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Overall, I continue to be quite happy with this receiver, however, I think the loss of memories and time when replacing batteries is annoying.
So, I did a simple mod to the radio to help prevent having to re-program everything after installing new batteries.
I found that there was enough space within the case to tack a 220 µF 6.3 V electrolytic capacitor across the pads on the PC board where the battery leads are attached [see the photo below]. Adding a series resistor to limit current flow might be better, but this simple change seems to be OK.
Click to enlarge
The mod won’t prevent long-term memory loss, but it will keep enough voltage on the circuit for a quick battery change (especially if you change one battery at a time). The radio is not actually altered, and the mod can be easily removed if desired.
Close-up of added capacitor.
Many thanks for creating and documenting this simple mod, Mike!
On a side note, I remember when RadioShack used to pride themselves on having a full line of products that could maintain memory if batteries were removed or in case of power outage. RadioShack badged VCRs, receivers, radios and clocks all had this feature in the 1990s, at least.
On a side note, I suppose I should mention that I was pretty disappointed with the DE1129 because I had hopes it would make for a great all-in-one portable radio recorder for ETOW. While the DE1129 could record FM/AM and SW radio directly, it had serious problems: it auto-adjusted the volume level during recording (one could not turn off the internal speaker), it degraded audio quality in recording, and medium wave was plagued with a “ticking” sound every 10 seconds. It produced digital hash on various meter bands. My summary of the DE1129: fine concept, poor engineering. Read my full review of the first version of the DE1129 here.
The Kaito KA29: First impressions
The Kaito KA29 is a cute little portable. Mine has a black body with orange band encircling the diameter. That orange band is actually a nice addition–it helps the radio show up a bit better and makes the ports a little easier to see when lighting is low.
The overall quality of the radio feels fine: the hard plastic body has a smooth matte quality and the buttons have a very tactile response. The telescopic whip antenna is long for the overall radio size, but is still a little on the short side for good HF gain. Oddly, unlike most radios, the antenna cannot swivel at its point of attachment to the chassis; it can only be extended and tipped side-to-side–but not front to back, or back to front. Like the DE1129, the KA29 lacks a back stand–a big negative in my book–but admittedly a back stand would be of little use while SWLing with this rig because the antenna can’t be swiveled or tipped into a useful vertical position. Hm. Also like the DE1129, the KA29 uses a slim rechargeable battery pack.
When I first turned on the KA29, I thought I had received a faulty unit: I pressed and held the power button for a second, the display lit up a bright green, I released the power button…and the unit turned off. After a little trouble-shooting, I realized that the KA29 requires holding the power button a full two seconds, until the “Kaito” brand name appears on the display.
Unfortunately, the KA29 antenna does not swivel.
This sluggish power-up response is truly an indicator of most functions on the KA29. It’s as if every function is controlled by a slow processor–which I’ve no doubt is the case.
As far as I can tell, all the menu functions are the same on the Degen DE1129; obviously, they’re built on the same firmware. Indeed, Kaito is the North American brand for the Chinese manufacturer, Degen; the Degen model number for this radio is DE29. In this sense, most functions are familiar to me.
Tuning
The one added feature of the KA29 that my version of the DE1129 didn’t have is a number pad, useful for direct entry of radio frequencies. I should note here that I (typically) toss the owner’s manual aside when I first get a radio, in order to test how intuitive its functions are. I spent quality time with the KA29 while traveling a few weeks ago, and as I didn’t bring the manual, I had to learn its functions via trial and error. It wasn’t until I returned that I learned how to use direct frequency entry; the is answer clearly stated in the manual: just key in the frequency, then press the appropriate band (AM/FM/SW) to go to that frequency. Pretty simple, actually. The response time for the radio to start playing the frequency you enter is only about one second.
Use of the tuning knob (located on the right side of the radio) is easy and straightforward–tuning up and down will move the needle 5 kHz steps between frequencies. Unfortunately, as on the DE1129, 5 kHz is the smallest tuning step available. The KA29 briefly mutes between frequency changes, so when tuning slowly it’s very noticeable. If you tune quickly, the KA29 will produce snippets of audio as you pass signals, but I find it often skips over even very strong signals. In short? Though I suppose it could be worse, I do not like tuning the KA29.
I should also mention that the KA29 has no adjustable bandwidth; I’m guessing the AM bandwidth is stuck at around 6 or 7 kHz.
Performance
While I no longer have the DE1129 in hand for side-by-side comparison, my impression is that performance between the two radios is very similar.
