Category Archives: Radios

Could software-defined radios empower citizen journalists in North Korea?

USB SDRs like the FunCube Dongle Pro could inspire a generation of SDRs that transmit information across the North Korean border.

USB SDRs like the RTL-SDR could inspire a generation of SDRs that not only receive, but transmit information across the North Korean border.

I was recently interviewed and quoted in an article by Ole Jakob Skåtun at NK NewsSkåtun is exploring the possibility of using inexpensive SDR dongles as a means for citizen journalists to receive and potentially send information across the North Korean border:

(Source: NK News)

“While North Korea recently ranked second-to-last on Reporters Without Borders’ World Press Freedom Index, new ways of using digital radio broadcasting might prove a valuable tool for those who wish to increase information flows into and out of the country.

So-called software-defined radio (SDR) technology, brought into the country on USB devices, could be used for receiving and, potentially, sending data – text, audio and video files – on radio band frequencies.

SDR technology is a radio communications system where all components typically implemented via hardware for standard radios have been made into software. Loaded onto a flash drive-sized USB-dongle, they have the potential to turn any computer with a USB port into a receiver and transmitter. 

Radio experts and NGO representatives said that something like this might have potential as a new way of bringing information into North Korea, and in certain cases provide a tool for citizen reporters working inside the country to bring information out.”

[Continue reading…]

Click here to read the full article, How digital radio could break North Korea’s information blockade at NK News.

(NK News is an independent, privately owned specialist site focused on North Korea.)

Mehmet Burk reviews the Kaito KA550 self-powered radio

kaito-ka550

Many thanks to Mehmet Burk of ReliefAnalysis.com for sharing his most positive review of the Kaito KA550 self-powered shortwave radio.

[Note: I’ve updated this post to link to the Kaito KA550. I initially linked to the older KA500 by mistake. Apologies!]

Click here to read his full review:
http://www.reliefanalysis.com/2014/03/review-katio-ka550-terrific.html

The Kaito KA550 currently retails for about $59.00 US shipped.

Grundig G2 sale, today only: $29.99 US shipped

GrundigG2Front

Many thanks to SWLing Post reader, Ulis, who shares this excellent deal on the Grundig G2: $29.99 US shipped!

You must hurry, though, as the deal is only valid today, Friday, March 7, 2014. Click here to purchase.

Ulis mentioned that the G2 was his first purchase from the retailer (1sale.com), but since he could pay with PayPal and the deal was first mentioned by CNET, he purchased with added confidence.

Note that the G2 is not a perfect radio–check out my review of its cousin the DE1129–but at $29.99, it’s a steal.

If you missed this deal, try searching Amazon.com for the Grundig G2.

How To Tune In Pirate Radio Broadcasts on Shortwave

This article originally appeared in the February 2014 issue of The Spectrum Monitor Magazine.


QSL from Radio Gallifrey Intergalactic

QSL from Radio Gallifrey Intergalactic

Even as many legacy international broadcasters are abandoning the shortwave bands, shortwave remains active and vibrant in another quadrant: namely, on shortwave pirate radio. Over the past few years, I’ve found that one of my favorite listening activities has become searching for unique pirate radio stations, and readers of my blog appear to have followed suit. Among the most popular queries made by readers is, “How can I find and hear pirate radio stations?” To help answer this question, I’m writing this primer.

Who are pirate radio stations?

Many are confused by the term “pirate radio,” otherwise known as “free radio.” Either term is sufficient, and some stations prefer one designation or the other. For consistency’s sake, I will use the term “pirate radio” in this article.

So what is pirate radio? Andrew Yoder, author and publisher of the 2012 Pirate Radio Annual, defines pirate radio as:

“[A]ny unlicensed hobby broadcast operation that is using more power than the legal limit.”

As Yoder goes on to explain in his introduction of the 2012 Pirate Radio Annual, pirates are often confused with radio bootleggers (who conduct unlicensed two-way conversations), clandestine stations (usually political stations), and jammers (who intentionally try to block broadcasts).

While debunking myths about pirates, I can say that in my years of pirate radio listening I’ve never heard a pirate intentionally jam a legal broadcaster.  Pirates tend to occupy swatches of the shortwave spectrum that are relatively quiet, avoid intentionally broadcasting on top of one another, and typically operate at fairly low power. I believe this is why authorities like the Federal Communications Commission (FCC) place shortwave pirates comparatively lower on their enforcement priority list.

