Category Archives: Mediumwave

A review of the Sangean HDR-14 portable AM/FM HD radio

Late last year, we learned that Sangean was planning to introduce a small portable HD radio to their product line: the Sangean HDR-14. Readers were excited about this release––indeed, I’ve received more inquiries and comments from readers about this radio than about any other HD radio.

While there have been numerous portable FM HD radios on the market over the years, there have been very few compact HD portables that can also pull AM HD signals from the ether. Shortly after Sangean made their announcement that the HDR-14 was forthcoming, I contacted them and requested a review unit. They sent me a review sample from the first production run in May.

Due to my exceptionally busy schedule this summer, it’s taken me longer than I’d like to  be able to write up a complete review. On the plus side, while I’ve not had a chance to sit down and write, I have had time to listen; thus I’ve had more on-the-air time with the HDR-14, with the result that my review is built on nearly three months of use.

Initial impressions

Size comparison: Sangean HDR-14 (left) and the C. Crane CC Skywave SSB (right)

The HDR-14 has a practical AM/FM portable radio design: the front panel features a backlit display, speaker grill, power button, memory preset buttons and a few other buttons to control essential functions like tuning, HD mode/channel selection, band, and information display toggle.

Like most similar Sangean radios, the chassis is a hard gloss plastic finish, while the front panel is mostly matte. The buttons are raised and have a pleasing tactile response.

On the left side of the radio you’ll find a coaxial power port (5VDC with a positive tip), volume wheel and headphones jack. I do wish Sangean had used a standard micro USB port, but their alternate choice might be be a result of the fact that USB power supplies are so RF noisy…? This is, however, mere speculation on my part.

On the right side, the only feature is one mechanical key lock switch––a bonus for me, as I prefer mechanical key locks over push buttons.

On the back of the radio you’ll find the usual silk-screened product specifications and model information. You’ll also find the large battery compartment cover which easily slides open to reveal positions for three AA cells.

The telescopic antenna is sturdy and about twenty-five inches in length, fantastic for FM radio reception.

One unique feature of the HDR-14 is that it doesn’t have a tilt-out stand on the back, rather a foot that swings out from the bottom/base of the radio. The foot gives the HDR-14 excellent stability while standing up, say, on a night stand next to the bed. Brilliant addition, Sangean!

Features and specifications

For such a compact portable, the HDR-14 sports a compliment of features:

  • HD Radio digital and analog AM / FM-Stereo reception
  • 40 Memory Presets (20 FM, 20 AM)
  • PAD (Program Associated Data) Service
  • Support for Emergency Alerts Function\
  • Automatic Multicast Re-Configuration
  • Real Time Clock and Date with Alarm and Sleep Function
  • 2 Alarm Timer by Radio, Buzzer
  • HWS (Humane Wake System) Buzzer and Radio
  • Snooze Function
  • Information Display for Channel Frequency, Call Sign, Radio Text, Audio Mode, Service
  • Mode, Signal Quality and Clock Time
  • Easy-to-Read LCD Display with Backlight
  • Low Battery LED Indicator
  • I/O Jacks: DC In, Headphone and HD / FM Rod Antenna

The clock and alarm features make the HDR-14 ideal for travel. Sangean’s “Human Wake System” is one of the best wake up alarm systems I’ve ever used on a radio: the buzzer alarm sound will slowly increase in volume for 1 minute, then stop for one minute of silence, and repeat up to one hour. Of course, this will wake most of us on the first go. If not, it’s patiently persistent, but a gentle way to wake:  I like this.

The internal speaker is well balanced though it lacks any notes of bass. Still, music is quite pleasing, and the spoken word sounds brilliant and clear. Note that my expectations for audio fidelity are always fairly low from radios in this size class (although the Sangean  WR-7 showed me that compact radios are capable of amazing fidelity).

Operation

Tuning the radio and storing frequencies to memory are each straightforward and simple.

