Category Archives: AM

National Public Broadcasting Company of Ukraine resumes mediumwave broadcasting

4 Replies

Many thanks to SWLing Post contributor,  Vlad (US7IGN), who writes:

Hello!

I hasten to inform you the good news that Ukrainian radio resumes broadcasting on medium waves.

At a time when the whole world is curtailing broadcasting, a new station has appeared on the air!

From February 1, the National Public Television and Radio Company of Ukraine will resume broadcasting UA: Ukrainian radio in the medium-wave band on the frequency 549 KHz.

The medium-wave transmitter of UA: Ukrainian radio in the village of Luch, Mykolaiv region, with a capacity of 500 kW, covers most of the territory of Ukraine (during the day – 60% of the territory including the occupied territories, from evening to morning – the whole territory of Ukraine).

http://uarl.info/news/ukrainskoe_radio_vosstanavlivaet_veschanie_na_srednih_volnah

Brilliant news–many thanks for the tip, Vlad!

Spread the radio love

The Icom IC-705 is about to achieve ‘Holy Grail’ status

27 Replies

In 2019, shortly after Icom announced the Icom IC-705, I speculated that this rig might be a contender for “Holy Grail” status.

I must admit…the more I use this radio, the more I love it. It is a proper Swiss Army Knife of a radio. Even though I’ve owned and operated it for a few months, I still haven’t explored all that it can do, and I keep finding features I love.

Case in point

Yesterday, I upgraded my IC-705’s firmware. Unlike other devices I’ve been evaluating recently, IC-705 firmware updates aren’t fixing numerous bugs and issues, rather they’re adding more functionality.

After completing the upgrade, I hooked the ‘705 up to my main antenna and worked a few Parks On The Air (POTA) stations off of the supplied battery pack (instead of a power supply). While I worked on other projects in the shack, I checked the POTA spots and work a few stations with a whopping 5 watts of output power.

After a couple hours on the air (mostly listening), the internal battery pack still had a good 60-70% capacity.

At one point, I tried a little daytime mediumwave DXing and cruised past 630 kHz which some of you might already know is the home of one of my favorite hometown radio stations, WAIZ.

From my home, WAIZ is a tough catch, so it was weak, but I could hear it.

This reminded me that I had made a recording of WAIZ with the IC-705 when in my hometown earlier this month.

Normally, I pull the MicroSD card out of the IC-705–which almost requires needle nose pliers and is one of my few complaints about this rig–and view the files on my PC or MacBook, but I was curious if perhaps the IC-705 software had a built-in file display.

Of course it does!

Simply press the MENU button, then the RECORD button on the touch screen, and you’ll see the following selections:

Press “Play Files” and you then see a list of folders organized by date:

Click on a folder and you’ll see a list of recordings made that day:

Here’s the genius bit for those of us who like to archive broadcast recordings…the IC-705 embeds the following meta data:

  • Date of recording
  • Start time of recording
  • Recording length
  • Frequency
  • Mode

These are some of the most important pieces of information I use to index my audio recordings and the IC-705 does this automatically.  In fact, if you allow the IC-705 to gather its time information from the internal GPS, the time stamp will be incredibly accurate.

The only thing I add to the file name after export is the broadcaster name/station callsign.

If that wasn’t enough, if you touch one of the recording files, the IC-705 will open it in an audio player:

The built-in player displays the meta data, and even includes a number of controls like fast-forward, rewind, skip to next or previous file. and pause.

I’m sure this is the same audio player found in the IC-7300, IC-R8600 and other late-model Icom SDR rigs. But in a portable battery powered transceiver? This is a genius feature.

As I type this post I’m listening to the audio from the WAIZ file shown above. I can imagine when I’m able to travel again (post-pandemic), how useful this will for one-bag air travel.

(If you’d like to listen to WAIZ, check out these ‘705 recordings.)

Not only is the IC-705 a QRP transceiver and wideband multi-mode general coverage receiver, but it’s a recorder and audio player with a built-in front-facing speaker. I can set this transceiver at my hotel bedside and listen to recordings I made in the field earlier that day or week.

Keep in mind that the IC-705 is an expensive radio–certainly one of the most pricey QRP radios ever produced at $1,300 US (at time of posting although I’m sure we’ll start seeing lower pricing this year). But if you’re an SWL and ham, you’ll find the IC-705 is the most versatile portable transceiver on the market. If you’re an SWL only, you can disable the transmit on the IC-705 and essentially have a portable battery-powered SDR receiver with built-in audio recording and playback with color touch screen spectrum and waterfall display.

Despite the price, this is Holy Grail territory in my book.