And while pirate radio stations can be found across the radio spectrum, especially on AM and FM in urban areas, in this primer I’ll be focusing on those that inhabit the shortwaves.

What do pirates broadcast?

Pirates broadcast a wide variety of content, but are usually motivated by sharing their message–or favorite music–on the air.  Some pirates simply key down their mike and begin talking, sharing their political or social views; others offer near-professional music productions, complete with listener feedback, and often acknowledge listener reports with QSLs (radio postcards).

I received this QSL from the amazing Radio Ronin Shortwave shortly before he received "the knock" from the FCC and stopped transmitting.

I received this QSL from the amazing Radio Ronin Shortwave shortly before he received “the knock” from the FCC and stopped transmitting. (Listen to one of Ronin’s broadcasts below.)

RadioRoninShortwave-QSL-Back As a self-proclaimed “content DXer,” what interests me in pirate radio is that the listener never knows what to expect, but you can guarantee that the content will be different from that of the major broadcasters.

To prove my point, here are some MP3 recordings of some of my favorite recent pirate radio stations/broadcasts:


Radio Casablanca


Boards of Canada HF


Wolverine Radio


Hard Tack Radio


Radio Strange Outpost 7


Radio Ronin Shortwave

Where do pirates broadcast?

QSL247Though pirates can be located anywhere on the planet, and therefore can broadcast, hypothetically, anywhere on the radio dial, patterns are actually fairly predictable in order to draw a listening audience. Pirate stations want listeners to discover them, so they broadcast in various “watering holes.”

With that said (and for reasons I don’t fully understand) depending on where you live in the world, you will either find it very easy to locate pirates…or extremely difficult. If you live in North America–particularly on the east coast–or in Europe, you’re in luck: these are the hottest geographic locations for shortwave pirate radio activity. If you live in other parts of the world, pirate hunting can pose serious DX challenges.

Again, I turned to Andrew Yoder for insight about pirate radio activity in the rest of the world; his reply:

“I’m always amazed at how few areas in the world have pirates that are connected to any scene. Back when KIWI was on the air regularly in the ’90s, I assumed that pirate radio would explode in Oceania and Asia. Not just Aussie and NZ pirates, but stations in places like The Phillipines…maybe Japan, South Korea, or Thailand. Nothing. Radio G’Day came on from Australia occasionally, but no one else. And when KIWI went silent, that was it. South America was strong for a while in the ’90s, but that has also fallen silent. I know that lots of pirates operate there, mostly on AM and FM, but no one is on SW…and if they are, they aren’t sending QSLs, [or] operating in places where radio hobbyists would hear them…”

Yoder actually addresses this apparent restriction, to some degree, in the 2013 Pirate Radio Annual, which has only just been released.

Hunting equipment

Before we talk about where to hunt pirates, however, we need to talk about the necessary equipment–i.e., your radio and antenna.

Unlike trying to locate China Radio International, Radio Australia, or the BBC World Service, hunting pirates requires a decent-quality radio and antenna.  Keep in mind that pirates are relatively low-power broadcasters. While the magic of shortwave radio can transport a small signal vast distances, to hear pirates regularly and clearly, some precision is required.

Listening to Channel Z in a parking lot.

Listening to Channel Z in a parking lot.

If you live in a geographic hotbed of pirate activity (again, eastern/central North America and Europe) you might find a portable radio ample for hearing a number of pirates. Indeed, this past November, I listened to the pirate Channel Z while sitting in my truck; I was only using a Tecsun PL-660 with the antenna extended out of my opened driver’s-side window.

Though Channel Z was broadcasting in AM, as many do, it’s best to hunt pirates with an SSB-capable portable. Why? Unlike major broadcasters, many pirates don’t stick to AM as a preferred mode. Indeed, since pirates are operating at lower power, they get much more bang-for-the-watt out of SSB. To track pirates, you’ll need a radio with both AM and SSB modes.  It will also help to have some sort of adjustable bandwidth filter (wide/narrow). I’ve hunted pirates with a range of such radios, among them the Sony ICF-SW7600GR, the Grundig G3, the Grundig G5, the Tecsun PL-600 and PL-660, and even the new Tecsun PL-880.

