Digital switchover means that only the country’s local radio stations continue to use FM frequencies
Norway has completed its transition to digital radio, becoming the first country in the world to shut down national broadcasts of its FM network.
The country’s most northern regions and the Svalbard archipelago in the Arctic switched to digital audio broadcasting (DAB) as scheduled on Wednesday, said Digitalradio Norge (DRN), an umbrella group for Norway’s public and commercial radio.
The transition, which began on 11 January, allows for better sound quality and more channels and functions at an eighth of the cost of FM radio, according to authorities.
The move has, however, been met with some criticism linked to technical incidents and claims that there is not enough DAB coverage across the country.
Radio users have also complained about the cost of having to buy new receivers or adapters, usually priced at between €100 and €200 (£88 and £176).
Only 49% of motorists are able to listen to DAB in their cars, according to DRN figures.[…]
Digital radio continues to progress at a rapid pace worldwide. The latest Radio World International eBook, “Global Digital Radio,” takes a look at how each region is preparing for the transition, planned FM switchoff dates and requirements, ways in which digital radio can pave the way to the connected car, how digital radio’s emergency warning functionality can provide relief in times of disaster, and more.
Learn more in the latest free Radio World International eBook. Read it free
now — click here!
Produced by the editors of RADIO WORLD INTERNATIONAL.
But exactly why did I buy this small, self-contained digital music device–? Having just completed an in-depth review of several WiFi radios, I certainly didn’t need another. But the good-looking Solo, with its clean design and walnut casing really caught my attention…I couldn’t resist checking it out. Plus, in backing the radio via Kickstarter, I was able to purchase it for $100 less than the predicted future retail of $299 US.
The Kickstarter campaign funding Como Audio was prompt in communicating updates with backers and providing even more product options during the wait for production and delivery. Although several other snazzy finishes for the Solo were brandished before me, I stuck firmly by the walnut veneer I’d originally chosen.
Fast forward to the present. I finally received my Como Audio Solo a few weeks ago, and have had time to play with it. While I haven’t had time to explore every nuance of this radio, of course, I have had an opportunity to form some opinions.
I don’t often comment on the design of radios I review, but in this case it’s worth noting.
The Como Audio Solo, in wood, is elegant and simple. Love it:
The only element of the design I’m not typically keen on? I’m not the biggest fan of devices that sport colored backlit displays; to me they appear a bit flash and faddish, undermining a radio’s overall aesthetic.
But I must say, the Solo pulls it off. The color display in this case is somehow not too distracting–it’s soft yet crisp, and easy to read even at a distance.
In short, the Solo is a stunning piece of kit, especially with that warm walnut casing, and looks right at home in any setting–office, living area, kitchen, or at the bedside.
I’ve only one gripe with the Solo’s ergonomics: the front control knobs are a little too close to the bottom of the recessed controls area. When I try to turn a knob–for example, attempt to tune the FM band–I find my fingertips won’t fit between the knob and lower edge of the recessed panel, making the knobs a little hard to turn in one fluid motion. (Of course,this is also due to the fact that I have big fingers; my wife doesn’t seem to have this problem).
But this isn’t a dealbreaker as I’m finding I don’t often need to reach for the front controls, anyway. Why? Because the rig’s IR remote–or better yet, its smartphone app–control the radio effectively at any convenient distance from the radio. Sweet.
I’m a sucker for quality audio fidelity, and I must admit that this was one of the biggest deciding factors in purchasing the Solo: it touted extraordinary audio in a modest package, being designed around an acoustic chamber/chassis containing a 3″ woofer and 3/4″ dome tweeter fueled by a 2 X 30 watt RMS amplifier. I was very curious whether it could live up to its initial claim.
After turning on the Solo for the first time, I immediately wanted to hear audio, so I put it in Bluetooth mode and played a few songs, ranging from Jazz to Electronica.
In a nutshell: Wow.
The audio is strikingly reminiscent of my Tivoli Audio Model One…which is to say, it’s excellent. It packs more audio punch than any of the radios I reviewed in my WiFi radio comparison.
Out of the box, the audio is fairly well-balanced, too. But you can tweak the equalizer, and I did, drawing in a little more bass and treble. My wife (also a bit of an audiophile) was impressed. And yes, the sound is all the more remarkable considering the radio’s relatively small form-factor: little box, big voice.
The Como Audio Solo is one of the few Wifi radios on the market that has a built-in analog FM and DAB receiver (save the $120 Sangean WFR-28, which has analog FM reviewed here).
Since I live in the US, I can’t comment on DAB reception. I have, however, had an opportunity to test the FM analog reception. Keep in mind, I live in a rural area and require a decent FM receiver with telescopic antenna fully extended just to listen to my favorite regional programming.
