again. Enjoy!
Dear Editor—
I am 8 years old. Some of my little friends say there is no shortwave. Uncle DX Dash! says, “If you see it on the SWLing Post, it’s so.” Please tell me the truth, is there a shortwave?
Virginia E. Layer
330 Independence Ave., S.W.
Virginia, your little friends are wrong. They have been affected by the skepticism of a digital age. They do not believe what can’t be heard or seen on their smart phone. They think that nothing can be which is not comprehensible by Google. They seek credit cards, not QSL cards.
Yes, Virginia, there is a shortwave. It exists as certainly as sound and circuits and tubes exist, and you know that these abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no shortwave! It would be as dreary as if there were no Virginias. There would be no heterodynes, no band openings, no propagation to make tolerable this existence. It would be a world without London Calling.
Not believe in shortwave! You might as well not believe in the ionosphere. You might get your papa to hire men to listen to all of the wi-fi radios of the world, but even if you did not hear shortwave, what would that prove? The most real things in the world are those that neither children nor men can see. Did you ever see ground waves dancing on the lawn? Of course not, but that’s no proof that they are not there. Nobody can casually conceive or imagine all the wonders there are heard and unheard in the listening world. For that, you must wear headphones.
No shortwave! Thank goodness! It lives, and lives forever. A thousand years from now, Virginia, nay 10 times 10,000 years from now, shortwave will continue to make glad the hearts of listeners.
Happy Holidays from your friends at Dashtoons and the SWLing Post!
With apologies to The New York Sun. Our tongue-in-cheek editorial borrows from the timeless classic, “Is There a Santa Claus?” printed in the September 21, 1897, issue of The New York Sun. Click here to read the original.
(Source: Music Time in Africa Archive)
Many thanks to SWLing Post contributor, Zack Schindler (N8FNR), who writes:
If anyone wants to listen to archives of VOA’s Music Time in Africa many are now available. I received this email from the archivist at the University of Michigan
“At the present time we have roughly 600 shows online here: http://mtia.sites.uofmhosting.net/
Click on the “Listen” link to get to the streaming platform. The shows we have up now are those for which we also have printed scripts, so you can read the script and listen to the show. The dates of the shows are 1968 to 1998. There are five hosts represented in this group. Sometime in January 2021, we are planning to upload 109 more shows. These are the ones that are missing scripts so all that is there is the full show. Then, in February, we are planning to add about 400 more shows from the period between 2007 and 2017. These are programs where Matthew Lavoie or Heather Maxwell are hosts. The website contains some background information on the project.”
Here is more information about the archive project;
https://news.umich.edu/leo-sarkisians-music-time-in-africa-u-m-archivist-anthropologist-revive-popular-voice-of-america-show/
Wow! What a treasure trove of one of my favorite VOA programs! Thank you for sharing, Zack!
Click here to check out archived episodes of VOA’s Music Time in Africa.
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Ted Lipien, Josh Shepperd, Ronnie Smith, and Gary Butterworth, for the following tips:
WASHINGTON, D.C. — Michael Pack, CEO of the U.S. Agency for Global Media (USAGM), announced today that veteran civil servant Ted Lipien is returning to U.S. international broadcasting as CEO and President of Radio Free Europe/Radio Liberty (RFE/RL).
“Few people have a greater understanding than Ted of the multifaceted operation and mission of U.S. international broadcasting,” said CEO Pack. “Ted is an ardent and captivating advocate of democracy who will excel at sharing America’s founding principles and ideals with the world.”
“When I was a teenager in Communist Poland, I would listen to Radio Free Europe to find out what the government was not telling me,” said Mr. Lipien. “It had an enormous impact on my life, and on the lives of millions of others. I’m honored, and humbled, to be entrusted with helping this storied organization continue to break the hold of censorship and give voice to the silenced.”
Mr. Lipien has dedicated virtually his entire career to U.S. international broadcasting. He joined Voice of America (VOA) in 1973 and served as the network’s Polish Service Chief for 12 years, from 1981 to 1993, including the Solidarity labor union’s struggle for human rights and democracy in Soviet-communist-ruled Poland. From 1993 to 2003, he served as the Broadcasting Board of Governors’ Eurasia Marketing Specialist and Director, first in Munich and, later, in Prague. Mr. Lipien then rejoined VOA, serving as Eurasia Division Director from 2003 to 2005 and Acting Associate Director from 2005 to 2006. He has interviewed a number of eminent public figures, including Cardinal Karol Wojty?a (Pope John Paul II), Lech Wa??sa, George H.W. Bush, Zbigniew Brzezinski, and Czes?aw Mi?osz.
In 2008, after leaving the federal service, Mr. Lipien founded Free Media Online, a non-governmental organization committed to supporting free media worldwide. His pro-media freedom work has been noted in a variety of national publications, including the New York Times, Wall Street Journal, and Washington Post. His articles have appeared in National Review, Washington Times, and Washington Examiner. Mr. Lipien earned his bachelor’s degree in international relations with distinction from George Washington University.
RFE/RL, headquartered in Prague, is a non-federal network funded by the United States Congress through USAGM. Daisy Sindelar, who had been serving as Acting President of RFE/RL since June 2020, is returning to her former role as the network’s Vice President and Editor-in-Chief.[…]
The American Radio Archives, one of the world’s largest and most valuable collections of radio broadcasting will soon become part of the UC Santa Barbara Library’s Department of Special Collections.
Established by the Thousand Oaks Library Foundation (TOLF) in 1984, the archive is one of the first in the state and includes original recordings of Winston Churchill, as well as broadcast photographs, radio and television scripts, books and film dated as early as 1922.
