Category Archives: Tutorials

FM DX courtesy of the Camelopardalis meteor shower

Perseids meteor shower Photo: NASAHat tip to David Goren for sharing this article from Alltop:

“Just in case it’s cloudy where you are [tonight] when the new Camelopardalis meteor shower is set to hit, check out how you can still tune into the show without any equipment fancier than an AM/FM radio.

The key is to find a station on the FM dial, most likely below 91.1 MHz and tuned to a distant station, where the appearance of the large meteors expected from the shower will momentarily enhance reception as they fall to Earth.” [Continue reading…]

Ham radio operators, like my buddy Mike Hansgen (K8RAT), were already anticipating a little DX from these ionized trails. Mike suggests that you should listen on a clear frequency, or as he put it, “[n]ot only can the signal of a weak station be enhanced by a ping off a falling rock, but you can tune to a frequency where no signal at all is normally heard and listen for momentary bursts from never before heard stations.”

The only catch is that the best Camelopardalis viewing/listening time, for many of us, is between 2:00-4:00 AM. I hope I can wake up in time!

For more info, check out this article at EarthSky.

Spread the radio love

Frugal SWLing: Investing little, but getting a lot out of your radio

This article originally appeared in the April 2014 issue of The Spectrum Monitor Magazine.


RadioDialLet’s face it: SWLers and amateur radio operators are some of the most frugal hobbyists out there.  But the good news is that radio is a hobby that favors the frugal.  There are many practical and time-tested ways to make radio listening fun and effective–such as improving your shortwave radio reception–that are absolutely free, or that cost very little.

And how do I know this?  Among the frugal, I’m the most frugal SWLer I know! Yet there’s a method to my frugal madness:  because I simply can’t afford to waste hard-earned radio money on gadgets and accessories that are ineffective, I count my pennies in order to make quality purchases with longevity in mind.  Meanwhile, I track down ways to keep my hobby cost-effective.

I’ve gathered here some of my favorite frugal tips and quality purchase suggestions here. So, without further delay, let’s start SWLing–and saving money.

1. Check your shack/home for RFI. Cost: Free

Checking your shack for RFI is vitally important, a procedure every radio listener or operator should undertake.

The truth is, very few of us regularly experience ideal conditions for HF or AM radio listening. Devices like plasma TVs, laptop power supplies, and the ubiquitous AC adapter inject distracting noise into our otherwise peaceful environs, disrupting our hobby. This noise is known as RFI (Radio Frequency Interference).

These "Wall Wart" type adapters can create a lot of RFI

These “wall wart” type adapters can create a lot of RFI

A number of times, I’ve received a message from one of my readers on the SWLing Post claiming that their new shortwave radio can “only” hear strong, blowtorch stations. My simple advice? Put batteries in your radio, turn it on to an unoccupied frequency in your favorite shortwave meter band, go to your circuit breaker box, and turn off everything in your house. (Warning: Do warn your housemates beforehand, to avoid any loud protestation! And do reset your clocks and check your refrigerator/freezer after this test.)

Did the noise level on your radio decrease? If the decrease coincided with the power cut, then one or more electronic devices in your house are generating RFI. RFI often sounds like static–very loud static–and is often so wide in bandwidth that it can cover several megahertz. RFI can overwhelm your portable radio and basically “deafen” it to anything but the loudest stations that break through the elevated noise floor.

Next comes the process of elimination: systematically turn on circuit breakers until you hear the noise return. If you’re fortunate enough to have accurately-labeled circuit breakers, you will at least know what area in your house holds the infamous disruptive device. Here’s a short list of the usual RFI culprits:

  • the ubiquitous AC adapter (aka, “wall wart”)
  • laptop power supplies
  • flat screen TVs: especially Plasma TVs
  • heating devices like electric blankets
  • external hard drives
  • lamp dimmers
  • touch lamps

Good luck tracking it down!  Chasing RFI can be complex.  Check out this list of RFI resources on the ARRL website for methods and ideas to cope with RFI.

