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Many thanks to SWLing Post contributor, Adid, who shares two inexpensive mods he made on his XHDATA D-808 shortly after taking delivery of it in 2018. One is simply clear tape over the display to protect it from scratches. The second is applying three tiny drops of glue which create tactile points on the keypad for nighttime operation.
Many thanks to SWLing Post contributor, Gary DeBock, who shares his extensive 2021 Ultralight Radio Shootout.
This is truly a deep dive featuring five popular ultralight portable radios and examining mediumwave, shortwave, FM, and AIR Band performance.
The review is an amazing 40 pages long! In order to display the entire review, click on the “Continue reading” link below.
2021 Ultralight Radio Shootout
Five Hot Little Portables Brighten Up the Pandemic
By Gary DeBock, Puyallup, WA, USA April 2021
Introduction The challenges and thrills of DXing with pocket radios have not only survived but thrived since the Ultralight Radio Boom in early 2008, resulting in a worldwide spread of the hobby niche group. Based upon the essential concepts of DXing skill, propagation knowledge and perseverance, the human factor is critical for success in pocket radio DXing, unlike with computer-controlled listening. The hobbyist either sinks or swims according to his own personal choices of DXing times, frequencies and recording decisions during limited propagation openings—all with the added challenge of depending on very basic equipment. DXing success or failure has never been more personal… but on the rare occasions when legendary DX is tracked down despite all of the multiple challenges, the thrill of success is truly exceptional—and based entirely upon one’s own DXing skill.
Ultralight Radio DXing has inspired spinoff fascination not only with portable antennas like the new Ferrite Sleeve Loops (FSL’s) but also with overseas travel DXing, enhanced transoceanic propagation at challenging sites like ocean side cliffs and Alaskan snowfields, as well as at isolated islands far out into the ocean. The extreme portability of advanced pocket radios and FSL antennas has truly allowed hobbyists to “go where no DXer has gone before,” experiencing breakthrough radio propagation, astonishing antenna performance and unforgettable hobby thrills. Among the radio hobby groups of 2021 it is continuing to be one of the most innovative and vibrant segments of the entire community.
The portable radio manufacturing industry has changed pretty dramatically over the past few years as much of the advanced technology used by foreign companies in their radio factories in China has been “appropriated” (to use a generous term) by new Chinese competitors. Without getting into the political ramifications of such behavior the obvious fact in the 2021 portable radio market is that all of the top competitors in this Shootout come from factories in China, and four of the five have Chinese name brands. For those who feel uneasy about this rampant copying of foreign technology the American-designed C. Crane Skywave is still available, although even it is still manufactured in Shenzhen, China—the nerve center of such copying.
Prior to purchasing any of these portables a DXer should assess his own hobby goals, especially whether transoceanic DXing will be part of the mission– in which case a full range of DSP filtering options is essential. Two of the China-brand models use only rechargeable 3.7v lithium type batteries with limited run time, which may not be a good choice for DXers who need long endurance out in the field. A hobbyist should also decide whether a strong manufacturer’s warranty is important. Quality control in some Chinese factories has been lacking, and some of the China-brand radio sellers offer only exchanges—after you pay to ship the defective model back to China. Purchasers should not assume that Western concepts of reliability and refunds apply in China, because in many cases they do not. When purchasing these radios a DXer should try to purchase through a reputable seller offering a meaningful warranty—preferably in their own home country.
One of the unique advantages of Ultralight Radio DXing is the opportunity to sample the latest in innovative technology at a very reasonable cost—and the five pocket radio models chosen for this review include some second-generation DSP chip models with astonishing capabilities. Whether your interest is in domestic or split-frequency AM-DXing, FM, Longwave or Shortwave, the pocket radio manufacturers have designed a breakthrough model for you—and you can try out any (or all) of them at a cost far less than that of a single table receiver. So get ready for some exciting introductions… and an even more exciting four band DXing competition!
Many thanks to SWLing Post contributor, Dan Robinson, who shares the following guest post:
Revisiting the XHDATA: What Sangean Should Have Learned from the D-808
by Dan Robinson
Recent additions to the shortwave portable receiver market have been quite impressive, especially considering the continuing decline in the use of shortwave as a transmission method by broadcasters.