“It is critical that such a wonderfully curated collection documenting the golden age of radio is preserved and accessible, said Thousand Oaks Mayor Claudia Bill-de la Peña. “UCSB has one of the largest collections of performing arts records, sound recordings and broadcast recordings on the West Coast as well as a state-of-the-art audio laboratory, making it our first choice and a natural fit for the American Radio Archives.”
The collection was established in 1984 and grew significantly with the purchase in 1987 of radio memorabilia from the estate of Rudy Valleé, one of the nation’s most popular singing bandleaders and personalities. Valleé documented his career, which took off in the1920s, through an extensive array of journals, photographs and original pieces of advertising.
The prominence of the Valleé collection attracted numerous celebrities and radio historians from around the world who gravitated toward the American Radio Archives. Among them were such luminaries as Norman Lear, Carl Reiner, Ron Howard, Ray Bradbury, Norman Corwin, Edward Asner, Walter Cronkite, Janet Waldo, Candice Bergen and William Shatner.
When Norman Corwin — dubbed America’s poet laureate of radio — donated his career files in 1990, it further increased esteem for the archives and generated significant interest among radio aficionados. As a result, many noteworthy collections were donated to TOLF, including, among others, those of radio station KNX-CBS; radio actor and radio historian Frank Bresee, who hosted “The Golden Days of Radio”; comedian Red Skelton; Carlton Morse, the creator of the long-running radio soap opera “One Man’s Family”; radio and television writers Milton and Barbara Merlin; and Allin Slate, a pioneer of the sports talk show format on KABC radio in Los Angeles.[…]
The coronavirus pandemic has made life difficult for everyone. On the plus side, however, it’s prompted creative solutions to work around the various roadblocks the pandemic has imposed. Volunteer Examiners in Grant County, Oregon, affiliated with the ARRL Volunteer Examiner Coordinator (VEC) put their heads together to overcome the adversity and hold a safe and secure exam session. Current health regulations in Oregon precluded both indoor and outdoor gatherings. Nonetheless, the Grant County Amateur Radio Club, the local ARES Group, and the Grant County Emergency Radio Infrastructure Coalition (ERIC) combined forces to offer five candidates the chance to obtain their first license or to upgrade their existing license, all from the comfort of their vehicles.
“Many amateur radio clubs have experimented with exams via the internet,” said Steve Fletcher, K7AA, who is the ARES Emergency Coordinator for Grant County. “In eastern Oregon, with the cooperation of the County Roads Department, we chose to hold a ‘drive-up’ exam session on Saturday, December 12. Under the circumstances, we used four ARRL VEs for the exam instead of the required three.” Wheeler County ARES loaned Stuart Bottom, K7FG, to help as the third required Amateur Extra-class Volunteer Examiner.
Fletcher reports three new Technician licensees and two new General-class radio amateurs resulted from the session.
Required ARRL VEC forms contained pre-printed data — including the FCC Registration Number (FRN) — were given to the candidates on a clipboard. Each candidate took the exam in the front seat of their own vehicle. Cell phones, papers, and anything not required for the exam were removed.
“Everyone dressed warmly, and most candidates had their heaters running,” Fletcher reported. A camper owned by Ronda Metler, KB5LAX, and a communications van owned by Fletcher served as sites to check results and sign forms.
The Grant County Roads Department loaned its parking area for the exam session.[…]
As the world observes International Migrants Day on December 18, Voice of America continues to enhance its operations to serve the growing refugee populations in Africa. UNHCR, the UN Refugee Agency, reports that, in just the past few weeks, 50,000 Ethiopian refugees have joined the world’s 80 million forcibly displaced people, including more than 18 million in sub-Saharan Africa.
Recognizing the deteriorating conditions in northern Ethiopia’s Tigray region in recent weeks, VOA rapidly added existing Tigrigna-language radio broadcasts to existing VOA FM radio stations in the Libyan cities of Tripoli and Misrata. These newscasts reach not only the newly displaced civilians, but also Eritreans in both cities who arrived prior to the current exodus and still have ties to the crisis-affected area. Newly created “micro sites” deliver digital content in Tigrigna, Amharic, Afan Oromo and English from VOA regional reporting teams.
In Kakuma, Kenya, site of one of the world’s oldest refugee camps, VOA launched a new FM station to provide both refugees and the local community with news, music, and educational content in English, Swahili, and Somali. For the Dadaab refugee complex near Kenya’s border with Somalia, a new VOA station offers local residents and refugees a mix of VOA English and Somali language content that airs in Somalia and Djibouti.
“VOA is committed to providing vital news and information to underserved populations worldwide, including refugees and other forcibly displaced persons,” said VOA Director Robert Reilly. “In particular, as the only international broadcaster with a presence in Kakuma, VOA serves as a critical lifeline for individuals in this region with access to few other reliable media resources.”
VOA’s efforts to reach at-risk refugee populations expanded exponentially in 2017 in south Asia and Latin America. VOA’s Bangla language service began broadcasting in Rohingya to reach refugees in Kutupalong, the world’s largest refugee camp. Nearly one million ethnic Rohingya, who fled persecution in neighboring Myanmar, inhabit the site. When Venezuelans began to flee President Nicolás Maduro’s regime, the VOA Spanish language service significantly increased its coverage of this unfolding crisis for audiences all across the region.
VOA FM Frequencies
Existing in Libya: Tripoli (106.6 MHz); Misrata (99.1 MHz)
New in Kenya: Kakuma (99.9 MHz); Dadaab (106.7 MHz)
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