Radio Waves: The Woodpecker, Gutter Antenna, Air Travel With Radios, and “A Spy in Every Embassy”

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura and Dan Robinson for the following tips:


The Russian Woodpecker: Official Bird Of The Cold War Nests In Giant Antenna (Hackaday)

On July 4th, 1976, as Americans celebrated the country’s bicentennial with beer and bottle rockets, a strong signal began disrupting shortwave, maritime, aeronautical, and telecommunications signals all over the world. The signal was a rapid 10 Hz tapping that sounded like a woodpecker or a helicopter thup-thupping on the roof. It had a wide bandwidth of 40 kHz and sometimes exceeded 10 MW.

This was during the Cold War, and plenty of people rushed to the conclusion that it was some sort of Soviet mind control scheme or weather control experiment. But amateur radio operators traced the mysterious signal to an over-the-horizon radar antenna near Chernobyl, Ukraine (then part of the USSR) and they named it the Russian Woodpecker. Here’s a clip of the sound.

The frequency-hopping Woodpecker signal was so strong that it made communication impossible on certain channels and could even be heard across telephone lines when conditions were right. Several countries filed official complaints with the USSR through the UN, but there was no stopping the Russian Woodpecker. Russia wouldn’t even own up to the signal’s existence, which has since been traced to an immense antenna structure that is nearly half a mile long and at 490 feet, stands slightly taller than the Great Pyramid at Giza.[]

Gutter Antenna, Ultimate Stealth Antenna? (Broken Signal)

Air Travel With Amateur Ham Radio Q&A (Ham Radio Crash Course)

A Spy in Every Embassy (Southgate ARC)

‘The intelligence coup of the century’. The extraordinary story of the longest running and most successful secret intelligence operation of the 20th Century.

For more than half a century, governments all over the world trusted a single company, Swiss-based Crypto AG, to keep the communications of their spies, soldiers and diplomats secret. But what none of its customers ever knew was that Crypto AG was owned for over 20 Cold War years by the CIA in partnership with the BND, the German Intelligence Service. The machines that many customers bought had deliberately weakened security – a window through which the CIA and BND could read the diplomatic traffic between their embassies, their trade negotiators and their own spies.

The BND sold out its share in 1993 for a tidy profit while the CIA continued until the company was broken up in 2018.

Crypto AG’s own secret was only cracked last year in a combined investigation by German ZDF television, Swiss SRF and the Washington Post following the discovery of a secret history, Operation Rubicon, that had been assembled by some of the operatives who had been involved in the deception.

A Spy in Every Embassy is the story of the story, presented by German intelligence journalist Peter F Muller, who produced last year’s television programme for ZDF, and British journalist David Ridd.

It gives the chronology of the manoeuvrings, arguments, successes and deceptions of the partnership that remained secret for a quarter of a century. Its revelations offer a new perspective on some of the landmark events of those decades – the Falklands War, the US bombing of Libya from British airfields, the negotiations that lead to the Camp David Accords and the Iranian Hostage crisis, as well as the daily churn of intelligence information from around the world about both friends and opponents.

The programme considers the collateral damage of deception on a grand scale. Most employees of Crypto AG knew nothing of the built-in weaknesses of the machinery they were building or trying to sell to governments in some very dangerous parts of the world.

Produced by John Forsyth
Assistant Producer: Alexandra Quinn
A Loftus Media production for BBC Radio 4
https://www.bbc.co.uk/programmes/m000w499

Extracts read by Lanna Joffrey, Annette Kossow, Blanca Belenguer, Mike Christofferson and Thilo Buergel.
Archive by kind permission of ZDF Television, Crypto Museum, Harry S Truman Library, National Security Agency Archive and Bletchley Park podcast.
https://www.bbc.co.uk/programmes/m000w499


Do you enjoy the SWLing Post?

Please consider supporting us via Patreon or our Coffee Fund!

Your support makes articles like this one possible. Thank you!

Spread the radio love

Adid offers two simple mods for the XHDATA D-808 (or any portable radio!)

Many thanks to SWLing Post contributor, Adid, who shares two inexpensive mods he made on his XHDATA D-808 shortly after taking delivery of it in 2018. One is simply clear tape over the display to protect it from scratches. The second is applying three tiny drops of glue which create tactile points on the keypad for nighttime operation.

Thanks for sharing these, Adid!

