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A few weeks ago, we posted an announcement that spectrum analyzer software was being developed for the SDRplay RSP software defined radio series. Many thanks to Andy, at SDRplay, who shares the following announcement:
We are pleased to announce the availability of the first cut of Spectrum Analyser software developed by Steve Andrew specifically for the RSP line of products. Please note that this is first alpha software and so it is still very much in development and some features are still to be added. Currently supported are:
RSP1
RSP2/RSP2pro
RSP1A
This first alpha release gives a good idea as to the look and feel for the software. The main functional limitation is that sweeps of greater than 10 MHz are not currently supported. Steve is currently re-working the algorithms for providing wider sweeps than 10 MHz to improve sweep time and remove the issue of the DC spike in ZIF mode, so please bear with him.
We recommend using the software with AGC turned off and use manual control of the gain for better display stability.
BBC Monitoring is a specialist part of BBC News, part of the World Service group. We have experienced journalists and linguists who follow and track international media in foreign languages, in over 150 countries and about 100 languages.
We monitor that information, we report and analyse it, and we work on a subscription website basis. All our content is available to the BBC and to the UK Government and we also have commercial customers.
The service has been through a lot of changes in the last couple of years, and was delivered a savings target which we had to incorporate. We’ve changed the structure of the personnel and the organisation, we’ve changed the delivery platform, updated the technology, and we have new products, new customers and users.
We’ve moved from Caversham House, in Berkshire, which was an absolutely beautiful place to work, but it was expensive to run, and we were at a distance from a lot of our users in the BBC but also in the UK Government. Coming into Broadcasting House gives just that extra sense of being part of News.
[…]BBC Monitoring was set up to counter propaganda from Nazi Germany in the war, explaining propaganda and spotting messaging in media. Verification – and then the reporting of stories where fake news is part of the media, is still part of what we do.
I’m pleased that the World Service is pulling together all its coverage of fake news. Monitoring is a central part of that, and we’re also developing a small team that is solely going to be dedicated to disinformation and the manipulation of messaging in the media in certain parts of the world.
We already work with all parts of News, for example our Iran team work very closely with the Persian service. During the Iranian elections last year some of our team were embedded with the Persian service to help them with their coverage.
We’re constantly following the media in over 150 countries, so when you’re talking about a big, complex, international story we’re able to broaden the lens and say ‘Well, here’s the view from this part of the world’, and ‘Here’s what this other country is saying.’[…]
Many thanks to SWLing Post contributor, DanH, who writes:
I recorded and edited clips from two Voice of Korea SW broadcasts in English at different times earlier today (UTC). The radio clock in this video is fairly accurate and is set to UTC. The VOK announcer reads a list of VOK English language broadcast times and frequencies near the end of the video. Happy listening! Propagation conditions aren’t that bad.
Thank you for sharing this, Dan. I’m travelling at the moment but will certainly listen via one of my favorite WebSDRs. I’m hoping some listeners will submit recordings to the shortwave archive!
I’ve copied the times and frequencies below for reference:
Many thanks to SWLing Post contributor, Dan Srebnick (K2DLS), who notes that Whistler currently has a selection of refurbished scanners on sale with a manufacturer’s warranty including the new TRX-1 handheld:
FILE – Leo Sarkisian, center, his wife, Mary, and VOA Director David Ensor smile during a celebration that followed the renaming of VOA Studio 23 in Sarkisian’s honor, Jan. 29, 2014. (Source: VOA News)
In February 2013, Leo Sarkisian and his sweet wife, Mary, invited me to their home and studio in Maryland and I recorded what turned into a 3+ hour audio interview.
Sitting with him, time seemed to disappear as I was absorbed by stories about his travels and experiences. He was so kind and gracious–he even insisted that I walk away with one of his amazing drawings which I’ve since framed for my office.
Leo passed away on June 8, 2018 at the age of 97. Rest in peace, Leo.
Leo Sarkisian, the creator and longtime producer of The Voice of America’s “Music Time in Africa,” has died. He was 97.
Known by his fans as the “Music Man of Africa,” Sarkisian spent a half-century traveling Africa, listening to local musicians and capturing their performances. Those recordings became the basis of VOA’s longest-running English program.
“Leo always left you feeling like you were special. He didn’t treat anyone less or greater based on their social standing or age or anything, it seemed. He was a true gentleman and optimist and lover of the beautiful things in life,” said Heather Maxwell, an ethnomusicologist who succeeded Sarkisian as the host of “Music Time in Africa.”
Meeting Murrow
Sarkisian arrived in Africa as a soldier in the U.S. Army. In 1961, a fateful encounter changed the course of his life. Edward R. Murrow, newly minted as the director of the U.S. Information Agency, came to Sarkisian’s apartment in Conakry, Guinea, and asked if he’d like to join The Voice of America. Four years later, he went on the air with “Music Time in Africa.”
