Shortwave listening and everything radio including reviews, broadcasting, ham radio, field operation, DXing, maker kits, travel, emergency gear, events, and more
We encourage you to explore the creative work from over 120 artists and composers.
A great many of these remarkable dynamic works draw on a wide array of recordings from the SRAA; the resulting compositions and soundscapes are rich with sonic textures, evocative collages of sound and memory, which emerge into further sources of inspiration.
For World Radio Day 2022, we tune in to radio stations around the world that connect communities, spark conversations, keep traditions alive and give a voice to their listeners. From Aboriginal Koori Radio in Australia to a community station in India run by rural women from the lowest Dalit caste, the airwaves carry intimate wisdom, vital knowledge, beats and tunes that keep reminding us who we are.
Wave Farm, Montez Press Radio, and The North American Shortwave Association are pleased to announce “Short Waves / Long Distance,” an open call for works exploring the sonics of the shortwave radio spectrum (2-30 mHz), and the experience of long distance listening. The call is in conjunction with the 35th Anniversary of the Winter Shortwave Listener’s Fest and Wave Farm’s 25th Anniversary, both of which will be celebrated in 2022.
Selected works will be:
Featured as part of a two-hour segment from 11pm-1am (EST, UTC -5) during David Goren‘s Shortwave Shindig held during the SWL Fest’s Zoom Conference on Friday evening March 4, 2022
Broadcast live worldwide on shortwave via WRMI (Radio Miami International)
Broadcast live on Wave Farm’s WGXC 90.7-FM Radio for Open Ears in New York’s Upper Hudson Valley
Both pre-existing and newly created works are eligible. Please note: Works submitted to the 2017 Open Call are ineligible, regardless of their selection status.
A jury comprised of representatives from The Shortwave Shindig, Montez Press Radio, and Wave Farm will review submissions.
Selections will be announced in late February 2022
About The Shortwave Shindig
The Shortwave Shindig is a live immersion into the wavering, noisy sounds of the shortwave radio spectrum. Live performances, presentations and extended, multi-layered audio mixes combine real time and archival shortwave sounds, taking the listener on a guided tour through the atmospheric neighborhoods where shortwave stations cluster. Reels of archival audio and a bank of receivers are on hand for tuning-in to the distant, elusive sounds of the shortwave bands. http://www.shortwaveology.net/shortwave-shindig/
About the Winter SWL Fest
The Winter Shortwave Listener’s Fest (March 4th-5th 2022) is a conference of radio hobbyists of all stripes who listen to frequencies from “DC to daylight.” Every year scores of hobbyists descend on the Philadelphia, Pennsylvania suburbs for a weekend of camaraderie and talking radio. The Fest is sponsored by NASWA, the North American Shortwave Association, but it covers much more than just shortwave. Additional topics include Medium wave (AM), VHF scanning, satellite TV, and pirate broadcasting. http://www.swlfest.com/
About Montez Press Radio
Montez Press Radio is an experimental broadcasting and performance platform. Founded in 2018 with the goal of fostering greater experimentation and conversation between artists, writers, and thinkers through the medium of radio, MPR allows different corners of the art world to interact with each other in person and on air—a place where media finally meets flesh. We’re drawn to art that exists in the unexpected, the authenticity of sharing without a script, the sounds of ideas in the making, conversation that forgets there’s an audience. We also like books. All in-studio broadcasts are free and open to the public. Stop by when we’re live at 46 Canal Street #2 in NYC or look at the upcoming schedule to see if we’re off-site and broadcasting near you. https://radio.montezpress.com
About Wave Farm
Wave Farm is a non-profit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm provides access to transmission technologies and supports artists and organizations that engage with media and the electromagnetic spectrum as an art form. Wave Farm’s Residency Program provides artists working within the Transmission Arts genre opportunities to research and create new works. Wave Farm’s Archives document and contextualize this work, including the Wave Farm Radio Art Archive, which is a project of an annual fellowship program. The Transmission Art Installation park features long-term projects installed on Wave Farm’s 29-acres in Acra, NY. These projects amplify the environment revealing what is otherwise unheard or unseen. Wave Farm’s WGXC-FM is a full-power, non-commercial, listener-supported station in New York’s Upper Hudson Valley operating out of dedicated studios in Acra and Hudson, NY; as well as pop-up temporary studio locations throughout the listening area and beyond. WGXC transmits 3,300 watts to more than 78,000 potential listeners on 90.7-FM and unlimited international listeners at wavefarm.org/listen. Hands-on access and participation distinguish WGXC as a public platform for information, experimentation, and engagement. https://wavefarm.org
Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Paul, David Goren, Pete Polanyk, Ulis Fleming, Troy Riedel, Tracy Wood, Dan Robinson, and Kris Partridge for the following tips:
This episode was written and produced by Olivia Rosenman.
