Category Archives: AM

Andy seeks advice on directly coupling an AM loop antenna to a crystal radio

Andy would like to couple a similar antenna to a crystal receiver

Many thanks to SWLing Post contributor, Andy, who asks the following question in response to a previous post about building a Milk Crate AM Broadcast Loop Antenna:

All references to tuned loop antennas talk about no real connection to the AM radio, but merely inductive coupling.

However, I made a very elementary crystal radio which has no ferrite core or antenna.

I want this loop to be my primary (only) antenna, so I need to feed it directly to my tuning circuit. So I don’t know if I should take a wire from any particular part of the loop, with another wire to ground… and if these 2 wires should be in parallel or series with the tuning elements of the loop antenna.

Thanks!

Good question, Andy! Hopefully someone in the SWLing Post community can comment with some guidance!

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The Xiegu G90 as a shortwave broadcast band receiver

After publishing a couple of posts about the Xiegu G90 QRP transceiver, I’ve gotten a number of inquiries from readers asking about the G90’s ability to receive AM broadcasts. Although I’ll address this in detail in my upcoming TSM review, I thought I’d also share a few notes with you.

One of the main reasons I decided to review the Xiegu G90 is I found so little information out there about how well the general coverage receiver worked for HF broadcast listening.  The G90 has a frequency range of 0.5-30 MHz (SSB, CW, and AM), but I couldn’t find a specification showing the maximum width of the AM filter. I had seen a few display photos with the AM filter width indicated as 5.4 kHz–that’s not terribly wide, but workable.

Only moments after opening the box and putting the G90 on the air, I tuned to the Voice of Greece (9,420 kHz) and learned how to change the bandwidth.  I was very pleased to find that in AM mode, the indicated filter width is actually half the actual width. This means, the G90’s AM filter can actually be widened to 10.8 kHz–brilliant!

In addition, the bandwidth adjustment is variable, meaning you’re not locked into pre-determined, stepped bandwidths as with so many other transceivers.

In this short video, I widen the AM filter while tuned to the Voice of Greece:

Here’s another video of the G90 tuned to Radio Exterior de España on 9,690 kHz. Although the REE transmitter is located across the Atlantic Ocean in Spain, they sound like a local here in North Carolina:

Overall, I’ve been very pleased with the G90 on the HF bands.

Of course, there’s no synchronous detector (although users have requested this in a future firmware version) and there’s no notch filter as of yet. While I expect Xiegu may consider adding a notch filter, I doubt they’ll ever add a sync detector as this rig is primarily aimed at QRP ham radio operation. Of course, I could be wrong.

I also haven’t found a way to completely disable the transmitter or set the power level to zero watts. It’s quite possible I simply haven’t discovered the appropriate setting for this yet.  Disabling the transmitter adds an extra level of protection when I use receive-only amplified mag loop antennas, for example. Also, some G90 owners may purchase the rig for listening purposes only and would rather not accidentally key the transmitter or engage the ATU.

Retailers

I purchased my Xiegu G90 from MFJ Enterprises because I wanted to support a US retailer. There are a number of other G90 distributors across the globe. Here’s a short selection:

I’m sure there are many other G90 retailers across the globe.  Before placing an order, I would suggest you double-check availability as some retailers are on back-order.

Post Readers: Have you used the Xiegu G90 on the broadcast bands? Please comment with your thoughts!

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Is there such a thing as “too close” when requesting a QSL–?

Many thanks to SWLing Post contributor, Dziugas, who recently contacted me with the following question:

Hello,

I have a question – what is the legit distance to ask for a QSL card? As a Lithuanian, I have sent (and succeeded) with requests to Hungarian, Czech and Estonian stations. But would it be fine according to DX etiquette to send QSL requests for local/national FM stations? It would be nice to get a collection from them as well.

Thanks

Thank you for sharing your question, Dziugas. I hope that readers will comment with their input, but I’ll share with you how I feel about the matter.

I personally believe if you’re sending an honest, courteous, and detailed report, you can request a QSL from any station. The station could be in your neighborhood for that matter.

Include the basics!

It is very important, however, that you include some basic information in each listener report. Obviously, you’re already doing this Dziugas, but for the record–and others reading this post–I always include:

  • When and where I heard the station (date and time in UTC)
  • The broadcast frequency (important too for national broadcasters that use local relays)
  • Details about the broadcast from my own informed listening:
    • Including specifics about the topic being discussed
    • Noting any names of presenters or interviewees
    • Noting music titles (you can use your phone or an app like Sound Hound to help you ID)
    • Noting times I heard details (time stamps)
  • A signal report–I always use the SINPO code/system. Of course, with local stations, this might not be as necessary, but I’d still give them an idea of their signal quality.
  • How I heard them, giving them details about my receiver and antenna. If it’s an online station, I’ll also let them know if I’ve listened to their stream before (although, I base the QSL on my over-the-air listening–not online listening)

If I’m making a request by email, I’ll often include an MP3 recording, too.