Spread the radio love

New OpenWebRX release offers major improvements

Many thanks to SWLing Post contributor, John K5MO, who writes:

Hi Thomas

Just a heads up if you didn’t know…openwebrx has a new release and it’s a good one. No more muddling around with a text editor to change configurations, rather there’s a built in editor for this purpose. The release is V1.0 and it can be found

https://github.com/jketterl/openwebrx/wiki/Setup-Guide

73
John K5MO

Thank you for the tip, John!

Spread the radio love

Upcoming Test Transmission of VORW Radio International

Dear Listeners,

On Tuesday May 18th, 2021 there will be a special test transmission of VORW Radio International via radio station WWCR. The test broadcast will be 1 hour in length and will feature mixed music, the purpose of this broadcast is to determine propagation and gauge if there is any interference from neighboring stations.

Here is the time and frequency:

9350 kHz – 2300 UTC (7 PM Eastern) Tuesday May 18th, 2021 – 100 kW WWCR Nashville, TN 

Listeners in North America, Europe and West Africa should be able to receive the broadcast.

Reception reports will be extremely helpful and may be sent to [email protected]

Happy listening!

Spread the radio love

Guest Post: Listening to Comb Stereo on Shortwave

Many thanks to SWLing Post contributor, TomL, who shares the following guest post:


Comb Stereo on Shortwave

by TomL

Comb Stereo is an old technique being implemented over shortwave by the main sound engineer (Daz) at Radio Northern Europe International (RNEI).  It ONLY works on Comb Stereo broadcasts which currently are RNEI, This Is A Music Show (WRMI), and one of the KBC broadcasts.  It works in real-time or for SDR recorded files, too.  It does NOT need a special HD/DAB+ radio.

A number of pluses for Comb Stereo on shortwave compared to digital:

“The bandwidth is the same as mono – So the SNR should be about the same as mono.

Selective fading doesn’t affect the comb bands much, so the balance is largely unaffected by selective fading notches.

The Comb Stereo artifacts are much like typical music effects of echo, chorus, fast reverb or room reflections.”

You can read about it here on Daz’ web site: homepages.ihug.com.au/~daz2002/tech/CombStereo/

You can also read Roseanna’s comment on the SLWing.com blog post: https://swling.com/blog/2020/04/rnei-now-broadcasting-in-comb-stereo/

An enhanced version is broadcast on WRMI for the RNEI time slot on Thursday morning (01:00 UTC) on 5850 kHz.  It sounds very good and is not a pseudo-stereo like in my previous article, Music on Shortwave.  For one thing, pseudo stereo is not real two-channel encoding and shifts vocals to one side, depending on which channels are chosen for high and low filters, which might get annoying after awhile.  What seems amazing to me is that I have been able apply some minor noise reduction in Audacity and the Comb Stereo stays perfectly intact.  It also still works after converting the WAV file to MP3 and sounds much like a regular FM broadcast.  Furthermore, it does not require a special patented transmitter or receiver chip.  It is compatible with regular mono transmitters.

If you want to try it, go to the RNEI web site; download and install the two files listed (VB Audio Cable and CombStereo Pedalboard x64):

https://rnei.org/stereo/

It is slightly tricky to setup and use or you will not hear anything (most Windows systems default to 48000 Hz these days).  Right-click on the lower-right taskbar Sounds settings.  Make sure to setup Properties – Advanced in both the VB-Audio Virtual Cable (Playback and Recording) and your output speakers (Playback) to 24-bit 44100 Hz processing.

Now run the app Pedalboard BAT file which corresponds to the broadcast you recorded (in this example “Start Comb Stereo for WRMI.bat”).  Set the Options – Audio Settings:

Since the VB-Audio Virtual Cable takes over your volume output, adjust the volume of your Speakers in Windows’ Sounds – Levels (or you can adjust the volume in the sound player you are using, too):

Play the mono WAV or MP3 file and you should be hearing stereo!

When you are done, close Pedalboard2 and then disable the VB-Audio Virtual Cable for Playback and Recording to get your Sounds back to normal:

I cannot demonstrate what it sounds like unless you have the VB-Audio Virtual Cable and the Comb Stereo app setup and working properly.  Here are snippets from recent RNEI broadcasts captured by my noisy porch antenna:

 

Here are links to the artists’ YouTube videos for comparison:

Kari Rueslåtten – https://www.youtube.com/watch?v=SFN4O3YrUG4

Ani Glass – https://www.youtube.com/watch?v=T63QS9enT-A

What is nice is that I can create a space-saving MP3 mono file and this setup will decode the stereo when run from the computer (sounds really nice on a stereo system with a subwoofer).  Unlike digital, this analog-friendly stereo seems mostly immune to fading, has a minimum of digital artifacts, and will not go silent and “drop out” like digital does for long, annoying periods of time.  It is not perfect stereo but audio players with features like Stereo Widener or Windows Sonic for Headphones can overcome some limitations.  Perhaps content providers should consider Comb Stereo for all their shortwave radio shows since it is perfectly compatible with mono AM transmissions!