Icom IC-705 Review

If you subscribe to The Spectrum Monitor magazine, you’ll be able to read my (4,000 word!) review of the IC-705 in the upcoming February 2021 issue.

Spread the radio love

The new Sangean SG-108 portable HD radio

7 Replies

Many thanks for SWLing Post contributor, Zack Schindler, who shares the following:

Sangean released a new MW/FM/HDRadio this year, the SG-108: https://www.sangean.com/products/product.asp?mid=261&cid=3

It seems to be identical to the HDR-14 except for the color https://www.sangean.com/products/product.asp?mid=230&cid=3.

I wonder if the receiver is any better than the HDR-14? I have an HDR-14 and am amazed by its performance every time I use it.

Thanks for the tip, Zack! I, too, love the HDR-14. I also love the fact the SG-108 still uses AA batteries as well.

Spread the radio love

Loop-On-Ground Antenna Part 2: Tom upgrades his low profile, low noise, portable DXing antenna

8 Replies

Many thanks to SWLing Post contributor, TomL, who shares the following guest post:

Loop on Ground Part 2

by TomL

My previous Loop on Ground (LoG) experiment was useful which entailed connecting my Wellbrook loop amplifier to a 100 foot loop of speaker wire in the field at my favorite local Forest Preserve. It really brought in stations I had never heard before or strong stations in a more powerful way that made the audio really pleasant to listen to.  This report will describe more experiments with smaller wire loops to see what the limitations are.  100 feet of wire is quite a lot of wire to mess around with especially in the cold weather or public places that do not have as much private space.

I don’t understand all the electrical interrelationships but a long posting at RadioReference.com had  a great discussion about creating a 160-20 meters LoG receive-only antenna. It is 11 pages long but is worth reading how “nanZor” experimented with various parameters for general use. Kudos to him for documenting the findings as the design changed over time. You can find it here:

https://forums.radioreference.com/threads/160-20m-log-loop-on-ground.370110/

nanZor basically boils it down to a few guidelines.

  1. Keep it on the ground. Lifting the wire more than an inch or two decreased the lower angle signal reception greatly.
  2. Calculate the optimal length for one full wavelength of wire at the highest target frequency, say for example, the top of the 20 meter band (14350 kHz). 936/14.350 MHz * 0.9 velocity factor of simple insulated wire = 58.7 feet.  You can round up to 60 feet, no big deal since this is broadband.  The antenna should have a predictable reception pattern from 1/10th wavelength up to 1 full wavelength. Outside that range, the pattern gets “squirrely”.
  3. Using a 9:1 balun seemed to be a little better than a 4:1 balun at the antenna feedpoint. This gets into things I cannot measure and has to do with rising impedance as a loop gets closer to ground level. I am not sure but I think my Wellbrook amp has a built in 4:1 balun and it seems to work just fine.
  4. Make sure to use an RF Choke at BOTH sides of the feedline coax cable. He was adamant that the loop can get easily unbalanced and allow noise into the antenna and/or feedline and so it must be isolated and the ground allowed to “float” in his words.

Personally, I also wanted to use less wire and happened to have a length of 42 feet of landscape wire which should work well below 5 MHz with the Wellbrook amp engaged.  Results were not bad even though on hard frozen ground. Signal levels were down a little compared to the 100 foot of wire.  Here are a couple of examples, first one in a fast food parking lot with a grass field next to it and second at the usual Forest Preserve parking lot on a grass field.  I made sure that my car blocked the view of the wire so people would not get nervous!

La Voz Missionaria, Brazil:

Audio Player

Voice of Welt from Issoudun France in Kurdish:

Audio Player

These are not necessarily “DX” but definitely good for SWLing. I like the signal strength with the amplifier inline at the antenna feedpoint and I did not have to use an RF Choke at the receiver side as was suggested.

I had a 75 foot long insulated wire and used that at the Forest Preserve parking lot on a couple of different days.  Lower frequency signal strength and signal/noise ratio improved a little bit to be noticeable.

US Air Force HFGCS “numbers” station. Remote controlled from Andrews or Grand Forks bases (https://en.wikipedia.org/wiki/High_Frequency_Global_Communications_System), there was no way for me to know which of the 6 transmitters it was coming from:

Audio Player

BBC from Tinang Philippines in Korean:

Audio Player

Then, as nanZor suggested in his postings, I purchased a 9:1 balun/RF choke (it has both a balun and an RF choke built-in) from Ham Radio Outlet and put that in place of the Wellbrook amplifier.