For a more thorough overview though, check out Fred Osteman’s guide to reporting and QSLing at DXing.com.

Frankly, I think it’s a good idea to request QSLs from local and regional stations because these may actually be some of your most cherished QSLs in the future.

Also, keep your expectations in check. You may find it very difficult to get an actual QSL card from broadcasters today–typically, only international broadcasters still send these. I would also send your request via the post if you want a letter or paper reply.  Even then, it can be quite challenging to get a reply these days, but go for it and know that when you send a request, you’re representing radio listeners and DXers everywhere, so be a top-shelf diplomat!

With all this said, it sounds like you’re already doing all the right stuff, so I say go for those local QSLs!

Post readers: Please comment with your thoughts and suggestions!

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The AirSpy HF+ Discovery and a new era of portable SDR DXing

The following article first appeared in the January 2020 issue of The Spectrum Monitor magazine.


The AirSpy HF+ Discovery and a new era of portable DXing

I admit it: I used to be a bit of an old-fashioned radio curmudgeon. One of those, “I like my radios with knobs and buttons” likely followed by, “…and no other way!”

However, about fifteen years ago, many of my DXing friends started turning to the world of software defined radios (or in common parlance, “SDRs”). I staunchly opposed ever following in their footsteps. One of the reasons I for this––a good one––is that, since I spend the bulk of my day in front of a computer, why would I ever want to use a computer when I’m playing radio?

But then…gradually, I found myself playing around with a few SDRs. And I quickly learned that third-generation SDRs were capable of doing something very impressive (and fun), indeed:  making spectrum recordings.  Using this tool, I found I could record not only the audio of one individual signal, but the audio of entire swathes of radio spectrum.  And even more impressive, I learned that you could later load or “play back” the spectrum recording and tune through the bands as if in real time. Any time you want. Before long, I was hooked: SDRs had become my portal into radio time travel!

I quickly found that I loved many of the other advantages of using an SDR, as well, including visual ones––like the ability to view spectrum. The interactive interface allows one to actually see radio signals across the band in real time. I also found incredible value in waterfall displays, which show signals changing in amplitude and frequency over time. Cool stuff.

I purchased my first dedicated SDR in 2012, a WinRadio Excalibur. It was––and still is––a benchmark receiver, performing circles around my tabletop receivers and general coverage transceivers.

And today, although I own and love a number of legacy radios and still listen to them in the good old-fashioned manner to which I became accustomed, I find I’m now spending the bulk of my time DXing with SDRs.

And then, more recently, two amazing things happened in the world of SDRs. Strong market competition, together with serious innovations, have come into play. Thus, for less than $200 US, you can now purchase an SDR that would have easily cost $1,000 US only ten years ago. And now, in many cases, the $200 SDR of today will outperform the $1,000 SDR of yesteryear. We are, indeed, living in good times.

And now––no more a radio curmudgeon––I’m comfortable with my SDR-user status and time at the computer, and glad I was just curious enough about SDRs to let them into my radio (and computer) world.

Portable SDRs

Since I initially dived into the world of SDRs, I’ve tried to think of a way to take them into the field.

But first, let’s get an obvious question out of the way:

Why would you want to drag an SDR into the field, when a traditional battery-powered radio is so much easier to manage?

After all, you may say, portable and even mobile tabletop receivers require no computer, no hard drive, and are likely more reliable because there are less components to manage or to cause problems for you.

In answer, let’s look at a few scenarios where heading to the field with an SDR system might just make sense.  (Hint: Many of these reasons are rooted in the SDR’s ability to record spectrum).

Good Reason #1:  Your home location is not ideal for playing radio.

Photo by Henry Be

My good friend, London Shortwave, lives in the middle of London, England. He’s an avid radio enthusiast and DXer, but his apartment is almost a perfect storm of radio interference. Listening from his home is challenging, to say the least: he can only use indoor antennas and RFI/QRM simply inundated his local airwaves.

Many years ago, he discovered that the best way to DX was to go to an area that put urban noise and radio interference at a distance.  He found that by visiting large local parks, he could play radio with almost no RFI.

Being a computer guru, he started working on a portable SDR setup so that he could go to a park, set up an antenna, and record radio spectrum while he read a book.  His systems evolved with time, each iteration being more compact less conspicuous that the previous. Later, he could head back home, open the recorded spectrum files, and tune through these “time-shifted” recordings in the comfort of his flat. This allowed London Shortwave to maximize the low-RFI listening experience by reliving the time in the park.

Over the years, he tweaked and adapted his setup, often writing his own code to make small tablets and portable computers purpose-built portable-spectrum-capture devices. If you’re curious, you might like to read about the evolution of his systems on his blog.