It’s much better, of course, if you have a table-top receiver, software-defined radio, or ham radio transceiver with a general coverage receiver hooked up to a resonant outdoor antenna–especially if you live outside Europe and North America. I’ve had great results in the past with an old Icom IC-735 and a 40-meter dipole antenna. The important thing here is that you invest in a receiver with a respectable degree of sensitivity and selectivity. You might need that sensitivity and an outdoor antenna to pull these relatively low-powered signals from the ether.

RadioCasablancaQSL

How to hunt pirates

Back in the 1980s, before the Internet and its online bulletin boards, I thought finding pirates was truly a hunt–random and altogether unpredictable.  Now I know that finding pirates is reasonably achievable; at least, it is possible to know roughly where, and generally when, to find them. Fortunately for the beginning pirate-hunter, there are now online message boards, free radio logs, and even publications (like Yoder’s excellent treatise on the subject) to help guide your tuning (see resource links below).

JFK Shortwave QSL-Pirate radio operators usually have day jobs–like most of us–thus only transmit while home from work.  While you can hear some on weekdays, your best bet is Friday, Saturday and Sunday nights, local time. So, for example, if you’re listening for North American pirates from Europe, you’ll need to plan accordingly. Pirates are always active during holidays, too,  most especially on Halloween (31st of October), which seems to be pirates’ favorite holiday.

I’ve noticed increased pirate radio activity during the winter months, as well. This is likely due to the early sunsets and cold winter nights of the northern hemisphere that tend to keep people indoors, which in turn encourages pirates to hit the air.  Moreover, summer conditions in the North American “43 meter” band  are often much noisier, thus pirates know they’ll be fighting static crashes to be heard during the summer months. In the quieter winter months, stations seem to pop out of the ether.

North American Pirates

The bulk of the pirate radio broadcasters I log transmit just below the 40-meter amateur radio band: anywhere from 6,850 kHz to 6,970 kHz and typically on a frequency spaced at 5 kHz. The most popular frequency is arguably 6,925 kHz, but I often log pirates on 6,935 and 6,950 kHz.

Radio_Borderhunter_qsl_thomas_witherspoon-X

Borderhunter Radio is one of the strongest Euro Pirates I’ve ever heard. (Click to enlarge)

Euro pirates typically broadcast in the 48 meter band (6,200 – 6,450 kHz), but the HF Underground notes that you will also hear Euro pirates on the 75 meter band between 3,900-4,000 kHz, on the 19 meter band (15,000-15,100 kHz and 15,700-15,900 kHz), and even on the 13 meter band (21,000-25,000 kHz).  My most recent logging of a Euro pirate from North America was Radio Borderhunter on 15,500 kHz; his signal was quite amazing.

Outside of the pirate world? Fear not

If you live outside of North America and Europe, that doesn’t mean there aren’t pirate radio stations to be found. Ask your local radio club or search the Internet for local/regional pirate stations. Additionally, you can always tune a remote receiver, via the Internet on the Global Tuners website, or via the University of Twente’s SDR in the Netherlands.

We’ve now covered the who, what, where, when, and how of pirate hunting–but what about why?

Why chase pirates?

Whether you’re a QSL collector, a “content” DXer, or the casual SWLer, I find there’s something in pirate radio listening for everyone. Speaking for myself, I’m passionate about pirate radio listening because it combines my listening/technical skills, my appetite for highly unique content, and for building a collection of quirky QSL cards. Compared to big-gun broadcasters, pirates are much more elusive game as very few announce their broadcasts in advance, and there’s no telling where a pirate’s transmitter is located: it could be in their home, on a boat, or a portable one dropped in a remote location and later retrieved.

I decoded this Wolverine Radio SSTV QSL on the SSTV iOS App

I decoded this Wolverine Radio SSTV QSL on the SSTV iOS App

Chasing pirates has also increased my technical know-how. For example, though I’m a ham radio operator, I had never even attempted to decode the SSTV (slow-scan TV) mode until prompted to do so by Wolverine Radio: at the end (and sometimes in the middle) of their broadcasts, Wolverine is known to send electronic QSL cards via SSTV.

I’ve also been encouraged by pirates to hone my weak-signal DXing using exalted carrier reception (ECR)–zero-beating an AM signal in SSB–in an attempt to hear weak AM pirate stations. It’s a simple technique, and although it takes some practice, will work on most any radio with a stable BFO (beat frequency oscillator).