Keep in mind, however, that the Sangean HDR-14 can receive both AM and FM radio in analog and HD. On either band, if you tune to an analog station with accompanying HD channels that can be received, the HD Radio logo will flash on the display, indicating that the signal is blending from analog to digital. Once the radio locks onto the HD signal, the HD Radio logo on the display will cease flashing and appear steady.

Saving a station to a memory is simple: 1) tune to a frequency, use the page button to select the desired memory page of five presets; 2) press and hold the button where you would like to store the frequency, and when you hear a beep, the station has been stored. If you chose, for example, the third page and first memory position, “31” (indicating “page 3” and “memory 1,” respectively) will appear on the top line of the display. After entering your presets, you can then recall a station by selecting a page and simply pressing the preset.

The HDR-14 does have a useful “HD Seek” function that searches for HD signals automatically. In addition, there is an HD Auto Preset System that will scan the band for HD signals, then auto-store them in memory presets according to their signal strength. The first memory on the first page will be the strongest station received.

If the HDR-14 acquires an HD station that multicasts (and in my market, most do), the display will note “HD1,” “HD2,” or “HD3,” based on the number of multicast HD signals per broadcaster. You can flip through these with the tune up/down buttons once the display indicates multicast signals.

The HDR-14 also features an alpha-numeric RDS system which makes identifying the station and even their programming/music quite easy. I find that the RDS decode is quite good: it works on even marginal FM signals.

Performance

The last Sangean HD radio I reviewed was the HDR-16, and I was impressed by its performance. As you can imagine, my hope was that the HDR-14 would pack the HDR-16’s performance in a smaller package…So, did it?

Let’s just say it comes quite close.

The HDR-16’s analog AM broadcast band performance is, overall, better than that of the HDR-14. The HDR-14 isn’t poor, but its noise level is slightly higher than the HDR-16’s. I can’t say I’m disappointed with the HDR-14’s analog AM performance, however; it’s just what one would expect. I do wish it had impressed me.

I’ve only received one AM HD signal with the HDR-14, so I can’t comment on the AM HD performance other than to say I was impressed with the steady HD lock. I listened to WWFD in Germantown, MD:  I could receive the station both day and even at night when power output was decreased dramatically. I find that AM HD sort of boggles the mind; it’s odd listening to a clear, static-free signal on the AM dial.

Click here to view on YouTube.

I’ve had several SWLing Post readers tell me they were impressed with the HDR-14’s ability to acquire AM HD signals. One reader added that it’s the best he’s ever used…wow! As I travel this year, I hope to snag a few more AM HD signals myself.

The HDR-14 is a very sensitive FM analog receiver. I find that I can receive all of my benchmark local and distant analog FM stations. The HDR-14 seems to be every bit as good as the HDR-16 in terms of sensitivity.

One caveat is that when I tune to an FM analog signal which happens to be adjacent to a strong FM station, sometimes the strong adjacent station bleeds into the audio. FM selectivity isn’t as good as the HDR-16.

In terms of FM HD performance, you might recall that in my review of the Sangean HDR-16, I mentioned that one of my benchmark distant HD FM stations is WFAE HD2. WFAE’s transmitter is just over one hundred miles from my home shack, and I’m well outside even the the fringe reception area. I’m pleased to note that, on more than one occasion, from my porch, I’ve gotten a reliable HD lock on WFAE with the HDR-14. I’m convinced that when the leaves fall off the trees this fall (they do attenuate signals) reception will be fairly near to reliable.

Listening to the HDR-14 from a hospital room.

While waiting for a block of time to pen this review, I’ve spent a lot of time tuning to FM HD signals in a least five different urban and regional markets in two countries. And I can say I’m very impressed with reception; the HDR-14 seems to snag every available HD signal.

Summary

Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget some of my initial impressions. Here is the list I formed over the time I’ve spent evaluating the HDR-14.

