Tecsun PL-368: An Everyman Review

Guest Post

The Tecsun PL-368: An Everyman Review

By Robert Gulley

I entitled this review an “Everyman” review because, while I am far from “normal” (just ask any of my friends!), I am not a hard-core SWL. I am a hard-core amateur radio operator perhaps, but only for the last decade(+). I have been casually listening to shortwave radio for about 50 yrs. So, my perspective on this radio comes from someone who cut his teeth on a Realistic DX-160 (still love those radios!), progressing through various desktop and portable radios, to three of my current favorites, the FRG-7, the Sangean 909X2, and the Sony 7600GR. Of course, this doesn’t count some vintage WWII-era radios and earlier, but they are favorites for other reasons.

Now, the purpose of this little reflection on equipment is to say all radios have their place in the pantheon of shortwave radios, and no one radio “does it all.” The Tecsun radio, I believe, fills a very specific niche in the radio world, and it is excellent for those purposes. It does not, however, rival other radios whose goals are different, such as ones designed around sound fidelity, digital signal processing, SDR capability etc.

What this radio does do is present a very capable radio in an ultra-small package, designed to fit easily for travel and for survival/emergency situations, or for armchair operation. That middle one may surprise you, so allow me to explain.

I have a previous model of this radio (GP-5/SSB still available) sold by CountyComm, which was modified from Tecsun’s stock production PL-365, to have features suitable for government use. This has become a rather popular radio for preppers because of those modifications. The idea behind this radio as a compact piece of kit for government embassy people was to have something which could be easily concealable, operated with one hand, and have a wide range of reception capabilities. Of course, good reception of shortwave, AM, and FM bands was considered a must. You can look at the CountryComm website to find out specific features of the modified units if interested, as that radio, or the PL-365, are not the subject of this review.

While not a real “prepper” myself, I was intrigued by the AM broadcast reception capabilities due to the plug-in ferrite antenna, and also liked the idea of the small footprint. In actual use I found the radio to be quite versatile, a good performer, but rather awkward to use as there was no quick way to get to specific frequencies, unless already programmed into a memory location. With no direct keyboard entry on the GP-5, going to random locations to channel surf was, for me, frankly a bit annoying.

Enter the PL-368 which boasts a direct keyboard entry! Yes!! This one feature has taken the radio to a new level of performance which makes it a joy to use in this reviewer’s humble opinion. (Full disclosure, the unit I received for this review was provided by ANON-CO, and is the latest model after the recent firmware update incorporated by Tecsun. However, I have no other connection to ANON-CO or Tecsun, and my willingness to do the review is purely based on my previous purchase and experience with the CountyComm model.)

Despite having an unusual number of stormy days and nights here in the Midwestern U.S. recently, I have managed to enjoy some very productive listening opportunities with this little radio. For example, being an amateur radio operator, I appreciate the ability to listen in on the amateur frequencies now an again, and the recent ARRL Field Day afforded me the opportunity to really test out the radio’s USB/LSB reception capabilities, and its ability to dig out signals on a really crowded band. I was quite impressed both with its DSP and bandwidth capabilities and the reasonable clarity of the audio when tuning in various signals. Does it have the richness of audio that my Sangean 909X2 has? No, of course not. The speaker is much smaller in the PL-368, but it was quite listenable. Likewise, listening to various nets on 80 meters was quite acceptable with the built-in antenna, where noise and local interference are common gremlins on any radio.

For shortwave stations I found the radio to be quite sensitive just using the built-in antenna, which is key to portable listening. If I have to attach an external antenna, my mobility becomes limited, and I might as well just listen to one of my desktop radios. Some reception examples include: NHK World Radio 9560, Helliniki Radiophonia Voice of Greece 9420, WRMI relay of KSKO 89.5’s Paul Walker from McGrath Alaska on 7780 (beamed to east coast U.S., as well as on 7730 beamed to west coast, Hawaii, and South Pacific).

Of course, reception of CRI, Radio Havana Cuba, and numerous religious broadcasts were heard on all the usual places. I also listened to WWV signals at various locations, my go-to initial band reception check, as well as listening to HF aircraft broadcasts, military planes training on 11175 (USB), and maritime weather broadcasts. While I did not try digital mode reception such as FT8 with WSJT-X from the headphone jack, I have no doubt I would have been able to monitor these stations on various bands easily as the signals were immediately recognizable. The same holds true for CW reception.

