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Many thanks to Jon Hudson at SDRplay who produced the following excellent instructional video about setting up SDR-Console V3 for remote use. Jon writes:
For SDR Console users, this video guide shows you how to access other people’s SDRs and how to add your own.
If you are wanting to add your own SDR for remote use, there are a couple of things to be careful with:
Be careful when plugging multiple SDRs into a single USB2 socket to make sure there’s enough power – for multiple SDRs, you may need a powered hub ( like this: http://amzn.to/2oa84kM) [or this in North America].
Once you are up and running – please go to http://www.sdrspace.com/Version-3 and view your listing – if there is a yellow triangle, then you are not accessible outside your own firewall – attention is needed! Just because you can access it on your own LAN doesn’t mean it’s accessible via the internet!!! This is the most common area to have problems – double check your router’s port forwarding settings are correct (default port 50101 TCP).
As someone who evaluates a number of software defined receivers and who regularly makes off-air audio and spectrum recordings, I’m simply amazed by SDR Console’s versatility.
The recording functionality, as Guy previously stated, is phenomenal–perhaps the best of any SDR application I’ve used to date save, perhaps, that of the Titan SDR Pro (which is proprietary).
Though I still haven’t logged a lot of hours on SDR Console, I can already mention several powerful features that I love:
Virtual receivers
So few SDR applications allow you to run multiple virtual receivers and–especially–make independent recordings from them simultaneously.
When I started writing this post last night, I was listening to and recording the Voice of Greece on virtual receiver #1, Radio Guinea on #2, and WRMI on #3 using the brilliant little AirSpy HF+.
Audio recording options
When you start a recording of an active virtual receiver, a dialog box pops up allowing you to make a custom file title–it pre-populates the date, start time, frequency and mode. This is a simple but time-saving feature as most SDR applications save files according to global application settings–not for each individual recording. With the SDR Console dialog box, I can insert the name of the broadcaster in the file title which makes organizing recordings later a breeze.
Additionally, you can choose between MP3, WAV or WMA file types for each recording. I know of no other SDR app that gives you this flexibility.
Scheduled recordings
I’ve yet to use the scheduler feature, but based on Guy Atkins’ feedback, I know this will be an invaluable resource for collecting off-air recordings while I’m away from home.
So many features to discover…
As both Guy and Ivan have shown us in past posts, SDR Console allows for multiple application “instances”–meaning, you can run two independent SDRs simultaneously. This is a fantastic feature for those of us who make multiple spectrum recordings. Of course, it’s an ideal platform to compare SDR hardware as settings can be easily matched between both units (something very difficult to do when using different SDR applications).
I’ve so much to learn about SDR Console, but I can tell I’ll be spending a great deal of time with the application this year, attempting to learn every nuance.
I sent a donation to Simon (G4ELI) last night after having only used SDR Console for a few minutes. SDR Console is totally free, but I’m a firm believer in supporting creators who are doing amazing things! If you use SDR Console, consider sending Simon a donation as well.
I’ve a little free time this morning and plan to set up SDR Console to run my Elad FDM-S2, RTL-SDR dongle, SDR Play RSP1A and RSP2. It’ll be a bit revolutionary to have one SDR application to unite them all!
Post readers: Any other SDR Console fans out there? What are your favorite features?
Rob Sherwood, at Sherwood Engineering, has now published test results of the Icom IC-R8600 wideband receiver. The IC-R8600 is (impressively) second from the top of the list sorted by third-order dynamic range narrow spaced if phase noise limited:
Simon Brown, G4ELI’s widely used, free SDR-Console V3 was upgraded from “Preview” to “Beta 1” level today. Many SDR enthusiasts have waited for this next step; even in Preview form, Version 3 has performed nearly as well as a production release in many ways.
I have briefly used SDR-Console (V2 and V3) off and on for a few years, but it wasn’t until acquiring AirSpy HF+ receivers that I took a serious plunge into V3. Now that I’ve gone through its modest learning curve, I like this SDR software quite a bit!
There are many things I enjoy about SDR-Console, not the least is the power and ease of use of the Recording Scheduler, a feature that’s important to medium wave DXers. I’m sure others who like to set up unattended WAV I/Q recordings for later review benefit from this also.