Since World War I, countries around the world have been broadcasting mysterious numerical messages via shortwave radio. Though concrete evidence is hard to come by, the general consensus is that these coded messages are meant for undercover agents operating abroad. And one particular Russian station may have an even more sinister purpose. Featuring computer engineer Andrus Aaslaid, historian Maris Goldmanis, and documentary photographer Lewis Bush.
A public SDR network triangulates the island as the source of mystery signals
By Stephen Cass
As anti-government protests spilled onto the streets in Cuba on July 11, something strange was happening on the airwaves. Amateur radio operators in the United States found that suddenly parts of the popular 40-meter band were being swamped with grating signals. Florida operators reported the signals were loudest there, enough to make communication with hams in Cuba impossible. Other operators in South America, Africa, and Europe also reported hearing the signal, and triangulation software that anyone with a web browser can try placed the source of the signals as emanating from Cuba.
Cuba has a long history of interfering with broadcast signals, with several commercial radio stations in Florida allowed to operate at higher than normal power levels to combat jamming. But these new mystery signals appeared to be intentionally targeting amateur radio transmissions. A few hours after the protest broke out on the 11th, ham Alex Valladares (W7HU) says he was speaking with a Cuban operator on 7.130 megahertz in the 40-meter band, when their conversation was suddenly overwhelmed with interference. “We moved to 7170, and they jam the frequency there,” he says. Valladares gave up for the night, but the following morning, he says, “I realize that they didn’t turn off those jammers. [Then] we went to [7]140 the next day and they put jamming in there.”[…]
Houlton School, where Rugby Radio Station once stood, is set take its first influx of pupils in September
Plans for a new school at the historic former home of Rugby Radio Station are being fine-tuned and remain on track for a September start.
Houlton School, which will be named after the town in America that received the first transatlantic voice broadcast from Rugby Radio Station in 1927, will take its first influx of 180 Year 7 pupils this autumn.
The school, which forms part of the 6,200-home urban extension in Houlton, east of Rugby town centre, will take a new year group of 180 pupils every 12 months.
Michael McCulley, the school’s Principal Designate, said: “Whilst building a fantastic £39m new school during three lockdowns has had its challenges, we are also acutely aware that we have had a completely blank page from which to develop our exciting curriculum and pastoral programme.
“This freedom has been important as we have needed to evolve to the changing needs of our first group of students.[…]
Ham Radio Outlet to open store in Florida (Amateur Radio Newsline)
Ham Radio Outlet, the nationwide amateur radio retailer in the US, has announced that its ongoing expansion plans will include a store in the state of Florida. The new store will join 12 already open in such states as California in the West, where the company is based, to Delaware in the East, Arizona and Texas in the South, New Hampshire in the North. The company’s announcement on social media set off a wave of speculation about the new location, especially on Instagram where the company wrote, “We’re not telling yet! We’re open to suggestions.” The closest Ham Radio Outlet to Florida is in Atlanta, Georgia. The company, which calls itself the world’s largest supplier of amateur radio equipment, is also known for shipping internationally.
Every Sunday, an operator with Pune Police’s wireless wing sends a Morse Code message to the office of the Director General of Police, Maharashtra.
IN THE era of satellite communication, which involves transmitting signals into space and back, and internet based systems transferring gigabytes of data in a flash, police have kept alive the age-old system of Morse Code – a primitive method of sending messages in the form of dots and dashes.