Operational Notes

For a thoughtful, in-depth review of many technical aspects of this radio Dan Robinson has written an excellent piece on the PL-368, along with an updated review of the latest firmware’s effect on the radio. One aspect worth mentioning in my experience with this radio is that, unlike Dan, I did not find an issue with changing sensitivity when touching/holding the radio versus the radio standing on its own. Your mileage may vary, of course, so this goes in the “for what it’s worth” category. Maybe this issue has been resolved in later production runs? Or maybe my capacitance is running low and I need more electrolytes<grin>!

Like Dan, I found the SYNC detection of USB/LSB to be marginal at best, mostly making the signals harder to hear. On the upside, standard reception was quite good, and I did not experience significant fading most of the time.

Below are some of the hidden keyboard functions as listed, provided by Anna of ANON-CO, but I wanted to mention a feature I have either forgotten when using my GP5 CountyComm model, or which has been added (sorry, I don’t have access to the GP5 right now as it is packed away due to a recent move in progress). When “speed tuning” as I call it (turning the tuning dial quickly) with the “step” selected to the smallest increment on SW, what starts as increments of 10Hz will jump to 50Hz at a time after a few moments. This helps in trying to quickly latch on to a signal when increments of 10 are not necessary. The tuning will revert to 10Hz units when stopped for a few seconds.

Now for some undocumented features:

Switch between internal ferrite rod and whip on AM (MW & LW)

  1. Select the MW or LW band.
  2. Press and hold key ‘3’ for about 2 seconds.

When the display briefly shows “CH-5” this means that the device is set to MW/LW reception using the telescopic antenna. The display shows MW (or LW) and SW on the left side of the screen.

When the display briefly shows “CH-A” this means that the device is set to MW/LW reception using the internal ferrite antenna. The display shows only MW (or LW) on the left side of the screen.

Adjusting the maximum volume level

Select the frequency band, then press and hold key ‘7’ for 2 seconds until a number is displayed. At this moment, rotate the [ TUNING ] knob to adjust and press the key ‘7’ again to save and exit.

Firmware Version

In power-off mode, press and hold [ VF/VM ] for 0.5 seconds until all characters on the display are shown, then wait a few seconds until the firmware version is briefly displayed in the middle of the display.

Extend SW-range for European setting (1621-29999 kHz)

  1. In power-off mode, press and hold the [ 3 ] key to set the MW tuning steps to 9kHz.
  2. Select the SW band, and then press and hold the [ 5 ] key for 10 seconds to enable/disable the SW frequency extension. The starting point of the SW frequency range will become 1621 or 1711 kHz.

Some Nitpicks (There had to be some, right?!)

I wish the batteries were still standard AA units instead of the flat rechargeable unit. This is merely a personal preference, but as a radio designed for carry-anywhere usage, I like a radio to use batteries I can pick up anywhere if needed. I tend to use rechargeable AA and AAA batteries anyway, but I like knowing I can use ubiquitous alkaline batteries available at almost any store in a pinch.

I suspect the change was made to allow for more space for the direct keypad entry, and that is definitely a tradeoff I am willing to make!

On a related note, the recharging port uses the USB micro-b connector which I have found in cell phones, tablets, etc. to be a weak point as cables often seem to go bad, or the connector itself gets damaged. The larger mini-b would be my preference, but hey, again, that’s a nitpick.

Finally, the case does appear to be a little thin which makes me wonder how it might survive if dropped or knocked off a table. This is not a deal-breaker by any means, but something to consider when carrying it around or when packing it for a trip. It may survive quite well, but that’s a test I don’t want to try out just to see what happens.

Final Thoughts

For me, as a casual shortwave listener, I look for several things in a portable radio. I want true portability – if a so-called portable radio must be tethered to an external antenna to work decently, chances are I am not going to use it often – my various desktop models attached to outdoor antennas will always out-perform a portable. I also want a simplified layout of controls. I do not want to dig through menus, have be a contortionist to work the buttons/controls, or carry a manual with me to find out how to use the radio each time because the controls are confusing. I also want reasonable audio and clarity, or the ability to fine-tune a signal to minimize adjacent signals.