Pros:

  • Excellent overall FM Analog and HD performance
  • Excellent AM HD reception (a stand-out for pocket sized HD receivers)
  • 40 memory presets
  • Built-in speaker has first-rate fidelity for spoken word and music (see con)
  • Uses standard AA cells
  • Excellent build quality
  • Gentle but persistent alarm
  • Useful swing out stand for bedside listening and alarm usage
  • Compact form factor, ideal for travel

Cons:

  • AM analog performance is acceptable but not for weak-signal work
  • FM Analog selectivity is mediocre, some strong adjacent station bleed-through
  • Built-in speaker lacks bass response, so not optimal for all music listening (see pro)

Conclusion

While I have mixed feelings about digital radio in general––but especially In-band on-channel (IBOC) HD radio––I do love exploring all that over-the-air radio has to offer. Like it or not, HD radio is a part of that landscape for the foreseeable future.

HD Radio has opened up a few alternative music stations that otherwise I’d never have discovered in my local market. In addition, I find that NPR and public radio stations often multicast commercial-free talk, jazz, and classical music, which makes HD Radio a worthy addition at home and while I travel. In large urban markets, HD Radio certainly increases the number of available commercial options sometimes by a factor of two or possibly more.

If you like chasing AM and FM HD signals, you’ll be very pleased with the HDR-14. It’s first rate, and I recommend it.

The Sangean HDR-14 RDS display (Photo: Thomas)

I’ll close by adding that I continue to be impressed with Sangean as a company.  They’ve always been one of the quality leaders in the portable radio marketplace, and still make products with the radio enthusiast in mind––something of a rarity these days. I always look forward to seeing what they’ll come up with next!

The Sangean HDR-14 can be purchased at a number of retailers including:

Click here to check out the Sangean HDR-14 on Sangean’s website.

Spread the radio love

August 2018 Rockwork DXpedition: Top ten recorded signals

Many thanks to SWLing Post contributor, Gary DeBock, who shares the following notes and recordings from the latest Rockwork DXpedition.


Top Ten DU signals from the August 2018 Rockwork DXpedition

– Gary DeBock

Life is good– breathtaking ocean scenery, an innovative compact antenna, thunderous DU signals and even a partner (Craig Barnes) to share in the bounty. Who could ask for more?

Listed below are the Top Ten DU signals recorded during the recent Rockwork ocean cliff trip (near Manzanita, Oregon) from August 1-9, including several low-powered Kiwi stations which acted like “big guns” pretty much throughout the DXpedition. All of these were recorded with 7.5″ loopstick portables (CC Skywave SSB and XHDATA D-808) and “Airport Unfriendly” 15″ and 17″ FSL antennas (guaranteed to send TSA agents into a security alert).

531 More FM Alexandra, New Zealand, 2 kW The obscure modern rock station usually managed at least one S9 peak each morning, and was fully competitive with Kiwi co-channel PI for the first time. This TOH recording at 1300 on 8-8 demonstrates its potent capability at the cliff

Click here to download.

531 PI Auckland, New Zealand, 5 kW Pacific island music at a huge level at 1248 on 8-7 was typical from this low band powerhouse, which was frequently in an all-Kiwi snarl with its overachieving co-channel More FM

Click here to download.

558 Radio Fiji One Suva, Fiji, 10 kW The donated Japanese transmitter still puts out awesome signals for this native-language powerhouse, including this island music with a Song Medley ID (“Radio Fiji One, na domoiviti”) at 1:38 into this recording at 1252 on 8-1

Click here to download.

567 RNZ National Wellington, New Zealand, 50 kW After demolition of its old tower the RNZ big gun has sometimes sounded anemic on the west coast, but certainly not at 1320 on 8-3 with Indian-accented English

Click here to download.

585 7RN Hobart, Tasmania, Australia 10 kW The RN network Tasmanian must have somehow hacked into the Kiwi propagation pipeline at 1306 on 8-6; at the time it was much stronger than its 576 parallel

Click here to download.

