Many thanks to SWLing Post contributor, Adi, who writes:
Hi Thomas, this video just popped for me on YouTube. I searched the SWLing Post and didn’t find it, it’s not new so maybe you missed it.
Thank you, Adi. I’m almost positive I’ve posted this one before–but if I have it’s been so long it should be re-posted! A wonderful nostalgia trip! Thanks for sharing.
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
New Zealand’s Minister for Broadcasting and Media Kris Faafoi has announced the government’s decision to create a new public media entity by merging RNZ and TVNZ.
According to Faafoi, ensuring New Zealanders continue to have access to reliable, trusted, independent information and local content sits at the heart of the decision.
“The public media sector is extremely important to New Zealanders in providing them with high quality, independent, timely and relevant media content,” Faafoi said.
“But we know the media landscape is changing and the sector is having to adapt to increased competition, changing audience demands and ways of accessing media, falling revenue, and new and emerging digital platforms. We need public media which is responsive to these changes and can flourish.
“RNZ and TVNZ are each trying to adjust to the challenges, but our current public media system, and the legislation it’s based on, is focused on radio and television.
“New Zealanders are among some of the most adaptive audiences when it comes to accessing content in different ways; like their phones rather than television and radio, and from internet-based platforms. We must be sure our public media can adapt to those audience changes, as well as other challenges that media will face in the future.”
“The new public media entity will be built on the best of both RNZ and TVNZ, which will initially become subsidiaries of the new organisation. It will continue to provide what existing audiences value, such as RNZ Concert, as well as better reaching those groups who aren’t currently well served; such as our various ethnic communities and cultures,” Faafoi said[…]
Read more at: https://radioinfo.com.au/news/rnz-and-tvnz-to-merge/ © RadioInfo Australia
Battery radios and satellite internet both have jobs to do
In communist Eastern Europe a shortwave radio was a vital piece of equipment for anyone wanting to stay ahead of the censors. Stations such as the bbc World Service, Radio Free Europe and Voice of America broadcast news, entertainment and rock-and-roll across the Iron Curtain.
After the cold war ended, shortwave radios gave way to television and the internet, and the broadcasts were wound down. But on March 3rd, in the aftermath of Russia’s invasion of Ukraine, the bbc announced their return. The World Service has begun nightly news broadcasts into Ukraine and parts of Russia (see map). Continue reading
A view of the iconic WLW tower taken from the neighboring VOA Bethany site and museum.
Many thanks to SWLing Post contributor, David Snyder, who shares this presentation outlining the history of WLW for the National VOA Museum of Broadcasting YouTube channel.
Video description:
Behind the scenes pictures from the efforts of Powel Crosley, Jr. creating the famous WLW Radio Station, including the largest USA AM broadcast transmitter at 500,000 watts.
Click here to view on YouTube.
Most excellent! Thank you for sharing this, David.
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Trevor, Dennis Dura, and Markku Koskinen for the following tips:
Its broadcasting territory is restricted and unlikely to grow significantly, and for good reason. Since 1982, Radio Atlantique has been broadcasting in the heart of the French overseas territory of Saint-Pierre-et-Miquelon, a 252 square kilometers, self-governing Atlantic clump of islands just off the south coast of the Canadian province of Newfoundland. The radio station has cultivated its uniqueness, becoming a key partner in the local life and cohesion of the 6,000 or so Miquelonnais. However, this state of mind has not prevented the project from going through difficult times and bringing uncertainties to its future.
Broadcasting in the territory of Saint-Pierre-et-Miquelon is an extraordinary adventure every day. For example, coverage of the entire archipelago was only concluded in 2010 with effective broadcasting in Miquelon, only 18 nautical miles away from the main island. This challenge for the station has only reinforced its unique place within the islands’ society. The population on the islands is highly mixed, and the vast majority of the inhabitants have French and Basque origins. [Continue reading…]
“Hey, Google. Play Toosie Slide by Drake.”
Within seconds, the Toronto pop singer’s silky voice wafts from the speakers of the ELS Studio audio system of my Acura MDX. Ten speakers in the cabin pump out trilling highs and chest-thumping bass, transforming my vehicle into a soothing audio studio on wheels. Bored, I flip over to SiriusXM for a little Hip-Hop Nation.
Modern car audio systems are so highly evolved, so seamless and so intuitive, it’s easy to forget that it wasn’t always this way. But it’s been 90 years since the first mass-produced car radio appeared, and the road to audio perfection has been a bumpy one indeed.
Michael Lamm remembers. At 84, the California-based auto historian’s car-ownership experience spans back to the early 1950s, when staticky car radios were powered by primitive vacuum tubes.
When he was growing up in Texas, he says he “didn’t really care that much about radio,” in part because programming was so limited. “I didn’t listen to the preachers who were constantly haranguing everybody.” [Continue reading…]
January 11 was Learn your Name in Morse Code Day and Roger Cooke G3LDI was interviewed on BBC Norfolk by Chris Goreham about Morse
Roger has been a keen proponent of the advantages of Morse code since he started teaching it as a teenager when he was first licenced in 1956.