Clearly, for London Shortwave, an SDR is the right way to capture spectrum and thus likely the best solution for his DX listening.

Good Reason #2:  Weak-signal workarounds.

Typically radio enthusiasts turn to field operation to work in a lower-noise environment and/or where there are no antenna restrictions, often to log new stations and DX.

SDRs afford the DXer top-shelf tools for digging weak signals out of the muck. SDR applications have advanced tools for tweaking AGC settings, synchronous detectors, filters, noise reduction, and even to tailor audio.

The WinRadio Excalibur application even includes a waterfall display which represents the entire HF band (selectable 30 MHz or 50 MHz in width)

On top of that, being able to see a swath of spectrum and waterfall gives one an easier way––a visual way––to pinpoint weak or intermittent signals. This is much harder to do with a legacy radio.

Case in point:  I like listening to pirate radio stations on shortwave. With a spectrum display, I can see when a new station may be tuning up on the band so can position the receiver to listen in from the beginning of the broadcast, and never miss a beat.

Or, in another example, the visual aspect of spectrum display means I can easily locate trans-Atlantic DX on the mediumwave bands by looking for carrier peaks on the spectrum display outside the standard North American 10 kHz spacing. The signals are very easy to spot.

Good Reason #3: DXpeditions both small and large.

Mark Fahey, scanning the bands with his WinRadio Excalibur/Surface Pro 2 combo at our 2015 PARI DXpedition

Whether you’re joining an organized DXpedition or you’re simply enjoying a little vacation DXpedition, SDRs allow you to make the most of your radio time.

Indeed, most of the organized DXpedition these days heavily incorporate the use of SDRs specifically so DXers can record spectrum. Much like example #1 above, doing this allows you to enjoy the noise-free optimal conditions over and over again through spectrum recordings. Most DXpeditioners will have an SDR making recordings while they use another receiver to DX in real time. Later, they take the recording home and dig even more weak signals out of the mix: ones that might have otherwise gone unnoticed.

Good Reason #4: Sharing the spectrum with like-minded listeners.

Earlier this year, Mark gave me this 8TB hard drive chock-full of spectrum recordings.

One of the joys I’ve discovered  in making field spectrum recordings is sharing them with fellow DXers. Most of the time when I go to shortwave radio gatherings (like the Winter SWL Fest), I take a couple hard drives to exchange with other SDR enthusiasts. My friend, Mark Fahey, and I have exchanged some of our favorite spectrum recordings this way. I give him a hard drive chock-full of terabytes of recordings, and he reciprocates. Back home (or on the train or airplane) I open one of his recordings and, boom! there I am in his shack in Freeman’s Reach, Australia, tuning through Pacific stations that are not easily heard here in North America, maybe even turning up some gems Mark himself may have overlooked…just as he is doing with my recordings from the southeast US.

I’ve also acquired DXpedition spectrum recordings this way. It’s great fun to “be there” through the recordings and to enjoy some of the benefits of being on the DXpedition in times when I couldn’t actually make it there in person. For a DXer with a consuming job, busy family life, or maybe health problems that limit their travel, an SDR recording is the way to go.

Good Reason #5: Family time

Photo by David Straight

I’m a husband and father, and no matter how much I like to play radio when we’re on vacation, my family comes first, and our family activities take priority.

Having a field-portable SDR setup means that I can arrange a “set it and forget it” spectrum capture device. Before we head out the door for a family visit, tour of the area, or a hike, I simply set my SDR to record spectrum, then listen to what I “caught” after I return, or after I’m home from vacation.

This practice has allowed me to enjoy radio as much as I like, without interrupting our family adventures. Can’t beat it!

Past challenges

With all of these benefits, one might wonder why many other DXers  haven’t been using portable SDRs in the field for a while now? That’s a good question.

Power

The WinRadio G31DDC, like many SDRs of the era, has separate data and power ports

In prior years, DXers and listeners might have been reluctant to lug an SDR and its requisite apparatus out with them. After all, it’s only been in the past decade or so that SDRs haven’t required a separate custom power supply; some legacy SDRs either required an odd voltage, or as with my WinRadio Excalibur, have very tight voltage tolerances.

Originally, taking an SDR to the field––especially in places without grid mains power––usually meant you also had to take a pricey pure sine wave inverter as well as a battery with enough capacity to run the SDR for hours on end.

Having spent many months in an off-grid cabin on the east coast of Prince Edward Island, Canada, I can confidently say it’s an ideal spot for DXing: I can erect large wire antennas there, it’s on salt water, and there are literally no locally-generated man-man noises to spoil my fun.  Of course, anytime we go to the cottage, I record spectrum, too, as this is truly a honey of a listening spot.

The view from our off-grid cabin on PEI.

