Category Archives: AM

Bill tunes to WWFD in AM HD

Many thanks to SWLing Post contributor, Bill Mead, who writes:

Thomas, I’m sending you a short clip from WWFD 820 kHz in Frederick, MD. It’s America’s only all-digital station, apparently. They are HD only with a relatively eclectic music format. I’m hearing them at my QTH in Harrisburg, PA, about 80 miles or so north of their transmitter which is 4.3 Kw daytime. I sort of doubt they’ll come in at night when they drop down to 430 watts, but who knows.

My experience with HD on MW is that it can be heard at pretty decent distances under ideal conditions but the slightest bit of interference, a lightning strike or someone switching on the lights for example, and it’ll lose the HD lock.

My HD receiver is a Sony XDR-F1HD. It’s well-known as an excellent FM DX machine. What’s not as well-publicized is that it’s a very decent MW receiver as well. All it needs is a good MW loop antenna directly connected to the AM ANT terminals on the back of the radio.

Click here to view on YouTube.

Excellent!  Thanks for sharing, Bill. I’m passing by Frederick, MD in a couple of weeks and plan to tune to WWFD in both my car and with the Sangean HDR-14.

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Mike’s review of the Sangean HDR-14 AM/FM HD Radio

Sangean HDR-14 (left) and the C. Crane CC Skywave SSB (right) (Photo: Thomas)

Many thanks to SWLing Post contributor, Mike S, who comments with his short review of the Sangean HDR-14. Mike writes:

Well, I did something I said i would not do, triggered by Amazon’s tendency to introduce impossibly low prices on things for a couple of days, I sprang for the HDR-14. I have used it side by side with its direct competitor (the Nicetex “SPARC” SHD-TX2) for a few nights and a couple of days. Interesting little device.

As has been pointed out by those that read the specs, it is barely larger than the CC Skywave overall. It is made of the same soft, shiny black plastic as the larger Sangean portables (it is alternately a fingerprint magnet or a scuff magnet) but has a much less solid feel. The swivel-out foot on the bottom is a welcome addition and works well.

I have not yet played with other features (memories, etc) except to note that somebody has finally gotten it right in that memory locations store the chosen FM multicast channel instead of just the frequency.

The Sangean HDR-14 RDS display (Photo: Thomas)

Performance is a mixed bag. This is NOT an HDR-16 crammed into a smaller cabinet; not surprising, really, considering the amount of real estate available for circuitry. Analog FM and HD capture are right up there with the the larger sets and similar to the SPARC. I am unable to reproduce the spurious FM image problem noted by a lone Amazon reviewer. Audio is “just OK” out of the speaker with a harsh emphasis on treble – the SPARC portable is MUCH better with its passive radiator – but just fine for headphones or an external speaker.

However, for AM, that reviewer was spot on. The noise floor on AM is a tad too high and the native sensitivity a tad too low; resulting in “just OK” useable sensitivity on the band especially compared to the SPARC. I had no trouble with AM-HD on the only two stations in NYC metro (WCBS and WINS); however, it was unable to even detect the HD carrier from known stations in nearby cities that I was able to get >50% on the HDR-16 and HDR-18. The selectivity is better than the SPARC due to the DSP active for bandwidth adjustment; witness that I was able to clearly separate stations in Connecticut (600) and Philadelphia (610) from the splatter of local powerhouses at 570 and 620. Unfortunately too, analog AM reception is plagued with DSP artifacts reminiscent of earlier Tecsun sets which can even manifest in odd distortion in adjacent-channel splatter that bleeds into the tuned signal. The fact that the audio circuit/speaker accentuate the treble, make this even more annoying – the “ticks” from adjacent channel splatter are so harsh that you might think the speaker cone is damaged and vibrating.

I’m still waffling on whether to keep this one. It’s a nice little set which is sure to become a collector’s item, and its FM performance really is exemplary. But I kinda view the inclusion of the AM band as its raison d’être and in that regard it could certainly do better.

Thanks for your review, Mark!

It’s interesting that you couldn’t reproduce FM overloading or imaging. I have noted images on the FM band and it hasn’t been in a market as congested as that of NYC. It’s only noticeable when listening to stations adjacent to strong signals, however. It’s almost as if the FM filter is a little too wide.

I also agree about analog AM reception.

My HDR-14 review has been delayed due to a very hectic schedule, but I plan to complete it in the next couple of weeks! Thanks again, Mike!

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Sangean HDR-18 HD Radio/FM-Stereo/AM Wooden Cabinet Table Top Radio

For those who might be interested, Amazon currently has this radio discounted more than I have seen previously. Current price is $137.75 – as always, this may be a limited time or limited amount of radios available at this price. Here is the link:

Sangean HDR-18

Robert Gulley, AK3Q, is the author of this post and a regular contributor to the SWLing Post. Robert also blogs at All Things Radio.