Audio fidelity
Herein lies the strength of the KA29. It obviously uses the same speaker technology (with an acoustic chamber) that the DE1129 uses. You will be favorably impressed with the audio from this wee radio–it is quite robust for a pocket radio of this size, and in a small room, almost room-filling. It sounds fantastic on FM and AM alike–you can even hear a hint of bass. One day, I tuned the KA29 to a local AM station and listened quite comfortably in another room. Impressive.
But what about receiver performance?
FM
FM performance is quite good. I’ve used the KA29 in two different cities, and found that it could detect most of the same FM stations my other portables picked up.
AM/Medium Wave
I was pleasantly surprised to note the absence of the annoying ticking sound I heard in the DE1129; it appears Degen engineers have succeeded in eliminating this distraction. In general, I believe the KA29 performs acceptably on medium wave for basic local and nighttime clear channel broadcast listening. The AGC circuit is not ideal, though, for any sort of medium wave DXing; don’t consider the KA29 for MW DX.
Shortwave
If the KA29 is better than the DE1129 on the shortwave bands, the improvement is negligible. You’ll be fairly happy with the KA29 while listening to strong shortwave broadcasts. During my review, I listened to the new Global 24 a few hours on 9,395 kHz–an easy catch on the east coast of North America–and the KA29 was fairly stable, producing rich audio.
Here are the cons on shortwave:
Automatic Gain Control
While listening to weak stations, you’ll discover the KA29 to be somewhat sensitive, but again, the AGC circuit is just too active to listen comfortably for very long.
Noise floor
The noise floor is more obvious while listening to weak signals: I believe much of the noise is coming from the internal electronics of the KA29. It produces an audible digital hash sound that makes weak-signal listening a bit of a chore.
Images
Quite often as I tuned around the shortwave bands, I noticed that FM stations bleed through the audio. Check out this audio sample as I attempted to listen to Radio Ryhad:
Indeed, even if the shortwave station has a relatively strong signal (like this recording of Global 24) you can often hear noise:
Fortunately, several of the recording problems I noted with the DE1129 are no longer an issue with the KA29.
Fixed volume
The DE1129, when recording radio, had the exceedingly annoying habit of automatically setting the internal speaker’s volume to a high level. While recording, this could not be changed.
Fortunately, this problem has mostly been addressed in the KA29, which does not increase the volume while making a recording, but still fixes the volume at the level set at the recording’s start. I didn’t find this to be much of a problem.
Audio quality
The recording performance is better than that of the DE1129, which produced noisy, muffled recordings. The KA29 will produce fair audio recordings on AM, on FM, and on shortwave. One drawback: you will note a low-volume, high-pitched static noise–a hiss, to be specific–inherent in every radio recording, regardless of band. While it’s not too offensive, nor enough to deter me from making direct radio recordings (at least of strong stations), there is still much room for improvement. Obviously, I can use the headphone jack and an external digital recorder to make better radio recordings. But the convenience of an all-in-one recording device plus radio outweighs the slight hiss in the internal recordings it produces.
All in all? I’m reasonably pleased with the radio recording capabilities of the KA29, and the improvements it’s made over its predecessor. If the Degen engineers could lower the KA29’s noise floor and fix the imaging problems, and add 1 kHz tuning increments, this could be a good value all-in-one radio, a real contender.
Summary
Ever radio has its pros and cons. The following is a list I made while reviewing the KA29:
Pros:
Keypad entry
Great audio for a tiny radio
FM reception quite good
MP3 playback audio is good
Onboard radio recording acceptable (see con)
9/10 kHz select-able medium wave steps
Cons:
Sluggish response to most actions; if (for example) volume control has been used, you must wait nearly 4 seconds before using another function
Awkward menu to navigate
No bandwidth selections
Imaging on SW bands
Fixed 5 kHz steps on shortwave
No adjustable bandwidth
Digital noise on portions of MW and SW bands
Low audio hiss present in all internal radio recordings (see pro)
No back stand
Antenna does not swivel 360 degrees for optimal placement
Conclusion?
If you’re looking for a pocket radio to make local radio recordings on-the-go, and the quality of your recordings is not a major concern, you might give the KA29 a try; chances are you’ll be fairly pleased with the affordable KA29.
If you’re a shortwave radio hobbyist or DXer of any stripe, however, don’t waste your time or money on the DE1129. Instead, pitch in $10 more and buy a Tecsun PL-310ET–it has no MP3 recording or playback, but it will receive circles around the KA29.