And did I mention the cool QSL cards?  Pirate cards are among the most unusual of QSL cards, that often incorporate obscure or vintage imagery–humor, horror, or other graphic oddity–or cast the pirate in a unique character representation.  They can be highly entertaining or thought-provoking, and thus are, themselves, a unique art form.

Don’t believe me?  Do a little pirate radio hunting yourself.  Like me, you might just get hooked!

My favorite pirate radio resources:

The Pirate Radio Annual:

This little book by Andrew Yoder is the equivalent of the WRTH (World Radio TV Handbook) of the pirate radio world. I keep a copy handy as it helps me identify stations and better understand their format. Additionally, you’ll find contact information for QSL requests and mail-drop addresses as well.  Each issue also contains a CD of sound clips from various pirates, several articles about the state of pirate radio, and other relevant info.

The HF Underground: http://www.hfunderground.com

An excellent and active pirate radio forum hosted by Chris Smolinski. Loggings are in real time and there are very few–if any–off-topic posts.

Pirates Week: http://shortwavepirate.info

Ragnar Daneskjold hosts an occasional podcast serving the shortwave pirate community; it includes pirate radio news, off-air recordings, and more.

Hobby Broadcasting Blog: http://hobbybroadcasting.blogspot.com/

Pirate radio guru Andrew Yoder started his own pirate blog last year, and has already began populating it with regular updates, QSLs, and recordings.

Free Radio Weekly:

The FRW is an email-only newsletter devoted to the hobby of pirate radio listening, and is distributed free to those who contribute. You can sign up for the newsletter by emailing any of their edittors: John Brewer ([email protected]), Ragnar Danskjold ([email protected]), Harold Frodge ([email protected]), Dave Turnick ([email protected]) or Larry Will ([email protected])

The SWLing Post

OK, I suppose I must also mention my own humble blog, where I continue to amass numerous pirate radio loggings and off-air recordings.  Just browse the pirate radio category: https://swling.com/blog/category/pirate-radio/

Note: Even though it is illegal to broadcast on the shortwave bands without a license, and those who do so are subject to hefty fines, it is not illegal to listen or to send and receive QSL cards from such operators.

The Professor reviews the Tecsun ICR-110 AM/FM radio recorder

Photo: BigBargainsOnline from eBay

The Professor, over at The Radio Kitchen, has just published an excellent review of the new Tecsun ICR-110: an AM/FM radio with built-in MP3 recorder and player. While the ICR-110 is a little quirky, those of you looking for an affordable AM/FM recorder may find the ICR-110 a cost-effective tool. The price on eBay is $46 US shipped from Hong Kong.

While The Professor is kindly sharing his full review below, I would strongly encourage you to hop over to The Radio Kitchen to read this review, then browse his extensive collection of archived articles. I’m especially fond of his AM radio articles, bandscan recordings and the lost/found sounds he features on The Audio Kitchen. Thanks, Prof!


A Review of the Tecsun ICR-110 Radio Recorder

In a number of ways, the Tecsun ICR-110 is unlike any radio I’ve experienced. The operation is almost too simple. It’s idiot-proof in a way that will please some and frustrate others. At the same time it’s an innovative multifunctional device that works very well. For less than fifty bucks (including shipping from China) you get a sensitive AM/FM radio, an MP3 player and recorder, an amplified hi-fi speaker for your phone or laptop and an external sound card for your computer. The_110Not bad, right?

It’s cool. But hardly perfect. The built-in MP3 player/recorder interface is as primitive as anything I’ve seen. But it does make nice radio recordings. People who gather podcasts online or archive radio shows on their own could find the ICR-110 quite useful. For me it was an affordable impulse buy, but others may find this shiny box practical for any number of reasons. One thought I had: the 110 could easily upgrade or replace someone’s aging AM/FM cassette recorder.

It looks just a bit like the new Tecsun PL-880, but it’s not in the same league. And it’s lighter. Less oblong. While the more advanced electronics in the 880 add heft, both radios beat with the heart of a high-performance DSP radio chip. Don’t expect any of the bells and whistles of the 880 on this one, yet the raw medium wave reception is almost comparable. And they both have a surprisingly warm and rich sound. When you play music at room volume on the ICR-110 the sound is impressive in your hands. It’s more hollow than the 880 and you can really feel it throb with signal.