In what could be the final models from Tecsun, we saw the PL-330, PL-990x and H-501x all of which bring impressive features and capabilities to the game. Sangean finally introduced its upgraded ATS-909×2 including an early firmware upgrade that was supposed to correct some issues with this receiver.
As I have observed in some recent reviews, the very fact that the listening community still sees any new receivers is reason for gratitude, though we also have opportunities to acquire numerous classic receivers and can still do an excellent job in today’s listening environment.
One receiver that emerged a few years ago and which took the listening hobby by storm was the XHDATA D-808. Numerous reviews are online, including ones here on the SWLing Post, and excellent reviews by Gilles Letourneau here and here.
The 808 was and still is compared to the CCrane Skywave SSB, a much smaller and compact receiver. Unfortunately, in my experience both suffer from soft muting.
I obtained a D-808 shortly after it appeared based on early positive reviews. I used it once, at the beach in Florida where reception conditions were superior – comparing it to some older portables in my collection such as the SONY ICF-SW07, ICF-SW55, and the Panasonic RF-B65.
I was impressed with the sensitivity of the 808, large speaker, and inclusion of AIR band, though I noticed some digital artifacts and agree with negatives such as slight soft muting and chuffing, and slowness of the processor.
I boxed the D-808 up and stored it away where it sat until recently when I took it back out after my experience using Sangean’s ATS-909×2 – thus the title of this brief commentary.
Sangean made some basic decisions with the 909×2. Many of them are quite positive over the old 909x. For many users the 909×2 has more than enough features to justify the higher price of the receiver.
I came to a different conclusion after returning my ATS-909×2, and I started thinking about how the D-808 could have informed engineers at Sangean as they considered which features to put in the 909×2. To what extent Sangean designers looked at various other portables, including the D-808, we will probably never know.
D-808 DEMONSTRATES IMPORTANCE AND IMPACT OF BANDWIDTH FILTER CAPABILITY IN SSB
AM bandwidth control on the ATS-909×2 is quite nice. However, what leaps out is the absence of multi-bandwidth capability in SSB mode. It’s baffling that Sangean seems not to have recognized this as a must-have feature.
Tecsun started providing this on small receivers years ago, and in the PL-880, the excellent though flawed portable that also took the listening world by storm, and in the recent 330, 990x and 501x.
Using the D-808 again after a few years reminded me that this little China-made receiver offers no less than SEVEN bandwidths, in AM mode. Let me say that again: SEVEN (7) bandwidths.
You don’t find that kind of selectivity capability even in a Drake R8B. After that, you’re getting into continuously variable bandwidth control found in premium DSP receivers.
So, in AM mode you have: 6 kHz, 4 kHz, 3 kHz, 2.5 kHz, 2.0 kHz, 1.8 kHz, and 1.00 kHz
The D-808 also has fine tuning capability. This is not the same as the Tecsuns which actually enable you to re-calibrate, and with adjustment that remains set for both USB and LSB. On the D-808 you fine tune to zero beat, but have to repeat the correction for LSB and USB on the frequency you’re on – it’s a bit more twiddly, but on my 808 the fine tuning is nonetheless very smooth.
Nevertheless, combined with SIX bandwidth options when in SSB, the fine tuning option on the 808 is a superb feature, not to mention that on my particular D-808 there is little to no “warbling” when carrying out the fine tune operation.
So, in SSB on on the D-808 you have: 4.0 kHz, 3.0 kHz, 2.2 kHz, 1.2 kHz, 1.0 kHz, and an amazing .5 kHz ! Imagine that: .5 kHz
I usually remember stuff like this, but when I first tried the D-808 in Florida back in 2018 I was more focused on assessing sensitivity, audio, and issues such as its pretty slow DSP response when changing modes.
So, now you have to pick me up off the floor as I re-visit the D-808 and realize what an amazingly capable little radio it really is – again, see the excellent reviews by Gilles in which he pays a lot of attention to this fact.
Additional years ago, I used receivers such as SONY SW-55s and Panasonic RF-B65s in ocean side DXing. These are fine receivers, but the 55 is limited to two bandwidths, NARROW and WIDE – similar to the SONY 2010 and SW-77, both of which also had effective synchronous detection.
