Hamvention 2021 has been cancelled

The following note was posted on the Dayton Hamvention website:

Unfortunately, several setbacks in the recovery from the COVID-19 pandemic make necessary the difficult decision to cancel Hamvention 2021. Hundreds of volunteers have been working to do everything necessary to bring this Hamvention to the many amateur radio enthusiasts and vendors who support the Dayton Hamvention.

Vaccine distribution both in the United States and around the world is lagging behind what was planned. In addition, the emergence of a more communicable form of the COVID-19 virus increases the potential for further public health problems in the next few months. We make this difficult decision for the safety of our guests and vendors.

Those who had their tickets, inside booths or flea market spaces deferred last year will be deferred again. Those who purchased 2021 tickets, inside booths or flea market spaces will also be deferred. If you desire a refund instead please email [email protected] and we will contact you.

Stay tuned for information about a QSO party for the 2021 Hamvention weekend. We are looking forward to the 2022 Hamvention!!!

Executive Committee, Dayton Hamvention 2021

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Radio Waves: Old Goats Are Going Away, Pack Accused of Fraud, Post-Brexit Radio Imports, and a TV Drama About Murder of G0HFQ

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura, Ronald Kenyon, Michael Guerin, and the Southgate ARC for the following tips:


Commentary: “The Old Goats Are Going Away” (Radio World)

Broadcasters need to act to refill our ranks before the dial goes quiet

I see trouble ahead in our business in the shortage of qualified broadcast engineers.

I am not speaking of IT people. I am speaking of the guy in a T-shirt and jeans who gets to the transmitter, looks for the problem, reads the schematic, crawls inside the box and replaces R-16, R-17, C-232 and Q-4, and the music again blares forth.

We are losing those guys every day, and they are being replaced by the guy who walks into the site, looks at the box, grabs his cell phone, calls BE or Nautel to find which board to pull, and ships it back while waiting for a loaner to get the rig going.

I never thought of myself as an old-timer. Starting in the business in 1963, old-timers were the guys I learned from, mostly World War II graduates. They knew everything about audio and RF. I wished I knew a tenth as much as they did.

My first real bit of engineering was converting a 50 kW FM station to stereo in 1963. No one listened to FM then, I think there were 10 FM radios in the city and five were in Cadillacs owned by mob hit men.

I remember putting the stereo generator in an eight-foot rack. It took up four feet of the rack and had enough 12AU7s in it to heat the building. It had two outputs, one L+R that went into the phase modulator of the serrasoid exciter and the L–R output that went into the exciter about 200 multipliers later (the crystal frequency was multiplied 864 times).

It was a technical nightmare compared to mono FM. Getting two matched phased phone lines from the studio to the transmitter over three exchanges was another task. But we were stereo most of the time.

The FCC had a rule that if you weren’t transmitting stereophonic program material for more than a certain length of time, you had to shut the stereo pilot off so as not to mislead the 10 listeners by illuminating their stereo beacon. So the pilot on/off was wired into the old Rust remote control so the studio could turn it off when a monophonic recording of a symphony played.

Times changed; we wound up with RF STLs, stereo generators on a single chip, CD players, computers and lots of stuff made in foreign countries that wasn’t worth fixing or whose parts were not available, so when they broke they wound up on a shelf at the transmitter site.[]

Voice of America CEO Accused Of Fraud, Misuse Of Office All In One Week (NPR)

Fresh crises and fresh challenges confront the Trump-appointed CEO of the parent of Voice of America, even with less than two weeks left of the Trump presidency.

To start, the Attorney General of the District of Columbia this week accused U.S. Agency for Global Media CEO Michael Pack of illegally funneling more than $4 million to his private documentary company through a not-for-profit that he also controls.

Then, five recent chiefs of Radio Free Europe/Radio Liberty – appointed under Democratic and Republican administrations – jointly warned President-elect Joe Biden that Pack poses “a long-term threat to the credibility and professionalism of the five networks” he oversees.

And now Pack is now being accused of trying to propagandize the Voice of America by a group of whistleblowers. They take exception to a planned appearance by Secretary of State Mike Pompeo at VOA’s Washington headquarters on Monday, just nine days before the Biden administration begins.