When I tune the Solo to my benchmark FM stations, it can receive them–but not as effectively as many of my other radios, including the WFR-28. Even when forced to use the Mono setting only, the stations it receives carry too much static for good listening. So obviously the Solo isn’t as sensitive as some of my other radios, at least in this setting. Indeed, few stations it receives in this area are able to lock in to the point that there’s no static in the received audio. For out-of-towners, this is a bit of a disappointment.
With this said, I imagine if you live in an urban area, the FM receiver should more than please you. I’ve no doubt it can faithfully reproduce beautiful audio from local FM outlets.
I should add that, while FM reception isn’t stellar for distant stations, the RDS information does convey even when the audio isn’t full fidelity.
Of course, the main reason I purchased the Como Audio Solo was to use and review it as a WiFi radio…nothing at all to do with that sharp walnut chassis, or audio power.
As I outlined in my WiFi Radio primer, WiFi radios rely on station aggregators–extensive curated databases of radio stations–to surf and serve up the tens of thousands of streaming stations around the globe.
Based on feedback from Como Audio shortly after the Kickstarter launch, I was under the impression that the station aggregator of choice was vTuner. This concerned me, as vTuner’s reputation as an aggregator is somewhat maligned due to a series of documented faults and weaknesses. Fortunately, this turned out not to be the case: after the initial confusion, I soon discovered Como had adopted the more robust Frontier Silicon aggregator, instead–a better choice.
Since I’m a pretty big fan of Frontier Silicon and since I’ve already been using their service with my Sangean WFR-28, once I connected my radio to my user account, the WiFi portion of the radio felt identical to that of my WFR-28. Simply brilliant, as the Frontier Silicon radio portal gives the user flexibility to create station lists and folders with ease–all of which readily convey to the radio itself.
The Solo also features six dedicated memory buttons on the front panel for quick access to favorites.
I love the Solo’s design–this certainly is a handsome product. Moreover, I love the audio, and am pleased that it delivers the fidelity promised by its Kickstarter campaign. The Solo and Duet are loaded with features, connections, Aux In and Aux Out audio and digital ports–more, in fact, than any similar device with which I’m familiar. I regret that the rig’s FM isn’t suited for country life, but the audio coupled with its stylish exterior do make up for this somewhat.
I do wish the Solo had an internal rechargeable battery option. Being able to move the receiver to different locations within a home or building could be a major plus for rural FM reception. As my friend John pointed out, however, the audio amplifier is robust enough, it might have been a challenge to implement an affordable-but-effective internal battery without compromising the audio amplifier’s needs.
In truth, I favor audio fidelity over portability for a tabletop radio.
In conclusion…do I have any backer’s remorse? Absolutely not–!
In short, the Como Audio Solo is a keeper. I’m still marvelling at this classy and dynamic radio that fills our home with rich beautiful audio. A few weeks in, the Solo has already become a permanent feature in our abode. It’s one of the few radios I have that meets my artist wife’s approval in terms of both design and audio.
Great job, Como Audio! If the Solo is any indication of radios to come, I’ll certainly be looking for your future innovations.
Radio World reported on 9/30/16 that the British government’s Office of Communication sees value in small scale DAB technology and will likely allow permanent licensing for smaller stations:
Ofcom recently completed a trial of its “small-scale DAB” technology for 70 local and community radio stations. The official report that Ofcom created for the Department of Culture, Media and Sport deemed the trials “a success.”
Small-scale DAB is designed to allow smaller radio stations that were not able to afford the United Kingdom’s DAB radio platform go on the airwaves with available software and equipment for a lower cost, explains Ofcom.
The regulator concluded with its trials that small-scale DAB works and stations were able to coordinate with multiplex licensees. It also said the trials suggest there is a demand from smaller radio stations for this technology.
The U.K. government will look over the findings before determining the next stages, but Ofcom claims that it is ready to work on any necessary steps to enable small-scale DAB stations to be licensed permanently.
Ofcom added that it has been contacted by other regulators in Europe who have expressed interest in using the same approach.
The new technique, known as ‘small-scale DAB’, allows local and community stations to hit the airwaves using freely-available software and equipment costing from £9,000.
Previously, these stations have broadcast on analogue AM and FM, but have been held back by the higher cost of broadcasting on the UK’s Digital Audio Broadcasting (DAB) radio platform.
We have also identified space in the airwaves that could support a UK-wide roll out of the technology, using spectrum bands previously occupied by business radio. Re-using these bands could pave the way for hundreds more stations to join the digital radio revolution.
This certainly seems like it could open up room for a good deal of alternative programming targeted toward smaller communities. It will be interesting to see the developments and the impact on the local radio community.