After playing with this radio for over a week, I like it. I’d even say it’s kinda cute. The display says “HI” when you turn it on, and it comes in three colors. I opted for red. Despite the lack of English on the radio or in the manual, after a little trial and error I felt like I had mastered most of the functionality. And the more familiar I get with the ICR-110, the more I’m starting to think we may eventually see more radios with a similar feature set. And that might not be such a bad thing.

New Toys from the Far East

Through my adventures in translating Chinese web sites, I’ve concluded that the ICR-110 is just one example of a new generation of radios and media players they’re building over there. Most aren’t packaged or marketed for the rest of the world (at least not yet) and Tecsun is only one of many brands in the game. The Tecsun PL-880 seemed to kind of come out of nowhere for many of us in North America, but after taking a look at all of these brightly colored radios and media players being sold overseas it puts some of the wonders of the PL-880 in context.

The 880 quickly earned street cred in the greater SWL community for good reason. It’s a nice machine. Specifically built as the flagship radio of the Tecsun line, the PL-880 is like a greatest hits package of features that have impressed many of us who have handled Tecsun winners like the PL-660 or any of their DSP family of ultralights. With the addition of some contemporary technological frosting, Tecsun has come up with a reasonably priced super radio of sorts for shortwave listeners all over the world. Like anything these days, opinions will vary, but considering the current price tag of just over a hundred and fifty dollars, I challenge anyone to come up with a new shortwave radio in that price range that’s a better deal than the PL-880, or more fun to use.

880-110This creative streak in Chinese electronics is the result of a rash of consumer devices being created to take advantage of the “radio on an IC chip” technology pioneered by Silicon Labs here in the U.S. The development of these DSP processors has made it possible to include excellent radio reception on all sizes and shapes of radios and media players at a low cost.

As the price of flash memory continues to drop, it’s a nice bonus that so many of these new Chinese devices also play MP3 files from storage you slide into an SD card slot. And having the ability to play high fidelity music is greatly enhanced by the trend to integrate an innovative audio chamber into many of these things. Looking through the little holes in the speaker plate, you might notice Mylar diaphragm with a front vent mounted alongside the speaker. First seen on these shores on the Meloson M7, this setup provides a fuller bass and treble response in a small package, with audio that’s less mid-rangy than most portables.

While the PL-880 display is a little brighter and more yellow than the black on orange display we’ve seen on recent Tecsun radios, most of the new ones reverse that color scheme. The ICR-110 and other new Tecsun products sport dark black displays, with all the reception information provided in bright orange text and symbols. Perhaps you heard that Eton here in America is giving their line of shortwave portables a makeover of sorts. Part of their new look will include changing over to this same orange on black display. And no surprise, those radios will be coming from China.

Most radios from that part of the world seem to come with a USB port lately. And although there are more interesting options these ports could provide, so far most are rigged as simple power inputs for charging batteries inside the radio (using either your computer’s USB port or an external AC charger). Instead of using traditional AA cells, a lot of this new gadgetry is powered by Li-Ion batteries, either flat cellphone batteries or those beefy 18650 cells. Many laptops are powered by a few of these, but the ICR-110 and the PL-880 just need one. (Inside the battery pack for the Tesla Model S you’ll find seven-thousand of those things packed together!) Many believe the 18650 will become the standard for the next generation of electronic products. But they’re not your mama’s D cells. If you’re not familiar with these batteries, it’s good to learn their quirks and to know how to avoid having bad things happen. And don’t buy the really cheap ones on eBay.

Good Radio, Weird Tuner

When it comes to purchasing an ICR-110 you don’t have a lot of options. Unless you live in China. At the time of this writing, there’s only one overseas eBay dealer offering it for sale. It wasn’t a vendor I’ve used before, and while the radio did arrive here safe and sound, a few of the pitfalls of buying from China were part of the deal. The English in the emails was a bit mangled. The online tracking was dysfunctional. And it took almost a month to get here.

For a while now, I’ve gotten great service and fast shipping from Anon-Co in Hong Kong. Over the years, I’ve had problem-free transactions with any number of Asian eBay dealers as well, but it’s always smart to do some research and check ratings and feedback before you buy goods on eBay. It seems that most vendors avoid selling Chinese-text radios internationally. But a representative at Anon-Co told me you can inquire via email (at this address) if you’d like to order an ICR-110 directly from them. And they say they’re working on an English language manual for the 110 as well.