The first year I took an SDR to the cabin, I made a newbie mistake:  it never dawned on me until I arrived and began to put it to use that my Goal Zero portable battery pack didn’t have a pure sine wave inverter; rather, I found it had a modified sine wave inverter built into it. The inverter could easily power my SDR, sure, but it also injected incredibly strong, unavoidable broadband noise into the mix. It rendered my whole setup absolutely useless. I gave up on the SDR on that trip.

Both the Airspy HF+ (top) and FDM-S2 (bottom) use a USB connection for both data transfer and power. Photo by Guy Atkins.

Today, most SDRs actually derive their power from a computer or laptop through a USB cable, one that doubles as a data and power cable. This effectively eliminates the need for a separate power system and inverter.

Of course, your laptop or tablet will need a means of recharging in the field because the attached SDR will drain its battery a little faster. Nowadays it’s possible to find any number of portable power packs/banks and/or DC battery sources to power laptops or tablets, as long as one is cautious that the system doesn’t inject noise. This still requires a little trial and error, but it’s much easier to remedy than having two separate power sources.

Portable computers

Even a Raspberry Pi 3B has enough horsepower to run SDR applications.

An SDR is nothing without a software application to run it. These applications, of course, require some type of computer.

I the past, SDR applications needed some computing horsepower, not necessarily to run the application itself, but to make spectrum recordings.  In addition, they often required extra on-board storage space to make these recordings sufficiently long to be useful.  This almost always meant lugging a full-sized laptop to the field, or else investing in a very pricey tablet with a hefty amount of internal storage to take along.

Today we’re fortunate to have a number of more portable computing devices to run SDR applications in the field: not just laptops or tablets, but mobile phones and even mini computers, like the eminently affordable $46 Raspberry Pi. While you still have to be conscious of your device’s computing horsepower, many small devices are amply equipped to do the job.

Storage

64-128 GB USB flash/thumb drives are affordable, portable storage options.

If you’re making spectrum and audio recordings in the field, you’ll need to store them somehow. Wideband spectrum recordings can use upwards of 2GB of data per minute or two.

Fortunately, even a 64GB USB flash drive can be purchased for as little as $7-10 US. This makes for quick off-loading of spectrum recordings from a device’s internal memory.

My portable SDR setup

It wasn’t until this year that all of the pieces finally came together for me so that I could enjoy a capable (and affordable!) field-portable SDR setup. Two components, in particular, made my setup a reality overnight; here’s what made the difference.

The AirSpy HF+ Discovery

Last year, AirSpy sent me a sample of their new HF+ Discovery SDR to test and evaluate. To be fully transparent, this was at no cost to me.

I set about putting the HF+ Discovery through its paces. Very soon, I reached a conclusion:  the HF+ Discovery is simply one of the best mediumwave and HF SDRs I’ve ever tested. Certainly, it’s the new benchmark for sub-$500 SDRs.

In fact, I was blown away. The diminutive HF+ Discovery even gives some of my other benchmark SDRs a proper run for their money. Performance is DX-grade and uncompromising, sporting impressive dynamic range and superb sensitivity and selectivity. The noise floor is also incredibly low. And I still can’t wrap my mind around the fact that you can purchase this SDR for just $169 US.

The HF+ Discovery compared in size to a DVD

In terms of portability, it’s in a class of its own. It’s tiny and incredibly lightweight. I evaluate and review SDRs all the time, but I’ve never known one that offers this performance in such a tiny package.

Are there any downsides to the HF+ Discovery? The only one I see––and it’s intentional––is that it has a smaller working bandwidth than many other similar SDRs at 768 kHz (although only recently, Airspy announced a firmware update that will increase bandwidth). Keep in mind, however, that the HF+ series SDRs were designed to prevent overload when in the presence of strong local signals. In fairness, that’s a compromise I’ll happily make.

Indeed, the HF+ Discovery maximum bandwidth isn’t a negative in my estimation unless I’m trying to grab the entire mediumwave band, all at once. For shortwave work, it’s fine because it can typically cover an entire broadcast band, allowing me to make useful spectrum recordings.

The HF+ Discovery is so remarkably tiny, that this little SDR, together with a passive loop antenna, can fit in one small travel pouch. Ideal.

The antennas

My homebrew NCPL antenna

Speaking of antennas, one of the primary reasons I’m evaluating the HF+ Discovery is because it has a very high dynamic range and can take advantage of simple antennas, in the form of passive wideband magnetic loop antennas, to achieve serious DX.

AirSpy president and engineer, Youssef Touil, experimented with several passive loop antenna designs and sizes until he found a few combinations ideally matched with the HF+ Discovery.

My good buddy, Vlado (N3CZ) helped me build such an antenna per Youssef’s specifications. Vlado had a length of Wireman Flexi 4XL that was ideal for this project (thanks, Vlad!). The only tricky part was penetrating the shielding and dielectric core at the bottom of the loop, then tapping into both sides of the center conductor for the balun connections.  Being Vlado, he used several lengths of heat shrink tubing to make a nice, clean, snag-free design. I’ll freely admit that, had I constructed this on my own, it wouldn’t have been nearly as elegant!