Every Sunday, an operator with Pune Police’s wireless wing sends a Morse Code message to the office of the Director General of Police, Maharashtra. While this is their way of paying tributes to one of the earliest modes of telecommunication, it is primarily a way of maintaining a robust stand-by mode of message delivery in case all other means of communication fail.
Pune City police have recently started a series of tweets featuring the communication systems used by the police and their evolution till date. On Sunday, Pune Police Commissioner Amitabh Gupta tweeted, “As an ode to the beginning of wireless communications, the Commissioner’s Office still uses Morse Code to transmit Messages every Sunday.”[…]
ANTIQUES ROADSHOW saw a World War II spy radio which was disguised as a toolbox fetch a huge valuation when it travelled to Kenilworth Castle.
Antiques Roadshow’s expert Mark Smith marvelled at the ingenuity of a spy radio which was used in World War Two in a recent episode. The item, from the outside, was made to look like a toolbox but when opened, displayed a detailed radio which could be “powered by any source”. So how much was it worth? Mark put a £10,000 to £15,000 price tag on it.[…]
Former WNYC director Seymour N. Siegel suggested that WNYC once received fan mail from Einstein. As I continue to look far and wide for evidence of this alleged bit of praise, I can’t help but wonder, what broadcast prompted the great man to write? Alas, so far, the document has eluded me. But, we do know that the father of the theory of relativity was a subscriber to both the WNYC and WQXR program guides. And we have no less than Erwin Panofsky, the noted German-American art historian and friend of Einstein’s, to thank for that.
It all began when the distinguished gang at the Institute for Advanced Study in Princeton, New Jersey decided to chip in and build the Nobel laureate a “high-fidelity” radio for his 70th birthday. The 1949 gift included subscriptions to the WNYC, WQXR, and WABF program guides.[…]
Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Tracy Wood, Dennis Dura, John Forsyth, and the Southgate ARC for the following tips:
When David Goren was 13 years old, he and his family went to visit their Uncle Lou.
“He was usually just railing about my long hair or criticizing rock and roll,” he recalled. But this time was different. “He gave me an old radio of his that had a shortwave band on it. I really didn’t know what that was. I asked my dad, and he was like, ‘You won’t hear anything on that!’”
David was curious, though, so after he got home, he turned it on, started fidgeting with the dial, and was amazed to discover sounds and music from around the world![…]
How subcarrier radio signals made room for hidden FM stations—and helped ensure that everyone has access to the news
A version of this post originally appeared on Tedium, a twice-weekly newsletter that hunts for the end of the long tail.
In our modern era, we tend to choose devices with as many functions as possible, and we bristle at the thought of an object with a single use—hence why umbrellas can be so frustrating to carry around. But sometimes, a single use case is exactly the right level of functionality. This is something I’ve been thinking about recently after I got my hands on a fairly large radio that has literally one function: You turn it on and a specific station plays, and there’s no surface-level way to do anything else with it.
This is a weird device—but for its niche, this device, called a subcarrier radio, was perfect. And it was one of many niches that subcarrier radios made possible.
What the heck is a subcarrier radio signal?
In 1985, a South Florida Sun-Sentinel article discussed a potentially lucrative offering for the owners of FM radio stations: ways to make extra money from parts of the licensed signal they weren’t already using.
This phenomenon was not unusual at the time; the practice had been around for decades. But what the article highlighted were the numerous ways radio signals were being used that the average listener was likely not even aware of—for background music, for stock reports, even to transmit computerized data.
And while station owners weren’t earning a ton of extra money—a single lease brought in US$1,400 a month (about $3,500 today)—for a struggling station, the additional revenue could mean the difference between being in the red and being in the black.
The thing that allows many radio stations to monetize their signals in this way is, essentially, a technical gap inside the FM broadcast signal. These gaps, or subcarriers, are frequencies that aren’t being used for the primary signal but could find secondary uses in more specialized contexts.[…]
ARISS report there will be an ‘Amateur Radio on Shuttle, Mir and ISS’ Slow Scan TV (SSTV) event from June 21-26. Transmissions from the International Space Station will be on 145.800 MHz FM using PD120
The ARISS team will be transmitting SSTV images continuously from June 21 until June 26. The images will be related to some of the amateur radio activities that have occurred on the Space Shuttle, Mir space station and the International Space Station.
