Category Archives: Radios

Radio in the field: SWLing on the coast of the St. Lawrence river

Yesterday, the weather was gorgeous here in Québec, thus a prime opportunity to find a beach, start a new book and, of course, play radio!

I found a fantastic spot on the north bank of the St. Lawrence river near Baie-St-Paul, Québec. There were only a few folks at the beach, so it was all very peaceful.

I found a picnic table perched on the edge of the beach shaded by an apple tree–a perfect spot to relax, play radio and start a new book: Dark Voyage by Alan Furst.

I brought two portables: the C. Crane CC Skywave SSB and the recently acquired Panasonic RF-B65.

I had not checked to see if propagation was good, but tuning to WWV on 10 MHz and 15 MHz confirmed that signals were travelling. In fact, as I started tuning around–first with the CC Skywave SSB, then with the Panasonic RF-B65–I discovered some of the best propagation I’ve experienced in ages!

I did a relatively quick scan covering the 31 through 19 meter bands. Some signals were absolutely booming in.

I jotted down some of the broadcast details on a make-shift log and recorded a few videos.

Note that after making the first video, I discovered I had limited space on my phone, so most of the clips are quite short:

The Voice of America

Click here to view on YouTube.

Radio France International

Click here to view on YouTube.

Radio Guinée

Click here to view on YouTube.

BBC World Service Extra English

Click here to view on YouTube.

Here are the stations I logged in the clear:

All in all it was a brilliant afternoon and the short band scan reminded me that there is still so much content to be found on the shortwaves.

You just need a little propagation, and some time to listen and explore!

Post readers: Have you snagged any elusive DX recently?  Please comment!

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Software Defined Radio Primer Part 1: Introduction to SDRs and SDR applications

The new ELAD FDM-S3.

The following article originally appeared in the June 2018 issue of The Spectrum Monitor magazine:


SDR Primer Part 1: Introduction to SDRs and SDR applications

I author a radio blog known as the SWLing Post; as a result, I receive radio-related queries from my readers on a daily basis.  Among the most common questions are these:

“So, what is an SDR, exactly? Are these better than regular radios?”

and/or,

“I think I’d like to buy an SDR. Which one do you recommend?”

Great questions, both! But, before I address them, I must let the reader know that they are also “loaded” questions: simple enough to ask, but quite nuanced when it comes to the answers.

No worries, though; the following three-part primer sets out to address these questions (and many more) as thoroughly as possible. This first part of the primer will focus on the basic components of an SDR system. In part two, next month, we’ll look at affordable SDRs: those costing less than $200 US. In part three, we’ll take a look at pricier models and even include a few transceivers that are based on embedded SDRs.

But before we begin, let’s start with the most basic question: What is a Software Defined Radio (SDR), exactly?

Not your grandpa’s radio

Here’s how Wikipedia defines SDR:

“Software-defined radio (SDR) is a radio communication system where components that have been traditionally implemented in hardware (e.g. mixers, filters, amplifiers, modulators/demodulators, detectors, etc.) are instead implemented by means of software on a personal computer or embedded system.”

Whereas your grandpa’s radio was all hardware––in the form of filters, mixers, amplifiers, and the like––SDRs are a mix of hardware and software. With the exception of tabletop transceivers and receivers with embedded software and systems (which we’ll discuss in part three of our investigation), SDRs typically take on a “black box” appearance: in other words, the radio looks like a simple piece of hardware with a minimum of an antenna port, a data port and many times there’s also some sort of LED or light to let you know when the unit is in operation. On some models of SDRs, there is a separate power port, additional antenna connections, power switch, and possibly some other features; however, “black box” SDRs often look like a nondescript piece of portable computer hardware––something like an external portable hard drive.

Why would you want an SDR?

Many of us have made it through life thus far without an SDR…so, why in the world should we want the use of one?  Below, I’ll list some of the most appealing reasons:

Bang-for-buck

The Airspy HF+ (top) and FDM-S2 (bottom). Photo by Guy Atkins.

By and large, SDRs are quite a value when compared to legacy all-hardware radios. For example, I wouldn’t hesitate to pit my SDRs––such as the $500 Elad FDM-S2 or $900 WinRadio Excalibur––against legacy receivers that cost two to three times their price. Indeed, my $200 AirSpy HF+ SDR will give many DX-grade ham radio general coverage receivers a real run for their money. They’re that good.