I find the PL-368 does for me what I want a portable to do and does it reasonably well. Is it the best portable out there? No. Is it a benchmark radio? No. But it is extremely portable, easily handled with just one hand, and its reception capabilities put it far above some other portables I have used. If you are looking for something which can easily fit into a pocket, bag, or purse, this radio is great. If you want a radio which performs well over a wide range of signals using the built-in antenna, this radio fills the bill. And if you want true USB/LSB, along with good bandwidth options in your portable, this is a great choice. Cheers!

(edit, July 23, 2021: an additional “hidden” feature to be included in the shipping version not included in this reviewed unit is an SSB calibration capability – definitely a plus! — Robert)

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DSP technology is amazing, but maybe I’m just a legacy receiver kind of guy?

The PL-380 was one of the first portable DSP radios I purchased. It was mind-blowing at time of introduction and I still have it in my radio arsenal.

Without a doubt, DSP (Digital Signal Processing) technology has forever changed the portable receiver market in so many positive ways:

  • It’s made portable radios more affordable for consumers
  • It’s increased the profit margin for manufacturers
  • It’s made features like SSB mode and variable filter width affordable
  • When properly implemented, DSP technology can provide DX-grade performance even in Ultralight receivers
  • All-in-all, DSP technology has made portable receivers more accessible and has undeniably  reinvigorated the shortwave radio market over the past decade

All very good things!

But I must admit, I do miss legacy receiver design–for example, dual-conversion frequency synthesized radios like the Sony ICF-SW7600GR:

Or the Panasonic RF-B65:

For me? It’s all in the noise and static.

I think we’re probably all wired a little differently when it comes to how we listen.

I know radio enthusiasts that can pull station IDs out of the noise with their AM or SSB filters set to very narrow widths. I have trouble doing this and tend to actually widen filters when doing weak signal work (assuming there are no adjacent stations). It’s as if the filter in my brain needs more information–more bandwidth–to increase intelligibility. I only engage narrow filters to block adjacent signals or (for narrow bandwidth modes like CW) to decrease the influence and effects of atmospheric/natural noises (QRN).

I find that many DSP portables add a “mushy” audio quality to the static found in the noise floor of the receiver. I hear DSP artifacts and that “watery” quality especially if using headphones. No doubt, it’s the DSP simply doing its thing: minimizing background noise and seeking to clarify voice and audio information. But this actually tinkers (or interferes) with my brain’s ability to pull out intelligible information to some degree.

I find I prefer the audio quality of static in analog receivers.

Of course, a bit of this might also be tied to a receiver’s dynamic range and AGC; qualities I also tend to prefer in my benchmark legacy portables.

Does this make any sense?

In truth, this is difficult to explain and, dear reader, I may very well have lost you here. If not, I’m curious what you think.

Do you prefer the audio characteristics of DSP receivers, or legacy receiver architecture? Are there aspects you like of both? Please comment!

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Mike Harwood explores active magnetic loop antennas with SDRplay

Many thanks to Jon Hudson with SDRplay who shares the following announcement:


Introducing a new series of videos comparing the performance of wideband active loop amplifier/antennas for HF frequencies and below. In this introductory video, Mike Harwood shows how an RSPduo enables a real-time comparison of two antennas – in this demo, he uses a Wellbrook 1530AN and one of his own compact loop creations. You can see that he has lined up several other active loop antennas/amplifiers to try in future videos, including the Bonito Megaloop FX, the LZ1AQ amp and the Cross Country Wireless amp.

SDPlay will endorse antennas which work well and formally recommend them on its website antenna suggestions page: https://www.sdrplay.com/antennasuggestions/

This is one of many videos from SDRplay – makers of the RSP family of SDR radios. See the full list of SDRplay videos and applications documents on: https://www.sdrplay.com/apps-catalogue/

The RSP family of SDRs from SDRplay cover 1kHz to 2 GHz with no gaps and give up to 10MHz spectrum visibility.

SDRplay is a UK company. The RSP SDR receivers are made in the UK and can be purchased for worldwide delivery directly from http://www.sdrplay.com/ (click on purchase and select your country to view shipping costs) or you can buy from any of our worldwide resellers listed here: http://www.sdrplay.com/distributors/ Many of the resellers offer local free shipping and/or local language technical support.

The SDRplay YouTube Channel is: https://www.youtube.com/c/SDRplayRSP

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The new ATS-25 Si4732 receiver with color touch screen

Many thanks to SWLing Post contributor, Robert Richmond, who writes:

An ATS-25 receiver has appeared on eBay and similar sites. It appears to be a touchscreen and user interface update to the previous ATS-20 model. I suppose it remains to be seen if there are any improvements to the underlying electronic design and construction quality.