I have not worked with it, but it is reported that the Nooelec.com v2 model is cheaper and works just as well – https://swling.com/blog/2019/10/the-nooelec-balun-19-v2/

Examples below with the 42 foot loop and 9:1 balun/choke, no amplifier:

KSDA, Agat Guam in English

Audio Player

WB8U doing a POTA activation of Leavenworth State Fishing Lake

Audio Player

VOLMET weather, Shannon Ireland

Audio Player

HCJB Quito Ecuador, probably in Quechua

Audio Player

As a side note, there is a posting that mentions low-angle DX is better with regions that have better “ground conductivity”, salt water being the best. I have no way of verifying this.  See post# 126 by KK5JY Matt.

So, bottom line is that a Loop on Ground can be useful for pleasant SWLing and portable.  Best to use it on grass, not asphalt.  The loop amplifier is useful to get signal levels up if you have to use a smaller loop size but the signal/noise ratio will suffer due to its smaller aperture.  And, warning, the public will find a way to trip over the wire no matter where you set it up (I may try putting the wire around my car if I can park on a grass surface and/or use the gaudiest, brightest neon green or orange wire I can find – they can’t trip over THAT, can they?).

TomL

Thanks, Tom, for sharing your update. Obviously, the LoG is working brilliantly. It’s amazing that you got such clear reception from the parking lot of a fast food restaurant.  If you were using a vertical instead, I bet signals would have been buried in the noise. 

I can also relate to people tripping over antenna wires. I remember one POTA activation recently (the first activation in this three park run) where I intentionally laid my counterpoise on the ground, off a foot path, in the brush and where I couldn’t imagine anyone ever stepping. Ten minutes into the activation and for no reason, someone walked off the path, into the brush, and it snagged them. Maybe I’m just a Ninja level trapper and never realized it!?

Thanks again for sharing the results of your LoG, Tom. Inspiring! 

Spread the radio love

Radio Waves: Old Goats Are Going Away, Pack Accused of Fraud, Post-Brexit Radio Imports, and a TV Drama About Murder of G0HFQ

4 Replies

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura, Ronald Kenyon, Michael Guerin, and the Southgate ARC for the following tips:

Commentary: “The Old Goats Are Going Away” (Radio World)

Broadcasters need to act to refill our ranks before the dial goes quiet

I see trouble ahead in our business in the shortage of qualified broadcast engineers.

I am not speaking of IT people. I am speaking of the guy in a T-shirt and jeans who gets to the transmitter, looks for the problem, reads the schematic, crawls inside the box and replaces R-16, R-17, C-232 and Q-4, and the music again blares forth.

We are losing those guys every day, and they are being replaced by the guy who walks into the site, looks at the box, grabs his cell phone, calls BE or Nautel to find which board to pull, and ships it back while waiting for a loaner to get the rig going.

I never thought of myself as an old-timer. Starting in the business in 1963, old-timers were the guys I learned from, mostly World War II graduates. They knew everything about audio and RF. I wished I knew a tenth as much as they did.

My first real bit of engineering was converting a 50 kW FM station to stereo in 1963. No one listened to FM then, I think there were 10 FM radios in the city and five were in Cadillacs owned by mob hit men.

I remember putting the stereo generator in an eight-foot rack. It took up four feet of the rack and had enough 12AU7s in it to heat the building. It had two outputs, one L+R that went into the phase modulator of the serrasoid exciter and the L–R output that went into the exciter about 200 multipliers later (the crystal frequency was multiplied 864 times).

It was a technical nightmare compared to mono FM. Getting two matched phased phone lines from the studio to the transmitter over three exchanges was another task. But we were stereo most of the time.

The FCC had a rule that if you weren’t transmitting stereophonic program material for more than a certain length of time, you had to shut the stereo pilot off so as not to mislead the 10 listeners by illuminating their stereo beacon. So the pilot on/off was wired into the old Rust remote control so the studio could turn it off when a monophonic recording of a symphony played.

Times changed; we wound up with RF STLs, stereo generators on a single chip, CD players, computers and lots of stuff made in foreign countries that wasn’t worth fixing or whose parts were not available, so when they broke they wound up on a shelf at the transmitter site.[…]

Voice of America CEO Accused Of Fraud, Misuse Of Office All In One Week (NPR)

Fresh crises and fresh challenges confront the Trump-appointed CEO of the parent of Voice of America, even with less than two weeks left of the Trump presidency.

To start, the Attorney General of the District of Columbia this week accused U.S. Agency for Global Media CEO Michael Pack of illegally funneling more than $4 million to his private documentary company through a not-for-profit that he also controls.

Then, five recent chiefs of Radio Free Europe/Radio Liberty – appointed under Democratic and Republican administrations – jointly warned President-elect Joe Biden that Pack poses “a long-term threat to the credibility and professionalism of the five networks” he oversees.