He spent the next 47 years traveling the continent with his wife, Mary, whom he married in 1949. Together, they met thousands of local musicians and gave their art a global stage.
Sarkisian’s travels put him at the vanguard of African music. Maxwell said a favorite recording from Sarkisian’s collection was of Nigerian musician Fela Kuti, before he developed the Afrobeat style that would become his world-famous trademark.
Sarkisian was himself a musician and artist. He sketched performers, audience members and dignitaries. Some of his illustrations can be found in “Leo Sarkisian’s Faces of Africa,” a collection of portraits of people he met in his travels.
But his greatest legacy will perhaps be the original collection of about 10,000 recordings that he curated, representing every African country. In 2014, the University of Michigan acquired the collection from VOA on long-term loan. Their work involves digitizing the collection and preserving it for generations to come.
When asked what African music meant to him, Sarkisian said, “It’s been my entire life. It’s from my childhood right up to today, and maybe into the future. I’ll still be doing my art, and I’ll be dancing with my music. What else? It is passion.”
Sarkisian’s parents emigrated to the U.S. from Turkey in the early 1900s, according to The Washington Post. Born in 1921, Sarkisian studied art and drew maps for the Army, the Post reported.
Sarkisian lived by Murrow’s “last three feet” motto, Maxwell said. That meant the most important part of communication, even across international borders, came from a personal, human connection.
“We still care about Africa,” Sarkisian said in 2012. “We care about them. We love the African culture. And in turn, of course, we have their love, also. And that is the satisfaction of our work.”
Leo and Mary Sarkisian, after spending most of their lives living in Africa, settled in Boston. Leo Sarkisian died June 8 and will be buried in North Andover, Massachusetts, with full military honors.
For the past week, I’ve been away from home spending time with my mother at the hospital while she recovers from a surgery. I’ve got a number of reviews and evaluations in the pipeline, but thankfully no shortwave or HF radios on the table this week (although the ELAD FDM-S3 and CommRadio CTX-10 are just around the corner). Listening to shortwave (or even mediumwave) in a hospital room can be an exercise in futility–there are just too many devices emitting noise and the buildings are built like bunkers with incredibly thick walls to attenuate signals.
I’ve had the little Sangean HDR-14 with me, however, and have been very pleased with its ability to snag FM stations both analog and digital. I’ve also had fun discovering a surprisingly diverse FM landscape in this metro area. I haven’t snagged an AM HD station yet, but my hope is one evening I might DX one (fingers crossed and not holding my breath).
The Sangean HDR-14 (left) and CC Skywave SSB (right)
At the end of most days, I’ve been able to catch a little shortwave action with my CC Skywave SSB (pre-production) portable at the guest house where I’m staying. The evenings have been surprisingly peaceful here with only the occasional popup thunderstorm to insert a little QRN in my listening sessions.
Review of Australian Broadcasting Services in the Asia Pacific – Terms of Reference
The Government is undertaking a review of Australian media services in the Asia Pacific, including the role of shortwave radio. The review is being conducted jointly by the Department of Communications and the Arts and the Department of Foreign Affairs and Trade.
Purpose
The objective of the review is to assess the reach of Australia’s media in the Asia Pacific region, including examining whether shortwave radio technology should be used.
Scope
The review will analyse the:
coverage and access of existing Australian media services in the Asia Pacific region; and
use and value of Australian shortwave technology in the Asia Pacific region.The review will cover:
all media distribution platforms (i.e. television, radio and online);
commercial, community and publicly funded services; and
different types of technologies such as analogue, digital and satellite radio and television services and online services.
Have your say
Interested stakeholders in Australia and overseas are encouraged to contribute to this review. Submissions on any aspect of the review should be uploaded to the review website by 3 August 2018.
Timeframe
The review is expected to report to the Government in 2018.
Background
In September 2017 the Government agreed to conduct a review of Asia Pacific Broadcasting Services as follows:
“The Department of Communications and the Arts and the Department of Foreign Affairs and Trade will conduct a review into the reach of Australian broadcasting services in the Asia Pacific region, including examining whether shortwave radio technology should be used. The review will include public consultation and the report of the review will be made public.”
Consultation Period:
June 04, 2018 09:00 AEST to August 03, 2018 17:00 AEST
The Australian Broadcasting Corporation ceased shortwave broadcasting in the Asia-Pacific region in January 2017 ahead of a transition to FM transmission.
The review is assessing the reach of Australia’s media in the Asia-Pacific region, including examining whether shortwave radio technology should be used.
All media distribution platforms – television, radio and online – are being examined including commercial, community and publicly funded services.
The review is also looking at different types of technologies such as analogue, digital and satellite radio and television services and online services.