One of my best DX catches at that time was Radio Rwanda on 6,055 kHz just before it’s sign off in the late afternoon eastern timed. Using a Panasonic RF-B65 which had NO bandwidth options, I was able to hear and record a full sign off and ID.
However, had a D-808 existed at that time this would have been much easier because of the multiple bandwidths in both AM and SSB. I imagine a SONY ICF-SW7600GR would have done a good job as well, but it too does not have the multiple bandwidth options that a D-808 has.
These days, with the number of stations on the air reduced even further, examples like this may be fewer and farther between. But one has to observe that for AMATEUR radio listening, the amazing bandwidth capability of a D-808 really sets it apart from the pack.
Am I glad I re-discovered the D-808? You bet. It was on my list of TO SELL receivers. Now, it has a reprieve and is firmly back on my keeper list.
I have to think that it is highly unlikely that there will be a new version of the D-808, unless someone out there has heard something in the receiver rumor mill that I have not. Perhaps the folks at XHDATA/RadioWOW will take this hint.
If XHDATA were to re-design the 808, the most improvements one would hope for are obvious: a newer and faster DSP chip to speed up mode changes, a jack for external recording. A real long shot would be to hope for the same sort of calibration adjustment seen in the Tecsun receivers.
When I really get to dreaming, I think of XHDATA or some other maker designing a portable like the 808 – why not call it the 1000 Super DSP – that actually has continuously adjustable bandwidth control. This will never happen.
It’s doubtful that XHDATA or some other manufacturer will consider competing directly with Tecsun and Sangean. But the D-808 carved out a place for itself in the small portable category, at an extremely competitive price point.
As this was not an exhaustive retro review of the D-808, I have not gone into the various negatives that every D-808 owner knows to exist.
Lack of a RECORD OUT jack is one. A D-808x might implement Bluetooth capability as Tecsun has, and MicroSD recording capability (though that gets into issues that appear to have prevented Tecsun from doing the same). And surely, get rid of the soft muting.
In conclusion, I go back to a question that occurred to me as I used the Sangean ATS-909×2: what Sangean could or should have learned from the D-808.
Here was a small, well-designed DSP radio that burst upon the scene with outstanding capabilities and which even today is prized among those who own it. Need I repeat? SEVEN bandwidths in AM mode, and MW, and SIX in SSB and LW.
Every company that’s still manufacturing receivers makes its own decisions. It’s as important that we voice our gratitude to Sangean for its latest (possibly last) effort to revise the 909xxxx series as it is to Tecsun for offering no fewer than THREE superb world band receivers.
Sangean has received feedback from me and other reviewers about the x2. All of that is aimed at helping the company possibly correct shortcomings in the new receiver. I hope that this commentary is another step in that direction.
Many thanks to SWLing Post contributor, Carlos Latuff, who writes:
Even with the latest communications technology available in the world today, radio remains indispensable.
Japan, a country known for its state-of-the-art technology, has a network of coastal radios to communicate with fishing vessels, transmitting in medium and shortwaves. In this audio I made, the Okinawa coastal station broadcasts weather reports and an alert for typhoon category 5 Surigae, which is currently heading south in Japan.
The signal was listened yesterday in Porto Alegre, Brazil, at 9 am (UTC).
You’ve a very good point, Carlos. Even though there are advanced satellite systems that help maritime traffic with weather, they still rely on real-time reports over the air when systems fail, and when cloud cover or stormy seas might interfere with sat comms.
Many thanks to SWLing Post contributor, Sorin, who writes:
Hello Thomas,
I’ve read with interest your blog and inputs about the XHDATA radio.
Now since yesterday I own such a radio, and I’ve noticed it has aspects that are superbly resolved, but I miss a complete Instruction Manual. The pdf you have there (the same as the printed one that came with my radio) isn’t describing some matters, I will highlight just those I’ve confronted:
– How do you set the local time? The manual stops at saying how to switch from Automatic (I guess from the unreliable RDS clock) to Manual. What buttons are to be pressed further to set the time ?
– How do you save radio stations beyond the 10 pcs on Page 00? Ho do you go further from Page 00 to some other ? Pressing further the Page button doesn’t change anything.
– How do you call saved stations from other pages that Page 00?
best regards,
Sorin
Thank you for your question, Sorin. I’m letting a friend borrow my D-808 so, unfortunately, don’t have it handy to confirm this for you. My hope is that an SWLing Post reader can help.