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“Radio theater makes a comeback across Minnesota”

(Source: Star Tribune via Mike Hansgen)

Return with us now to those thrilling days of yesteryear, when from out of the past come the thundering hoofbeats of … a sound effects man with a pair of coconut shells.

Radio theater, which was killed off by television, is being resurrected on the air — and the internet — across the country and across the state.

In International Falls, Icebox Radio Theater produces a twice monthly podcast about a tiny northern Minnesota town isolated by a meteorite strike. “Weird stuff keeps happening,” said playwright Jeff Adams of the fictional town of Icebox, Minn. “Comedy and science fiction and maybe some dark touches now and then.”

St. Cloud’s “Granite City Radio Theatre” serves up inside humor plus cameo appearances by the police chief and the university president. “Imagine ‘Prairie Home Companion’ was about your neighborhood,” said Jo McMullen-Boyer, station manager of KVSC, which has produced the skit-and-music show four times a year for six years. “It’s hyperlocal. It’s poking fun at ourselves, but also with pride.”

And in the Twin Cities, the Mysterious Old Radio Listening Society embraces nostalgia by turning recordings of old radio shows into scripts, which it stages as live performances (including sound effects and commercials) before audiences at the James J. Hill Center in downtown St. Paul.[…]

Click here to read the full story at the Star Tribune.

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In the pipeline: a review of the Sangean HDR-14 portable AM/FM HD radio

Based on readers correspondence, the most anticipated non-shortwave radio to hit the market this year might be the Sangean HDR-14 AM/FM HD radio.

Sangean sent me a sample evaluation unit and I’ve had it on the air since taking delivery last week. I’m starting to put the elements of my HDR-14 review together while also writing Part 2 of my SDR primer for The Spectrum Monitor magazine (Part 1 was published last week). Indeed, I’ve a total of five reviews and evaluations on my desk right now–!

So far, I’m impressed with the little HDR-14. If you recall my review of the Sangean HDR-16, I mentioned that one of my benchmark distant HD FM stations is WFAE 2–its transmitter is a full 101 miles from my home and I’m well outside even the the fringe reception area.

The HDR-14 has a unique back stand: a small foot that swivels out of the base of the chassis.

I’m pleased to note that on more than one occasion, I’ve gotten a reliable HD lock of WFAE from my porch. A most positive sign!

Over the next three weeks, the HDR-14 will be travelling with me and I hope to even snag an AM HD station if all goes well.

I can tell you already that I’m as pleased as punch Sangean gave the HDR-14 a total of 20 AM and 20 FM memory presets. The larger HDR-16, in contrast, only has 5 AM and 5 FM presets.

Look for my review of the HDR-14 on the SWLing Post in the coming weeks. If interested, follow the tag: HDR-14

I’ve noted that both Universal Radio and Amazon.com (affiliate link) have the HDR-14 in stock and shipping. Universal’s price is $79.99 plus shipping and Amazon’s price is $88.67 including shipping.

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Gary pulls apart and examines the XHDATA D-808


Many thanks to SWLing Post contributor, Gary DeBock, who shares the following report of the XHDATA D-808:


XHDATA D-808 AM-LW-FM-SW-AIR Portable- Tech Report

by Gary DeBock

The XHDATA D-808 portable is an AM-LW-FM-SW-SSB-AIR band model which has already been the subject of many excellent reviews. Until recently the model was not marketed to North American purchasers, but recently a couple of Chinese sellers have started soliciting North American buyers via eBay listings.

My own interest in the model was in comparing its AM Band performance to that of the best performing Ultralight radios– specifically the CC Skywave and Skywave SSB models. Although the D-808 is slightly larger than the 20 cubic inch limit for Ultralight radios, its size and weight make it very convenient to take along as a “travel portable,” specifically as an SSB-enhanced model capable of checking transoceanic station carrier strength on exotic ocean beaches. The Skywave SSB model can also do that– but at a $169.99 list price, compared to the $112.86 (plus $10 shipping) cost of the D-808. In addition, none of the published D-808 reviews seemed to have any information about internal components like the loopstick, or Si4735 DSP chip.

My first test was to compare the stock Skywave SSB model with the D-808 in fringe AM station reception. The Skywave SSB model has a reputation of being one of the most sensitive Ultralight radios, but the D-808 clearly outperformed it on both low band fringe station (550-KARI) and high band fringe station (1700-City of Auburn TIS) reception. The D-808 couldn’t quite hang with a 7.5″ loopstick Skywave model, but that only made me curious about how the same modification could enhance the D-808. So… it was time to disassemble the D-808, and find out why its loopstick was such a superior performer.

