Many thanks to Rob Sherwood (NC0B) who shares his recent assessment of the new Yaesu FTDX10.
In short: the FTDX10 is now number 3 (at time of posting) on Rob’s receiver test data table— a table sorted by third-order dynamic range narrow spaced. Most impressive!
Click here to download Rob’s full HF test results and his review notes as a PDF.
FYI: I plan to review the FTDX10 this year.
Last August, SWLing Post contributor, Andy (G7UHN), shared his homebrew project with us: a genius companion control display for the venerable Yaesu FT-817 general coverage QRP transceiver.
Andy’s article caused me (yes, I blame him) to wax nostalgic about the popular FT-817 transceiver. You see, I owned one of the first production models of the FT-817 in 2001 when I lived in the UK.
At the time, there was nothing like it on the market: a very portable and efficient HF, VHF, UHF, multi-mode general coverage QRP transceiver…all for $670 US.
In fact, they knocked it out of the ballpark so hard, the radio is still in production two decades later and in demand under the model FT-818.
I sold my FT-817 in 2008 to raise funds for the purchase of an Elecraft KX1, if memory serves. My reasoning? The one thing I disliked about my FT-817 was its tiny front-facing display. When combined with the embedded menus and lack of controls, it could get frustrating at home and in the field.
I mentioned in a previous post that I purchased a used FT-817ND from my buddy, Don, in October, 2020. I do blame Andy for this purchase. Indeed, I hereby declare him an FT-817 enabler!
When I told Andy about my ‘817ND purchase, he asked if I’d like to help him test the FT-817 Buddy board versions. How could I refuse?
Andy sent me a prototype of his Version 2 Buddy board which arrived in late November. I had to source out a few bits (an Arduino board, Nokia display, and multi-conductor CAT cable). Andy kindly pre-populated all of the SMD components so I only needed to solder the Arduino board and configure/solder the cable. I did take a lot of care preparing and soldering the cable, making sure there was no unintentional short between the voltage and ground conductors.
Overall, I found the construction and programming pretty straight-forward. It helped that Andy did a remote session with me during the programming process (thanks, OM!). Andy is doing an amazing job with the documentation.
I do love how the board makes it easier to read the frequency and have direct access to important functions without digging through embedded menus. While there’s nothing stopping you from changing the program to suit you, Andy’s done a brilliant job with this since he’s an experienced FT-817 user.
The Nokia display is very well backlit, high contrast, and easy very to read.
I mentioned on Twitter that, with the backlight on, the FT-817 Buddy makes my ‘817ND look like it was recently assimilated by The Borg.
Don’t tell any Star Trek captains, but I’m good with that.
Andy has a rev3 board in the works and it sports something that will be a game-changer for me in the field: K1EL’s keyer chip!
For more information about the FT-817 Buddy, check out Andy’s website. At time of posting, it’s not available yet, but as Andy says, “it’s nearly there!”
Of course, we’ll keep you updated here as well. Many thanks to Andy for taking this project to the next level. No doubt a lot of FT-817 users will benefit from this brilliant project!
This morning, I’m catching up with email and posts as I’ve had less online time these past few days (not a bad thing). I’m also trying to sort out and organize some of the gear in my compact shack/office.
As I do this, I can’t help but think through some of the radio projects that await me in 2021–so I started making a list.
It’s time for the remote tuner box to get a rennovation!
In truth? I’ve more goals than this, but I’m trying to be somewhat realistic. The top priority is investing time in my antenna situation at home. All of the coax lines are aging and I know are no longer up to spec. I see cable and even connectors as long-term consumables and it’s definitely time to reinvest!
Also been modding the FT-817ND with a Buddy Board prototype by Andy (G7UHN). Installing version 3 in a few weeks!
Please comment and let us know what you’re plotting and planning! Inquiring minds want to know!
You might recall that there was a proposal, earlier this year, for a $50 fee to accompany pretty much any amateur radio license application.
Today, the FCC published their Report and Order (MD Docket No. 20-270) adopting a $35 licence fee after reviewing numerous requests from amateur radio operators and organizations like the ARRL stating that the fee was excessive for a mostly automated process.