Pompeo will soon be out of his job. And it’s expected Pack will be replaced promptly as well. But he has sought to outlast his time in office by burrowing himself and conservative allies into boards that will steer Radio Free Europe/Radio Liberty, Radio Free Asia, and the Middle East Broadcasting Networks. The not-for-profit broadcasters are all funded by the federal government through USAGM.

Those networks, along with VOA and the Office of Cuba Broadcasting, collectively reach more than 350 million people across the world each week. They historically have demonstrated American pluralism by providing balanced coverage of news events and robust political debate, regardless of how it reflects on current government officials. The broadcasters are also intended to serve the citizens of nations which do not allow journalists to operate freely.[]

Radio imports (Southgate ARC)

Now that the United Kingdom has left the European Union, we will see major changes in importing radio equipment.

Definitive information is scarce but imports from the UK can have VAT paid on purchase or depending on the retailer, VAT may have to be paid before delivery. If it comes via An Post, any charges will have to paid before the item is sent out for delivery.

The Post Office employees will not be collecting money at the door. Whether duty is also collected is not very clear, but some sources say that anything originating outside the European Union will attract duty as well as VAT. There may also be a handling charge.

John EI7GL has compiled a list of radio and electronic dealers based in the European Union on his blog page and would welcome any updates you can supply.[]

TV drama about murder of radio ham G0HFQ (Southgate ARC)

On Monday, January 11, ITV will be broadcasting the first of a three part TV drama about the murder in June 1989 of Oxfordshire radio amateur Peter Dixon G0HFQ and Gwenda Dixon who were on holiday in Pembrokeshire

In the November 1989 Radio Communication magazine the RSGB asked:

Did you work GW0HFQ/M ?

As we’ve reported in previous editions of RadCom, Peter Dixon, G0HFQ. and his wife Gwenda were brutally murdered whilst on holiday in South Wales last June. Dyfed-Powys Police have asked us to say that they are still anxious to talk to anyone who had a contact with Peter whilst he was operating in Pembrokeshire as GW0HFO/M on 7 or 14MHz SSB. 28MHz FM/SSB or 144MHz FM. The dates between which they’d like you to check your logbooks are 19-29 June 1989.

Dyfed-Powys Police believe that Peter Dixon had a contact with another mobile station in the area on 28MHz FM on the morning of Wednesday 28 June.

The drama will be shown on ITV at 9pm on Monday, January 11, details at
https://www.itv.com/presscentre/ep1week2/
pembrokeshire-murders

A description of the murder is at
https://www.nickdavies.net/1992/06/27/the-tantalising-mystery-of-a-murder-in-pembrokeshire/

The October 1989 issue of 73 magazine carried a report, see page 13
https://worldradiohistory.com/Archive-DX/73-magazine/73-magazine-1989/73-magazine-10-october-1989.pdf


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Is AM synchronous detection a crucial portable radio feature?

Many thanks to SWLing Post contributor, Mike, who writes with the following question:

How important is AM Sync for a portable radio? Is it essential or a deal breaker?

That’s a great question, Mike, and one I don’t think I’ve directly addressed it here on the SWLing Post oddly enough.

Synchronous detection is actually a fairly deep topic to explore–and everyone has their own opinion–but I get the impression that you’d like a simple answer, so I’ll try to keep this as brief as possible. You might follow the comments section of this post as I’m sure some SWLing Post readers will share their thoughts on synchronous detection and how important it is for them.

So what is Synchronous Detection?

I like this concise Wikipedia answer:

In electronics, a synchronous detector is a device that recovers information from a modulated signal by mixing the signal with a replica of the un-modulated carrier. This can be locally generated at the receiver using a phase-locked loop or other techniques. Synchronous detection preserves any phase information originally present in the modulating signal. Synchronous detection is a necessary component of any analog color television receiver, where it allows recovery of the phase information that conveys hue. Synchronous detectors are also found in some shortwave radio receivers used for audio signals, where they provide better performance on signals that may be affected by fading. To recover baseband signal the synchronous detection technique is used.

How does synchronous detection help shortwave, mediumwave, and longwave listeners?

As the Wikipedia article notes above, sync detection can help “provide better performance on signals that may be affected by fading.”

In short: a solid synchronous detector can help stabilize an AM signal which then can help with overall signal intelligibility.

In some modern portable radios, at least, this could come at the expense of audio fidelity (see caveat below).

I use sync detection when the bands are rough, noisy, and QSB (fading) is affecting signals.

