Yearly Archives: 2018

FTIOM & UBMP, May 13-19

Visit Radio Caroline’s MV Ross Revenge ship

Radio Caroline Trip 2018

The Martello Tower group will once again be running a special event station GB5RC from the Radio Caroline ship the MV Ross Revenge over a long weekend 3rd to 5th August.

This weekend we have arranged 6 trips out to visit the ship for a tour of the ship including studios, transmitter room etc. There will be 3 trips on both the Saturday and same on the Sunday and each trip can carry up to 11 visitors.

Each trip is for the whole 11 people and cost is £275 so if you fill the boat it’s just £25 per person. Sailing times are 1.30pm 4pm and 6.30pm and each trip is around 2.5 hours round trip and will be from Mersey island in Essex.

Bookings will need to be paid in full. Please note we are not taking individual bookings for spaces on trips only bookings of £275 per trip. This is on a first come paid bookings only.

To book a trip call Paul G0HWC on 07810 607766

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Deutsche Welle’s 65th anniversary

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(Source: Deutsche Welle)

Deutsche Welle marks 65th anniversary

For six-and-a-half decades, Germany’s international public broadcaster has been providing the world with news and information. Deutsche Welle’s offerings are more diverse and widely used than ever before.

“Dear listeners in faraway countries” — with these words from German President Theodor Heuss, Deutsche Welle (DW) began broadcasting on May 3, 1953. Germany’s foreign public radio station was charged with providing audiences abroad with a political, economic, and cultural picture of the country.

DW broadcast via shortwave and initially only in German. The first foreign languages were added in 1954. In 1992, DW expanded into television and, shortly thereafter, the internet.

“Of course the days of just shortwave were easier,” says Deutsche Welle Director General Peter Limbourg. “But thanks to the internet, social media, and our network of partners, we now have the chance to reach significantly more people than we used to. We offer a mix of news, background, and think pieces, presented in a modern fashion and oriented around the interests of our diverse and often very young target audiences.”

Limbourg has been DW’s director general for the past four and a half years.[…]

Click here to read the full article at Deutsche Welle.

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“Broadcast Isolation in Japan”–no workarounds?

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Many thanks to SWLing Post reader @medmouad who recently shared a link to the following article by Kenji Rikitake at Medium.com:

I’m sure Japan is one of those countries which implement the worst online broadcasting policies.

You cannot listen to Japanese internet radio stations from outside the nation, thanks to the geotagging technology for the IPv4 address; most of the major broadcasting stations do not allow access to their streaming feed outside Japan. This is a huge disservice to the expats, but the broadcasters seem not to care about it at all.

Japan’s geotagging policy against streaming broadcast is even worse within the nation; the telecom ministry enforces prefectural border limits for licensing the broadcast stations, though in some rare cases wider limits are allowed. Japan is regionally divided into 47 prefectures. So you cannot listen to Tokyo radio stations for free when you are in Osaka over internet. And vice versa. Recently a consortium of private broadcast stations, radiko.jp, announced a paid service for cross-prefectural listening of JPY300 (about USD3) per month. Isn’t this a ripoff? And it’s still not accessible from outside Japan.

Japan has a weird article in the copyright law too; the copyright owner can claim the right of making the contents being able and ready to be publicly transmitted. This right is applicable to all transmission media including internet and airwaves. So when you buy a CD, you cannot transmit without the permission of the copyright holder, usually the publisher.

[…]I hope someday I can listen to Japanese radio outside Japan over internet. The day, however, will not come soon.

Continue reading the full article at Medium.com.

If you’re an SWLing Post reader, I’m willing to bet you’re thinking: “Yeah…this is one of the downfalls of radio over the Internet.” We never have this issue with shortwave radio broadcasts since they’re built upon a medium that has, at its very core, no regard for national borders.

Of course, this article focuses on local/regional FM outlets in Japan and the firewalls that keep their online streams neatly contained.

I can’t help but think that there must be workarounds to defeat IPv4 address geotagging within Japan. Perhaps I’m wrong.

I do know that I can easily listen to local AM/mediumwave broadcasters throughout Japan using one of many web SDRs on the KiwiSDR network. Surely the same could be done for FM using a network of web accessible RTL-SDR dongles–?

Has anyone found a workaround? Mark Fahey, you know I’m looking a you!

Please comment!

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Black Cat Systems’ 22 Meter Band Part 15 CW Beacon Kit

Bill scores a homebrew LW/MW magnetic loop antenna

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Many thanks to SWLing Post contributor, Bill Hemphill (WD9EQD) who shares the following:

I went to the Warminster Amateur Radio Club (WARC) hamfest [yesterday] in Bucks County, PA. For some time, I have been thinking about making a loop antenna for AM DXing. It was my lucky day. When I walked to the inside tables, on the very first table was this homemade loop antenna gentleman was selling from an estate.

I snatched it up for $40.

Attached are some photos of it. It’s 25” by 25”, with a swivel base. There are 23 turns of wire and I have no idea what size the capacitor is. I did some preliminary tests and it tunes from 280 kHz to 880 kHz. So it’s the covers the high half of the long wave band and the low half of the AM band.

It’s very well made and I fugue I can modify it to cover the entire AM band.

[…]I hooked the SDRplay RSP2 to it and was getting good signals of major stations all the way to 15 mHz.

That’s with it sitting on my dining room table. Of course the capacitor wouldn’t peak the signals.

So it was a great day at the hamfest!

Indeed that was a great find, Bill! Someone spent a decent amount of time building that furniture-grade loop support. Indeed, it’s very reminiscent of 1920s-30s mediumwave loops!

What I love about your loop (and that of Thomas Cholakov) is that one can see how simple these antennas actually are to build. The only complicated bit is the support, but even that’s simple if you use the shield of a heavy coax or flexible copper tubing.

Thanks for sharing and enjoy logging DX with your new-to-you loop!

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Our Galaxy Expressed as Jazz

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Rather than take pictures of the Milky Way, astronomer Mark Heyer decided to capture it in a completely different art form.

This amazing video is part of an article from Interesting Engineering depicting the motion of the Milky Way translated into a musical score.

While most astronomers love capturing unique and stunning images of the Milky Way, one astronomer wanted to capture the galaxy in a unique way. Astronomer Mark Heyer expressed how the galaxy moves in the musical composition “Milky Way Blues.”

This is no Vivaldi’s “Four Seasons,” as the music isn’t simply inspired by the galaxy’s sounds; it is the galaxy’s sounds. The University of Massachusetts Amherst professor created an algorithm that transformed the data into a series of notes.

“This musical expression lets you ‘hear’ the motions of our Milky Way galaxy,” he says. “The notes primarily reflect the velocities of the gas rotating around the center of our galaxy.”

Heyer assigned notes to the atomic, molecular and ionized gases that can be found between the stars in our galaxy. He then gave different pitches, tones and note count to the velocity and spectra of each gas phase. For example, atomic gases were given an acoustic bass sound, molecular gasses got woodblocks and piano, and ionized gases became saxophone notes.

“Astronomers make amazing pictures, but they’re a snapshot in time and therefore static. In fact, stars and interstellar gas are constantly moving through the galaxy but this motion is not conveyed in those images. The Milky Way galaxy and the universe are very dynamic, and putting that motion to music is one way to express that action.” He chose to compose this piece using a pentatonic scale – with five notes in the octave instead of seven – and in a minor key, because “when I heard the bass notes it sounded jazzy and blue,” he said.

You can read more about this incredible process here.