I’ve read through the relavant parts of the Report and Order and it appears the FCC have “split the difference” agreeing that $50 was too much, but free was too little considering the number of applications they receive and process annually. From page 11 of the Report and Order:
30. We adopt the categories of personal license application fees proposed in the NPRM. The Commission proposed a fee of $50 for each of these applications. The Sonoma County Radio Amateurs, Amateur Radio Relay League (ARRL), and many individual commenters contend that the proposed $50 fee for Amateur Radio Service applications is too high and will prevent amateurs from joining the amateur radio service; instead, they contend, the Commission should adopt no fee or a nominal fee. We agree with commenters asserting this fee is too high to account for the minimal staff involvement in these applications and therefore adopt a reduced amount of $35 fee for all personal license application fees.
From pg 16 of the Report and Order
Click here to read the full report (PDF). Most of the items relevant to amateur radio start at paragraph 30 on page 11 (above).
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Paul, Dennis Dura, Wilbur Forcier, and the Southgate ARC for the following tips:
A century ago, the age of radio began in Germany. Cultural broadcasts made radio popular before the Nazis appropriated it for their propaganda.
On December 22, 1920, the first radio broadcast in Germany hit the airwaves. “Attention, attention — this is Königs Wusterhausen on radio wave 2700.” This was how a Christmas concert by the employees of the German Reichspost was announced. Featuring a clarinet, reed organ, string instruments and piano, they played in the broadcasting building of the city of Königs Wusterhausen.
Modest sound quality
Transmission quality was poor: static and crackling accompanied the musical performance. Only official agents of the German Reichspost could listen to this transmission since in accordance with the Treaty of Versailles, private citizens in Germany were forbidden from listening to radio signals.
Society on the move
Nonetheless, radio in Germany was born. Society at the time of the Weimar Republic was in transition. Painters were no longer merely depicting the natural worlds — Cubism, Dadaism and abstract art were unearthing new dimensions of the imagination that had no direct reference to reality. Musicians and composers were creating hitherto unheard-of sounds with jazz and twelve-tone techniques joining familiar rhythms and keys. Writers and poets were creating parallel plots and stories. Consumer products were being mass-produced. Aviation was connecting people over thousands of kilometers — and radio was booming.
The first official radio entertainment program in Germany was broadcast on October 29, 1923. The Allies had by then lifted the ban on listening to radio waves. The fact that we even have an acoustic record of it today is due to a coincidence: a few months after it was broadcast, the program was re-enacted and preserved on disc.
Broadcasting with a mission
Meanwhile, inflation was soaring in Germany. Poverty and misery were rampant, especially in the big cities. “Radio was welcomed in Germany like a liberating miracle, especially at a time of intense emotional and economic hardship,” Hans Bredow, considered the “father” of German radio, said at the time.
Like many radio pioneers of the Weimar years, Bredow had lofty ambitions to widen national perspectives in his position as Radio Commissioner to the German Reich’s Postal Minister. This new technology was to signal an end to the age of ignorance and prejudice.
In December 1923, there were a total of 467 listeners. One year later, there were already one million listeners within the Reich’s entire territory. And in 1932, there were more than four million paying radio subscribers — and at least as many non-paying listeners. The daily broadcasting time also increased steadily. In 1923, it was 60 minutes; by 1932, there were already 15 hours of radio programs every day.
Entertainment for the masses
It was the new possibilities of simultaneous acoustic reporting that captivated the “Radioten, ” a derogatory term that was used for radio lovers at the time. An extraordinary media event at that time, the radio achieved its exciting effect through its immediacy and “live” character. And it gave birth to a genre unknown until then: the radio play.
Meanwhile, heated debates abounded about the negative effects of radio on listeners, culture and politics. Many intellectuals and artists distanced themselves from the new medium. Among them was the Austrian composer Arnold Schönberg. “Broadcast media caters to the majority. At any time of the day or night, people are served a feast for the ears without which they apparently can no longer live today. I assert the right of the minority against this delirium for entertainment: one must also be able to broadcast what is necessary, and not only the trivial.”[Continue reading full story at DW…]
The International Space Station cost more than $100 billion. A ham radio set can be had for a few hundred bucks.