2. Take your radio outside. Cost: Free

ParkListeningIf you live in a condo, high-rise, or high-density neighborhood, my first suggestion may be of little use to you. In this case, your neighbor(s) may be causing RFI; turning off your own power may have little to no effect.  Fortunately, there’s an easy–albeit modestly inconvenient–way to deal with neighborhood RFI. Leave the neighborhood! No, not permanently; just for a fun afternoon outing (with radio, of course).

If you live in a city, grab your radio, and head for a park or other area with wide open space and no buildings. Listeners who live in urban areas frequently enjoy radio listening via headphones on a park bench; some even have a favorite bench for their fair-weather pastime.

The benefits in this case are two-fold: firstly, you’re removing yourself from the vicinity of RFI, but secondly–and the icing on the cake–is that you’re taking your radio, and its antenna, outside.  Antennas always function better outside. Walls and even windows attenuate HF signals.  Plus, outdoor settings nearly always equal fun.

Want some inspiration? Check out how this SWL plays radio in central London.

By the way, if you have no local parks to which you can escape, consider taking your radio in the car and driving to a national park. Better yet, combine camping and SWLing.  I like to do this, although I don’t have an RFI problem where I currently live.

3. Make a simple wire antenna. Cost: Free (or, at most, $10-15)

Most shortwave portables radios on the market today have a telescopic whip antenna that will suffice for casual listening. But often you can increase the antenna gain by simply adding more length in the form of a simple thin wire. Keep in mind that many radios actually ship with a clip-on antenna wire. Check your original box and make sure you haven’t overlooked it, as it’s fairly easy to do.

An alligator clip offers serious bang-for buck--especially if you already have the parts lying around

An alligator clip offers serious bang-for buck–especially if you already have the parts lying around

If you didn’t receive a factory-supplied clip-on antenna, no worries!  They’re a breeze to make and quite cheap: indeed, if you have a junk box of electronics parts like so many hobbyists I know, you may already have what you need. Simply obtain a 20 foot length of jacketed (insulated) wire–gauge is not important, just something thin enough that you can easily roll up to transport. Next, strip ¼ inch of insulation off the end of the wire. Solder and/or crimp an alligator clip to the end of the wire, making sure you have a solid, stable connection.

Now, stretch out this wire and attach it to your antenna.  You will most likely find that this improves antenna gain. The effectiveness of the wire varies with the receiver. When I’ve made clip antennas in the past, I’ve simply made them longer than I thought I might need, then later cut it off at the optimum length based upon signal strength.

Two caveats:

  1. If you live in an RFI-heavy environment, adding a wire antenna at home may only increase your noise level (after all, it will make the radio better at “hearing” the noise).
  2. Some receivers are susceptible to overloading and electrostatic discharge (the Tecsun PL-600, Grundig G5 and G3 come to mind). To be on the safe side, do not attach any wire to your portable that is in excess of twenty feet in length.  Twenty feet should be more than sufficient length to increase antenna gain without any negative repercussions.

4. Use batteries––preferably rechargeable ones. Cost: $5- $20

Not all rechargeable batteries are created equally. Lean toward name brand, higher quality cells. Dollar store batteries lack longevity.

Not all rechargeable batteries are created equally. Lean toward name brand, higher quality cells. Dollar store batteries lack longevity.

This is one suggestion that may require a modest investment, but will pay off in more ways than one. I honestly can’t think of the last time that I listened to a portable radio while it was plugged into mains/grid power via an AC adapter. Since at least 2007, I have been powering my portables exclusively with good-quality rechargeable batteries.

Why rechargeables–? First and foremost, with rare exception, shortwave radio manufactures give little thought to the AC adapters they include with a portable shortwave radio; they’re simply an accessory that is expected, so they deliver. Indeed, the AC adapter that came with my Tecsun PL-880 (Tecsun’s latest flagship portable) came with an AC adaptor that does a great job charging the internal batteries, but injects copious amounts of RFI in the process. Running the radio off of batteries solves the problem instantly.