I’ve not found a list of improvements between Preview and Beta 1, but I suspect Simon has made the upgrade because the Preview has shown itself to be quite stable already. He did publish a list of a few known bugs:
External Radio using IF output does not work.
Remote Server using the SDR-IQ has stutter.
Kits are not signed – a code signing certificate has been purchased from Comodo but is not yet available.
Simon indicates that these bugs will be worked on in the next few weeks.
If you use and benefit from SDR-Console software, please considering support the development efforts through a PayPal donation. Links to download the newest Beta 1 version, and/or to donate, can be found here: http://www.sdr-radio.com/Downloads
Here are a couple YouTube videos which show SDR-Console V3 (Preview build) in action:
Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington. He’s a regular contributor to the SWLing Post.
After SWling Post contributor, Guy Atkins, posted the survey results of his excellent Elad FDM-S2 vs AirSpy HF+ weak signal comparison, I received a few questions about the AirSpy HF+ “R3 Bypass” modification Guy mentioned in his post.
Guy has not yet performed the modification on his HF+–neither have I–but he points out that others have noted it: “significantly boosts sensitivity of the HF+ from longwave up to about 15 MHz, without any noted overload issues.”
I reached out to AirSpy president, Youssef Touil, for a little more insight about this modification. Youssef replied:
During the early phases of the design R3 was a place holder for a 0 ohms resistor that allows experimenters to customize the input impedance. For example:
A 300 pF capacitor will naturally filter the LW/MW bands for better performance in the HAM bands
A 10µH inductor would allow the use of electrically short antennas (E-Field probes) for MW and LW
A short (or high value capacitor) would get you the nominal 50 ohms impedance over the entire band, but then it’s the responsibility of the user to make sure his antenna has the right gain at the right band
A custom filter can also be inserted between the SMA and the tuner block if so desired.
Click to enlarge. (Photo source: RTL-S1DR.com)
R3 and the nearby resistors have been intentionally left outside of the RF shield, and their size was picked to be big enough to allow anyone to play with them. You will notice the size difference with the rest of the components.
In general, unless one knows what he’s doing, it’s not recommended to alter a working system. “If it’s working, don’t fix it”. But, we are hobbyists, and not doing so leaves an uncomfortable feeling of something unachieved. Most brands addressing the hobby market leave some tweaks and even label them in the PCB.
The main purpose of the HF+ is the best possible performance on HF at an affordable price. This is to incite HAMs to get started with this wonderful technology while using an SDR that isn’t worse than their existing analog rig.
The MW/LW/VLF crowd may have slightly different requirements, but that can be addressed by shorting a resistor.
Regards,
Youssef Touil
Thank you, Youssef, for replying to my inquiry so quickly and thoroughly.
No doubt, I too will eventually modify R3–it’s very difficult not to experiment, especially when a product was designed with the experimenter in mind.
I really feel like AirSpy has knocked it out of the ballpark with the HF+. For those of us primarily concerned with HF performance, this SDR is very hard to beat–especially at its $199 price point!
Many thanks to SWLing Post contributor, Ivan Cholakov, who shares the following video where he compares the SDRplay RSP1A and the AirSpy HF+ software defined radios on shortwave and mediumwave:
Many thanks to SWLing Post contributor, Dan Robinson, who shares the following guest post:
ICOM’s IC-R8600: Can this mega-radio stay in the ring with big gun “legacy” receivers when it comes to shortwave band reception?
by Dan Robinson
When ICOM rolled out its new wideband receiver, the IC-R8600, I immediately took an interest in it. I have been primarily a hardcore DX’er and SWL and avoided purchasing wideband receivers, including the predecessor IC-R8500, because they were limited in areas such as selectivity.
My experience with ICOM includes owning a IC-R71A and R72, both of which I found to be strong performers, as well as a IC-R75. The R75 as everyone knows established a reputation as an excellent receiver that delivered bang for the buck, including for example 1hz readout and extreme stability.