The schedule start and stop times are:
Monday, June 21 – Setup is scheduled to begin at 09:40 UTC (transmissions should start a little later).
Saturday, June 26 – Transmissions are scheduled to end by 18:30 UTC.
Downlink frequency will be 145.800 MHz and the mode should be PD120.
Those that recently missed the opportunity during the limited period of MAI transmissions should have numerous chances over the 6 day period to capture many (if not all 12) of the images.
The signal should be receivable on a handheld with a 1/4 wave whip. If your rig has selectable FM filters try the wider filter for 25 kHz channel spacing.
Scientists have measured the shortest unit of time ever: the time it takes a light particle to cross a hydrogen molecule.
That time, for the record, is 247 zeptoseconds. A zeptosecond is a trillionth of a billionth of a second, or a decimal point followed by 20 zeroes and a 1. Previously, researchers had dipped into the realm of zeptoseconds; in 2016, researchers reporting in the journal Nature Physics used lasers to measure time in increments down to 850 zeptoseconds. This accuracy is a huge leap from the 1999 Nobel Prize-winning work that first measured time in femtoseconds, which are millionths of a billionths of seconds.
It takes femtoseconds for chemical bonds to break and form, but it takes zeptoseconds for light to travel across a single hydrogen molecule (H2). To measure this very short trip, physicist Reinhard Dörner of Goethe University in Germany and his colleagues shot X-rays from the PETRA III at Deutsches Elektronen-Synchrotron (DESY), a particle accelerator in Hamburg.[…]
Defense Minister Benny Gantz reiterated on Wednesday his belief that Army Radio should not continue in its current format as part of the Israel Defense Forces.
“I think that IDF soldiers must be kept as far as possible from any political involvement, and the station should be apolitical, and it has long stopped being so,” Gantz said in response to a query from Shas MK Moshe Abutbul on the Knesset floor. “I don’t think there is any way to operate Army Radio in its current form, largely due to the political angle.”[…]
Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Marty, Richard Cuff, David Iurescia, and Doug Katz for the following tips:
Canada’s international broadcast service from the English language team of Radio Canada International has come to an end.
RCI, (originally the International Service, CBC-IS) was initially created towards the end of the Second World War. The purpose was to broadcast news and information from home via shortwave to Canadian military personnel fighting in Europe. It also began providing reliable news and information to recently liberated countries and to Germans still in the war.
That reliable news and information was considered of great value during the subsequent Cold War years, as several more languages were added to the service such as Russian, Ukrainian, Czech, Hungarian and Polish. Other languages sections included as Brazilian Portuguese and Japanese. With 14 language sections in 1990, and some 200 staff, the full English and French newsroom provided news of interest and importance for each language section specifically targeted to each of the various broadcast regions around the world.
Following a major budget cut of some 80 per cent in 2012, the shortwave and satellite service was terminated along with the majority of staff including the newsroom and some language sections. In recent years, only Chinese (Mandarin), Arabic, and Spanish remained along with English and French. RCI was transformed into a much smaller internet-based operation consisting of three people per language section.
In December 2020, the domestic public broadcaster CBC / Radio-Canada announced that the English and French sections of RCI would close for good in May. In their place curated stories from the domestic English and French public broadcaster will be provided.
A manager will now oversee the staff of eight who will adapt curated stories from the CBC and Radio-Canada into Mandarin, Arabic, and Spanish, along with Punjabi and Tagalog.
An effort was and is being made by the RCI Action Committee to preserve and even expand the service which has garnered great support from a former prime minister, former diplomats and many academics, but the end date has come. This is the last entry by the RCI English section.
