Category Archives: Mediumwave

Radio Waves: RIP Phil Erwin, Federal Watchdog Targets Pack, Eclipse Festival of Frequency Measurement, and VOA testing DRM

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dave Zantow, Michael Guerin, Eric McFadden, and Dan Robinson for the following tips:


The voice of Phil Irwin will be greatly missed (Rappahannock News)

Where wasn’t the presence of Phil Irwin felt in Rappahannock County?

A constant of virtually all proceedings of the Rappahannock County community and government, cherished innkeeper of Caledonia Farm – 1812, founding member of the Rappahannock League for Environmental Protection, regional director of the Virginia Farm Bureau, committee member for both Rappahannock County Farmland Preservation and the Agricultural Forestal District, Rappahannock tourism advisory member — for 25 years chief of morning broadcasts for Voice of America (VOA) — Irwin was found dead Thursday at his working cattle farm north of Washington.

“What a contribution Phil made to our county over his many years here,” Huntly friend Ralph Bates reacted upon learning of Irwin’s death. “He will live in our memories as we drive and see how well our viewshed and environment has been protected because of his commitment and work.”

Former Washington Mayor John Fox Sullivan recalled “a good man and such a part of the Rappahannock fabric. His love for this county, and commitment to it, was unmatched.”[]

Federal watchdog finds ‘substantial likelihood of wrongdoing’ by Trump appointees overseeing Voice of America (NBC News)

The federal watchdog’s findings mark the latest rebuke of the Trump-appointed CEO of the U.S. Agency for Global Media, Michael Pack.

WASHINGTON — A federal watchdog agency has found “a substantial likelihood of wrongdoing” by Trump administration appointees who oversee the Voice of America and other U.S.-funded media outlets.

The finding from the U.S. Office of Special Counsel, an independent government agency charged with safeguarding federal employees’ rights, marks the latest rebuke of Michael Pack, who President Donald Trump appointed to run the U.S. Agency for Global Media, the parent agency to VOA and other broadcasters.

A federal judge last month ordered Pack to stop interfering in the newsrooms of VOA and other media outlets and found that he had jeopardized the First Amendment rights of journalists that his office had targeted for investigation. Lawmakers from both sides of the aisle and press freedom groups have blasted Pack over his actions since he took over in June, accusing him of undermining the broadcasters’ editorial independence and defying congressional authority.

After reviewing allegations from current and recent employees, the Office of Special Counsel wrote to the whistleblowers Wednesday saying it had demanded Pack and the U.S. Agency for Global Media conduct an investigation into the allegations.[]

The December 2020 Eclipse Festival of Frequency Measurement (HamSCI)

Changes in ionospheric electron density caused by space weather and diurnal solar changes are known to cause Doppler shifts on HF ray paths. For example, see Figure 7 in Boitman et al., 1999. HamSCI’s first attempt at a measurement of these Doppler shifts was during the August 2017 total solar eclipse. We plan a careful measurement during the 2024 eclipse. As part of the WWV centennial, 50 stations collected Doppler shift data for the original Festival of Frequency Measurement, demonstrating the value of volunteer participation in collecting this data. During the June 2020 Eclipse Festival, we enlisted participants around the globe and experimented with different data collection protocols. This winter, we request that all amateur radio stations, shortwave listeners, and others capable of making high-quality HF frequency measurements help us collect frequency data for the December 14 total eclipse.[]

USAGM, VOA Testing Innovative Digital Radio Platform (Inside VOA)

A few weeks before the COVID-19 pandemic shut down much of the world, broadcast engineers in Greenville, North Carolina, launched a test of digital radio signals. The U.S. Agency for Global Media began aiming a digital broadcast at Cuba and Latin America, which included Office of Cuba Broadcasting and Voice of America content.

With this 2020 test, VOA embarked on a new phase of global innovation on a platform called Digital Radio Mondiale (DRM), a versatile digital signal not well known in the U.S., but the only one that can cover the entire spectrum: shortwave, mediumwave and longwave, as well as VHF (FM). As digital radio emerged in the 1990s, VOA was among the first broadcasters testing a signal that promised to even out shortwave radio signals that often faded in and out and were marred by static.