110FACEOn the eBay page where I found the ICR-110, the description combined real specs with a sloppy copy-and-paste job from the description of another radio. Despite what I read there, there is no “power/volume knob” on the 110. More significantly, it doesn’t have a “tuning wheel” either. (Come to think of it, you don’t see those power/volume knobs much these days.) The 110 has a power switch on the right side. And all volume adjustments happen via two buttons on the lower right corner on the face of the radio. But oddly there are no tuning controls – only scanning buttons. And a keypad.

It’s not all Chinese on the radio case. The switch marked “AM/FM” is easy enough to figure out. But if you press and hold that button for a second or so, Tecsun’s ATS (auto tuning storage) will kick in and the 110 will scan the band for signals and store them as presets. It works well, most of the time. Using it at night on the AM band, I was impressed by how many REW-FFfringe stations it found. But it often misses one or two. Once ol’ ATS skipped over the monstrous fifty-thousand watts of Radio Disney, which pollutes a swath of the AM band from just a few miles away. Maybe the radio includes some artificial intelligence chip as well.

Under the display, there are five round buttons which primarily control the MP3 player/recorder. However, the rewind and fast-forward buttons also serve as scanning controls. A simple push will nudge the tuner over to the next (or the previous) frequency caught by the last ATS grab (labeling them as CH:01, CH:02…). And if you only punch in one or two digits, the radio will automatically take you to that “channel” in the ATS database. Holding either button down a little longer the radio will scan anew for the next signal strong enough to trigger it to stop searching. But that’s all it will do. Unlike other scanning functions I’ve used, this one has a mind of its own. It may not stop at your favorite weak station it passes along the way. If you are determined to tune to a particular frequency, the keypad will always get you there. Just type in the numbers and you’re listening to it instantly.  Nonetheless, taking away the art of tuning will probably turn off many in the DX crowd, despite the fact that it pulls in a lot of signal.

MODESWITCHESThere are a couple of settings you can actually change. A pair of buttons with Chinese text above the AM/FM button adjust each band for international use . Press the left button while in radio mode and it will toggle to expand the FM band down to 64 MHz (for Russia and Japan) or back to the standard FM band for the rest of the world (starting at 87 MHz). The button on the right changes the MW scanning step. When I got the radio the first ATS scan barely found any stations. Then I realized it was because the step was set at 9 kHz. After an extended session of button pushing I finally figured out how to change the step to 10 kHz, the North American standard. Despite the Chinese characters everywhere, this was probably the only thing about the ICR-110 that wasn’t immediately easy.

A Bare Bones MP3 Recorder and Player

Since the golden age of the radio/cassette boombox, I’ve always been attracted to radios that let you keep what you hear. And there are plenty of digital recorders with built-in FM radios to choose from nowadays. But AM? Not so much. In close quarters, digital audio circuitry tends to broadcast a little noise on medium wave. So in order for the old and new technologies to get along, you need some shielding, or something. For the most part, Tecsun seems to have gotten this right. I’ve gotten nice, clear, AM radio recordings from the ICR-110’s tuner– I’d prefer to be able to set recording levels, but the ALC seems to work well.

After extensive experimenting, I did hear a bit of noise introduced into the ICR-110 while recording weak AM signals. Like a bad spot on a vinyl record, I heard a brief “phhhht” sound come around about every twelve seconds. I’m guessing it might be the sound of data packets being arranged on the memory card. In retrospect, this might have been related to having a low battery. I’ve only heard it happen a couple of times.

While there don’t seem to be any settings for the recording feature, I was really happy to see that it creates MP3 files at a reasonable bitrate (for radio recordings), and not those horrible low-sample rate .wav files or in some annoying and proprietary nonstandard format. (Oh, it’s not an Apple product so we don’t have to worry about that..) It fills the micro SD card with 128kbps stereo MP3 files (which I think are actually dual mono files). Considering that this radio doesn’t seem to tune in stereo, it’s a shame that the recording isn’t mono by default. It encodes using a non-standard sampling rate of 32kHz (instead of 44.1kHz), but that’s not something you’ll notice on a radio recording. Another funny thing, since there’s no way to set the date or time on the ICR-110, you’ll notice when you pull the flash card up on your computer that the MP3 files you’ve recorded have no date stamp. So, if you need to recall when you were making a particular recording you might wanna write yourself a note.