In its design decisions with the 8600, ICOM clearly intended to hit it out of the park, taking a huge step from the 8500. That can be seen in the amazing color 4.3 inch LCD display with fairly fast spectrum scope and waterfall displays, coverage from 10 kHz to 3 gHz, decoding capability in multiple protocols, (Baudot RTTY, D-STAR™, NXDN™, dPMR™, DCR (Digital Communication Radio) and APCO P25, and the combination of SDR and superheterodyne circuitry, with 2000 memories.
The new Icom IC-8600 at the 2017 Hamvention
At this point, there have been numerous reviews of the 8600, and videos are all over YouTube showing the basics of its operation and features. It has numerous flexibilities selected from the front panel and within the menu system. The ability to record directly to SDHC cards eliminates the need to attach an external solid state recorder (over the course of my DX career I accumulated many of these). I can’t say enough about this capability which automatically keeps fully labeled logs.
Other features include ICOM’s wonderful Twin Passband Tuning, combined with the ability to adjust filters 1/2/3, adjustable attenuation, Digital AFC, tone controls, noise blanker digital noise reduction, speech enunciator, main tuning dial tension adjustment, synchronous L/U/Double sideband, adjustable panel brightness . . . in short, just about everything one would think should be included in a 21st century receiver of this kind, ICOM put in the 8600. The firmware update released recently (1.30) added the capability to use the radio’s IQ output with HDSDR software, which means that the receiver is now not only a standalone but also functions easily with a PC.
Since the 8600 has been on the market for some time now, I discussed with Thomas Witherspoon of SWLing Post, the idea of obtaining an 8600 for the specific purpose of comparing it to some of the top receivers in my collection.
JRC NRD-515
At the current time, that list includes a JRC NRD-545, the Drake R-8 (original version purchased in 1993), JRC NRD-515, Watkins Johnson 8718A/MFP, Cubic R-2411, and a McKay Dymek DR-33C. All of the radios in my shack use a Wellbrook 1530 loop, fed through a RF Systems DA-8 Distributor/Amplifier which maintains signal levels from all outputs.
Watkins Johnson 8718A/MFP
A surprising outcome of my comparisons of the 8600 to these radios is that my appreciation of the qualities of these older receivers was actually re-ignited–so much so that some that had been on my ‘to sell’ list are now back in the ‘keepers’ column. This is not as much a criticism of the 8600, as it is a reaffirmation of the quality that was built in to some of the great receivers of yesteryear.
Because my collection actually extends across 2 or 3 rooms, moving the 8600 away from my central receiver “stack” was not possible, so testing comparisons were limited to the sets mentioned above. I would have liked to compare the 8600 with, for example, some classic tube receivers (HQ-180A, Eddystone 830/7), but they have been mostly inactive and located away from incoming antenna inputs.
Here in Potomac, MD outside of Washington, DC, the addition of the Wellbrook a few years ago, after years suffering with long wires, fundamentally changed a difficult situation. Signals were boosted, noise reduced. I wish things had continued this way. Unfortunately about a year ago, my area began to be plagued by a troubling ignition-type buzz, source unknown, targeting 11,500 to 12,100 khz though noticed elsewhere in the shortwave bands. It has continued, usually worse in summer than in winter.
I begin with this to underscore what I noticed as a high point for the 8600: its Noise Blanker and digital noise reduction are in my opinion quite effective, so much so that when properly adjusted, they can eliminate troublesome ignition-type noise. While NR is useful, as noted in other reviews it needs to be used carefully so as not to introduce too much digital suppression.
Here is an example of NB and NR in use against severe ignition-type noise at my location:
In August of 2017, I had my first experience tuning a 8600 at a DXpedition in Ohio.
So, I had a basic grasp of the various controls — the A/B/C knobs, and the menu system. When I received my review unit from ICOM last November, I was up and running quickly, but still puzzled over some aspects of the receiver’s operation.
Thanks to Dave Zantow who alerted me to a possible issue involving firmware 1.30 which appeared to introduce an increase in audio harshness (ICOM has been alerted to this). Dave also had suggestions (see his full review of the 8600 and other receivers on his site) about audio adjustment and speakers, and tweaking of the front display to make maximum use of the Peak and Waterfall settings. Dave emphasizes that careful adjustment is required of the 8600’s tone controls and AGC decay settings to get the most out of the receiver.