Many radio manufacturers now include rechargeable batteries with the purchase of a radio. Some of these batteries are AA cells, others are slim packs resembling cell phone batteries. Consider purchasing an extra battery if you’re worried yours might die away while you’re listening to your favorite program; a quick switch, and you scarcely miss a beat. If your portable comes with rechargeable batteries, most likely the radio even has a built-in charge control circuit.

I should add that I’m a fan of the traditional AA battery, even though they’re bigger than other battery types. After all, they’re nearly always accessible.  If a radio takes AA batteries, I never use the radio’s built-in recharger, instead I prefer a MAHA brand battery charger, as they condition and give a longer life to the rechargeable cells.

Sure, buying rechargeable batteries and, potentially, a good battery charger require an initial outlay of money, but the rewards are a quieter receiver and a more earth-friendly approach than heavy-duty or alkaline batteries can deliver.

5. Listen with headphones or earphones.  Cost: $0 – $100

Sony MDREX10LP in-ear headphones are inexpensive and effective.

Sony MDREX10LP in-ear headphones are inexpensive and effective.

Why headphones? Ask any serious DXers (amateur radio or SWL) and they’ll tell you headphones are an indispensable tool. While armchair listening is great with your radio’s built-in speaker, headphones give you better sound isolation, and your radio’s audio is equally balanced. Digging a weak station out of the ether is easier with headphones.

Almost every portable you buy today will come with a complimentary set of earphones. Quality varies amongst these, but in my experience, the headphones included tend to be of the lowest quality; for shortwave listening, these may suffice.

Though AM and shortwave radio is not considered a “high-fidelity” medium, thus not requiring a wide frequency response, I still prefer listening with quality earphones/headphones. As long as your headphones have a decent frequency response–I usually aim for 8 – 22,000 Hz–you’ll be pleased.  And do make sure your headphones or earphones are comfortable to wear for extended periods of time.

Yamaha CM500's are a worthwhile investment if you're an amateur radio operator.

Yamaha CM500’s are a worthwhile investment if you’re an amateur radio operator.

One of my favorite pair of in-ear earphones for SWLing are the popular Sony MDREX10LP series. They’re comfortable, responsive, isolate noise, and are available from a number of retailers for about $10 USD per pair.

For over-ear headphones, I like the Panasonic RP-HTF600. They’re large, comfortable, and deliver amazing fidelity for about $30 USD.

If you also happen to be an amateur radio operator, the Yamaha CM500 headphones have a built-in boom mic that works amazingly well.  At $50 USD, they are a steal. When I received mine, I opened the package, plugged the headphone and mic jacks into my Elecraft KX3, and I was on the air with them in seconds.

6. Learn to use use Exalted Carrier Reception (ECR/ECSS). Cost: Free

ECSS-PL-660“Exalted Carrier Reception” (ECR) a.k.a. Exalted Carrier Single-Sideband (ECSS) is just a fancy way of saying that an AM broadcast carrier is tuned in while in single-sideband mode. This is most useful when you’re trying to listen to weak broadcasters.

This (ECR) is, in a sense, the frugal listener’s version of synchronous detection. Why does it work?  As my knowledgeable ham buddy Mike (K8RAT) explains: ”You’re removing any selective fading problems by filtering away one of the sidebands, and injecting a carrier of steady amplitude which eliminates the ‘tearing’ heard when a broadcast carrier is varying in amplitude.”  Got that?

Even if you don’t understand it exactly, here’s how to use ECR:  Simply find a strong AM station on your radio.  Next, turn on the BFO or SSB mode on your radio. As you adjust the tuning knob, you’ll hear an audible whine, the pitch of which will change with every increment of tuning. “Zero-beating” the carrier follows next–this is simply tuning in the signal until that whine is gone, and the AM station can be heard as clearly as if the radio were in AM mode.

The fidelity of ECR/ECSS is typically not as good as AM–mainly because SSB filters are usually narrower than AM filters–but it does lower the noise floor, increase the stability of the received signal, and make this signal “pop out” a bit more.