Click here for a step-by-step guide to building your own NCPL (Noise-Cancelling Passive Loop Antenna.

Youssef also sent me a (then) prototype Youloop passive loop antenna. It’s incredibly compact, made of high quality SMA-fitted coaxial cables. It can be set up in about 30 seconds and coiled to tuck into a jacket pocket.  The AirSpy-built loop has a lower loss transformer than the one in the homemade loop, which translates into a lower noise figure for the system.

Click here to read my review of the Youloop.

Let’s face it: SDR kit simply doesn’t get more portable than this.

The computer

My Microsoft Surface Go tablet on a hotel bed.

In the past, I used an inexpensive, circa 2013 mini Windows laptop with an internal SSD drive.  Everything worked beautifully, save the fact that it was challenging to power in the field and the internal capacity of the hard drive was so small (16GB less the operating system). In addition, it was a few years old, bought used, so the processor speed was quite slow.

This year, on the way back from the Huntsville Hamfest, I stopped by the Unclaimed Baggage Center in Scottsboro, Alabama. This center has a wide variety of used portable electronics at discount prices. I felt pretty lucky when I discovered a like-new condition Microsoft Surface Go tablet and keyboard with original charger for $190. The catch? The only data port on the tablet is a USB-C. But I grabbed a small USB-C to standard USB 3.0 dongle (for $2!) and took a risk that it would work with the HF+ Discovery.

Fortunately, it did! Score!

While the Surface Go is no powerhouse, it’s fast enough to run any of my SDRs and make spectrum recordings up to 2 MHz in width without stuttering. The only noise it seems to inject into the mix is a little RFI when I touch the trackpad on the attached keyboard.

Power

One of my LiFePo batteries

The HF+ Discovery draws power from the Surface Go tablet via the USB port. With no additional power supply, the Surface Go may only power the HF+ Discovery for perhaps an hour at most. Since I like doing fully off-grid operations and needed to avoid RFI from inverters, I needed a portable power solution.

Fortunately, the Surface Go has a dedicated power port, so I immediately ordered a DC power cable with a standard car lighter plug.

At the Huntsville Hamfest I also purchased a small 12V 4.5 Ah Bioenno LiFePo battery and paired it with a compact Powerpole distribution panel kit I purchased in May at the 2019 Dayton Hamvention.

The LiFePo battery is small, lightweight, and can power the tablet /SDR combo for hours on end. Moreover, I have noticed no extra noise injected when the DC power is applied.

My HF+ Discovery-based portable SDR kit

My portable SDR kit on a hotel balcony.

Now I have this kit, I couldn’t be more pleased with it. When all of the components of my SDR system are assembled, they work harmoniously. The entire ensemble is also incredibly compact:  the loop antennas, SDR, Surface Go tablet, battery, and distribution panel all fit in a very small travel pack, perfect for the grab-and-go DX adventure.

The entire kit: SDR, cables, Youloop antenna, connectors and adapters all fit in my Red Oxx Lil’ Roy pack.

In November, I took the kit to the coast of South Carolina and had a blast doing a little mediumwave DXing from our hotel balcony. We were very fortunate in that I had two excellent spots to hang the homemade loop antenna: on the main balcony, and from the mini balcony off the master bedroom. Both spots yielded excellent results.

What impressed me most was the fact that the SDR# spectrum display and waterfall were absolutely chock-full of signals, and there was very little noise, even in the popular resort area where we were staying. I found that my portable radios struggled with some of the RFI emanating from the hotel, but the HF+ Discovery and passive loop combo did a much better job mitigating noise.

Check out the AM broadcast band on the spectrum display.

But no need to take my word for it.  If you would like to experience it first hand, why not download an actual spectrum recording I made using this setup?

All you’ll need to do is:

  1. Download the 1.7 GB (.wav formatted) spectrum file at this address
  2. Download a copy of SDR# if you don’t already have an SDR application that can read AirSpy spectrum files.
  3. Install SDR#, and run it.
  4. At the top left corner of the SDR# screen, choose “IQ File (.wav)” as the source, then point it to where you downloaded the file.
  5. Press the play button, and experience a little radio time travel!

This particular recording was made on the mediumwave band on November 17, 2019, starting at around 01:55 UTC.

My portable SDR kit capturing spectrum during a hike in Pisgah National Forest.

I’ve also taken this setup to several parks and remote outdoor locations, and truly enjoyed the freedom of taking spectrum recordings back home to dig through the signals.

Conclusion

I finally have a portable SDR system that allows me the flexibility to make spectrum recordings while travelling. The whole setup is compact and can easily be taken in a carry-on bag when flying.