Because it is among the receivers in my shack in close proximity to the 8600, I chose to perform a number of tests comparing the ICOM to the Japan Radio Company NRD-545. As everyone knows, the 545 was the last in JRC’s prosumer line of receivers. It is feature-rich — JRC threw everything into this receiver. But one issue followed JRC receivers through the 5xxxx series — noisy audio. After finally acquiring a 545 some years ago (a high serial number unit formerly owned by the late Don Jensen) I jumped on that bandwagon of criticisms about the 545’s audio. However, in terms of sensitivity and numerous tools to hear and process signals, the receiver remains among my favorites, and this remains the case after my comparisons with the 8600.
When I compared signals heard by the 8600 with the 545, I found that while the JRC does have that ‘DSP’ sound, it was in many situations actually clearer than the ICOM. That was the case even when following advice on adjusting the 8600’s tone controls and AGC. The following two videos compare the 545 and 8600 on 5,905 khz and 17,655 khz. A third shows the receivers on 6,040 khz demonstrating effectiveness of their notch filtering capabilities:
My next comparison was the Drake R8. Little can be said about the Drake R8xxxx series of receivers that hasn’t been said. That superb Drake audio, established with the R8 and continued through the R8B, puts these receivers at the top of the heap and makes stations stand out. So, it’s little surprise then when compared to the 8600, which is an SDR in the HF range up to 30 mhz or so, the R8 still sounded superior on many, though not all, stations. Use of the SYNC mode (not adjustable on the original R8, but was on the R8A/B) also improves recoverable detail on the Drake.
The following video shows the 8600, 545 and finally the R8 on 5,995 khz (Mali), and the three receivers compared on 9,650 khz (Guinea), and a third comparing the 8600 with the full range of receivers in my main receiver stack, tuned to 9,415 khz which at the time was China Radio International.
Despite what some critics have said, I believe that the 8600’s synchronous detection modes are actually pretty good, helping with fading and stabilizing signals. I think the ICOM’s sync is certainly superior to what I experienced with the IC-R75. I would rate the SYNC on the AOR 7030+ superior to the 8600, with the NRD-545 a bit behind the 8600.
Acquired about 2 years ago, my AOR-7030+ is a late serial number version of this fantastic receiver. If I were to sell every radio in my shack but 5, the 7030 would not leave. Put simply, it is among the top shortwave receivers ever made, with off-the-charts audio, and if one has the rare NB7030 card, amazing notch and other capabilities. Comparing the 7030 to almost any other shortwave receiver ever made is like putting a Ferrari on the track with the competition. The audio, and reception tools are just that good.
At the same time, in the 8600 ICOM has produced a receiver that has as many of the essential tools required to manipulate and clarify signals as exist. The twin passband tuning continues to be superb. Being able to vary bandwidth in conjunction with the PBT, and do so even in SYNC mode, further enhances reception powers. Combine this with the ability to actually see signals on the 8600’s beautiful color LCD — we’re getting pretty close to the ultimate receiver (though I would love for someone to drop the successor to ICOM’s IC-R9500 on my front doorstep).
The following videos compare the 8600 to the same full range of receivers, ending with the Watkins Johnson 8718A/MFP, all tuned to 5,935 khz, followed by a comparison of receivers tuned to 5,000 khz
In the following videos, I compare the 8600 to other receivers 11,810 khz (BBC) which shows
the superb audio of the Drake R8xxxx series, yet the 8600 does quite well, and another video
compares the 8600 with the 545 and R8 tuned to 6,070 khz.
In the months that I have had the 8600, I did some comparisons with other receivers, among them my Watkins Johnson 8718A/MFP, which you saw in several videos. WJs prior to the 8711/HF-1000s were built like boat anchors and are QUIET. WJ, Cubic and similar sets manufactured for government and intelligence agencies, shared superb sensitivity, and most cases, excellent audio.
Comparisons of the 8600 on shortwave frequencies had the so-called Premium radios out front. The ICOM clearly shined when it comes to modern signal processing and adjustment tools such as PBT, Notch, and infinitely variable selectivity.
Summary
So, here’s a summary of my impressions after weeks of testing the ICOM IC-R8600 against some of the top gun receivers of yesteryear.