594 Star Timaru/ Wanganui, New Zealand 5 kW/ 2 kW Another Kiwi overachiever, this low powered network was socking it to the Oz big gun 3WV all week, including with this powerful Christian music // 657 at 1326 on 8-3

Click here to download.

657 Star Wellington, Tauranga, New Zealand 50 kW/ 10 kW The flagship Star station sure was playing the part with Christian music at an overwhelming level at 1238 on 8-6, including an ID at the end of the recording

Click here to download.

765 Radio Kahungunu Napier-Hastings, New Zealand 2.5 kW The overachieving Maori station was its usual potent self with island music and Maori chants at 1218 on 8-1; it was usually slightly stronger than its 603 parallel (Waatea)

Click here to download.

936 Chinese Voice Auckland, New Zealand 1 kW One of the most incredible signals of the entire DXpedition– the 1 kW ethnic station pounds into the cliff at an S9 level at 1309 on 8-2– ocean cliff propagation at its finest!

Click here to download.

1017 A3Z Nuku’alofa, Tonga 10 kW Yikes! The rejuvenated Pacific island big gun thunders into the cliff with the strongest signal I’ve ever heard recorded in North America, featuring island music at 1314 on 8-1… almost loud enough to wake up the sleeping squatters

Click here to download.

73 and Good DX,

Gary DeBock (DXing at the Rockwork ocean cliff near Manzanita, Oregon, USA with Craig Barnes from August 1-9)


Thank you for sharing those catches, Gary!  It’s amazing what DX you can snag with an ultralight radio and a homebrew FSL loop antenna. Someday, I hope to join you guys on the cliff!

Spread the radio love

A review of the Tecsun R-9012 shortwave radio

 

Many thanks to SWLing Post contributor, Laurence Neils, who shares the following guest post:


A review of the Tecsun R-9012

by Laurence Neils

I have cheap radios. I can’t really justify buying more expensive ones given how much time (not all that much) I spend listening to the short wave broadcasters. The consequence of this is that, when I do listen to shortwave stations, I have the rather standard ultraportables to listen on.

My go-to radio is the Tivdio V-115, which has pulled out quite nice reception for me, and offers several functions I like a lot. However, it was missing one that interested me the most: analog or analog-like tuning. If I want to listen to something, I either have to know its frequency and try it, or I have to let the radio do an automatic scan. While it’s quite good at pulling out stations and letting me hear them, it can take a few minutes to do a full scan, and canceling it doesn’t result in the part scanned so far to be stored. Very few stations I am interested in hearing are convenient to jump into several minutes after they start (my interest is in spoken content rather than music, and neither news nor stories make a ton of sense if the introductory information was not heard).

From a recommendation here on the SWLing Post, I chose to purchase a Tecsun R-9012 radio to help me do a convenient scan, which is useful because it allows me to find stations without knowing their frequency, and leaves me to not remember all seventy frequencies a certain broadcaster is using this year.

Physical Description

When I bought my Tecsun R9012, it arrived quite quickly from Amazon. It included a short manual, whose contents could be loosely paraphrased as “insert batteries and turn on”. Other than that, the radio is all that’s there.

The R9012 is relatively small, but not as thin or compact as the Tivdio, which will be my main comparison unit for this review. It is your basic rectangle form factor, and about the size of the small tape recorders that were the last to be phased out for portable recorders. It would be easy enough to put this in a backpack, jacket pocket, or glove compartment, but you have no chance comfortably fitting it into a standard pocket. On the back, there is a flip-out kickstand that can hold the radio at about thirty degrees from horizontal and the battery compartment. This radio is powered from two AA batteries.

The right side of the R9012 contains the analog tuning knob, which I will discuss quite a bit later, and the power switch, which is not connected to anything else (not integrated into the volume knob or mode selector).