Spectrum display

SDR applications have a spectrum display which gives you a real-time view of a broad swath of the radio dial. Whereas you can tune to and listen to one frequency at a time with legacy receivers, SDRs allow you to view, say, the entire 31 meter band. With the spectrum display, you can see when signals come on or go off the air without actually being tuned in to them. You can tell what signal might be causing interference because you can see the outline of its carrier. Spectrum displays are truly a window––a visual representation––of what’s on the radio. Using legacy receivers now often makes me feel like I’m cruising the bands with blinders on. After becoming accustomed to having a spectrum display, there’s simply no way I’d want to be without at least one SDR in my shack.

Powerful tools

I like how clean the user interface is for this SDR application (SDRuno) window that controls the SDR’s frequency, mode, filters and notch.

SDRs usually afford access to a dizzying array of customizable filters, gain controls, noise blankers, digital signal processing (DSP), audio controls, and more. Being able to customize the SDR’s performance and listening experience is simply unsurpassed. In fact, it’s almost a curse for SDR reviewers like me––comparing two SDRs is problematic because each can be altered so much that identifying the best performance characteristics of one or the other becomes a real challenge. In other words, comparing SDRs is almost like comparing apples to oranges: even using a different application can enhance and thus alter the performance characteristics of an SDR.

Multiple virtual receivers

SDR Console makes managing multiple virtual receivers a breeze.

Whereas most legacy tabletop receivers allow you to switch between two VFOs (VFO A and B) some modern SDR applications allow for multiple independent virtual receivers––in essence, multiple sub-receivers. On my WinRadio Excalibur, for example, I can run three fully-functional and independent virtual receivers within a 2 MHz span. On receiver 1, I might be recording a shortwave broadcaster on 7490 kHz. On receiver 2, I might be recording a different broadcaster on 6100 kHz, and following a 40 meter ham radio net on 7200 kHz in the lower sideband.

Recording tools

SDR applications, more often than not, have functionality for making audio recordings of what you receive. Some, like the WinRadio Excalibur and SDR Console, actually allow for multiple simultaneous recordings on all of their virtual receivers.

SDR Console recording dialog box

Most SDR applications also allow you to make spectrum recordings, that is, to record not just one individual broadcast from one radio station at a time, but to record an entire broadcast band, all at once. Each recording can easily contain dozens of stations broadcasting simultaneously. Later, you open the recording and play it back through the SDR application. Recordings can be tuned and listened to as if they were live. Indeed, to the SDR application, there is no difference in using an antenna or using a recorded spectrum file; the tuning experience to the listener is also identical.

So imagine that propagation is stellar one evening, or there’s a global pirate radio event just when you’re going to be away from home: simply trigger a spectrum recording and do a little radio time travel tuning later. It’s that easy.

Constant upgrades

Both SDR applications and SDR firmware are upgradable from most manufacturers. In fact, I’ve found that the most affordable SDRs tend to have the most frequent upgrades and updates. Updates can have a positive impact on an SDR’s performance, can add new features, such as the ability to expand the frequency range or more filters or embed time stamps in the spectrum waterfall. It could be pretty much anything and that’s what’s so brilliant. As a user you can make requests; your SDR’s developers might, if they like the idea, be able to implement it.

So, what’s not to love?

Looking at all of these advantages of SDRs over legacy radios, it sounds like SDRs should truly suit everyone. But the reality is, they don’t. For some radio enthusiasts, SDRs do have some unfortunate disadvantages:

First, if you’re primarily a Mac OS or Linux user, and/or prefer one of these platforms, you’ll find you have much less selection in terms of SDRs and applications. While there are a few good applications for each, there are many more SDR applications for PCs operating Windows. Until I moved into the world of SDRs, in fact, I was a Mac OS user outside of work. At the time, there were only one or two SDR applications that ran on the Mac OS––and neither was particularly good. I considered purchasing a copy of Windows for my MacBook, but decided to invest in a tower PC, instead.

Second, one of the great things about legacy radios is that with just a radio, a power source, and an antenna, you’re good to go; travel, field operations, and DXpeditions are quite simple and straightforward. SDRs, on the other hand, require a computer of some sort; when traveling, this is typically a laptop. I’ve spent several summers in an off-grid cabin in Prince Edward Island, Canada. My spot is superb for catching DX, and there’s no RF interference, so I love making spectrum recordings I can listen to later. Problem is, powering so many devices while off-grid is an art. Normally, my laptop can run off of battery power for hours, but when the laptop also provides power to an SDR and portable hard drive, it drains the battery two to three times faster.