The glory of this is, I can tune through my spectrum recordings in real time and DX when I’m back home, or even on the way back home, in the car, train, or airplane. It’s simply brilliant.

If you don’t already own an SDR, I can highly recommend the AirSpy HF+ Discovery if you’re primarily interested in HF and MW DXing. If you need a wideband SDR, I could also recommend the recently released SDRplay RSPdx, although it’s slightly heavier and larger than the AirSpy.

Thankfully, I am now an SDR enthusiast that can operate in the field, and this radio has had a lot to do with it. I’ll be logging many hours and miles with the AirSpy HF+ Discovery: its incredibly compact footprint, combined with its brilliant performance, is truly a winning combo.

Click here to check out the Airspy HF+ Discovery

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Let’s take a deep dive into a list of our favorite radios!

Over the past week, I asked the SWLing Post community if they’ve ever regretting parting with a radio, and then what radios they’ve owned that had the most “fun” factor.

The response from these two posts was pretty overwhelming.

I don’t actually check the SWLing Post viewer stats that often, but I was too curious: together, those two posts amounted to well over 20,000 unique pageviews in two days!

Obviously, I’m not the only radio nostalgic person around here!

These posts resonated so well, I didn’t want readers’ favorite models to be lost in the comments section. I decided to comb through the comments, make a list of all of the models, and link to sites and pages with more information and photos.

This is an interesting collection of radios since some are benchmark performers, while others much less so. Many were listeners’ first radios–the ones we cut our teeth on.

I would encourage you to read through the comments on our first and our second posts. Many great memories in there!

Below, you’ll find the full list of radios in alphabetical order, starting with receivers then moving to transceivers:


Receivers

AOR 7030

AOR AR8000

Drake 2-C (Photo: Eric McFadden)

Drake 2-C

Drake R8B

Eddystone 750

EH Scott SLR12B

Eton S350DL

Globetrotter V01

Grundig YB400

Hallicrafters SX-100 (Photo: Rick Post)

Hallicrafters SX-100

Hammarlund HQ-140

Heathkit GR-64

Heathkit GR-78

Heathkit SB-310

Icom IC-R2

Icom IC-R75

JRC NRD-515

JRC NRD-515

JRC NRD-345

Kaito KA1103/Degen DE1103

Kenwood R-1000

Knight Star Roamer

Palladium 949/469

Panasonic RF-2200

Panasonic RF-2200

Panasonic RF-2800

RCA AR-88

Realistic Astonaut 8

Rheinland 4953W

Realistic DX-160

Realistic DX-200

Realistic DX-300

Realistic DX-394 (Photo: RigPix)

Realistic DX-394

Realistic Patrolman 6

Realistic Patrolman 9

Sangean 803A/Realistic DX-440

Siemens Radio E309

Sony Earth Orbiter (CRF-5090)

Sony ICF-2001D

Sony ICF-SW1000T (Photo: Universal Radio)

Sony ICF-2010

Sony ICF-SW1

Sony ICF-SW1000T

Sony ICF-7600D

Sony ICF-SW7600

Sony ICF-SW7600GR

Sony ICF-SW7600GR

Sony ICR-4800

Unelco 1914

Wireless Set No.19 Mk III

Yaesu FR-50B

Yaesu FR-101D

Yaesu FRG-7

Yaesu FRG-7700

Transceivers/Transmitters

Heathkit HW-8 (Photo: Eric McFadden)

The Icom IC-735

Drake 2-NT

Heathkit HW-8

Index Labs QRP+

Icom IC-735

Marconi C100

National NCX-3 (Photo: Universal Radio)

National NCX 3

Yaesu FT-77

Yaesu FT-101B

Yaesu FT-817ND

Yaesu FT-857D


Many thanks to everyone who shared their favorite radios! I truly enjoyed checking out each of these models as I listed and linked to them. There were a number of unique models I had never seen before and many I had completely forgotten (like the Sony ICF-SW1000T)!

If you have more favorite models to share, feel free to comment here or on the original posts!


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Radio Waves: Canada Radio Stamps, Across the Pacific, Satellite Talk Presentation, and BBC Radio 6 Breaks Records

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Richard Langley, Charlie Liberto, and Mike Terry for the following tips:


History of Radio in Canada stamps available May 20 (Linn’s Stamp News)

On May 20, Canada Post is issuing a se-tenant (side-by-side) pair of nondenominated permanent-rate (currently 92¢) History of Radio in Canada stamps. The new issue comes in a self-adhesive booklet of 10.

The stamps commemorate Canada’s inaugural radio broadcast, which hit the airwaves a century ago on the evening of May 20, 1920. According to Canada Post’s Details magazine for collectors, the radio program came from Marconi Wireless Telegraph Company’s studios in Montreal, Quebec, and was a closed broadcast for a Royal Society of Canada gathering at the Chateau Laurier hotel in Ottawa, Ontario.