VOA tested the DRM signal in the 1990s at the agency’s Morocco transmitter site, one of five facilities opened in a period of expansion in the previous decade. However, other digital signals became the standard in various markets around the world. The U.S. standard audio digital platform is called HD.

Around the world, as other digital radio platforms were adopted, DRM was held back by the marketplace. Nobody was making commercially available receivers.

By the end of the 1990s, VOA innovation focused more on television, the platform that promised larger audiences, even in some places in the world where shortwave dominated. By the early 2010s, the rallying cry became “Digital First,” as VOA strived to attract readers for its language service websites and began tapping into the growing audiences on new social media sites like Facebook, Twitter, Instagram and YouTube.

By 2020, however, DRM had come full circle.

“You’re no longer limited to just reading the news or playing music,” says Gerhard Straub, supervisory director of the USAGM Broadcast Technologies Division.

Straub, along with Gary Koster, Broadcast Radio Technician and transmitter expert and Macon Dail, Chief Engineer at the Greenville Transmitting Station, set up the test broadcast in February of this year, not long before the COVID-19 pandemic grounded global travel. The trio put up a DRM signal with Radio Marti and VOA audio along with scrolling text messages and rotating images.

Engineers have received reports of a clear signal as far south as Brazil.

The USAGM test, says Straub, is “coasting along” in the pandemic, but additional content will be added when technicians can travel again. Straub says the VOA signal was taken off in the initial test to concentrate on the OCB digital content and to keep the signal robust. Now that there is good reception data, he noted, the digital bit rate can be increased and VOA content added back into the test in 2021.

Because DRM operates at lower power, more radio stations and digital signals can be broadcast on a single transmitter. The platform is starting to grow in countries of interest to Western international broadcasters. DRM signals will soon cover all of China, though its government is expected to attempt to control the stations accessed by its citizens. India built 39 transmitters and, more importantly, 2.5 million vehicles already are equipped with DRM radios. Indonesia, Pakistan, Brazil and North Korea all have nascent DRM operations.

Religious broadcasters, who sometimes target audiences similar to those sought by Western governments, are experimenting with the technology. For example, a missionary group, TWR.org, sent the Bible’s Gospel of Mark from Guam to Cambodia via DRM shortwave.

“You have to stop thinking of it as radio, because it’s not,” says USAGM’s Straub. “We are now broadcasting digital data. Just like we broadcast digital data on the internet, we can broadcast digital data over shortwave without being hampered by an internet firewall that maybe limits what we can send to a particular country.”

Reason enough, Straub believes, for VOA to continue leading innovation in a new-again technology.[]


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How to Build a Simple Linear-Loaded Dipole for Low-Noise Shortwave Radio Listening

Many thanks to SWLing Post contributor and RX antenna guru, Grayhat, for another excellent guest post focusing on compact, low-profile urban antennas:


A linear loaded dipole for the SWL

by Grayhat

What follows is the description of an antenna which may allow to obtain good performances even in limited space, the antenna which I’m about to describe is a “linearl loaded dipole”(LLD) which some call the “cobra” antenna due to the “snaking” of its wires
The arms of the antenna are built using 3-conductors wire (which may be flat or round) and the 3 conductors are connected this way:

That is, connected “in series”, this means that, the electrical length of the antenna will be three times its physical one; this does NOT mean that the antenna will perform like a single wire of the same (total) length, yet it allows to “virtually” make it longer, which in turn gives it good performance even with relatively short sizes. Plus, the distributed inductance/capacitance between the wires not only gives it a number of “sub” resonance points, but also helps keeping the noise down (in my experience below the noise you’d expect from a regular dipole).  At the same time it offers better performances than what one may expect from a “coil loaded” dipole. Plus, building it is easy and cheap and the antenna will fit into even (relatively) limited spaces (a balcony, a small yard and so on…).

Interested–? If so, read on and let me start by showing my (short – 9mt total) LLD installed on a balcony:

Here it is in all its “glory”–well, not exactly–I fiddled with it lately since I’m considering some mods so the tape isn’t correctly stuck and it has been raised and lowered quite some times, but in any case that’s it.

Bill of Materials

Here’s what you’ll need to build it (the links are just indicative, you may pick different stuff or buy it locally or elsewhere).