From the English Section consisting of Lynn, Marc, and Levon, faithful and long-time popular replacement Terry Haig, and recently also Vincenzo Morello, and the many others over the all those years, we thank you for having shared our stories over these many years.[…]
In 2018, David Goren, a radio producer and audio archivist, created the Brooklyn Pirate Radio Sound Map to collect the sounds of dozens of pirated broadcasts from across the borough. Pirate stations earn their name by hitching a ride on already licensed radio frequencies that typically cost commercial stations millions of dollars to acquire and set up. Nowhere in the country are there more pirate radio stations than in New York, where they provide a vital service to immigrant populations.
Goren estimates that New York has about a hundred pirate stations, transmitting from rooftops and attics to listeners seeking news from around the city and back home, as well as
entertainment and religious programming. The broadcasts bypass socioeconomic barriers and provide a means to seize control of the flow of information. But they are now at risk of extinction: Before Donald Trump left the White House, he signed the Pirate Act, which increased the authority of the Federal Communications Commission to fight pirate operations through mandatory sweeps in cities with high concentrations of pirate radio use. Pirate stations today face fines of up to two million dollars. “The people running these stations, they don’t have two million dollars,” Goren said. Broadcasters that don’t make it onto his sound map could be lost forever.
Inspired by espionage devices used during World War II and the Cold War, Shortwave transforms audio into clandestine operations of the past; Russian number stations, mysterious sounds transmitted by radio, and eerie sounds stored on early portable recorders.
Choose between 2 types of noise and interference, and control it with the Exposure parameter. Velocity and Focus control the amount of pitch stabilization. Shortwave will add an interesting emotional response and atmosphere to dry, simple sounds, or destroy a signal like no other fuzz pedal can.
Hand-made in Seattle, WA. Shortwave operates on a standard “Boss” style 9vdc power supply (not included), but can also run at 18vdc for additional headroom. True bypass switching. Included a limited-lifetime warranty.
Voyager 1 – one of two sibling NASA spacecraft launched 44 years ago and now the most distant human-made object in space – still works and zooms toward infinity.
As the craft toils, it has long since zipped past the edge of the solar system through the heliopause – the solar system’s border with interstellar space – into the interstellar medium. Now, its instruments have detected the constant drone of interstellar gas (plasma waves), according to Cornell-led research published May 10 in Nature Astronomy.
Examining data slowly sent back from more than 14 billion miles away, Stella Koch Ocker, a Cornell doctoral student in astronomy, has uncovered the emission. “It’s very faint and monotone, because it is in a narrow frequency bandwidth,” Ocker said. “We’re detecting the faint, persistent hum of interstellar gas.”
This work allows scientists to understand how the interstellar medium interacts with the solar wind, Ocker said, and how the protective bubble of the solar system’s heliosphere is shaped and modified by the interstellar environment.
Launched in September 1977, the Voyager 1 spacecraft flew by Jupiter in 1979 and then Saturn in late 1980. Travelling at about 38,000 mph, Voyager 1 crossed the heliopause in August 2012.
After entering interstellar space, the spacecraft’s Plasma Wave System detected perturbations in the gas. But, in between those eruptions – caused by our own roiling sun – researchers have uncovered a steady, persistent signature produced by the tenuous near-vacuum of space.
“The interstellar medium is like a quiet or gentle rain,” said senior author James Cordes, the George Feldstein Professor of Astronomy (A&S). “In the case of a solar outburst, it’s like detecting a lightning burst in a thunderstorm and then it’s back to a gentle rain.”
Ocker believes there is more low-level activity in the interstellar gas than scientists had previously thought, which allows researchers to track the spatial distribution of plasma – that is, when it’s not being perturbed by solar flares.[…]
Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Paul, Dennis Dura, and David Goren for the following tips:
How I used a Stream Deck Mini from Elgato in order to give my mother-in-law a super easy Internet radio experience.
By Bjørn Erling Fløtten, Trondheim, Norway. April 2021.
See also comments on Hacker News
Background
My mother-in-law is from Poland. When she stays in Norway in order to help us with babysitting she misses Polish radio. In principle this is easily accessible through the Internet now from all kind of devices.