The show featured a live performance by soprano Dorothy Lutton.

“As reported in the Ottawa Journal by one of the journalists invited to listen in, when ‘the latest one-step’ was played, the clarity was so impressive that several of the newspaper writers began to dance,” the May Details magazine said.

The stamp designs list the 10 decades of radio from 1920 to 2020 on the outside edges.[]

A New PBS Documentary Series about Pan American Airways  (Pan Am Historical Foundation)

When the China Clipper took off for the first scheduled flight to Manila on November 22, 1935, it riveted the attention of people around the world. At that moment Pan Am vaulted to a commanding position and the world changed forever as a result. That’s the story brought to life in “Across the Pacific.” Newly unearthed archival motion pictures, photographs, and original sound recordings as well as stunning graphics, help bring this history back to life. The film by Moreno/Lyons Productions tells the epic story of how Pan American Airways became the first to bridge the mighty Pacific – the first airline to cross any ocean. Focusing in particular on the contributions of Pan Am’s visionary leader Juan Trippe, aircraft designer Igor Sikorsky, and radio engineer Hugo Leuteritz, the three-part program will be broadcast on public television, beginning May 18th, 2020.[…]

Charlie notes that this documentary series will feature radio as seen in the following trailer:

Zoom satellite talk now on YouTube (Southgate ARC)

A video of the talk on amateur radio satellites, EME, Meteor scatter and the International Space Station by Robin Moseley G1MHU given via Zoom on Wednesday, May 13 is now available on YouTube

Watch G1MHU talk on satellites
https://www.youtube.com/watch?v=MKjCXepCK_s

The talk was organised by the Denby Dale Amateur Radio Society, their next talk on Zoom will be by the Editor of Practical Wireless, Don Field G3XTT, at 7:30pm BST on Wednesday, May 20, Zoom meeting ID 278 609 9353

http://www.ddars.net/

AMSAT-UK https://amsat-uk.org/

BBC Radio 6 Music breaks its audience record as UK’s biggest digital-only station (BBC Media Centre)

BBC Radio 6 Music reached a record 2.56 million listeners (from 2.49m last quarter and 2.52m last year), with the station’s weekday breakfast show with Lauren Laverne also seeing its biggest audience ever with 1.3 million listeners, according to the latest Rajars.
The figures released today covering the first quarter of 2020 also reveal that BBC Radio 1’s Breakfast show with Greg James gained 343,000 young 10+ listeners on previous quarter, and BBC Asian Network saw a boost in its audiences.

Figures released earlier this week for the same three months show the audience on BBC Sounds is growing, with a record 3.5 million weekly users in March. The total number of plays of live and on-demand content on BBC Sounds between January and March was 275 million, up 25 million on the previous quarter, and there was a record 123 million plays of on-demand radio programmes and podcasts.

James Purnell, Director of BBC Radio and Education, says: “It’s wonderful that listeners have granted BBC Radio 6 Music the top spot as the UK’s biggest digital only station by tuning in in record numbers. It’s no surprise that the station’s brilliant presenters and talented teams are proving a winning formula with their love and passion for music.

“We’ve been holding on to our younger audiences with more than 13 million 15-44 year olds listening to our stations every week whilst competition for their time has continued to intensify. And with more than a quarter of the population now listening to live radio online every week, it shows what an important role BBC Sounds plays for our stations and for our audiences, with record numbers of both live and on-demand plays in the first three months of the year.”

Overall, BBC Radio had 33.54 million listeners and a share of 49.7% (from 33.58m/51% in last quarter and 34.44/51.4% last year).

BBC Radio 1 posted a reach of 9.81 million listeners aged 10+ (from 9.72m last quarter and 10.18m last year). There were 8.92 million 15+ listeners (from 8.79m last quarter and 9.30m last year). The Radio 1 Breakfast Show now attracts 5.47 million listeners 10+ (Mon-Thu), from 5.13m last quarter and 5.44m last year. This quarter saw 4.87 million 15+ listeners (Mon-Thu), compared to 4.81m last quarter and 5.04m last year.

BBC Radio 2’s weekly audience was 14.36 million (from 14.44m last quarter and 15.36m last year). The Zoe Ball Breakfast Show attracted 8.11 million listeners per week, compared to 8.24m last quarter and 9.05m last year.

BBC Radio 3’s audience was 1.98 million (compared with 2.13m last quarter and 2.04m last year).

BBC Radio 4 posted a weekly reach of 10.76 million during the quarter (10.98m last quarter and 11.01m last year). The Today programme (Mon-Sat) has 7.12 million listeners each week, from 7.37m last quarter and 7.32m last year.

BBC Radio 5 Live posted a reach of 5.22 million listeners (5.41m last quarter and 5.40m last year).