Perhaps that explains, in part, the appeal of having one of humankind’s greatest scientific inventions communicate with Earth via technology that’s more than 100 years old. But perhaps there’s a simpler explanation for why astronauts and ham radio operators have been talking, and talking, for years.
NASA astronaut Doug Wheelock was just a few weeks into his six-month mission at the space station when feelings of isolation began to set in.
Wheelock would be separated from loved ones, save for communication via an internet phone, email or social media. At times, the stress and tension of serving as the station’s commander could be intense.
One night, as he looked out a window at the Earth below, he remembered the space station’s ham radio. He figured he’d turn it on—see if anyone was listening.
“Any station, any station, this is the International Space Station,” Wheelock said.
A flood of voices jumbled out of the airwaves.
Astronauts aboard the space station often speak to students via ham radio, which can also be used in emergencies, but those are scheduled appearances. Some, like Wheelock, spend their limited free time making contact with amateur radio operators around the world.
“It allowed me to … just reach out to humanity down there,” said Wheelock, who interacted with many operators, known as “hams,” during that stay at the space station in 2010. “It became my emotional, and a really visceral, connection to the planet.”
The first amateur radio transmission from space dates to 1983, when astronaut Owen Garriott took to the airwaves from the Space Shuttle Columbia. Garriott was a licensed ham who, back on Earth, had used his home equipment in Houston to chat with his father in Oklahoma.
Garriott and fellow astronaut Tony England pushed NASA to allow amateur radio equipment aboard shuttle flights.
“We thought it would be a good encouragement for young people to get interested in science and engineering if they could experience this,” said England, who was the second astronaut to use ham radio in space.[…]
The International Space Station cost more than $100 billion. A ham radio set can be had for a few hundred bucks.
Perhaps that explains, in part, the appeal of having one of humankind’s greatest scientific inventions communicate with Earth via technology that’s more than 100 years old. But perhaps there’s a simpler explanation for why astronauts and ham radio operators have been talking, and talking, for years.
NASA astronaut Doug Wheelock was just a few weeks into his six-month mission at the space station when feelings of isolation began to set in.
Wheelock would be separated from loved ones, save for communication via an internet phone, email or social media. At times, the stress and tension of serving as the station’s commander could be intense.
One night, as he looked out a window at the Earth below, he remembered the space station’s ham radio. He figured he’d turn it on — see if anyone was listening.
“Any station, any station, this is the International Space Station,” Wheelock said.
A flood of voices jumbled out of the airwaves.
Astronauts aboard the space station often speak to students via ham radio, which can also be used in emergencies, but those are scheduled appearances. Some, like Wheelock, spend their limited free time making contact with amateur radio operators around the world.[…]
Belgian amateurs activate the following special event callsigns to remind everyone of Covid-19 restrictions and express gratefulness to medical personnel:
OS2HOPE, OT5ALIVE, OT4CARE, OR20STAYHOME, OT6SAFE, OP19MSF, OQ5BECLEVER, OR6LIFE, OO4UZLEUVEN and OT2CARE.Due to the recent stricter COVID-19 measures, many radio amateurs will be forced to spend most of the following weeks at home again. Many are obliged to telework. Teleworking is definitely becoming the new standard for several employees. COVID-19 has accelerated teleworking for almost all companies.
At the request of the Royal Union of Belgian Radio Amateurs (UBA), the BIPT has decided to once again grant permission to apply for customised special call signs. The exceptional conditions apply to special call signs with an encouraging meaning.
These appropriate special call signs may be used at the home address of radio amateurs. The conditions are the same as during the first lockdown in spring.
Radio amateurs are allowed to re-request the special call sign obtained during the first lockdown.Operation until January 31, 2021.
For QSL information see QRZ.com
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This morning, I’m looking at the calendar and I see and end in sight for 2020. I think most of us can agree that 2020 will be one for the history books, in large part due to the Covid-19 global pandemic which has had a pretty dramatic affect on many of our lives. It certainly brough my planned travels to a halt. I think many of us are quite happy to show 2020 the door!
As each year comes to a conclusion, I often look back at my radio activities during that year and see how it played out. I especially note the radios I used most heavily throughout the year.