A good sync detector will help clean-up and stabilize the signal so that you can hear voice information with less listener fatigue. Sync detectors are also great tools for grabbing station IDs when propagation is less stable. If you have a receiver with selectable sideband synchronous detection, it can also be used as a tool for eliminating adjacent signal interference.

Caveat? Sync detectors vary in terms of quality.

The PL-880 has a synchronous detection “hidden” function. I’m sure it’s hidden because it’s so ineffective. The PL-880 is a fantastic portable, but don’t bother using the sync detector.

Many modern DSP portables sport synchronous detection, but they’re not terribly stable and the audio fidelity can take a big hit as well. Poor sync detectors can make audio sound “tinny” and narrow.

If a sync detector isn’t effective a providing a stable lock on a signal, then it’s pretty much useless. Why? If it can’t maintain a stable lock, it’ll produce very unstable shifting audio, often with the occasional heterodyne sound popping in as well. In those cases, it’s better to turn off synchronous detection.

Benchmark legacy tabletop receivers and modern Software Defined Radios (SDRs) typically have solid, effective sync detectors. Indeed, I rarely have the AM synchronous detector disengaged on my WinRadio Excalibur–that particular SDR and application enhance audio fidelity through sync detection.

I find that I use sync detection less with my Airspy HF+ Discovery and SDRplay RSPdx, for example, because the OEM applications natively does a brilliant job managing unstable signals.

In terms of portables, I’ve always considered the sync detector of the Sony ICF-2010, Sony ICF-SW7600GR, and PL-660/PL-680 to be pretty solid. I’m sure readers can suggest even more models.

Is sync detection an essential feature on a portable radio?

Not for me. But I do admit that I value the radios I own that sport a good sync detector.

For some SWLs and DXers, however? It might very well be a deal-breaker if a radio doesn’t have a sync detector, or if its sync detector doesn’t function well.

What do you think?

Is the lack of sync detection a deal-breaker for you? When do you employ sync? Please comment!

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Stephan notes a few issues with his first production run Sangean ATS-909X2

Update: Please read this comment from Sangean America. It seems the receiver Stephan received was actually a pre-production model that shouldn’t have been sold to him. Sangean has replaced his radio with one from the first production run. 

Many thanks to SWLing Post contributor, Stefan, who recently shared two descriptive comments about issues his new Sangean ATS-909X2 is exhibiting. I’ve edited both comments together below:

I purchased [my Sangean ATS-909X2] from Sangean Europe and I am totally disappointed. I know that my radio is from the first production batch and I really hope that Sangean will address the following issues:

1. When I switch from FM to MW/LW/SW, I lose reception completely on these bands. However, FM works as expected, regardless from which band I switch back to it. To restore reception on the affected bands, I have to turn off the radio for a few seconds.

[Stefan then provided the following update:] Note [in this audio clip example the] first time I had to restart the radio two times to restore reception.

2. Lots of tones across all the bands, except FM. In fact, every receivable station has at least a minor tone. I can’t judge if these tones are interferences coming from internal components, such as the display, or there are oscillators related. If you are interested I can record some audio samples. Video is not possible because I’m visually impaired.

[Stefan shared the following update:] I am pretty confident to say that most tones across the bands are not generated by internal components. There are some birdies here and there, especially when I touch the screen, but these are acceptable. I suspect that it is something wrong with signal demodulation. I can get that tone even on strong local stations, while the sensitivity is set to minimum.

[…]The environment where I made these recordings is very noisy, but I tried the radio outside and, even if reception is much better, that tone on the affected bands is always present.

Below [is an audio sample] demonstrating that annoying tone on MW (LW, SW and air band are also affected):

3. The following one is not so important: The upper part of the LW is totally deaf. I can’t receive anything above 300 kHz. Tried some non-directional beacons from the nearest airport, but no luck. I also tried to induce some interference from my mobile phone, but I can’t generate any noise. Very interesting…

4. Frequency calibration is off by 2 kHz. For example a station on 540 kHz sounds centered at 542.

5. I noticed a huge sensitivity drop on MW/LW (SW not tested yet) when the batteries reach the half of their capacity. I suspected that it was bad propagation, but tested this with another radio I have and turns out I was wrong. When batteries are full, the sensitivity is ok. When the batteries are a bit discharged, sensitivity on MW/LW begins to drop. I can admit that the sensitivity is correlated with battery voltage, but on this radio the dropping curve is unusually aggressive.