Enjoying the Music,

TomL

Spread the radio love

Mystery Ugandan Clandestine On Shortwave

Hi everyone! Paul Walker here, some of you may know me through various hobby circles via email and Facebook groups. I used to post quite regularly when I lived in Galena Alaska back in 2016 and 2017. I’m back in Alaska again, working as the Program Director for KSKO 89.5 and it’s half a dozen or so repeaters in the interior.

Back on Monday May 10th at 0601UTC here in McGrath, Alaska I ran across an unknown station on 15220kHz.  The man was  talking in African accented English but would randomly start talking in another language, which I at the time thought may have been French but very well could’ve been Swahili or some other language spoken in Uganda, I’m not a language expert.  (audio below)

The man was going on and on about Uganda, “our brothers, our struggle, the government”. The audio cut out a few times for several seconds a time, seemingly because this was a live broadcast being fed live over the internet from whatever studio location he was at to whatever transmitter site was being used.

Around 0623UTC, the host sounded like he put his phone up to the microphone and played a Ugandan song of some sort from his phone. After that was over, two studio quality songs played.. The Spice Girls “2 Become 1” and Gabriel Kelly’s “Faith”. Those songs sounded like they were being played out from the transmitter site, not from a computer over the internet. They were clear with no audio hiccups.  The transmitter went off around 0629/0630UTC.

A friend I was chatting with as we tried to figure out what this was said he had a  decent signal on a Kuwaiti SDR and based on some triangulation work using other SDR, it seemed this was coming from Europe, suggesting Nauen or Lampertheim.

The man reappeared on 15170kHz at 1500UTC on Friday May 14th.  I haven’t even been able to try and figure out a schedule. Evenings one day and mornings the next. I pretty regularly scan the dials and have only noticed him these two times, with thanks to Mauno Ritola in the WRTH Facebook group for the spotting of him on 15170khz.

I do have audio of the 15220 broadcast at this link:

https://drive.google.com/file/d/1J54RGCb00mIAHQ96O86f31T0l0GH0wNG/view?usp=sharing

I would love to know who this is, what transmitter site they’re broadcasting from and any contact information. A google search using the phrase “Uganda Clandestine Shortwave” came up with one hit, Radio Lead Africa and someone in the ODXA email group suggested Radio Munansi.

For anyone wondering, I’m using a Tecsun PL880 with a 8D battery powered DXE PreAmp and 2 Doxytronics tunable loops.. The cross that supports the antenna is sitting a few inches into 5 foot tall 2 inch wide PVC pipe which is then put in a trash can and tote container and filled with sand.  Gotta use what I have on hand here in rural Alaska.

 

Spread the radio love

Radio Waves: More RCI Services Come To An End, Pirate Radio Sound Tour, Shortwave Guitar Pedal, and Voyager 1 Detects Plasma “Hum”

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Marty, Richard Cuff, David Iurescia, and Doug Katz for the following tips:


RCI English section: goodbye (Radio Canada International)

Canada’s international broadcast service from the English language team of Radio Canada International has come to an end.

RCI, (originally the International Service, CBC-IS) was initially created towards the end of the Second World War. The purpose was to broadcast news and information from home via shortwave to Canadian military personnel fighting in Europe. It also began providing reliable news and information to recently liberated countries and to Germans still in the war.

That reliable news and information was considered of great value during the subsequent Cold War years, as several more languages were added to the service such as Russian, Ukrainian, Czech, Hungarian and Polish. Other languages sections included as Brazilian Portuguese and Japanese. With 14 language sections in 1990, and some 200 staff, the full English and French newsroom provided news of interest and importance for each language section specifically targeted to each of the various broadcast regions around the world.

Following a major budget cut of some 80 per cent in 2012, the shortwave and satellite service was terminated along with the majority of staff including the newsroom and some language sections. In recent years, only Chinese (Mandarin), Arabic, and Spanish remained along with English and French. RCI was transformed into a much smaller internet-based operation consisting of three people per language section.

In December 2020, the domestic public broadcaster CBC / Radio-Canada announced that the English and French sections of RCI would close for good in May. In their place curated stories from the domestic English and French public broadcaster will be provided.