But don’t take my word for it–let your ears be your guide! In this recording, I tune in a low-power station on my receiver in standard AM mode, but at 15 seconds into the recording, I switch to the upper-sideband (SSB) mode, zero-beat the frequency, then open up the SSB filter a little wider.  Then, just before I end the recording, I switch to lower-sideband–something you can do if there is interference in the upper-sideband, for example:

It’s amazing how much background noise ECR removes.

If you’re lucky enough to have a tabletop radio, chances are it has an SSB mode (although there are some very rare exceptions). Less than a third of portables on the market, however, have SSB. Here is a list of the most popular portables with SSB that are, or have recently been, in production.

7. Use a web receiver.  Cost: Free

If you live in an area with frustrating RFI, but want to listen to the shortwave bands from home, try an online web-based receiver. Sure, it’s not quite like tuning a radio at your fingertips, but it’s the next best thing, and also a handy tool for checking propagation or verifying your own signal (if you’re an amateur radio operator).

My two favorites site are:

  • GlobalTunersGlobal Tuners which has a number of remotely-controlled radio receivers all over the world. You must register before you can participate, but registration is free. Global Tuners even has a free Android app that permits remote receiver control via your smart phone or tablet.
  • utlogo4bThe University of Twente Wide-band WebSDR is an amazing resource. Not only can you control this receiver, but so, too, can a few dozen other web guests––all at the same time! I’ve used U Twente’s receiver on a number of occasions to listen to European pirates. Cost? Again, it’s free.
  • The KiwiSDR network has become the largest network of web SDRs since we first published this post. You can literally travel the world via the KiwiSDR network! Click here to view KiwiSDR stations on a map, and here to view them in a searchable list.

8. Finally, practice listening. (Cost: Just some time)

SP600Dial3My final bit of “free” advice sounds a little philosophical, but rest assured, it isn’t.

I’ve always likened radio listening to another of my interests, astronomy–an entirely different hobby that, unless you’re a radio astronomer, relies on an entirely different sense.

Why the comparison?  I’ve known some talented astronomers that, with just a basic pair of binoculars, can see much more in the night sky than I ever could. Are their eyes better than mine? Not necessarily. Their eyes are just experienced in the field of stargazing; they know what to look for, and most importantly, what to appreciate. Their brains decipher the images of bright or faint stars, subtle variations in color or shape, and focus on what they consider important. In short, this is not an ability you can pick up overnight; it takes patience, experience–and true passion.

Radio listening is, in that sense, much the same. Though I’m by no means a good example, I do wish I could go back to the days of my youth with the ability to listen that I have developed over the decades. There must have been so many jewels of stations hidden in the ether that I completely skipped over…My ability to, for example, pick out the ID of a faint station, to tune accurately and quickly, and to cope with adjacent noise, have all been honed since then, a result of time spent just listening.

My good friend Vlado (N3CZ) is a case in point: he is one of the most capable ham radio DXers I know. His extraordinary ability to pull intelligible conversations and CW (Morse code) out of the static, even in crowded radio conditions, is simply astounding. Vlado’s main transceiver is nearly two decades old, and by no means a benchmark technically. If you ask Vlad if he uses filters and digital signal processing, he will wisely tell you, in his Macedonian accent: “Your best filter is between your ears.”

The same goes for SWLing. I have spent enough time listening to shortwave and weak DX that I can now pull conversations out of the noise that my (non-radio) friends can barely detect. I’m convinced this is healthy exercise for the old grey matter.

David Goren, good friend and the highly-creative radio producer behind Shortwaveology.net, describes how shortwave listening enhanced his career:

“When I first discovered shortwave, I’d strain my ears through the static and all the layers of jumbled up sounds trying to hear as far around the world as I could. Years of this kind of intensive listening tuned my ears in such a way that allows a laser-like focus on the sonic details when working in the production studio making radio stories.”

Indeed, I’ve heard and can certainly appreciate the results of his remarkable “laser-like” listening ability; check out Shortwaveology.net for your own experience of David’s talented ears. You’ll be glad you did.

No doubt you enjoy listening already; my contention is that it has more benefits for your brain than Sudoku puzzles, and iis even more fun. Plus, did I mention that it’s free? You don’t need to pay a subscription to listen to the radio. There’s no real trick to this: it just takes time…interest…and a pair of ears.