The D-808’s 3 7/8″ (98mm) loopstick is shown adjacent to the 2 3/4″ (70mm) loopstick of the CC Skywave models. The D-808 is much easier to disassemble than the CC Skywave models, though, so enhanced loopstick transplants should prove to be quite popular in the D-808.

The D-808 loopstick is 3.7/8″ (98mm) long, while that of the CC Skywave SSB model is only 2 3/4″ (70mm) long. Other reviewers have noted the excellent performance of the D-808 on the AM band, and this is probably one of the main reasons. The SSB mode operates very similar to that of the Skywave SSB in providing a quick check of carrier strength on weak AM band targets– the LSB mode can be set to +55, and the radio tuned to different frequencies to check fringe station carrier strength. This can provide a real-time check of propagation changes during time-limited propagation openings for live ocean beach DXing with Ultralight radios or other portables (or with the D-808 itself, if desired).

The D-808’s Si4735 DSP chip was initially used in the Eton Traveler III Ultralight radio model, which was fully reviewed in the 2015 Ultralight Radio Shootout (where it won top honors for MW sensitivity). The D-808 augments that capability with a significantly longer loopstick, plus multiple DSP filtering selections. As such, the D-808 in stock form should be a very superb performer.

The Si4735 DSP chip has markings of “3560, DCUL, .738” and provides a wide range of AM bandwidth choices for the Medium Wave DXer (6K, 4K, 3K, 2.5K, 2K, 1.8K and 1K). These perform very well, and as with the other DSP-enhanced portables, the narrowest bandwidth (1K) provides the most sensitive AM band reception.

In construction very similar to that of the CC Skywave, the D-808 separates into two main circuit boards, connected together by a plug-in ribbon cable. One strange quirk is that the Si4735 DSP chip is located on the RF board (close to the center right edge). The Si4735 DSP chip is also used in the Eton Traveler III Ultralight radio, and although that model lacks the multiple DSP filter selections of the D-808, is has been the subject of highly successful 7.5″ loopstick transplant modifications– proving that such enhanced Medium Wave and Longwave loopsticks will perform very well in the new, Si4735 chip- powered D-808.

Disassembly of the D-808 model is fairly straightforward in comparison to the CC Skywave models, and the technician doesn’t need to memorize a detailed reassembly protocol in order to perform a routine loopstick transplant operation. Neither C.Crane nor XHDATA are likely to show any sympathy to someone botching up an antenna transplant, so you need to be confident that that your skills are superior to those of the company technicians before taking the plunge. In the CC Skywave and CC Skywave SSB models various parts fit together like a puzzle, but the D-808 isn’t like that. It should prove to be a fairly popular model for enhanced MW and LW loopsticks.

Those considering a purchase of the D-808 should be advised that its type 18650 Li-ion 3.7v battery is not commonly available at most stores, and that Postal regulations supposedly forbid shipping these batteries through the mail. One of the eBay sellers (harelan ecommerce) did manage to ship me two of the standard XHDATA type 18650 batteries through the mail (along with two new D-808 models) but if your seller won’t do this, you can still purchase the batteries on eBay. Some of the 18650 batteries sold on eBay have a flat positive terminal which won’t contact the D-808 cabinet’s positive battery connector terminal, but in such a case you can simply insert a #8 lockwasher in between the two, and the arrangement will be very secure. From that point on you can simply recharge the battery with a USB terminal connector.


Thank you for sharing this technical overview of the XHDATA D-808, Gary! I’m looking forward to the antenna mods you’ll no doubt make to this compact DX machine!

Click here to read other posts about the XHDATA D-808 and here to read posts by Gary DeBock.

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UK digital radio listening now eclipses analog according to study

(Source: Radio Mag Online via Marty Kraft)

LONDON — In the United Kingdom, the use of digital sources for radio has reached 50.9%, up from 47.2% a year ago, accounting for the majority of all listening for the first time, according to RAJAR Q1 2018 data.

“With the 50% digital listening threshold now met, it is anticipated that the UK government will undertake a review to assess digital radio progress and determine next steps in due course,” according to a Digital Radio UK press release.

Digital listening share is comprised of listening across all digital platforms: DAB in homes and in cars, apps and online (which includes the growing number of smart and voice-controlled speakers) and DTV — and this is the first time that listening to digital has been greater than analog platforms — FM and AM.

[…]The UK’s three leading radio broadcasters — the BBC, Global and Bauer, which collectively account for over 90% of UK radio listening — are “fully committed to delivering a digital future for radio and look forward to working with government and the supply chain to continue the transition to digital radio.”

Click here to read the full article.

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