  • Some length of 3-conductors electrical wire which will fit your available space (pick it a bit longer to stay on the safe side), it may be flat or round, in my case I used the round type since it was easily available and cheap: https://amzn.to/3g2eZX3
  • A NooElec V2 9:1 BalUn–or, if you prefer you may try winding your own and trying other ratios. I tested some homebuilt 1:1, 1:4 and 1:6 and found that the tiny and cheap NooElec was the best fitting one): https://amzn.to/3fNnvce
  • A small weatherproof box to host the BalUn: https://amzn.to/33vjZy3
  • A center support which may be bought or built. In the latter case, a piece of PCV pipe with some holes to hold the wires should suffice. In my case I picked this one (can’t find it on amazon.com outside of Italy): https://www.amazon.it/gp/product/B07NKCYT5Z
  • A pair of SMA to BNC adapters: https://amzn.to/37krHwj
  • A run of RG-58 coax with BNC connectors: https://amzn.to/2JckHcR

Plus some additional bits and pieces like some rope to hang the antenna, some nylon cable ties, a bit of insulated wire, duct tape and some tools. Notice that the above list can be shortened if you already have some of the needed stuff and this, in turn will lower (the already low) cost of the antenna.

Putting the pieces together

Ok, let’s move on to the build phase. The first thing to do will be measuring your available space to find out how much wire we’ll be able to put on the air; in doing so, consider that (as in my case), the antenna could be mounted in “inverted Vee” configuration which will allow to fit the antenna even in limited space.

In any case, after measuring the available space, let’s subtract at least 1m (50cm at each end) to avoid placing the antenna ends too near to the supports. Also, if in “inverted Vee” config, we’ll need to subtract another 50cm to keep the feedpoint (center/box) away from the central support.

Once we’ve measured, we may start by cutting two equal lengths of 3-conductor wire. Next, we’ll remove a bit of the external sleeve to expose the three conductors and then we’ll remove the insulator from the ends of the three exposed wire (and repeat this at the other end of the cable and for both arms).

The resulting ends of each arm should look somewhat like in the example image below

Now we’ll need to connect the wires in series. We’ll pick one of the cables which will be the two arms of our antenna and, assuming we have the same colors as in the above image, we’ll connect the green and white together at one end and the black and green together at the other end. Repeat the same operation for the second arm and the cables will be ready.

Now, to have a reference, let’s assume that the ends of each arm with the black “free” (not connected) wire will go to the center of our dipole.

Leave the two arms alone for a moment, and let’s install the balun inside the waterproof box. To do so, we’ll start by cutting a (small) hole through the single rubber cap found at one side of the box, then insert the cap reversed, so that it will protrude to the inside of the box and not to the outside. Slide the balun SMA connector through the hole so that it will protrude outside the box.

Now use a marker to mark the balun position and remove the balun from the box. Pick a piece of wood/plastic or other insulating material, cut it to size (refer to marking and to balun size) and drill four holes matching the one found on the balun board. Slide four screws through the holes and lock them with nuts, the screws should be long enough to extrude for some mm. Now insert the balun in the screws using the holes present on the balun board and lock it with nuts (be gentle to avoid damaging the balun). At this point, add some “superglue” to the bottom of the support we just built, slide the balun SMA connector through the rubber cap hole we already practiced, and glue the support to the bottom of the waterproof box.  Wait for the glue to dry.

Just to give you a better idea, see the photo above. That’s a photo of the early assembly of my balun. Later on, I rebuilt it as described above (but took no pics!), the image should help you understanding how it’s seated inside the box–by the way in our case it will be locked by the screws to the plastic support we glued to the box.

While waiting for the glue to dry, we may work on the dipole centerpiece.

If you bought one like I did, connecting the arm “black” (see above) wires should be pretty straightforward. If instead you choose to use a PVC pipe you’ll have to drill some holes to pass and lock the wire so that the strain will be supported by the pipe and not by the wire going to the balun box. In either case, connect a pair of short runs of insulated wire to the end (black) wire coming from each end. Those wires should be long enough to reach the balun wire terminal block inside the box.

Assuming the glue dried, it’s time to complete the feedpoint connection.

Bring the two wires coming from the centerpoint inside the waterproof box. Pick one of the wire terminal blocks which came with the balun (the “L” shaped one should be a good choice) and connect the wires to it. Then, slide the block in place until it locks firmly. After doing so, close the box and screw the SMA-BNC adapter onto the SMA connector coming from the balun. Our centerpiece and arms will now be ready, and will be time to put our antenna up!