The left side gives you a 3.5mm audio out jack. This supports all the headphone types I’ve tried. One benefit of this radio is that headphones with integrated microphones, such as the ones that come with the iPhone as well as various sets that are intended for phone use, will work with it. Some other radios won’t work well with that type of headset. The Tivdio, for example, will play through the headphones but forgets to turn off the speaker if there is a microphone on them, making the headphones pretty much pointless.

Next to that jack is a power port, supposedly to recharge the batteries. A connector for this is not included, nor do they seem to sell one. I suppose the theory is that you might already have a suitable one in that box of old cables we all have, but I can’t see this as a particularly useful feature given the RFI you’ll get if you connect a radio directly to the mains to recharge. Above the ports is the volume knob, which is a very basic analog one, and then the wrist strap, which is integrated into the case. There doesn’t seem to be a way to remove or change it, should you desire that.

On the front of the radio, the speaker takes up the left half. This is fine for standard listening, but don’t expect wonders of audio fidelity. On the right half, there is the twelve-position mode switch (from left to right, FM, MW, SW from low to high frequency) and the tuning display.

FM performance

The Tecsun has a standard FM function, with stated coverage from 76 to 108 MHz. This is the leftmost position on the mode selector. The band is not divided into multiple switch positions, meaning that stations will be relatively packed into dialing space when compared to shortwave, which is spread across ten bands.

I didn’t buy this radio to use it for FM. I have very little interest tuning for FM stations. Some people may enjoy the experience of manual tuning for a station they can locate quickly, but I’m not one. I can easily type the frequency I want on my Tivdio, and I intend to keep doing that for FM. I mostly intended to test FM performance on the R9012 because I was curious to see whether there would be anything audible in the 76-87 MHz section. I know that our TV standards have switched off using analog audio, so I assumed there would be nothing, but I’d never formally put that to the test.

FM on the R9012 has problems. In fact, it has a lot of problems. Among other things, the FM process on this radio doesn’t seem to have a very good idea where things are. I’d be tuning through looking for some station and I’d find it…only to see that I was in a completely foreign part of the spectrum where that station had no business being. It seems that, unless you’re very focused in on a station, the R9012 is liable to pick up some other broadcast and layer them on top of each other. Never mind that the broadcasts have nothing to do with each other and aren’t anywhere near each other on the band. If you have a specific station you want, you can tune to it and have no problems. If you want to see what’s there, you’ll have a very fun time listening to stations that you might want to listen to, only to find that that was an image, you’ve lost it now, and you can’t find it again.

Sometimes, I managed to find a part of the spectrum that gave me three different images simultaneously. Ironically, the broadcast I intended to use as my landmark, the local classical music broadcast, which is located very close to the middle of the FM spectrum, was strong enough or at a coincidental frequency that I identified images of it at six different places on the scan, in addition to where it should be. So I got my answer about 76-87 MHZ. According to the R9012, there’s a lot of signal there. It’s just coincidence that it sounds exactly the same as standard FM broadcasts with extra static.

FM performance gets worse: this radio is extremely sensitive to location.

In order to get nice reception, you have to have the radio in a good position. This seems to be completely random. Standing up so the antenna lies flat on the top, but is not extended produces almost silence. Lying down so the antenna is touching the table (not a metal table) or chair (not a metal chair) causes most signals and images to come through quite clearly. Extending the antenna to medium length helps reception. Extending it all the way introduces a lot of interference. On FM, volume also changes a lot. We may reasonably expect for the signal to change if we connect something conductive to the antenna by, say, touching it with our conductive fingers. Maybe reception will get more static, or maybe it will in fact improve. What we don’t expect is for the broadcast to switch from comfortable volume to let’s see if we can get you some tinnitus volume. Unfortunately, that’s sometimes what happens on FM if you touch the R9012’s antenna. Or tilt it a bit in the wrong direction. This doesn’t seem to happen much if it is tuned onto a station, but if it is anywhere in the middle or if there’s some static, the volume change is very noticeable, in that it makes you want to get the radio off as soon as possible.