Please comment if you can help Sorin with these D-808 functions!
Many thanks to SWLing Post contributor, Matt Blaze (WB2SRI), for sharing another brilliant audio comparison featuring benchmark portable radios:
Medium wave selectivity shootout
by Matt Blaze
I did another monster medium wave portable receiver comparison, this time with the aim of comparing receivers’ ability to deal with weak signals in the presence of strong adjacent channels.
Once again, I went up to the roof with eight MW portables with built-in antennas and recorded them simultaneously along with my “reference signal”, from an Icom R-9500 with an active loop on the roof. As before, I recorded a narrated stereo mix with the Icom on the left and the rotation of radios for a minute or two each on the right, but have “solo” tracks available for the full time for each radio. The nine receivers in the lineup this time included:
Icom R-9500 (with amplified Wellbrook loop antenna on roof)
Potomac Instruments FIM-41 Field Intensity Meter (my personal favorite)
Panasonic RF-2200
Sony IC-EX5MK2
C.Crane Radio 2E
Sangean PR-D4W
Sangean ATS-909X
Tecsun PL-990X
XHDATA D-808
I recorded two signals, one at night and one during the day.
Nighttime Signals
The first was at night: WWL New Orleans on 870 KHz. This signal is usually weak to medium strength here, but is a challenge for two reasons: first, it shares the frequency with Cuba’s Radio Reloj, and it is squeezed between two much higher strength signals: Toronto’s CJBC on 860, and NYC’s WCBS on 880. So you need a decent receiver and careful antenna orientation to receive it well here. That said, everything did pretty well, though you can see that some radios did better than others.
The mix
Solo tracks
Icom IC-R9500
Potomac Instruments FIM-41 Field Intensity Meter
Panasonic RF-2200
Sony IC-EX5MK2
C.Crane Radio 2E
Sangean PR-D4W
Sangean ATS-909X
Tecsun PL-990X
XHDATA D-808
Daytime Signals
The second signal was during the day and was MUCH more marginal: WRJR Claremont, VA on 670 KHz. This was real challenge for any receiver and antenna. The signal was weak, and overshadowed by WCBM Baltimore on 680, a 50KW daytimer that is very strong here. (I’m not 100% sure that we were actually listening to WRJR – I never got an ID, but the station format and signal bearing was right). We can really hear some differences between the radios here.
The mix
Solo tracks
Icom IC-R9500
Potomac Instruments FIM-41 Field Intensity Meter
Panasonic RF-2200
Sony IC-EX5MK2
C.Crane Radio 2E
Sangean PR-D4W
Sangean ATS-909X
Tecsun PL-990X
XHDATA D-808
Everything (except the Icom) was powered by batteries and used the internal MW wave antenna, oriented for best reception by ear (not just maximizing signal strength, but also nulling any interference). The loop for the Icom was similarly oriented for best intelligibility.
For audio nerds: The recording setup involved a lot of gear, but made it fairly easy to manage capturing so many inputs at once. The portable radios were all connected to a Sound Devices 788T recorder, with levels controlled by a CL-9 linear mixing board control surface. This both recorded the solo tracks for the portables as well as providing a rotating mix signal for each receiver that was sent to the next recorder in the chain, a Sound Devices 833. The 833 received the mix audio from the 788T, which went directly to the right channel. The left channel on the 833 got audio from a Lectrosonics 822 digital wireless receiver, which had the feed from the Icom R-9500 in the shack (via a Lectrosonics DBu transmitter). The center channel on the 833 for narration of the mix, which I did with a Coles 4104B noise-canceling ribbon mic. This let me record fairly clean audio in spite of a fairly noisy environment with some wind.
All the radio tracks were recorded directly off the radios’ audio line outputs, or, if no line out was available, from the speaker/headphone jack through a “direct box” interface. I tried to make the levels as close to equal as I could, but varied band conditions and different receiver AGC characteristics made it difficult to be completely consistent.
Making the recordings was pretty easy once it was set up, but it did involve a turning a lot of knobs and moving faders in real time. I must have looked like some kind of mad scientist DJ to my neighbors, some of whom looked at me oddly from their own roofs.
Happy Thanksgiving weekend!