I’ll skip the instructions about holding the arm ends and the centerpiece up, since I believe it should be pretty straightforward. Just ensure to put the antenna as high as possible and, if you have room make the arms as long as possible. In my case, due to my (self-imposed) limitations, the antenna was installed on a balcony. The arms have a length of about 3.5m each and the feedpoint (in the image above) sits at about 9m off the ground.

The more acute readers probably noticed those “blobs” on the coax, they are snap-on ferrite chokes I added to the coax (there are more of them at the rx end) to help tame common mode noise. I omitted them from the “BoM” since they may be added later on.

Anyhow, now that you have your LLD up it will be time to give it a test! In my case, I decided to start by running an FT8 session to see what the antenna could pick up during 8 hours, and the result, on the 20 meters band, is shown on the following map (click to enlarge):

Later, that same antenna allowed me to pick up signals from the Neumayer station in Antarctica–not bad, I think!

Some final notes

While running my “balcony experiment”, I built and tested several antennas, including a vanilla “randomwire”, a dipole, and a T2FD.

Compared to those, the LLD offers much less noise and better reception on a wide frequency range. By the way, it won’t perform miracles, but it’s serving me well on the LW band, on most ham bands, and even up to the Aircraft bands–indeed, was able to pick up several conversations between aircraft and ground air traffic control.

All I can suggest is that given a linear-loaded dipole is so simple, quite cheap, and may fit many locations, why don’t you give it a spin–?  🙂

Matt’s Monster Mediumwave Radio Selectivity Shootout!

Many thanks to SWLing Post contributor, Matt Blaze (WB2SRI), for sharing another brilliant audio comparison featuring benchmark portable radios:


Medium wave selectivity shootout

by Matt Blaze

I did another monster medium wave portable receiver comparison, this time with the aim of comparing receivers’ ability to deal with weak signals in the presence of strong adjacent channels.

Once again, I went up to the roof with eight MW portables with built-in antennas and recorded them simultaneously along with my “reference signal”, from an Icom R-9500 with an active loop on the roof. As before, I recorded a narrated stereo mix with the Icom on the left and the rotation of radios for a minute or two each on the right, but have “solo” tracks available for the full time for each radio. The nine receivers in the lineup this time included:

  • Icom R-9500 (with amplified Wellbrook loop antenna on roof)
  • Potomac Instruments FIM-41 Field Intensity Meter (my personal favorite)
  • Panasonic RF-2200
  • Sony IC-EX5MK2
  • C.Crane Radio 2E
  • Sangean PR-D4W
  • Sangean ATS-909X
  • Tecsun PL-990X
  • XHDATA D-808

I recorded two signals, one at night and one during the day.

Nighttime Signals

The first was at night: WWL New Orleans on 870 KHz. This signal is usually weak to medium strength here, but is a challenge for two reasons: first, it shares the frequency with Cuba’s Radio Reloj, and it is squeezed between two much higher strength signals: Toronto’s CJBC on 860, and NYC’s WCBS on 880. So you need a decent receiver and careful antenna orientation to receive it well here. That said, everything did pretty well, though you can see that some radios did better than others.

The mix

Solo tracks

Icom IC-R9500

Potomac Instruments FIM-41 Field Intensity Meter

Panasonic RF-2200

Sony IC-EX5MK2

C.Crane Radio 2E

Sangean PR-D4W

Sangean ATS-909X

Tecsun PL-990X

XHDATA D-808

Daytime Signals

The second signal was during the day and was MUCH more marginal: WRJR Claremont, VA on 670 KHz. This was real challenge for any receiver and antenna. The signal was weak, and overshadowed by WCBM Baltimore on 680, a 50KW daytimer that is very strong here. (I’m not 100% sure that we were actually listening to WRJR – I never got an ID, but the station format and signal bearing was right). We can really hear some differences between the radios here.