In summary, this radio just can’t really do FM. If your other radios are broken, you’ll be fine by using this, but don’t buy it if you intend to do FM things.

Mediumwave performance

The MW frequencies are mostly there, with stated specs including from 525 to 1610 kHz. While there are broadcasts between 1610 and 1710 KHZ, that’s not a ton of the spectrum. I don’t have much interest in MW. I tested the radio’s performance, and it seems fine. Strong stations come in loud and clear. Stations that have low broadcast powers are easy to tune in. I was able to get some skywave MW in here as well, but I really don’t have any interest in that. I was able to verify, however, that the terrible effects that plague FM performance don’t appear on MW. I got no images of distant stations, no rapid volume switches, and the position of the radio doesn’t seem to affect MW reception all that much. Perhaps this is due to the different antenna that most radios employ in tuning MW. However, the manual doesn’t say whether this radio has such an alternative antenna and I haven’t gone to the effort of disassembling it to find out.

Shortwave performance

Once again, the crazy stuff seen on the FM band doesn’t appear during shortwave listening. I was able to tune in quite a few stations, although this probably isn’t a DX-capable device unless you’re willing to go out into RFI-free areas. That sounds enjoyable, but it’s not really my thing. When I got signal, it came in quite clearly. I got very little interference from the device itself, although it does seem quite susceptible to RFI from power lines. Of course, so is everything else, but if you put its antenna closer to a line, you’d know it.

Frequency coverage

Shortwave is covered in ten bands that allow access to the more populated areas of the spectrum, but have many gaps. Certain descriptions claim that the radio has coverage from 3.90 to 21.85 MHz. This is so misleading I’d be willing to call it a lie. The actual ranges are as follows:

  • SW1: 3.7 – 4.10Mhz
  • SW2: 4.75 – 5.06Mhz
  • SW3: 5.95 – 6.20Mhz
  • SW4: 7.10 – 7.30Mhz
  • SW5: 9.50 – 9.90Mhz
  • SW6: 11.65 – 12.05Mhz
  • SW7: 13.60 – 13.80Mhz
  • SW8: 15.10 – 15.60Mhz
  • SW9: 17.55 – 17.90Mhz
  • SW10: 21.45 – 21.85Mhz

So what if most signals are in there somewhere? Those gaps are very large. For example, the only broadcast frequency for WWV that would be covered on this set is the 5MHZ one. 10, 15, and 20MHZ are all located in various gaps on the bands.

This turned out to be quite annoying. I know that these are standard areas of the spectrum, in which people place a preponderance of broadcasts, but the fact remains that a lot of broadcasts occur between the bands on this set. I checked the A18 shortwave schedule to identify how crazy I was. Of the 5530 broadcasts that were listed between the limits of 3.90 to 21.85 MHZ, 1870 of them or 33.8% of the total, are outside the range of this set.

It strikes me that the largest band on this radio covers only 500 kHz of space, whereas the smallest gap between bands covers 750 kHz. In many cases, bands cover only 100 kHz of bandwidth. While I guess it’s better that they’re there rather than their being completely absent, perhaps some effort could have been done to open that up a bit more. I quickly analyzed where missing signals were, and if Tecsun could extend the 5.95-6.20 MHz band down to 5.8 MHz, 7.10-7.30 up to 7.60 MHz, expand the 9.5-9.9 band, and give an extra 50 kHz to the 11.65-12.05 band, most of the missing spectrum, nearly a thousand broadcasts, would be brought back into coverage. This could be done and still keep the maximum band width at 500 kHz. Therefore, as they didn’t seem to feel this an important issue, it falls to me to consider it so.

Manual tuning

So I bought this to tune manually. It stands to reason that I should review how well it does that.