And now Pack is now being accused of trying to propagandize the Voice of America by a group of whistleblowers. They take exception to a planned appearance by Secretary of State Mike Pompeo at VOA’s Washington headquarters on Monday, just nine days before the Biden administration begins.

Pompeo will soon be out of his job. And it’s expected Pack will be replaced promptly as well. But he has sought to outlast his time in office by burrowing himself and conservative allies into boards that will steer Radio Free Europe/Radio Liberty, Radio Free Asia, and the Middle East Broadcasting Networks. The not-for-profit broadcasters are all funded by the federal government through USAGM.

Those networks, along with VOA and the Office of Cuba Broadcasting, collectively reach more than 350 million people across the world each week. They historically have demonstrated American pluralism by providing balanced coverage of news events and robust political debate, regardless of how it reflects on current government officials. The broadcasters are also intended to serve the citizens of nations which do not allow journalists to operate freely.[…]

Radio imports (Southgate ARC)

Now that the United Kingdom has left the European Union, we will see major changes in importing radio equipment.

Definitive information is scarce but imports from the UK can have VAT paid on purchase or depending on the retailer, VAT may have to be paid before delivery. If it comes via An Post, any charges will have to paid before the item is sent out for delivery.

The Post Office employees will not be collecting money at the door. Whether duty is also collected is not very clear, but some sources say that anything originating outside the European Union will attract duty as well as VAT. There may also be a handling charge.

John EI7GL has compiled a list of radio and electronic dealers based in the European Union on his blog page and would welcome any updates you can supply.[…]

TV drama about murder of radio ham G0HFQ (Southgate ARC)

On Monday, January 11, ITV will be broadcasting the first of a three part TV drama about the murder in June 1989 of Oxfordshire radio amateur Peter Dixon G0HFQ and Gwenda Dixon who were on holiday in Pembrokeshire

In the November 1989 Radio Communication magazine the RSGB asked:

Did you work GW0HFQ/M ?

As we’ve reported in previous editions of RadCom, Peter Dixon, G0HFQ. and his wife Gwenda were brutally murdered whilst on holiday in South Wales last June. Dyfed-Powys Police have asked us to say that they are still anxious to talk to anyone who had a contact with Peter whilst he was operating in Pembrokeshire as GW0HFO/M on 7 or 14MHz SSB. 28MHz FM/SSB or 144MHz FM. The dates between which they’d like you to check your logbooks are 19-29 June 1989.

Dyfed-Powys Police believe that Peter Dixon had a contact with another mobile station in the area on 28MHz FM on the morning of Wednesday 28 June.

The drama will be shown on ITV at 9pm on Monday, January 11, details at
https://www.itv.com/presscentre/ep1week2/
pembrokeshire-murders

A description of the murder is at
https://www.nickdavies.net/1992/06/27/the-tantalising-mystery-of-a-murder-in-pembrokeshire/

The October 1989 issue of 73 magazine carried a report, see page 13
https://worldradiohistory.com/Archive-DX/73-magazine/73-magazine-1989/73-magazine-10-october-1989.pdf

Do you enjoy the SWLing Post?

Please consider supporting us via Patreon or our Coffee Fund!

Your support makes articles like this one possible. Thank you!

Spread the radio love

Is AM synchronous detection a crucial portable radio feature?

33 Replies

Many thanks to SWLing Post contributor, Mike, who writes with the following question:

How important is AM Sync for a portable radio? Is it essential or a deal breaker?

That’s a great question, Mike, and one I don’t think I’ve directly addressed it here on the SWLing Post oddly enough.

Synchronous detection is actually a fairly deep topic to explore–and everyone has their own opinion–but I get the impression that you’d like a simple answer, so I’ll try to keep this as brief as possible. You might follow the comments section of this post as I’m sure some SWLing Post readers will share their thoughts on synchronous detection and how important it is for them.

So what is Synchronous Detection?

I like this concise Wikipedia answer:

In electronics, a synchronous detector is a device that recovers information from a modulated signal by mixing the signal with a replica of the un-modulated carrier. This can be locally generated at the receiver using a phase-locked loop or other techniques. Synchronous detection preserves any phase information originally present in the modulating signal. Synchronous detection is a necessary component of any analog color television receiver, where it allows recovery of the phase information that conveys hue. Synchronous detectors are also found in some shortwave radio receivers used for audio signals, where they provide better performance on signals that may be affected by fading. To recover baseband signal the synchronous detection technique is used.

How does synchronous detection help shortwave, mediumwave, and longwave listeners?