The mix

Solo tracks

Icom IC-R9500

Potomac Instruments FIM-41 Field Intensity Meter

Panasonic RF-2200

Sony IC-EX5MK2

C.Crane Radio 2E

Sangean PR-D4W

Sangean ATS-909X

Tecsun PL-990X

XHDATA D-808

Everything (except the Icom) was powered by batteries and used the internal MW wave antenna, oriented for best reception by ear (not just maximizing signal strength, but also nulling any interference). The loop for the Icom was similarly oriented for best intelligibility.

For audio nerds: The recording setup involved a lot of gear, but made it fairly easy to manage capturing so many inputs at once. The portable radios were all connected to a Sound Devices 788T recorder, with levels controlled by a CL-9 linear mixing board control surface. This both recorded the solo tracks for the portables as well as providing a rotating mix signal for each receiver that was sent to the next recorder in the chain, a Sound Devices 833. The 833 received the mix audio from the 788T, which went directly to the right channel. The left channel on the 833 got audio from a Lectrosonics 822 digital wireless receiver, which had the feed from the Icom R-9500 in the shack (via a Lectrosonics DBu transmitter). The center channel on the 833 for narration of the mix, which I did with a Coles 4104B noise-canceling ribbon mic. This let me record fairly clean audio in spite of a fairly noisy environment with some wind.

All the radio tracks were recorded directly off the radios’ audio line outputs, or, if no line out was available, from the speaker/headphone jack through a “direct box” interface. I tried to make the levels as close to equal as I could, but varied band conditions and different receiver AGC characteristics made it difficult to be completely consistent.

Making the recordings was pretty easy once it was set up, but it did involve a turning a lot of knobs and moving faders in real time. I must have looked like some kind of mad scientist DJ to my neighbors, some of whom looked at me oddly from their own roofs.

Happy Thanksgiving weekend!


Thank you, Matt, for another brilliant audio comparison! I appreciate the attention and care you put into setting up and performing these comparisons–not an easy task to say the least. That Potomac Instruments FIM-41 is an impressive machine!

By the way, I consider it a badge of honor when the neighbors look at me as if I’m a mad scientist. I’m willing to bet this wasn’t your first time! 🙂

Post readers: If you like this audio comparison, please check out Matt’s previous posts as well:

Radio Deals: C.Crane CCRadio 2E $20 off today only

I just received a message from C.Crane noting that they’re discounting the excellent C.Crane CCRadio 2E $20 today (25 Nov 2020) until 11:59PM PT.

Simply add the radio to our shopping cart and the price will be adjusted automatically.

The CCRadio 2E, along with the CCRadio 3, is considered one of the best mediumwave portable radios currently in production. If you’ve been considering purchasing one, this is a good time.

Click here to check out the CCRadio 2E at C.Crane.

Video: A virtual tour of the Aihkiniemi DXing base in Lapland, northern Finland

Many thanks to SWLing Post Contributor, Christoph Ratzer, who recently shared the following video tour by Mika Mäkeläinen. Mika desxribes this video on YouTube:

Join me on a virtual tour of the Aihkiniemi DXing base in Lapland, in northern Finland. This is a nonscripted five-cent tour looking at what the Aihkiniemi cabin can offer for visiting AM DXers. The video was shot in November 2020 during DXpedition AIH124 – meaning that during the first decade of its existence, Aihkiniemi has already hosted 124 successful expeditions. The antennas (a total of 14 Beverage-type wire antennas) are permanent, but participants bring their own receivers and laptops. There’s one essential activity missing from this video though: checking the antennas, which is a major job. Every DXer is expected to check – and if necessary, clean and repair – all the antennas, which run in the forests around the cabin. So there might be a part 2 in the future.

Wow! This little DXing cabin is on my bucket list. I will, someday, make my way to north Finland and spend time DXing from this unique reception spot. The quality of the equipment and antennas is truly amazing.

Thanks for the tip, Christoph!

Matt’s Marathon MediumWave Matchup

Many thanks to SWLing Post contributor, Matt Blaze (WB2SRI), who shares the following guest post:


Matt’s Marathon MediumWave Matchup

by Matt Blaze

Here’s another simultaneous receiver comparison, this time of ten portable medium wave receivers plus the Icom IC-R9500 (as a “reference receiver”). Previously, I used the same antenna for all the comparisons, but since these are portable receivers, I wanted to compare their performance using their built-in antennas. I did two comparisons, both of moderate to weak signals, one in the evening of a DX signal and the other in the daytime of a regional station.