M8In some ways, the ICR-110 is like a slightly larger version of the Meloson M7 or M8, except it also records. Like the Meloson, it gives you a lot of boom in a small box. But it’s a measure bigger so it sounds even better. And like the Meloson, the MP3 playback display is super primitive. All you see is the assigned sequential number for the track playing. But what makes the Meloson a formidable little music player (especially for travel) is that you can fill a flash card up with a few hundred or a few thousand songs and shuffle the whole lot of them for many hours of random fun. As far as I can tell, the 110 will ONLY play the files in order, period. For that reason I think it’s more practical for playback of podcasts or radio shows, unless you have some songs you want to listen to in alphabetical order for some reason.

When you’re listening to an MP3 file and then switch to the radio or shut the thing off, and then resume MP3 playback at a later time, it will start playing the file where you left off. This is a nice feature if you’re in the middle of an hours-long MP3 file (and holding down that fast forward or rewind button to find your place will take forever).

There are other quirks as well. When you’re recording from the radio you can change stations, but only by clicking through the ATS presents. While recording you cannot scan the band up to the next station by holding down the button. And you can’t change bands either. Of course, if you’re recording through the line input you can do whatever you want. And when you stop the recording it immediately starts playing it back to you. And the recording is noticeably louder than when you heard it the first time. It’s almost jarring. When you hit stop, playback ceases and it resumes playing the radio (or the line source audio) at the previous volume.

The ICR-110 treats the files you import onto the flash card differently than the ones you record. When you turn it on or switch to MP3 mode it automatically starts playing the last imported file played. Unless I’ve missed some setting, it appears that no matter what folder structure you’ve established on the card the 110 will simply play through each file on the card in alphanumeric order by path and name. But the recordings made with the radio are stored in a system folder the radio creates named “RECORD0″ (at least that what it’s called on my card). The pair of Chinese text buttons that change the parameters of AM and FM will also switch the MP3 player’s focus from the folders you’ve made on the SD card to the system RECORD0 folder, and back again. When in either mode you can move through the files in those folders by pressing the rewind and fast forward button once. However, when holding those buttons down the player will actually rewind or fast forward (silently) through the file at hand.

I also own another AM/FM radio recorder, the CC Witness. And while they do some of the same things, they’re very different gadgets. The CC Witness is a much smaller and more complex thing. And you’ll pay a lot more for that. You can program it to record up to 20 different radio programs on AM or FM throughout the week, and encode them at bitrates you choose. But the line recording input doesn’t have ALC like the Tecsun. When recording via the line input with the CC Witness, I’ve found it’s better to dampen the felix-bose-110incoming audio with a headphone volume control adapter to avoid distorted recordings. Of course the CC Witness is nice, but everything about it feels very 2003. Not that I mind that at all, but the CC Witness is overdue for an update. My biggest complaint about the CC Witness has been the tuner. They could start there.

The CC Witness came into being when C. Crane smartly transformed a language learning tool called the TalkMaster Slim in Asia into an AM/FM VCR-like tool for all of us. And after spending some time with the ICR-110 I think this radio might have been engineered for a similar purpose.

Apparently in Japan (and probably other countries) language lessons are commonly broadcast on medium wave. A digital AM radio recorder would make a lot of sense for somebody learning a language that way, but if you shop around you’ll discover that there are very few digital devices that include an AM radio, let alone offer you the ability to record AM radio programs. So it’s not surprising that the few gadgets that offer this option might cater to language students. Like the CC Witness, the ICR-110 also has a looping feature.  While playing an MP3 file, you can press the button at the bottom left corner of the keyboard to select the beginning and ending of a chunk of audio and the radio will play it back ad infinitum, for pronunciation practice or mind control. Whatever works. But it’s not like the voices in your head. When you press the stop button, the repetition ends. Once I discovered this feature, it made me think that the odd instant feature (when you stop an ongoing recording) is probably related to language acquisition as well.

A Radio, A Sound Box

And lastly, the ICR-110 is a fine speaker for your phone or your laptop, or anything really. It’s certainly portable and has a warm, full sound. All it takes is a 3.5mm patch cord inserted into the outlet above the headphone jack. The display will read “LINE’ and the speaker will emit any audio coming through that cable. However, like some of the other new Tecsun radios, the ICR-110 is different than radios we’ve seen before. When you connect the radio with the 110manualgrab02USB port on your computer it does more than just charge the battery. You’ve also probably just added an external sound card to your computer. When this is occurring you’ll see “PC” on the display.