The 8600 scores a 10 on reception tools that are useful — though not crucial in these days of waning shortwave broadcasting activity — in producing and processing listenable audio: Twin PBT, Notch and Auto-Notch, Variable Bandwidths (though limited at the high end to 10 kHz), Pre-Amp and Attenuation, and that beautiful color LCD that allows one to see signals.
Predictably, the 8600 doesn’t blow away premium receivers that were manufactured to pick up the signal equivalent of butterflies and targeted government and spy agencies, and it also does not out-perform a range of other classic receivers whose reputations are well-established.
From a sensitivity and audio perspective, there is no real competition with the Drake R8, which time and time again excels in producing superior easy-to-listen audio. And the same holds for the AOR 7030+.
JRC’s NRD-515 more than holds its own and in many cases exceeds the 8600 in signal sensitivity, and producing listenable audio, despite its selectivity limitations.
The NRD-545 — maligned by critics for its DSP audio, often produced highly-listenable audio even in comparison with the 8600. The ICOM and the 545 share features that provide tremendous flexibility, the tools required to slice and dice signals. If the JRC NRDxxx receivers were the modern equivalent of such boat anchor classics as the Hammarlund HQ-180A, the 8600 is certainly at the top of the heap when it comes to having those same tools in a 21st century receiver.
Audio Samples
I performed some additional audio only tests between the 8600 and NRD-545 on several frequencies. In each, I carouseled from wide to narrow on the 8600, and did the same on the NRD-545. Here are the results:
You may have noticed that while on some examples the 8600 appears to sound better, the 545, with DSP technology born in the 1990’s is more than competitive with the ICOM.
Conclusion
In conclusion, with the 8600 we have a receiver that tunes up to 3 gHz, with highly flexible color scope, usable with HDSDR, with every tool imaginable for sifting through signals from 10 kHz up to 30 MHz, which is the area I have focused on for decades.
ICOM’s superb Twin PBT knocks out interference and narrows the heck out of any signal, with highly adjustable notch capabilities, customizable bandwidth functions, and what I consider to be highly effective noise blanking and noise reduction. Add to this 2,000 memory channels, multiple antenna inputs, adjustable attenuation and AGC and you have far more than what is needed given the current state of shortwave broadcasting.
Here’s the tough question: Would I recommend that a shortwave listener focused on what remains of listening in the SW bands purchase a 8600? Or to put it another way: Is the 8600 that much of a better radio in the SW spectrum? The answer has to be no.
Numerous receivers from the classics to even the latest portables with multiple selectivity flexibility (see the XHDATA D-808 or Eton Satellit) work for that. The used market overflows with superb HF communications receivers. Any of the Drake R8xxx series receivers, available on the used market for $400 to $1,000, now constitute overkill when it comes to reception in the MW to 30 mHz range.
But if you can project someday to having the time and patience to apply yourself to what is available above 30 MHz, and have the appropriate antenna(s) for those ranges, then by all means, the 8600 is the radio for you. It is the Babe Ruth’s bat of the receiver world — AND it has numerous flexible tools (though one wishes that ICOM had included DRM capability).
As I finalized this review, I continued to wrestle with the decision of purchasing the 8600 that was so generously provided by ICOM. You won’t read here what my final decision was–but anyone who is interested can contact me in coming days and weeks to learn the answer.
Last minute update Just before this review went to press, I discovered an issue of concern: when the 8600 was left on overnight, or for any period of multiple hours, upon awakening from “sleep” (screen off) mode, nothing but distortion is heard from the speaker. The only solution was to perform a POWER OFF/POWER ON, after which normal audio was heard. This issue was I brought to the attention of ICOM.
I want to thank Ray Novak and Faheem Hussain of ICOM for providing the 8600 used in this comparison, and for their patience as I encountered several delays completing my review and getting to print. And thanks to Thomas Witherspoon without whose initial encouragement, this review would not have been possible.
Dan, thank you for an amazing IC-R8600 review and comparison with your benchmark commercial grade receivers! Thanks for taking the time to make thorough comparison video and audio recordings. Your guest posts are always most welcome on the SWLing Post!
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