The analog dial is on the right, and protrudes outward. Once again, the knob does its job, but not all that well. It was very easy to use this to pan through the spectrum and pick up stations, but the wheel doesn’t make it all that easy to do so quickly. You have to turn it by grasping, as the wheel has a fair bit of resistance. I don’t doubt that this feature helps to keep from knocking it off frequency, but you have to use two fingers to rotate freely, and that slows the process down. Meanwhile, the wheel has a rather disconcerting way of stopping, where the wheel seems to have hit an obstruction. However, this essentially increases the resistance, rather than feeling like a barrier. It’s noticeable, but it feels like something’s blocking the turning mechanism, rather than that the mechanism has reached its limit. Actually, it is possible to keep turning the dial, which I assume will eventually damage something, but if you’re not used to how it feels, you may do so without realizing that you’re not actually going anywhere.

The wheel has quite a bit of travel. On my set, it will rotate about three full turns. I believe this is necessary because all of FM, including the standard and Japanese bands, is in one section. Therefore, the wheel needs to be able to turn a lot in order to separate those stations. However, this means that panning over a shortwave band that covers at most 500 kHz of spectrum includes a great deal of panning over static. This works to scan quickly, but there are undoubtedly even faster ways to do so.

Conclusions

It’s a radio. It will pick up stations and make noise. In that, it works. However, this isn’t exactly a great set. The $22 price tag may forgive some of its flaws but not all of them.

Radios like the Tivdio models cost similar amounts and cover the spectrum more fully with some extra features. When I purchased this model, I expected the lack of features to be made up by convenient scanning over shortwave, relatively good sound, and relative disposability. I got enough for me to keep the set, but nothing more.

Pros:

  • Mediumwave is rather sensitive for those who enjoy listening to those signals.
  • Radio has a kickstand and the antenna can be rotated freely.
  • Radio supports headphones with inline microphone.

Cons:

  • FM is plagued by images of other stations that should not be there. This is rather bad.
  • FM is far too sensitive to antenna position.
  • Shortwave coverage, while it includes most of the spectrum in use, has big gaps that are actually being used by a lot of broadcasters.
  • Analog tuning works, but not really well. The knob can turn but does so with effort.

Would I recommend people to purchase this? Probably not.

Those who have higher-priced devices will get nothing from this. Those getting into the hobby aren’t going to get a ton of benefit from this, because tuning on shortwave requires enough familiarity with dial position that they may spend too long figuring it out. It would be useful on FM only if most other radios have been broken. It’s not even that good as an emergency set because of the FM sensitivity problem.

If all you want is analog tuning over the bands that are provided, the radio will do it for you. If you want more, buy something else.


Thanks for sharing your evaluation Laurence. Thanks for focusing on one of the points that is often overlooked with analog radios: the frequency coverage on various shortwave bands. The R-9012 does seem particularly segmented. 

Tecsun R-9012 retailers:

Post readers: Do you own the R-9012? What are your thoughts? Please comment!

Do you like the SWLing Post? Consider supporting us via Patreon or our Coffee Fund! Thank you!

Spread the radio love

Inside Radio: “Sale of Border Station Raises Chinese Propaganda Worry”

(Source: Inside Radio via Dennis Dura)

The proposed sale of an AM station along the Mexico-U.S. border to a group of Chinese investors has stoked fears that the 50,000-watt station will be used to infiltrate the U.S. with Chinese propaganda. Spanish news-talk “W-Radio 690” XEWW (690), which blankets Southern California from Tijuana, is being sold by Mexican broadcaster GLR to Chinese investment group H&H Group USA, owned by Vivian Huo, a U.S. citizen who runs the investment firm H&H Capital Partners.[…]

Click here to read the full article.