I didn’t have much trouble navigating this, but depending on how your computer is set up (and your understanding of how it is set up), suddenly having another sound card may be problematic. I’ve used any number of external sound cards with computers over the years and when you attach and detach those things you may temporarily lose sound or change some settings. But if you were to use the ICR-110 as your primary computer speaker this could be an ideal scenario once you get it set up, with just one cable between the radio and the computer providing both the sound and power to the speaker.

I must say, other than that I haven’t really figured out what real advantages there might be to having the ICR-110 become a separate USB audio device when you plug it in. One thing I did notice: when connected to the computer USB, I hit record on the radio, and much to my surprise it recorded me. I don’t know where the microphone is hidden on this thing, but it’s there somewhere. Again, this feature may be related to using the 110 as a learning tool.

Perhaps there are more hidden settings on this thing, like all the easter eggs found on PL-880. But I kind of doubt it. I’ve tried holding down numbers of the keyboard and such, but nothing special seems to happen. 110manualgrab01And I wouldn’t be surprised to see the MP3 playback and recording features of the ICR-110 added to a future version of the PL-880.

As I mentioned, the ICR-110 is just one example from a new wave of Tecsun radios and media players. You can find this radio’s FM-only little brother, the ICR-100, on eBay, but you can take a look at the family of new Tecsuns here and here. And if twenty years of Tecsun radios has shown one consistent trend, I think it’s safe to say that you’ll see some of their new line of gadgets re-branded (and perhaps transformed a bit) for international distribution, and ultimately bearing logos like Eton, Kaito, C. Crane or Roberts. Or maybe some Radio Shack nameplate.

Bottom line, many of these new Chinese gadgets offer great sound and decent radio reception at a good price. They’re fun to carry around and I don’t remember portables ever sounding this good. The ubiquitous flash card slot and MP3 playback seems like something that’s been a long time coming. As flash memory gets cheaper every day, one of these players and a packed memory card offers a world of high-fidelity music that fits easily in a knapsack, or even a pocket, at a price a pauper might afford. But the MP3 interface has got to get better. RockBoxThe displayed information and the choice of settings for these MP3 players (and recorders) on these devices is a far cry from all the playback options and ID3 tag information you see on devices from Apple or SanDisk, or with almost any contemporary digital audio player.

I’m a big fan of Rockbox, the open source alternative firmware for digital audio players. Over the years I’ve installed it on dozens of MP3 players, making them more versatile and more fun to use. And if the idea of being able to tweak and perfect your player beyond the stock settings sounds appealing, you might wanna check out their site and see if they’ve adapted Rockbox for your device. A few years ago SanDisk famously sent some Rockbox developers one of their new players at the time to help them reverse engineer their hardware. I wish Tecsun would do the same thing. A marriage of the Rockbox firmware, with over a decade of creating a highly stable and adaptable audio playback firmware, together with these handsome and innovative radios, would be a real technological game changer. And who knows? Maybe some of those old and tired electronics titans like Sony or Panasonic might actually wake up and start making innovative radios for this century for a change.

card110The predictions of the demise of over-the-air broadcast radio have always seemed a bit overblown to me. Maybe once they give every paper clip and bone in your body a URL, we can just surrender to that surging internet everywhere spirit and do everything online. Until then, the old AM/FM technology works fine (and it’s nice to consume media without logging in). This DSP technology paves the way to keep terrestrial radio around as one choice of many in our media landscape for a while. Sure, there are good arguments to be made that the programming on AM and FM is overdue for new thinking, but there’s plenty of dreck streaming on the web as well.

The truth remains– the old technology is stable, practical and proven. Why not improve it and make it more available, instead of trashing it? And why not include SD card slots on every kind of media player out there? Years ago when technology was in flux, we bought converters to dock to our radios and televisions so we could receive FM in our cars and UHF stations in our homes. But soon all those tuning options were built in. So after over a dozen years of fastening iPods and smart phones to the stereo, isn’t it time that our listening experiences have to include docking little gadgets to bigger ones?

And perhaps, in between listening to their favorite songs and podcasts, people might turn the radio back on every once in a while. Just for fun.

(This review originally appeared at the Radio Kitchen)