BUT, my mother-in-law is not PC-literate, nor does she use a so called ‘smart’-phone. With my long experience in teaching people far younger than her simple mouse and keyboard techniques, I knew that operating Windows and finding Internet radio stations on her own would just be too cumbersome. I therefore had to create a super simple setup for her, and my hacker mind started to think.
(I did of course consider special purpose Internet radios. They should in theory be quite simple to operate, but they all have som kind of quirks that I did not like. And besides, constructing something of your own is of course always more satisfying.)
I want Real Buttons!
What I really wanted was big buttons with tactile feedback. I had earlier experienced with some Behringer products (sound mixing board) in order to demonstrate mathematical functions. The idea then was to use turning knobs and sliders in order to see how changing parameters changed the outcome of the function, especially graphs in 2D and 3D.
I thought this would be useful also for an Internet radio, but then I remembered having read about the Optimus Maximus keyboard (keyboard with programmable led icons on each key), and I thought such a product would be even better. This search led to Elgato and their Stream Deck Mini. This has 6 buttons, just enough for a radio. I might have preferred the bigger version with 15 buttons but their products are ridiculously expensive, so I had to be content with just 6 buttons.
In addition to the Stream Deck Mini my son donated his old school laptop with Windows 10 installed. It was a cheap ThinkPad L-series which, although 3 years old and somewhat battered from daily use to and from school, was quite capable of streaming some audio from the Internet. My son created a guest account in Windows 10 with auto login. He set ‘Fn lock’ as default, meaning that keys F1, F2 and F3 was volume off, down, up without having to press Fn. We also found a pair of speakers lying around in the house.
No programming necessary *
(* But understanding of HTML, URLs and Windows command line arguments is a requisite.)
Initially I thought I would make a Windows application for controlling which radio streams to play. But it turned out that Elgato’s accompanying software was quite capable by itself.
I assigned five of the six available buttons to launch the standard web browser (Google Chrome in this case) with a corresponding streaming URL (radio channel).
The US Department of Defense will host this year’s Armed Forces Day (AFD) Cross-Band Test, Friday and Saturday, May 7 – 8, in recognition of Armed Forces Day on May 15. The event is open to all radio amateurs.
For more than 50 years, military and amateur stations have taken part in this exercise, designed to include amateur radio and government radio operators alike.
The AFD Cross-Band Test is a unique opportunity to test two-way communications between military and amateur radio stations, as authorized under FCC Part 97 rules. These tests provide opportunities and challenges for radio operators to demonstrate individual technical skills in a tightly controlled exercise in which military stations will transmit on selected military frequencies and will announce the specific amateur radio frequencies being monitored.
The schedule of military/government stations taking part in the Armed Forces Day Cross-Band Test and information on the AFD message is available on the MARS website.
Complete the request form to obtain a QSL card. ARRL
The RAC Challenge Award: An Overview
Radio Amateurs of Canada is pleased to present a new Canadian Portable Operations Challenge Award for RAC members.
The objective of the new “RAC Challenge Award” is to recognize and encourage portable operations by RAC members from locations throughout Canada.
The new program will begin on Canada Day, July 1, 2021 and we hope it will become an annual event for RAC members.
Note: the following information is tentative as the new Awards program is still being organized so please stay tuned to this webpage for future updates.
Portable Operations
Portable operations are those in which Amateurs take their equipment, antennas and power supply to a location away from their home station to operate. This includes mobile stations, backpackers, DXpeditions and participation in events such as those described below:
Parks On The Air (POTA), a worldwide program of park activations – https://parksontheair.com/
Quebec Parks On The Air (QcPOTA) April 1 to December 31
Field Day: June 26-27
There are several other programs that celebrate portable operations including Summits on the Air (SOTA), Islands on the Air (IOTA) and the International Lighthouses and Lightships Weekend.
Features of the “RAC Challenge”
The new “RAC Challenge” will recognize all portable operations in which RAC members participate and will have similar features as a contest. Amateur Radio contests in VHF, UHF and the Microwave bands all have categories for “Rovers” – who move from grid square to grid square and “Backpackers” – who seek out hilltops from which to operate with highly portable equipment and antennas.