Many thanks to Keith Perron who shares PCJ’s new North American broadcast schedule via Global 24 on 9,395 kHz:
Program Schedule – North America
Saturday
0000UTC – Media Network Plus
0700UTC – Switzerland In Sound
0730UTC – Focus Asia Pacific
1030UTC – Switzerland In Sound
1300UTC – The Happy Station Show
1730UTC – Focus Asia Pacific
2200UTC – The Stuph File Program
2300UTC – Song of India
Sunday
1000UTC – Media Network Plus
1430UTC – Switzerland In Sound
2200UTC – The Kelly Alexander Show
2300UTC – The Happy Station Show
Monday
0400UTC – The Stuph File Program
0700UTC – Focus Asia Pacific
2100UTC – Focus Asia Pacific
2230UTC – Switzerland In Sound
Tuesday
0500UTC – Jazz For The Asking
0700UTC – Focus Asia Pacific
Wednesday
0030UTC – Switzerland In Sound
0700UTC – Focus Asia Pacific
1300UTC – Jazz For The Asking
2100UTC – The Stuph File Program
Thursday
0400UTC – The Kelly Alexander Show
1100UTC – The Happy Station Show
Friday
1100UTC – The Kelly Alexander Show
2100UTC – Jazz For The Asking
2200UTC – The Happy Station Show
(All times UTC)
Frequency: 9395khz
Reception reports and letters: [email protected]
Below is when 9395khz propagates best to each of the areas.
North America – 24 Hours a Day Europe
Europe – 1900UTC to 0800UTC
Middle East – 1800UTC to 0500UTC
South America – 2100UTC to 1000UTC
Africa – 2100UTC to 0500UTC
Pacific – 0700UTC to 1100UTC
East Asia – 2100UTC to 0200UTC
Southeast Asia – 1200UTC to 1600UTC
“Wilco’s Yankee Hotel Foxtrot is my favourite shortwave radio related album, I was a fan of the band anyway so when I read about the theme I was really looking forward to the album and was not disappointed.
Reprise rejected it for not being radio-friendly, somewhat ironic given the theme, after streaming it free they released it through Nonesuch to critical acclaim and is to date their best selling one.
“On YHF, Wilco use short-wave radio as a metaphor for communication in a relationship. Short-wave radio allows people to speak who are not in physical proximity, but there’s no guarantee that the coded messages will be received successfully, and atmospheric interference is a given. People involved in a relationship often find their communication imperfect and cryptic, not unlike the experience of those relying on radio. After all, language itself is inherently flawed, inaccurate, and misread—a code often misinterpreted; further complicating matters are external distortions and distractions—a metaphoric radio static. With all of this interference, can we ever succeed in communicating with someone else?”
My favourite track, Poor Places, includes the Irdial recording of the Yankee Hotel Foxtrot numbers stations fading in at the end on top of the music. They hadn’t sought permission to use this so Irdial sued them for copyright breach and won, think it was an out of court settlement. Halfway through the gig they started playing this number, I was waiting with great anticipation for the numbers station recording to fade in during the closing of the song, one I remembered hearing regularly on shortwave from back in the 60s, but was disappointed, just noise came up over the music. Guess the out of court settlement meant a ban on using it live.
Many thanks for sharing this, Mike! I like Wilco too, though haven’t seen them live yet–but I hold out hope as they have been known to venture into my part of the world.
Victor Goonetilleke has kindly shared a passage he recently posted to Facebook. Victor pretty much sums up why I still listen to the shortwaves:
“For almost four score and 5 I enjoyed shortwave radio. Yes I was a DXer, and a dedicated listener. The thousands of hours of broadcasts I listened from the BBC, VOA, RNW, DW, RFI, Swiss Radio, NHK and many more of the international broadcasters influenced me over the years. The knowledge I gathered was transferred to hundreds of homes as I taught my students in class rooms and as a lecturer too in higher Colleges, in many social gatherings, day to day conversations with important people and everyday folks, what I gathered from my radio made them realize that there was a story out there.
And as the years went by one by one those stations started to go away and I became more and more a DXer and finally I have only those signals to bring me joy.
Tonight would you blame me for being a DXer, abandoned by the international broadcasters, if I sit back and enjoy this music through the crackle of shortwave and happy that I have a radio which few seems to understand these days.”
Saturday morning, I drove to Waynesville, North Carolina, for the Western Carolina Amateur Radio Society‘s annual hamfest. I’d attended this small-town hamfest before; it has always been enjoyable, as I met friends and even found a few radio bargains.