Amongst digital-only stations, BBC Radio 1Xtra had a reach of 1.05m weekly listeners 10+ from 1.06m last quarter and 1.13m last year (986,000 weekly listeners 15+ from 987,000 last quarter and 1.05m last year). BBC Radio 4 Extra attracted 1.98 million listeners per week (from 2.27m last quarter and 2.24m last year). BBC Radio 5 Live Sports Extra attracted 601,000 listeners per week (from 914,000m last quarter and 708,000 last year).

BBC Asian Network drew 543,000 listeners, compared to 519,000 listeners last quarter and 536,000 last year.

The BBC World Service posted a weekly UK audience of 1.35 million (from 1.38m last quarter and 1.48m last year). BBC local radio reached 7.8 million listeners per week, from 7.5m last quarter and 7.86m last year.[]


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Radio Waves: Radio Listeners Key to Economy, DXcamp Updates, Coronavirus Hospital Radio, and Hamvention QSO Party

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura, Martin Butera, and Dan Van Hoy for the following tips:


Nielsen: Heavy Radio Listeners Are Key To Restarting U.S. Economy. (Inside Radio)

With 39 states beginning to relax restrictions imposed to diminish the spread of the coronavirus, many Americans are ready to pick up the pieces and get back to their previous lifestyles. An online survey of 1,000 persons aged 18+, conducted from April 30-May 2, found nearly two thirds (63%) say they plan to resume normal activities next month. Conducted by Nielsen, the survey also shows heavy radio listeners are key to driving commerce and supporting the economy since they’re more likely to go out and shop once COVID-19 eases in their market.

Presenting the findings during a client webinar Friday afternoon, Tony Hereau, Nielsen VP of Cross-Platform Insights, summed up the top takeaway succinctly: “AM/FM radio is the soundtrack of America’s re-opening and reemergence.”[]

Marajo Dxcamp updates

Ivan Dias and Martin Butera inform us about their most recent update on the receptions of the last DXcamp on the Amazonian Island of Marajo, in the north of Brazil.

Interesting medium wave receptions from the following link
https://dxcamp-marajo2019.blogspot.com/p/only-log.html

Be sure to visit the official website of the Dxcamp, where you will find a lot of material about this important event
https://dxcamp-marajo2019.blogspot.com/

The Tiny Radio Stations That Lift Spirits in Hospitals (NY Times)

LONDON — Last Wednesday, Steve Coulby, a D.J. for Nottingham Hospitals Radio in England, read out a request from a patient battling Covid-19.

“Brian, you’ve given me an awesome responsibly, as you’ve asked for ‘any jazz,’” Mr. Coulby said. “I have to admit,” he added, “what I know about jazz is limited.”

Mr. Coulby then told his listeners he’d spent much of the day searching jazz tracks online, looking for one that might aid Brian’s recovery, or at least lift his mood. He decided on “Let Me Into Your Heart” by the British singer Isaac Waddington.

“I hope it’s good enough, Brian,” Mr. Coulby said, with a nervous laugh. “To be honest, it’s all you’re getting.”

Britain’s hospital radio stations are one of the less well-known features of its health system: tiny operations, staffed by volunteers, that you would never know existed unless you’d been a patient here.

Patients can normally listen to the shows, which are heavy on chart music and old hits, using headphones connected to an entertainment unit beside their beds. In some cases, the shows are even played out of speakers on the wards or in the emergency room waiting area.

The end of hospital radio has been declared many times over in Britain. Some hospital stations have struggled to raise funds, while the rise of smartphones filled with music and radio apps has meant patients have less need for them. But there are still over 200 such stations, according to the Hospital Broadcasting Association, and some claim they have found themselves more useful than ever during the pandemic, providing a human connections to patients who would otherwise be alone.[]

Hamvention QSO Party Saturday May 16! (Hamvention.org)

Let’s celebrate the many years we have all had at the Great Gathering we call Hamvention. We also want to remember Ron Moorefield W8ILC who never missed a Hamvention and contributed to our club until his recent death.Let’s light up the airwaves with our remembrances of Hamventions of the past! See you on the air! K3LR, Tim Duffy and W8CI, Michael Kalter.

Here is the deal: 12 hour event, 8 a.m. to 8 p.m. EDST on Saturday of Hamvention May 16, 2020.  Operate CW or SSB on 160, 80, 40, 20, 15 and 10 meters. The exchange is a signal report and first year you attended Hamvention. If you have never attended Hamvention you send 2020.

Send your score (number of QSOs) to 3830scores.com within 5 days of the event. You can print a certificate on line via www.HVQP.org. More details will appear on the Hamvention QSO Party web site being set up now.

Special bonus: W8BI, the club call of the Dayton Amateur Radio Association (DARA is the host of Hamvention) will be activated by designated DARA members from their home stations. You can add 10 points for each band/mode QSO with W8BI (12 available). So you can earn 120 bonus points (like having 120 additional QSOs).


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