Category Archives: Guest Posts

Don Moore’s Photo Album: Cuenca, Ecuador (Part Two)

A Cuenca Artisan Market

Many thanks to SWLing Post contributor, Don Moore–noted author, traveler, and DXer–for the latest installment of his Photo Album guest post series:

Don Moore’s Photo Album: Cuenca, Ecuador (Part 2)

by Don Moore

In the song Por Eso Te Quiero Cuenca (That’s Why I Love You Cuenca) the singer recites a litany of the many reasons to love this city. What do I love about Cuenca? Well, unlike the song, I won’t include well-roasted guinea pig.

The elevation of 2560 meters (8,400 feet) gives Cuenca a comfortable spring-like climate year-round. Daily highs are usually around 20C/70F. Nights are chilly but not cold. Most days have at least several hours of sun, even during the rainy season (as it is now). There are numerous green parks and plazas including long tree-lined walking paths along the two main rivers that run through the city. The drinking water, which comes from high up in the mountains, is the best in South America. Yes, you can drink it right from the tap.

A walking/bike path runs along the Yanuncay River for over six kilometers through the south side of Cuenca. A similar path runs along the larger Tomebamba River in the center of town.

The people of Cuenca are among the friendliest I’ve found anywhere. It’s a well-run, educated city with lots of civic pride. The metro area population is only about a half-million so it’s small enough to easily get anywhere but large enough to have the benefits of a city. Cuenca has several good universities and theaters and the symphony orchestra gives free concerts most Friday evenings. It’s a pleasure to simply stroll through the beautiful architecture in the old centro neighborhood.

One of many beautifully restored buildings in Cuenca’s old centro.

Getting around Cuenca is easy. A ride on the excellent bus system costs just thirty cents and taxi rides usually run under two dollars. And, unlike the much larger cities of Quito and Guayaquil, Cuenca has a mass transit system. In 2013 city leaders voted to put in a light rail line. Doing so required digging up two of the main streets through the old downtown but rather than just dig up two streets they decided to dig up the entire old downtown … to replace the aging water and sewer systems, move all electric lines and cables underground, and install high-speed fiber optic Internet. (Fiber optic Internet was also run above ground in the newer neighborhoods outside the centro.) The result is one of the few places in Latin America where one can enjoy beautifully restored architecture and colonial churches without the views being marred by powerlines. And the Internet here is better than most places I’ve stayed at in the United States.

Those are just a handful of the reasons that I love Cuenca.

Early Radio in Cuenca

Radio broadcasting in Ecuador started in 1925 with Radio El Prado in Riobamba, a small city in the center of the country. Other stations soon started up in Guayaquil and Quito, including HCJB in 1931. Broadcasting came to Cuenca in 1934 when a group of friends purchased a homemade ten-watt transmitter from an engineer in Guayaquil and put it on the air as La Voz de Tomebamba. The name came from the main river flowing through Cuenca. At the time there were only four receivers in the city so the audience was rather sparse. La Voz de Tomebamba initially broadcast for only one or two hours a night and most of the musical selections were done live as there weren’t many 78 RPM records in town. Years later one early listener reminisced, “It was sixty percent noise. Only radio fanatics could be entertained by listening to such a thing.”

Old studio equipment from La Voz de Tomebamba

Gradually, the owners added new equipment and expanded the daily schedule. A fifty-watt transmitter was added in 1938 and by 1947 the power had been increased to two hundred watts. The first frequency listing that I’ve found for La Voz de Tomebamba was for 4200 kHz in a 1944 FBIS newsletter. The 1947 WRTH listed it as on the air from 0000 to 0430 GMT on 4200 kHz. And that was the station’s only frequency. Until the 1960s it was very common for radio stations in Ecuador to only broadcast on shortwave and not on medium wave. For example, the 1957 WRTH lists eighty Ecuadorian stations on shortwave (not counting HCJB) but only fifty-nine on medium wave.

Sometime in the early 1960s La Voz de Tomebamba made the switch to medium wave and left shortwave. Their 4200 kHz frequency is not listed in the 1965 WRTH, nor are they listed in any later ones. (I would be interested to hear from anyone who remembers listening to them on shortwave.) The changes may have had to do with financial problems the station was having. It closed in 1967 and remained off the air until returning under new ownership four years later. Today La Voz de Tomebamba is one of the most popular radio stations in town and has an excellent news department. Their sister station, Super Rock FM 94.9, is very popular with younger listeners.

La Voz de Tomebamba today.