The Zenith TransOceanic, above, attracted a lot of attention, including mine. But this year, I had more modest goals: $100 and a specific shopping list, which consisted mostly of components (adapters, connectors, jumpers) and a decent dual-band mobile antenna. I ended up spending $85, including $7 entry fee, and checked off literally everything on my list. Among my purchases were:
Dual band 5/8 whip antenna with large mag mount: $45
SMA to SO239 jumper: $5
PL259 to BNC adapter: $3
I also found a couple of extras, including this Realistic Tape Control Center (below) for $1. It will make an ideal speaker switch box for my boat anchors that currently share one quality audio transformer (600 to 8/4 ohms). I discovered that this box had been used by its previous owner for a similar purpose.
My best bargain at this hamfest, however, was this brand new ground buss system (below) for just $20!
The family who manufactures and sells these ground busses also sells antennas and a few other radio accessories. Unfortunately, they do not sell online (else you’d see a link here) only at local hamfests such as this one. The $20 price is an absolutely amazing one for this ground buss system. All one has to do is connect the braid to the ground terminal on each piece of radio equipment, and connect the ground wire to a ground rod. It’s packaged and ready to deploy–everything else is already assembled. Wow!
I viewed many other goodies at this hamfest that, alas, I had to pass on. Here are a few photos:
This restored wood-paneled tube radio (above) was very tempting, but in order to avoid making the purchase, I intentionally didn’t ask the price.
This Sky Buddy (above) really caught my attention, and if I had $250 extra, I would have purchased it. The Sky Buddy is not an extremely rare Hallicrafters, nor is it a particularly strong performer, but it is very rare to find one in such beautiful condition that’s not been modified or restored–a completely mint original.
Perhaps I’ll regret not making this purchase…sigh! I just hope it will find a good home.
I was also tempted to buy this Grundig Top Boy 500 (above), circa 1972. Twenty dollars was certainly a fair price, but the seller had bought it at an antique sale and had not yet tested it. Additionally, it had a German plug, and runs on 220 VAC or C cells. Upon handling the radio, I also found myself a little concerned by the fragility of its plastic body. The antenna design, however, is pure engineering genius: it’s recessed in the top of the radio’s handle.
This Drake PRN-1000 (above) was produced by Drake as a promotional item for the People’s Radio Network (more info). It’s the progenitor to the Drake SW1. The PRN 1000 is very basic; it has no memory functions, no SSB, and no synchronous detection. It’s a mediocre performer, frankly–not on par with other Drake offerings–but certainly an interesting piece of Drake history. I’ve seen PRN 100s for sale before. The $50 asking price from this seller was quite reasonable.
The “Frog 7” (above) is a classic shortwave receiver and has great audio if you use an external speaker. My good friend, Mike Hansgen (K8RAT), loves his recently acquired FRG-7 so much, he named it “Freda.” Mike snagged Freda for $125, by the way, a much better price than the $240 this seller wanted for his FRG-7.
Just out of curiosity, how many SWLing Post readers cut their teeth on the Yaesu FRG-7?
All in all, it was a great little hamfest (thanks, WCARS!) thoroughly enjoyable, and I look forward to making the pilgrimage to Waynesville again next year. See you there!
One of my favorite broadcasters, Radio Australia, is facing severe cuts as the Australian Broadcasting Corporation’s international broadcasting budget of $35 million is being cut in more than half.
Below, I’ve copied excerpts from two news sources with links.
THE ABC will confirm a wave of job cuts today, with Radio Australia’s services the first major victim.
A management proposal for a new “converged service” for its international broadcasting outlets will be outlined to staff today as the ABC rearranges its overseas obligations after the axing of the Australia Network television service.
It is a sad day for the mainstream radio industry in Australia on Monday, July 14, as Radio Australia anticipates major job cuts. However, this fact-of-life among employees of being axed during hard times could be an opportunity for broadcasters to try new platforms to continue with their careers.
The job cuts at Australia Network television service is part of its management’s proposal for a new converged services for the network’s international broadcasting outlets.
Speculations on the jobs to be shed has created fear among Radio Australia workers and Australia Network as the employees anticipate a number of its services within the region abandoned with the planned reduction of the public broadcaster’s $35 million yearly budget for international broadcasting to shrink to just $15 million.
To worsen matter for the affected radio staff, the job cuts would be on top of redundancies at Australia Network and shutter of the transmission in September after finishing only one year of its 10-year agreement with the Department of Foreign Affairs and Trade.
Also expected to get the axe are Radio Australia’s language service, while ABC News 24 will remain the foundation of the international service with some specialised news and current affairs content on the service.