A manager will now oversee the staff of eight who will adapt curated stories from the CBC and Radio-Canada into Mandarin, Arabic, and Spanish, along with Punjabi and Tagalog.

An effort was and is being made by the RCI Action Committee to preserve and even expand the service which has garnered great support from a former prime minister, former diplomats and many academics, but the end date has come. This is the last entry by the RCI English section.

From the English Section consisting of Lynn, Marc, and Levon, faithful and long-time popular replacement Terry Haig, and recently also Vincenzo Morello, and the many others over the all those years, we thank you for having shared our stories over these many years.[]


The Pirate Radio Capital: A sound tour with David Goren, radio producer and audio archivist (CRJ.org)

In 2018, David Goren, a radio producer and audio archivist, created the Brooklyn Pirate Radio Sound Map to collect the sounds of dozens of pirated broadcasts from across the borough. Pirate stations earn their name by hitching a ride on already licensed radio frequencies that typically cost commercial stations millions of dollars to acquire and set up. Nowhere in the country are there more pirate radio stations than in New York, where they provide a vital service to immigrant populations.

Goren estimates that New York has about a hundred pirate stations, transmitting from rooftops and attics to listeners seeking news from around the city and back home, as well as

entertainment and religious programming. The broadcasts bypass socioeconomic barriers and provide a means to seize control of the flow of information. But they are now at risk of extinction: Before Donald Trump left the White House, he signed the Pirate Act, which increased the authority of the Federal Communications Commission to fight pirate operations through mandatory sweeps in cities with high concentrations of pirate radio use. Pirate stations today face fines of up to two million dollars. “The people running these stations, they don’t have two million dollars,” Goren said. Broadcasters that don’t make it onto his sound map could be lost forever.

Click here to read the full story and listen to the audio tour with David Goren.


Shortwave effects pedal (Recovery Effects)

Inspired by espionage devices used during World War II and the Cold War, Shortwave transforms audio into clandestine operations of the past; Russian number stations, mysterious sounds transmitted by radio, and eerie sounds stored on early portable recorders.

Choose between 2 types of noise and interference, and control it with the Exposure parameter. Velocity and Focus control the amount of pitch stabilization. Shortwave will add an interesting emotional response and atmosphere to dry, simple sounds, or destroy a signal like no other fuzz pedal can.

Hand-made in Seattle, WA. Shortwave operates on a standard “Boss” style 9vdc power supply (not included), but can also run at 18vdc for additional headroom. True bypass switching. Included a limited-lifetime warranty.

Enclosure size: 4.77″ x 2.6″ x 1.39″


In the emptiness of space, Voyager 1 detects plasma ‘hum’ (Cornell.edu)

Voyager 1 – one of two sibling NASA spacecraft launched 44 years ago and now the most distant human-made object in space – still works and zooms toward infinity.

As the craft toils, it has long since zipped past the edge of the solar system through the heliopause – the solar system’s border with interstellar space – into the interstellar medium. Now, its instruments have detected the constant drone of interstellar gas (plasma waves), according to Cornell-led research published May 10 in Nature Astronomy.

Examining data slowly sent back from more than 14 billion miles away, Stella Koch Ocker, a Cornell doctoral student in astronomy, has uncovered the emission. “It’s very faint and monotone, because it is in a narrow frequency bandwidth,” Ocker said. “We’re detecting the faint, persistent hum of interstellar gas.”

This work allows scientists to understand how the interstellar medium interacts with the solar wind, Ocker said, and how the protective bubble of the solar system’s heliosphere is shaped and modified by the interstellar environment.

Launched in September 1977, the Voyager 1 spacecraft flew by Jupiter in 1979 and then Saturn in late 1980. Travelling at about 38,000 mph, Voyager 1 crossed the heliopause in August 2012.

After entering interstellar space, the spacecraft’s Plasma Wave System detected perturbations in the gas. But, in between those eruptions – caused by our own roiling sun – researchers have uncovered a steady, persistent signature produced by the tenuous near-vacuum of space.

“The interstellar medium is like a quiet or gentle rain,” said senior author James Cordes, the George Feldstein Professor of Astronomy (A&S). “In the case of a solar outburst, it’s like detecting a lightning burst in a thunderstorm and then it’s back to a gentle rain.”

Ocker believes there is more low-level activity in the interstellar gas than scientists had previously thought, which allows researchers to track the spatial distribution of plasma – that is, when it’s not being perturbed by solar flares.[]


Do you enjoy the SWLing Post?

Please consider supporting us via Patreon or our Coffee Fund!

Your support makes articles like this one possible. Thank you!

Spread the radio love