As the Wikipedia article notes above, sync detection can help “provide better performance on signals that may be affected by fading.”

In short: a solid synchronous detector can help stabilize an AM signal which then can help with overall signal intelligibility.

In some modern portable radios, at least, this could come at the expense of audio fidelity (see caveat below).

I use sync detection when the bands are rough, noisy, and QSB (fading) is affecting signals.

A good sync detector will help clean-up and stabilize the signal so that you can hear voice information with less listener fatigue. Sync detectors are also great tools for grabbing station IDs when propagation is less stable. If you have a receiver with selectable sideband synchronous detection, it can also be used as a tool for eliminating adjacent signal interference.

Caveat? Sync detectors vary in terms of quality.

The PL-880 has a synchronous detection “hidden” function. I’m sure it’s hidden because it’s so ineffective. The PL-880 is a fantastic portable, but don’t bother using the sync detector.

Many modern DSP portables sport synchronous detection, but they’re not terribly stable and the audio fidelity can take a big hit as well. Poor sync detectors can make audio sound “tinny” and narrow.

If a sync detector isn’t effective a providing a stable lock on a signal, then it’s pretty much useless. Why? If it can’t maintain a stable lock, it’ll produce very unstable shifting audio, often with the occasional heterodyne sound popping in as well. In those cases, it’s better to turn off synchronous detection.

Benchmark legacy tabletop receivers and modern Software Defined Radios (SDRs) typically have solid, effective sync detectors. Indeed, I rarely have the AM synchronous detector disengaged on my WinRadio Excalibur–that particular SDR and application enhance audio fidelity through sync detection.

I find that I use sync detection less with my Airspy HF+ Discovery and SDRplay RSPdx, for example, because the OEM applications natively does a brilliant job managing unstable signals.

In terms of portables, I’ve always considered the sync detector of the Sony ICF-2010, Sony ICF-SW7600GR, and PL-660/PL-680 to be pretty solid. I’m sure readers can suggest even more models.

Is sync detection an essential feature on a portable radio?

Not for me. But I do admit that I value the radios I own that sport a good sync detector.

For some SWLs and DXers, however? It might very well be a deal-breaker if a radio doesn’t have a sync detector, or if its sync detector doesn’t function well.

What do you think?

Is the lack of sync detection a deal-breaker for you? When do you employ sync? Please comment!

Spread the radio love

The export version of the Tecsun PL-330 has landed

37 Replies

Tuesday evening, I picked up a package from Anon-Co with the new export version of the Tecsun PL-330 inside. Anon-Co sent this unit to me for evaluation at no charge to me. Anon-Co will start shipping the PL-330 next week and the price will be $59.99.

By request, I took a few photos of the PL-330 as I unpacked it. This should give you an idea about how the radio is packed and what is included in the Anon-Co package:

The Anon-Co PL-330 package includes:

  • Tecsun PL-330 receiver
  • an English owner’s manual
  • a brown synthetic velveteen carry pouch
  • MicroUSB charging cable
  • earphones

My first thought? It looks like a mini PL-990!

The PL-330 is powered by one BL-5C battery pack. To meet shipping regulations, the BL-5C is not pre-installed–you’ll need to do that yourself.

Note that the PL-330 lacks a fold-out back stand. That is unfortunate

On the air

Unfortunately, I’ve had no proper time to evaluate the PL-330 (comparisons) yet as this is an incredibly busy week for me.

I did, however, listen to the PL-330 as I worked outside all day Wednesday. Sadly, there was a lot of news to follow here in the States that day.

I was able to receive all of my benchmark local and regional AM and FM stations with no problem. For day-to-day broadcast listening, it seems to be a solid portable.

It’s still early days, but I think the PL-330 may be one of the best portables for FM I’ve tested in a while. On Wednesday, I tuned to WFAE in Charlotte a number of times throughout the day and the PL-330’s lock on the station was rock-solid. WFAE’s transmitter is just over one hundred miles from my home, so this is typically a tough catch if I’m inside my home or my car, etc.

The real test? I can also receive WFAE with the PL-330 in my kitchen window. Again, only a small number of portables can reliably grab WFAE’s signal from that spot. Indeed, the PL-330 almost receives WFAE as if were a local station.

While this is far from a laboratory test, it is certainly a real-world test for this radio enthusiast.

I’ve yet to dive into the shortwaves, although I’m incredibly curious how well the sync lock might work. I’m keeping expectations low–after all, this is a $60 radio. The price point is quite good for sporting upper and lower sideband reception, let alone synchronous detection.

For more information about the PL-330, I’d encourage you to check out the following posts:

Spread the radio love