Click here to view on eBay (partner link)

At $130+ I am not sure if I am inclined to find out, but perhaps someone out there might be interested. Given the design shortcuts and potential build quality concerns of the current ATS-20, I would suggest considering the ATS-25 a possible “kit radio” as well until if or when proven otherwise.

Best Regards,

Robert Richmond

Thank you for the tip, Robert!

I would certainly welcome a guest review of the new ATS-25. If you’ve purchased this radio and would enjoy reviewing it here on the SWLing Post, please contact me!

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KMTS Summer Test Transmission

Many thanks to SWLing Post contributor, Fastburstradio23, who shares the following:

Beaming to you from the transmitter’s location, forget summer vacation, it’s time for summer school. Get your pencils sharpened and thinking caps on for the KMTS Summer Test (transmission)! Numbers, poetry, the science of strange tones, music and mountaineering are all part of the curriculum.

And if you are one of those cats who was too hip for school the first time around, we understand. We’ve been there! When you use one of our proprietary quantum radios passing is as easy and pleasant as a breeze blown in from a deserted tropical island. All the answers tp all the questions are right in some reality or timeline!

And after you’ve peaked out with us at the crown of KMTS, you can join us for a Mai Tai at the Tiki bar on top of the mountain as we go over the summer test results.

6070 kHz at 1700 UTC on Tuesday 27th July and 3rd August 2021.

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Radio Cameos in Japanese Cinema

Many thanks to SWLing Post contributor, Jon, who writes:

Good day,

I regularly visit the SWLing Post and very much appreciate the breadth of content you provide on the shortwave hobby. In between the receiver reviews and stories on broadcaster activities, I much enjoy the pieces showing the radio gear that folks notice in television/films. Over the course of the COVID19 pandemic, I have been watching a lot of films from Japan, and in the process have spotted quite a few interesting receivers here and there. Below are some photos and details on some of these unsung stars of Japanese cinema. I think that JRC enthusiast Dan Robinson will agree with me that it’s the ensemble cast of JRCs in Virus that steal the show! 🙂

1. Masahiro Shinoda’s 1961 Epitaph to My Love opened with a very nice shot of a Sony TR-812 multi-band portable in a scene where a news broadcast is being heard in a bar setting.

https://www.radiomuseum.org/r/sony_tr_812_tr812.html

2. A Sony AFM-152J is shown in a contemporary home setting in Hiroshi Teshigahara’s 1966 film The Face of Another.

https://www.radiomuseum.org/r/sony_fmam_automatic_tuning_radio_esaki_diode_afm_152j.html

3. Kihachi Okamoto’s 1978 sci-fi film Blue Christmas featured a brief shot of a Sony ICF-7600 – the first of a legendary line of Sony portables that would carry “7600” in their designation.

https://www.radiomuseum.org/r/sony_icf_7600.html

4. There were several radio appearances in Kinji Fukasaku’s 1980 Virus – a film that took disaster movies to a new level by depicting both a global pandemic and a nuclear holocaust.

A range of JRC gear was captured in a scene that was set in a Japanese Antarctic base. Identifiable rigs include the NRD-10 and the NRD-71.

https://www.radiomuseum.org/r/jrc_nrd_10nrd1.html
https://www.rigpix.com/jrc/jrc_nrd71.htm

In another scene from the Antarctic base, a Trio (Kenwood) TS-820S is shown powered up.

https://www.radiomuseum.org/r/trio_kenwo_ts_820s_ts820s.html

5. Lastly, we have an unidentified tube receiver from Masahiro Shinoda’s Childhood Days – an interesting 1990 film about a school aged boy in World War II era Japan who, because of the bombing threat, is sent from his Tokyo home to live in a rural village.


Thank you for sharing this, Jon! It’s wonderful to include radio sightings from Japanese cinema in our ever-growing collection of radios in movies!

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Alan Roe’s A21 season guide to music on shortwave (version 4 update)

Many thanks to SWLing Post contributor, Alan Roe, who shares his latest A21 season guide to music on shortwave.

Click here to download Music on Shortwave A-21 v4 (PDF)

Alan notes that this might be the final update of the A-21 broadcast season.

This dedicated page will always have the latest version of Alan’s guide available for download.

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