Happy listening!

Spread the radio love

Video: Build a radio in less than one minute

DIY-Radio(Source: Southgate ARC)

“Due to the numerous requests from his Build-a-radio-in-5-minutes, radio amateur Tommy Helgevold OZ4KID decided to make a better video with explanations on how to make a radio like this

He also decided to beat his old challenge as well…

…so without further ado, I present to you – How to build a radio in less than 1 minute, can you build it?

There’s even a schematic in the end of the video + an animated version of the entire breadboard setup.

Thanks for watching, & enjoy.

Watch Build a radio in less than 1 minute”


Click here to view on YouTube.

While less detailed, you can also view OZ4KID’s DIY Radio in less than 5 minutes by clicking here or viewing via the embedded video below:

Spread the radio love

How to decode WBCQ’s digital message

Last night, WBCQ’s sent a digital message about ten minutes before the end of the Allan Weiner Worldwide show. If you missed the broadcast, no worries; we recorded the show, and you can download the audio (below) to try decoding the message for yourself.

The digital message can be decoded using a variety of free software packages. The package we used–and which we use for many other digital modes–is FLDIGI, which can be found at http://www.w1hkj.com/Fldigi.html.

Downloading and installing FLDIGI is straightforward. But although this is a simple program, there is a slight learning curve involved.  Below, we explain how to use FLDIGI to decode the message.

1. Download the mp3 recording by clicking here (right-click, then save file).

2. Download and install FLDIGI.

Screenshot of digital mode being selected in FLDIGI. Click image to enlarge.

3. Launch FLDIGI and tell it that you wish to decode the digital format MFSK-64. Do this by selecting the menu items “Op Mode” –> “MFSK” –> “MFSK-64.”

4. Play the audio so FLDIGI can decode the message.

There are a few simple ways to play the audio:

  • If your computer has a built-in microphone, simply play the pre-recorded audio file from an mp3 player with a built-in (or amplified) speaker. Hold the speaker near the computer’s microphone. FLDIGI can decode the digital signal from the computer’s buit-in microphone if the mp3 player volume and microphone gain are adequate. FLDIGI is reasonably forgiving, but you should try this in a low-noise environment.
  • Better yet, if you have a way to feed the audio directly from your mp3 player into the line-in (or microphone input) on your computer–say, with a shielded audio patch-cord–this will insure a clean signal into FLDIGI. Note that you should lower the volume of your mp3 player to do this. In some cases, you can actually damage your sound card if you feed it audio at a high volume.
  • Another method would be to play the mp3 file on your computer and use a program such as Virtual Audio Cable to link the audio to FLDIGI.

FLDIGI capturing the digital message and decoding. Note the solid block of color in the waterfall display. Use your pointer to click in the middle of this block in order to tell FLDIGI where to decode. Click image to enlarge screen capture.

Note that in our recording we include several seconds of normal audio before and after the digital message. When you watch the “waterfall” display on FLDIGI, you will see a solid block of coloring indicating the digital message when it begins (see screenshot on right). When the hosts are talking, this block will not be visible.

5. When the digital message begins, use your pointer to click in the middle of the block of color that represents the digital message in the waterfall display of FLDIGI. This tells FLDIGI where to find the digital message in the audio.

6. Your decoded message will appear in the text area of FLDIGI (as in the screenshot).

Image of decoded message as an HTML page. Note that copy was excellent, save one small error in the text. These minor errors are fairly normal in a digital broadcast. Click to enlarge.

7. Copy the decoded text to your PC’s clipboard, and paste into Notepad (or Word, OpenOffice, etc) and save the file as HTML by giving it a “.htm” or “.html” file extension.

Now the message should appear.

See, that wasn’t so difficult! This digital message could be decoded without purchasing any special software or other accessories. Most of us have everything we need to decode the bulk of the digital messages on the shortwave bands–and there are many, many more out there.

Please leave a comment if you successfully decoded this message, or if you have any other tips for decoding it.

Spread the radio love