The second station in Cuenca was Radio Cuenca, which began broadcasting in October 1945 on 2830 kHz with two-hundred watts. It was included in a 1953 list of stations logged by the Universal Radio DX Club of Indiana. To the local audience, Radio Cuenca was best known for its many live music broadcasts. Continue reading →

Clock-Watchers Need Not Apply

Guest Post: Listening to LRA 36

6 Replies

Many thanks to SWLing Post contributor, TomL, who shares the following guest post:

Listening to LRA 36

by TomL

I finally had time to go outdoors to listen to LRA 36, Antarctica. People were gushing about how well it is being received. My location was a park across the street from the Forest Preserve I usually go to (the Forest Preserves are shutdown and gates locked after sundown). Even though it was after sunset, this Park has no gate or chain to prevent people from parking there. In the dark, I setup the trusty amplified Loop-on-Ground antenna, SDR, and laptop. Solar Flux Index about 179, K index 2.

Started recording and, NOTHING! ARRGH. But I had just heard it at home in the noise!?!? Waited about two minutes and all of a sudden music started playing in the middle of a song. S6 – S7 strength with lots of fading. Very cool. 20 minutes later, went off the air. Then 10 minutes later, came back on again in the middle of another song. They must be tweaking the transmitter. This feels like the 10 kW transmitter; no way could a 1.5 kW be this loud over 12000 kilometers! Also, an advantage with IQ recording of a spectrum is I could tune into it later. Good thing because between their tweaking the transmitter, my SDR, and the crazy propagation, I had to tune to 15475.983 kHz in order to get the USB signal perfectly in pitch.

For your listening enjoyment if you have not had a chance to hear it clearly, I have uploaded both recordings to archive.org where you can listen as long as you want. Worth listening to, playing music of Argentina music bands. Happy Listening! Here is the link to Archive.org and the audio files are also embedded below:

LRA 36 at 00:30 UTC on 05 March 2023:

LRA 36 at 01:00 UTC on 05 March 2023:

WSTL while you WELK

Tune into the Japanese Jukebox

1 Reply

Good day SWLIng Post community, Fastradioburst23 here to let you know about our next imaginary Stations offering on Sunday 26th February 2023 on 9395 kHz at 2300 hrs UTC. This week it’s JNHK and it’ll be an hour of a distinctive Japanese flavour. Tune in and enjoy the sound of Japan wherever you are.

Paolo’s review of the Eton Elite Satellit

35 Replies

Many thanks to SWLing Post contributor, Paolo Viappiani, who shares the following guest post:

ETON Elite Satellit: an expensive flop

by Paolo Viappiani, Italy

Introduction

After various and sometimes conflicting announcements that have created strong expectations in radio listening enthusiasts, ETON has recently launched on the extra-European market (basically in the United States) what should have been its “top of the range” portable, the Elite Satellit model . Aesthetically (and also functionally) inspired by the previous E1 model, the new portable radio should have been free from the defects of its predecessor, in particular as regards the “sticky” coating of the plastic case but also with respect to other technical drawbacks repeatedly reported by users (display contrast and shading, etc.).

The new Elite Satellit was announced to look practically identical to the E1 model and to use the same cabinet, but with various additions and improvements: RDS, FM-HD reception, Air Band, etc. A frequency resolution of 10 Hz in the shortwave bands, a PBT (Pass-Band Tuning) facility, a large LCD display with the possibility of changing its background color were also provided.

It is therefore obvious that its release was highly anticipated, and the resulting expectation gave rise to numerous pre-orders of the radio in the United States, where the main distributor was (and still is) the well-known Universal Radio company owned by Fred Osterman [1].

Unfortunately, the initial boom in sales of the ETON Elite Satellit was followed by many return requests due to the poor performances of the radio and the numerous defects encountered by users, also reported in a lot of videos and negative reviews on the Internet [2].

Fred Osterman himself, disappointed by the performance of a radio that he should have sold as an excellent portable, began to test the individual devices in his own laboratory and to return to ETON all the units that did not meet the declared specs (basically the vast majority of those received for sale) [3]. All this caused great confusion at ETON, which was forced to somehow remedy its errors (mainly due both to a very approximate alignment of the circuits and to an almost non-existent final quality control).

Unfortunately, despite the precautions adopted “hastily” by ETON, most of the “overhauled” devices that were returned to Universal Radio continued not to comply with the specifications, so that Fred Osterman, who is a good technician and a very honest dealer, decided to cancel most of the orders received and to sell the very few radios found to be in good working order within the United States only, (see again note [3]). I myself placed an order from Universal Radio for an ETON Elite Satellit on August 8, 2022 (Order ID: #8992932, retail price $599.99 plus shipping and import customs duties), but Fred was forced to “drastically cut” the orders received and to cancel mine too, due to the impossibility of satisfying the many customers on this side of the pond. However, my desire to have an example of the ETON Elite Satellit in my hands, in order to be able to see, test and judge the new radio it was really great, and great was also the wish to realize if the many negative impressions circulating on the web were or were not justified and true.