Thank you, Matt, for another brilliant audio comparison! I appreciate the attention and care you put into setting up and performing these comparisons–not an easy task to say the least. That Potomac Instruments FIM-41 is an impressive machine!
By the way, I consider it a badge of honor when the neighbors look at me as if I’m a mad scientist. I’m willing to bet this wasn’t your first time! 🙂
Post readers: If you like this audio comparison, please check out Matt’s previous posts as well:
Many thanks to SWLing Post contributor, Matt Blaze (WB2SRI), who shares the following guest post:
Matt’s Marathon MediumWave Matchup
by Matt Blaze
Here’s another simultaneous receiver comparison, this time of ten portable medium wave receivers plus the Icom IC-R9500 (as a “reference receiver”). Previously, I used the same antenna for all the comparisons, but since these are portable receivers, I wanted to compare their performance using their built-in antennas. I did two comparisons, both of moderate to weak signals, one in the evening of a DX signal and the other in the daytime of a regional station.
The receivers were the Potomac Instruments FIM-41 (a “field intensity meter”), the Panasonic RF-2200, the Nordmende GlobeTraveler Exec (a beautiful German SW portable from 1968), the Sony ICF-EX5MK2, the CCrane Radio 2E, the Sangean ATS-909X, the Sangean D4W, the new Tecsun PL-990X, the XHDATA D-808, and finally the CountyComm GP5-SSB, plus the Icom IC-R9500.
All the receivers were recorded simultaneously. The radios (except the Icom R9500) were on the roof of my building and oriented for best reception (signal/noise) and kept sufficiently away from each other and other metal objects to avoid interference, The R9500 was in the shack and used a Wellbrook loop on the roof, also oriented for best signal/noise. I took the audio from the Line Out if one was available and from the headphone jack (via a “direct box” level converter) if not. I tried to match the audio levels reasonably closely, but different ACG characteristics made it difficult to be completely consistent across all the receivers throughout the sessions.
As in previous comparisons, for each session I’ve got a narrated stereo mix with the R9500 on the left channel and each receiver, for a minute or so one after the other on the right channel. You definitely want to use headphones to listen to these so you easily tell the left from the right radio. I’ve also provided mono “solo” recordings of each receiver for the full 15 minute-ish sessions so you can hear a receiver you’re interested in in detail.
Sound Devices 688 Multitrack Recorder
The recordings were made with a Sound Devices 688 recorder/mixer (which can record 12 simultaneous channels of audio). The portable radios were hardwired to the recorder, and the 9500 (which was downstairs) was connected via a Lectrosonics digital radio link. (Everything except the R9500 was on battery power to avoid mutual interference and ground loops, etc). The narration used a Coles noise canceling ribbon mic. Everything was done in a single take per session – there was NO postproduction editing – so I apologize for a few glitches and awkward moments.
You can see a “class photo” of the setup below, although the position and orientation of the radios was different during the actual recordings.
KCJJ
The first recording was at night, where we tuned to 1630 KCJJ in Iowa City, IA. This is effectively a 1KW clear channel; other than a few TIS stations, there’s not much else there on the east coast, and the signal is reliably weak to moderate but readable here on the east coast.
Narrated L/R stereo comparison:
Individual solo tracks:
CCrane Radio 2E
Sangean D4W
XHDATA D-808
Sony ICF-EX5MK2
Potomac Instruments FIM-41
CountyComm GP5-SSB
Nordmende GlobeTraveler Exec
Tecsun PL-990X
Icom IC-R9500
Panasonic RF-2200
Sangean ATS-909X
WSVA
The next recording was made during the day, of WSVA, a regional station in Harrisonburg, VA running 5KW in the daytime. Their signal is also reliably weak-moderate but readable here.
Narrated L/R stereo comparison:
Individual solo tracks (receiver should be obvious from the file name):
CCrane Radio 2E
Sangean D4W
XHDATA D-808
Sony ICF-EX5MK2
Potomac Instruments FIM-41
CountyComm GP5-SSB
Nordmende GlobeTraveler Exec
Tecsun PL-990X
Icom IC-R9500
Panasonic RF-2200
Sangean ATS-909X
Hope your readers find it useful!
-matt
An absolutely amazing job again, Matt! Thank you so much for taking the time to put this comparison together and sharing it here on the SWLing Post.