Spread the radio love

Bill tweaks his AM loop antenna for optimal mediumwave performance

Many thanks to SWLing Post contributor, Bill Hemphill (WD9EQD), who writes with the following update to his previous post:

As you may remember, back in May, I picked up a beautiful home-made loop antenna. It was 25 inches on a side with 23 turns of wire. My initial testing showed that it would tune from 280 kHz to 880 kHz. While I was familiar with loop antennas, I had never tried using one.

My initial tests were disappointing. So I spent some time on the internet reviewing AM loop antenna designs. I came across a reference to an AM Loop Antenna Calculator by Bruce Carter:

http://www.earmark.net/gesr/loop/umr_emc_calc.htm

I first measured the tuning capacitor and found that it tuned from 25 to 400 pF. Entering the data into the calculator:

This matches closely to what I was experiencing.

I then proceeded to calculate various Number of Turns to see the effect on tuning range. My goal was to tune the entire AM broadcast band.

I settled on ten turns which gives the following from the calculator:

Perfect. I removed 13 turns (which left ten turns) and then added a two turn secondary loop which would be connected to the radio. The results were fantastic.

I have created three short videos showing the difference between using the Tecsun S-8800 without the loop on a weak station and then using it with the loop.

[Note: If you’re viewing this post via our email newsletter you might need to view this post via a web browser to see the following embedded videos.]

Without the loop

With Loop

As you can hear, a very noticeable difference.

[After making these videos] I tested the of reception of 1510 kHz on the Panasonic RF-2200:

The results are amazing.

I have logged three stations on one frequency. Just peak the one station, then tune the loop and peak the second, then turn the loop some more and peak a third station.

I’m having a lot of fun with the loop. When it gets a little cooler, I plan to take it to the park where there is zero noise and really put it through its paces.

Excellent job, Bill! You’ve proven that doing a little research and making small adjustments to an antenna design can yield impressive results! Thank you for sharing!

Spread the radio love

August 2018 Rockwork Ocean Cliff DXpedition most distant AM-DX

Many thanks to SWLing Post contributor, Gary DeBock, who shares this note from the recent Rockwork Ocean Cliff DXpedition:

The most distant AM-DX received during the August 2018 Rockwork Ocean Cliff DXpedition was 558-6WA in Wagin, Western Australia, received during the last session (9 out of 9) at 1252 on August 9th. At 9,154 miles (14,732 km), the ABC “Nightlife” program content was matched to the related ABC website Podcast. The co-channel music is from 558-Radio Fiji One This was received on an XHDATA D-808 portable boosted by a 17″ FSL antenna:

Click here to download the audio file.

What an impressive catch, Gary! Thank you for sharing!

Spread the radio love

Gary shares some catches from the first day of the Rockwork 5 DXpedition

FSL Antennas poised to grab DX! (Photo: Gary DeBock)

Many thanks to SWLing Post contributor, Gary DeBock, who shares an update from the latest Rockwork (Utralight) DXpedition. Gary notes (in bold):

First day FSL antenna setup at the Rockwork 5 ocean cliff near Manzanita, Oregon (Craig Barnes in the photo)– outstanding conditions for 558-Fiji and 1017-Tonga!

558 Radio Fiji One Suva, Fiji Awesome signal with island music and medley song ID on the half hour at 1230 (including “Radio Fiji One, Na Domoiviti” at 1:36) :

Click here to download audio.

765 Radio Kahungunu Napier-Hastings, NZ The usual S9 signal from this 2.5 kW overachiever with distinctive Maori music at 1218:

Click here to download audio.

1017 A3Z Nuku’alofa, Tonga Monster signal with island music at the start of the session at 1221:

Click here to download audio.

Monster signal with island music near the close of the session at 1314 (in other words, all session long):

Click here to download audio.

Wow! Impressive catches, Gary! Someday I would love to join your team as you snag signals from the edge of the Rockwork cliff.

Thanks for sharing, Gary and good DX!

Do you like the SWLing Post? Consider supporting us via Patreon or our Coffee Fund! Thank you!
Spread the radio love