Since I evaluate and test radios, models that are new to the market obviously get a lot of air time. Still, I’m also known to pull radios from the closet and give them some serous air time.
I’m very curious what radios you gave the most air time in 2020?
Here’s my list based on type/application:
Since they’re new to the market, both the Tecsun PL-990 (above) and Belka DX (below) got a lot of air time.
I do like both radios and even took the pair on vacation recently even though packing space was very limited. I see the Belka DX getting much more air time in the future because 1.) it’s a performer (golly–just check out 13dka’s review of the Belka DSP) and 2.) it’s incredibly compact. The Belka now lives in my EDC bag, so is with me for impromptu listening and DXing sessions.
A classic solid-state portable that also got a lot of air time this year was the Panasonic RF-B65. Not only is it a performer, but it has a “cool” factor that’s hard to describe. I love it.
In a sense, the C.Crane CCradio3 got more play time than any of my radios. It sits in a corner of our living area where we tune to FM, AM and weather radio–90% of the time, though, it’s either in AUX mode playing audio piped from my SiriusXM receiver, or in Bluetooth mode playing from one of our phones, tables, or computers. In October, the prototype CCRadio Solar took over SiriusXM duty brilliantly. I’m guessing the CCRadio3 has easily logged 1,600 hours of play time this year.
Of course, the Panasonic RF-2200 is one of my all-time favorite vintage solid-state portables, so it got a significant amount of field time.
While at home the WinRadio Excalibur still gets a large portion of my SDR time, both the AirSpy HF+ Discovery and SDRplay RSP DX dominated this space in 2020.
The HF+ Discovery was my choice receiver for portable SDR DXing and the RSPdx when I wanted make wide bandwidth recordings and venture above VHF frequencies.
Without a doubt the new Mission RGO One 50 watt HF transceiver got the most air time at home and a great deal of field time as well. It’s such a pleasure to use and is a proper performer to boot!
My new-to-me Icom IC-756 Pro, however, has become my always-connected, always-ready-to-pounce home 100W HF transceiver. It now lives above my computer monitor, so within easy reach. Although it’s capable of 100+ watts out, I rarely take it above 10 watts. The 756 Pro has helped me log hundreds of POTA parks and with it, I snagged a “Clean Sweep” and both bonus stations during the annual 13 Colonies event.
The new Icom IC-705 has become one of my favorite portable transceivers. Not only is it the most full-featured transceiver I’ve ever owned, but it’s also a brillant SWLing broadcast receiver. With built-in audio recording, it’s a fabulous field radio.
Still, the Elecraft KX2 remains my choice field radio for its portability, versatility and incredibly compact size. This year, in particular, I’ve had a blast pairing the KX2 with the super-portable Elecraft AX1 antenna for quick field activations. I’ve posted a few field reports on QRPer.com and also a real-time video of an impromptu POTA activation with this combo:
What radios did use use the most this year and why? Did you purchase a new radio this year? Have you ventured into the closet, dusted off a vintage radio and put it on the air?
Photo by Flickt user Shirokazan via Wikimedia Commons.
Many thanks to SWLing Post contributor, Dave Porter (G4OYX), who shares the following news:
Hi All,
I am pleased to report that following the efforts of two Communication Engineers at the former BBC/VoA Transmitter site at Woofferton, Shropshire there is again an amateur radio club callsign allocated there.
Jon Norton G1JOD and Matt Porter G8XYJ have applied for M0WOF and the license came through on 16th December.
This new call replaces the former call of G3WOF originally granted in 1967 and then re-activated in 1989 which subsequently again lapsed.
The 2m repeater GB3VM, RV49 is located at the site since 2004 but regrettably at present, coverage is severely restricted to the north by a recently on-air co-channel unit GB3SV south of Stafford.
There are plans to set up a APRS node on 144.800 MHz.
The site is now managed by Encompass Digital Media and carries on HF programme for BBC WS, Voice of America, Radio Free Europe, Radio Liberty and Korean Broadcasting as well as religious/faith broadcasters. BBC Hereford and Worcester MF local radio is also transmitted in addition to Sunshine Radio 105.9, a commercial VHF/FM station. Downlinking on satellite has been running for many years and just recently up-linking has started for EDM.
73
Dave Porter G4OYX