You can listen to the interview by fast-forwarding to 1:54:27 in this recording
https://www.bbc.co.uk/sounds/play/p0bcktml
Free Morse training courses are available Online, see
Updated Icom IC-R30 firmware has been posted on the Icom Japan web site.
Battery health status (Normal/Caution/Warning) judgment has been improved.
Click here to check it out and download at Icom Japan.
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Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors Paul, Dennis Dura, Dan Van Hoy, Alokesh Gupta, and the Southgate ARC for the following tips:
A barbed wire telephone call didn’t sound great but could quickly warn others about something such as a wildfire.
Historian J. Evetts Haley wrote that, in its time, the old XIT Ranch up in the Texas Panhandle was “probably the largest fenced range in the world.” He recalled that its barbed wire enclosed over 3 million acres of land. At the north end alone, the fence ran for 162 miles. The unique enclosure helped keep in enormous cattle herds, keep out rustlers, and also gave rise to the creative use of a new technology: the telephone.
I’ll come back to the XIT in a moment, but first, consider these smattering of reports from that era. In 1897, The Electrical Review, reported that “on a ranch in California, telephone communication had been established between the various camps . . . by means of barbed wire fences.” The article says the novel use of the phone was a great success and was being used in Texas as well. That same year, the New England Journal of Agriculture was impressed that two Kansas farmers, living a mile apart, had attached fine telephone instruments to the barbed wire fence that connects their places and established easy communication. From the Butte Intermountain in 1902 we see this notice: “Fort Benton’s latest development is a barbed wire telephone communication.” The article points out that people of the range were not all that happy with barbed wire, which they thought was an “evil” that had arrived with the railroad, but they had decided to look at the practical side of its existence and use it to create a telephone exchange that would connect all the ranches to Fort Benton. [Continue reading…]
Schwab Multimedia has lost an appeal to the Federal Communications Commission in a case involving a planned AM station near Los Angeles for which it had a construction permit.
This is a “tolling” case, one that involves the FCC construction clock. The history is complex — the FCC’s summary is 2,500 words long, not counting many extended footnotes — but the upshot is that KWIF in Culver City was never built and, barring further developments, apparently will not be. Its call sign has now been deleted.
Levine/Schwab Partnership, which does business as Schwab Multimedia, had applied in 2004 to build a new AM station in the Los Angeles area. It eventually secured a CP in 2016 for the station at 1500 kHz. [Continue reading at Radio World…]
Check out this fascinating radio astronomy project by Glen Langston that is not only affordable, but quite accessible. Thank you for the tip, Paul!
This article is in PDF form and can be downloaded from with this link.
Dick Smith, VK2DIK has lived an adventurous and extraordinary life. He is a proud Australian, businessman, adventurer, entrepreneur and he single handedly changed electronics and CB/Amateur Radio in Australia.
Dick has recently released his autobiography titled, Dick Smith: My Adventurous Life and tonight we’re privileged to sit down live with Dick, speaking to him about his adventures, including the first solo helicopter flight around the world, his business ventures and being a pioneer for Amateur and CB radio.
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Canadian Reginald Aubrey Fessenden in his lab believed circa 1906 (Source: Radio Canada International)
(Source: ARRL News)
Experimental station WI2XLQ will be on the air on 486 kHz AM for the Reginald Fessenden commemorative transmission. Brian Justin, WA1ZMS, is the licensee. He will transmit for 24 hours starting at 2000 UTC on December 24, with a repeat transmission starting at 2000 UTC on December 31. Justin will use a homebrew 1921-era MOPA exciter with Heising modulation, followed by a modern 500-W linear. The transmission will be the same as in past years — two violin pieces that Fessenden claims to have played as one of the very first voice transmissions from his Brant Rock, Massachusetts, radio lab site. “While doubt remains that such a transmission ever took place, Fessenden did perform some crude voice transmissions over a few miles distance in early December near Washington, DC, as a demonstration for the US Navy,” Justin said. “So, perhaps some credit is due Fessenden for his efforts to transmit the human voice in an era of spark transmissions.”
If you would like more information about Brian Justin and WI2XLQ, check out our interview with him in 2013. Indeed, I successfully heard the 2013 WG2XFG broadcast and posted this audio clip on the Shortwave Radio Audio Archive.
Former BBC World Service HQ – The Bush House
Many thanks to SWLing Post contributors, Doug and Kris, who both share a link to BBC Newshour which was broadcast yesterday (Dec 12, 2021).
The final segment of the show focuses on the birth of international shortwave radio and the first Transatlantic tests. You can listen to this report over the next month via the BBC Sounds website. This is the final piece in Newshour and starts at the 45:05 mark. Very much worth your time!
Click here to listen to this segment on BBC Sounds (starting at 45:05).