The receivers were the Potomac Instruments FIM-41 (a “field intensity meter”), the Panasonic RF-2200, the Nordmende GlobeTraveler Exec (a beautiful German SW portable from 1968), the Sony ICF-EX5MK2, the CCrane Radio 2E, the Sangean ATS-909X, the Sangean D4W, the new Tecsun PL-990X, the XHDATA D-808, and finally the CountyComm GP5-SSB, plus the Icom IC-R9500.

All the receivers were recorded simultaneously. The radios (except the Icom R9500) were on the roof of my building and oriented for best reception (signal/noise) and kept sufficiently away from each other and other metal objects to avoid interference, The R9500 was in the shack and used a Wellbrook loop on the roof, also oriented for best signal/noise. I took the audio from the Line Out if one was available and from the headphone jack (via a “direct box” level converter) if not. I tried to match the audio levels reasonably closely, but different ACG characteristics made it difficult to be completely consistent across all the receivers throughout the sessions.

As in previous comparisons, for each session I’ve got a narrated stereo mix with the R9500 on the left channel and each receiver, for a minute or so one after the other on the right channel. You definitely want to use headphones to listen to these so you easily tell the left from the right radio. I’ve also provided mono “solo” recordings of each receiver for the full 15 minute-ish sessions so you can hear a receiver you’re interested in in detail.

Sound Devices 688 Multitrack Recorder

The recordings were made with a Sound Devices 688 recorder/mixer (which can record 12 simultaneous channels of audio). The portable radios were hardwired to the recorder, and the 9500 (which was downstairs) was connected via a Lectrosonics digital radio link. (Everything except the R9500 was on battery power to avoid mutual interference and ground loops, etc). The narration used a Coles noise canceling ribbon mic. Everything was done in a single take per session – there was NO postproduction editing – so I apologize for a few glitches and awkward moments.

You can see a “class photo” of the setup below, although the position and orientation of the radios was different during the actual recordings.

KCJJ

The first recording was at night, where we tuned to 1630 KCJJ in Iowa City, IA. This is effectively a 1KW clear channel; other than a few TIS stations, there’s not much else there on the east coast, and the signal is reliably weak to moderate but readable here on the east coast.

Narrated L/R stereo comparison:

Individual solo tracks:

CCrane Radio 2E

Sangean D4W

XHDATA D-808

Sony ICF-EX5MK2

Potomac Instruments FIM-41

CountyComm GP5-SSB

Nordmende GlobeTraveler Exec

Tecsun PL-990X

Icom IC-R9500

Panasonic RF-2200

Sangean ATS-909X


WSVA

The next recording was made during the day, of WSVA, a regional station in Harrisonburg, VA running 5KW in the daytime. Their signal is also reliably weak-moderate but readable here.

Narrated L/R stereo comparison:

Individual solo tracks (receiver should be obvious from the file name):

CCrane Radio 2E

Sangean D4W

XHDATA D-808

Sony ICF-EX5MK2

Potomac Instruments FIM-41

CountyComm GP5-SSB

Nordmende GlobeTraveler Exec

Tecsun PL-990X

Icom IC-R9500

Panasonic RF-2200

Sangean ATS-909X

Hope your readers find it useful!

-matt


An absolutely amazing job again, Matt! Thank you so much for taking the time to put this comparison together and sharing it here on the SWLing Post.  

Click here to check out all of Matt’s receiver audio comparisons.

KSEN DX test November 7 & 8, 2020

(Source: KSEN via Facebook)

LAST MINUTE UPDATE: DX TEST – KSEN-1150 Shelby, Montana will test BOTH Saturday Morning Nov 7 AND Sunday Morning Nov 8 12:01 AM – 1:00 AM MST (0701-0800 UTC) with 10,000 watts on daytime pattern. Test will consist of voice announcements, Morse Code ID’s, sweep tones, off-hook telephone sounders, etc. The station has a small staff, so they have asked the CPC Committee to handle reception reports and verifications. Verifications will be by e-mail only. The CPC prefers audio recordings in .MP3 or .WAV format. These should be e-mailed to: [email protected]

Put this on your calendar, and don’t miss the chance to log a great station in Northern Montana. Thanks again to CE Todd Clark and Paul Walker for this great DX Test.