So I decided to look for other ways to buy the “latest cry” of ETON. The opportunity presented itself to me, almost unexpectedly, by visiting the American site of Amazon [4].

The purchase and the arrival of the radio; my first impressions

I therefore ordered an ETON Elite Satellit portable radio on the Amazon.com website on January 17, 2023 at the price of $698.16 (including shipping and customs duties). I report in Figure 1 the screenshot concerning my order #113-3575479-2262609 which, as it appears, was delivered to me on January 23, 2023, after only five days; this demonstrates the truthfulness of my statements.

Figure 1: A Screenshot of my Amazon.com order dated January 17, 2023.

The shipment was delivered to me by UPS courier in the usual Amazon packaging in a plastic bag (Figure 2).

Figure 2: The UPS label and the Amazon plastic bag.

Inside the envelope was a cardboard box containing the radio, in understandably less than perfect conditions (Figure 3).

Figure 3: The cardboard box of the ETON Elite Satellit.

Figure 4: The contents of the radio box.

Once the package was opened, the contents of the box looked like in Figure 4: two shock-absorbing spacers held the device in position (inserted in a plastic bag) and its AC power supply (into a white box, and obviously with a 117V input voltage). There was also the “User Guide” in a paper version and a “mini-guide” to listening to short waves; completely absent was the CD that used to be enclosed in the box of the previous E1 version of the radio.

Continuing with the operations, I came across a sort of brown plastic cover intended for the protection of three sides of the radio (front, top and back) which can be held in position by some magnets and is provided with two circular holes in correspondence with the tuning knobs and volume of the radio (Figure 5).

Figure 5: The ETON Elite Satellit radio and its “case” (?)

I omit to make comments on this “protection”; I only say that in my opinion it is useless (and ugly too) and I believe that the gentlemen of ETON could have wasted their energies otherwise; but maybe someone likes it too…

Figures 6 and 7 show the front and back of the portable radio as soon as it has been removed from the protective plastic bag. Note the almost identical appearance of the cases of the Elite Satellit and of the previous E1 model.

Continue reading →

Loop-On-Ground Antenna Part 3: Tom’s low-noise, low-profile, portable antenna evolves

7 Replies

Loop on Ground Antenna Part 3

(using multiconductor wire)

by TomL

It dawned on me recently, perhaps due to sloppy thinking or unintended distractions, that I never wrote about my modified Loop on Ground (LoG) receive antenna that I use at parks and such. For over a year now, I have been using 3-conductor rotor wire bought cheap at the local hardware store and have wired the conductors in series. Grayhat (Andrew) was the inspiration when he decided to create a folded dipole along the side of his house.

The usual construction of a LoG antenna for shortwave is a single wire of about 60 feet in circumference in order to not go above one wavelength for 20 meter band usage. If you recall, going above one wavelength will start creating weird lobes in the reception pattern. See – Loop-On-Ground Antenna Part 2.

However, I did not like this 19 foot diameter wire on the ground in public parks just waiting to be tripped over. Like, the time when a horse got loose from its owners and almost tripped over my 60 foot wire. I don’t think I would have liked the resulting lawsuit!

So out of fearful necessity I took some leftover RCA 3-conductor rotor wire, about 29 feet of it, and wired a loop with the conductors in series. This gives about 81 feet of total conductive length. But since it is folded onto itself, there is an undetermined loss of resonant length. Callum (M0MCX) of DXCommander fame has experimented and found folded dipoles need three times more length in the folded section to reach resonance, so my loop is probably around 69 feet (electrically). See – Fold the end of a Dipole Back – What’s Happening?.

In the picture below, the black wire with Ring Terminal at the bottom goes all the way around to the other side, soldered to the green wire, which goes around and is soldered to the red wire, which goes around to the Ring Terminal at the top, plus tie-wraps to hold the wires together.

The next picture is how the Wellbrook Medium Aperture preamplifier is connected to the loop with BNC cable that goes to the 12V power injector. I have had this Wellbrook unit for maybe 6+years with no signs of problems. WARNING – do NOT use the Wellbrook preamplifier in the presence of high powered RF energy like your Amateur Radio antenna pumped with 1000 watts from a linear amplifier; the Wellbrook premap might just overload and get damaged! I did use this loop and preamplifier at last year’s 2022 ARRL Field Day and was able to get away with it because we were only using 100 watts per station. Listening to the 9pm 3916-net trivia group was fun but I still needed to keep it away from the transmitting antennas. Continue reading →