For many satellite operators, making contact with as many grid squares as possible is a mark of success. Some of those operators go on satellite DXpeditions to activate rare grids or operate from the intersections of grids to offer multiple grids with a single contact. In addition to being fun, these activities provide an opportunity for Amateurs to experience what is required to set up and operate under challenging conditions – valuable experience for emergency preparedness.
Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Paul L, Pete Eaton, David Iurescia, and Troy Riedel for the following tips:
The PIRATE Act was signed into law more than a year ago, but the rules governing increased fines for unlicensed broadcasting are about to go into effect on April 26. The Act is intended to give the FCC additional tools for tamping down pirate radio activity in hot beds like Boston and Brooklyn, NY, but there are reasons to be skeptical.
Brooklyn-based writer, post-production mixer and field recordist David Goren joins to help us tease out the real-world implications. Goren is also the creator of the Brooklyn Pirate Radio Sound Map and has been monitoring and recording unlicensed radio activity in the borough for decades.
Also joining the show is Dr. Christopher Terry from the University of Minnesota. A professor of media law, he helps illuminate some of the legal and bureaucratic elements that complicate the Commission’s efforts. He also catches us up on the latest development in the battle over media ownership rules, with the Supreme Court issuing a narrow unanimous ruling in favor of the FCC’s most recent changes, but not quite addressing the decades-long gridlock in that policy area.
The disappearance of Malaysia Airlines flight MH370 after an unexplained course change sent it flying south over the Indian Ocean in March 2014 still holds the mystery of the wreck’s final location. There have been a variety of efforts to narrow down a possible search area over the years, and now we have news of a further angle from an unexpected source. It’s possible that the aircraft’s path could show up in radio scatter detectable as anomalously long-distance contacts using the amateur radio WSPR protocol.
WSPR is a low-power amateur radio mode designed to probe and record the radio propagation capabilities of the atmosphere. Transmit beacons and receiving stations run continuously, and all contacts however fleeting are recorded to an online database. This can be mined by researchers with an interest in the atmosphere, but in this case it might also provide clues to the missing airliner’s flightpath. By searching for anomalously long-distance WSPR contacts whose path crosses the expected position of MH370 it’s possible to spot moments when the aircraft formed a reflector for the radio waves.[…]
His provocative “Radio Unnameable,” long a staple of the New York station WBAI, offered a home on the FM dial to everyone from Abbie Hoffman to Tiny Tim.
Bob Fass, who for more than 50 years hosted an anarchic and influential radio show on New York’s countercultural FM station WBAI that mixed political conversation, avant-garde music, serendipitous encounters and outright agitation, died on Saturday in Monroe, N.C., where he lived in recent years. He was 87.
His wife, Lynnie Tofte, said he had been hospitalized with Covid 19 earlier in the month, but he died of congestive heart failure.
The Dicastery for Communication marks the 30th International Marconi Day with a celebration at Vatican Radio’s historic broadcast station outside Rome.
International Marconi Day is held every year on the Saturday closest to the birthday of the inventor of the radio, Guglielmo Marconi, on 25 April 1874.
This year’s commemoration fell a day earlier, and saw dozens of radio stations exchange messages, including Vatican Radio, which Marconi himself helped found in 1931.
The 30th iteration of Marconi Day was celebrated at Vatican Radio’s broadcast center at Santa Maria di Galeria, outside Rome.
Day for those who love radio
According to Dr. Paolo Ruffini, the Prefect of the Dicastery for Communication, it was “a day spent in a family spirit” for those who love the Radio and the man who invented it.
He noted that the broadcast station forms both the center and periphery of Vatican Radio, since it is the place where radio waves are emitted which carry the Gospel and the words of the Popes throughout the world.
Marconi’s favorite Radio
The 30th Marconi Day falls within the 90th anniversary year of the founding of Vatican Radio.
The great Italian inventor’s daughter, Princess Elettra Marconi, who was present for the celebration, recalled that the station was her father’s favorite, though he had founded several others.[…]
As mentioned in a previous post, we at the Shortwave Radio Audio Archive are truly honored to have been a resource for this incredible and diverse sound project organized by Cities and Memory.