That’s all for now. This is not a review. These are my first personal observations on the new ATS 909×2. I think I should return the radio for a product exchange and try another unit after a few months or maybe even for a refund, I still have not decided yet.

Thanks so much, Stefan, for taking the time to share these notes with us.

I’ll admit that this is discouraging if these issues are present in all of the ATS-909X2 units from this production run. Your points 1 and 2 are big ones. I would not enjoy hearing those het-like tones in my received audio. It sounds like it’s ever-present in AM mode regardless of frequency. The drop-off in sensitivity when toggling FM? That’s also unacceptable. These bugs should have been discovered and addressed during Alpha/Beta testing which leads me to believe it could very well be an issue with the first production run (and lack of QC check before shipping).

Issue number 5 on your list is actually a criticism of the original ATS-909X as well.

Please keep us informed, Stefan, and thanks again. I know our contributor, Dan, has an ATS-909X2 on order in North America and I’m sure we’ll hear from him once he receives his unit.

Any other ATS-909X2 owners out there? Please feel free to comment.

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The export version of the Tecsun PL-330 has landed

Tuesday evening, I picked up a package from Anon-Co with the new export version of the Tecsun PL-330 inside. Anon-Co sent this unit to me for evaluation at no charge to me. Anon-Co will start shipping the PL-330 next week and the price will be $59.99.

By request, I took a few photos of the PL-330 as I unpacked it. This should give you an idea about how the radio is packed and what is included in the Anon-Co package:

The Anon-Co PL-330 package includes:

  • Tecsun PL-330 receiver
  • an English owner’s manual
  • a brown synthetic velveteen carry pouch
  • MicroUSB charging cable
  • earphones

My first thought? It looks like a mini PL-990!

The PL-330 is powered by one BL-5C battery pack. To meet shipping regulations, the BL-5C is not pre-installed–you’ll need to do that yourself.

Note that the PL-330 lacks a fold-out back stand. That is unfortunate

On the air

Unfortunately, I’ve had no proper time to evaluate the PL-330 (comparisons) yet as this is an incredibly busy week for me.

I did, however, listen to the PL-330 as I worked outside all day Wednesday. Sadly, there was a lot of news to follow here in the States that day.

I was able to receive all of my benchmark local and regional AM and FM stations with no problem. For day-to-day broadcast listening, it seems to be a solid portable.

It’s still early days, but I think the PL-330 may be one of the best portables for FM I’ve tested in a while. On Wednesday, I tuned to WFAE in Charlotte a number of times throughout the day and the PL-330’s lock on the station was rock-solid. WFAE’s transmitter is just over one hundred miles from my home, so this is typically a tough catch if I’m inside my home or my car, etc.

The real test? I can also receive WFAE with the PL-330 in my kitchen window. Again, only a small number of portables can reliably grab WFAE’s signal from that spot. Indeed, the PL-330 almost receives WFAE as if were a local station.

While this is far from a laboratory test, it is certainly a real-world test for this radio enthusiast.

I’ve yet to dive into the shortwaves, although I’m incredibly curious how well the sync lock might work. I’m keeping expectations low–after all, this is a $60 radio. The price point is quite good for sporting upper and lower sideband reception, let alone synchronous detection.

For more information about the PL-330, I’d encourage you to check out the following posts:

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Corrected UBMP Schedule for January 10-16


The correct featured country for this week is Belarus.
Uncle Bill’s Melting Pot, January 10-16:

In episode 199, we enjoy traditional and modern music from Belarus.
The transmissions take place:
1.Sunday 2300-0000 (6:00PM -7:00PM EST) on WBCQ The Planet 7490 kHz from the US to the Americas and parts of Europe
2. Tuesday 2000-2100 UTC on Channel 292, 6070 kHz from Rohrbach, Germany for Europe.
3. Saturday 0800-0900 UTC on Channel 292, 9670 kHz from Rohrbach, Germany for Europe with a directional booster aimed eastward.
Our Facebook page is https://www.facebook.com/UncleBillsMeltingPot/
Our V-Kontakte page is https://vk.com/fromtheisleofmusic
Our Patreon page is https://www.patreon.com/tilford

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