The ELAD FDM-DUOr (receiver).

With this said, keep in mind that there are fully functional tabletop radios (like the Elad FDM-DUO and FDM-DUOr) that are actually SDRs, providing an easy way to bypass this concern.

Finally, there are simply some people who do not care to mix PCs and radio. I’ve a friend who’s a programmer, and when he comes home to play radio and relax, the last thing he wants to do is turn on a computer. I get it––as a former programmer, I used to feel that way myself.  But the world of SDRs lured me in…and now I’m a convert.

Scope of this primer series

The world of SDRs is the fastest growing, most dynamic aspect of the radio world. Because of this, I simply can’t include all SDRs currently on the market in this primer.  Let’s face it: there are just too many, and it is beyond the scope of this article to try to cover them all. Instead, I’ve curated my list, by no means comprehensive, to include a selection of the most popular and widely-used models.

I’ll be focusing on SDR receivers unless otherwise noted. In Part Three, I’ll call out some popular SDR transceivers. Additionally, I’ll bring my attention to bear on the “black box” variety of SDRs.

This primer is long overdue on my part, so I’ll provide answers to the most frequent questions I receive. But though this primer is in three parts, it barely scratches the surface of the vast world of SDRs.

Thus far we’ve defined an SDR and discussed its advantages and disadvantages.

Now, let’s take a closer look at what you’ll need to build a station around an SDR.

Assembling an SDR station

Guy Atkins’ laptop running HDSDR software in his SUV; the receiver is an Elad FDM-S2. (Photo: Guy Atkins)

In truth, most of you reading this primer will already have everything you need to build a listening post around an SDR. Understanding the components of the system in advance, however, will put you in a better position to get on the air quickly with an SDR that suits your needs best. Let’s discuss this component by component.

A computer

By virtue of reading this primer now being displayed on your screen, unless you’ve printed it out, I’m guessing you have access to a computer of some sort.

SDRs are really quite flexible in terms of computer requirements. SDRs are compatible with:

  • A desktop PC running the Windows operating system
  • A laptop PC running the Windows operating system
  • A desktop Apple computer running MacOS and/or Windows
  • A laptop Apple computer running MacOS and/or Windows
  • A tablet or smartphone computer running Android or Windows
  • A Raspberry Pi/Beaglebone (or similar budget computer) running a Linux distribution

If SDRs are compatible with so many computer operating systems and configurations, then why would you worry about which ones to choose?

As I mentioned earlier most, but not all, of the SDR applications on the market are only compatible with the Windows operating system. If you want the most out-of-the-box, plug-and-play SDR options, then you should plan to use a Windows PC. If you’re a MacOS user, fear not. Modern Apple computers can support Windows—you simply purchase a copy of Windows and set your system to boot as a Windows machine (assuming you have the storage space for a dual boot).

Secondly, processing speed is certainly a factor: the faster, the better. While you can use an Android/Windows tablet or a Raspberry Pi to run an SDR, they often don’t have features like multiple virtual receivers, wideband spectrum recording capabilities, and large fluid waterfall displays due to the simple lack of processing power. My guess is that by 2023, however, tablets and budget computers will have ample processing power to handle most, if not all, SDR functions.

Finally, if you plan to make spectrum recordings, especially wideband ones (2 MHz, plus), you need both a snappy processor and a high-capacity hard drive with a decent write speed. This is the reason I now have a desktop PC at home for spectrum recordings: I can use a very affordable SATA drive as a storage device, and the write speed is always more than adequate. My OS and SDR applications run on an SSD (solid state drive) which is very fast.  All of my recordings are saved to internal and external 4TB+ hard drives. Happily, I’ve never had a hiccup with this system.

An SDR application

SDRuno has an attractive user interface comprised of multiple adjustable windows.

Wait a minute…am I suggesting you choose an SDR application before you choose an SDR?  Why, yes, I am! You cannot use an SDR without an SDR application, but, with only a few exceptions, you certainly can use an SDR application without an SDR attached.

Unlike a legacy hardware radio, you can essentially test drive an SDR by downloading an application (almost always free) and then downloading a test spectrum file. Most SDR manufacturers will have all of this on their download page. Simply install the application, open the spectrum file, et voila! You’re now test driving the SDR. Your experience will be identical to the person who originally made the spectrum recording.

The WinRadio Excalibur application also includes a waterfall display which represents the entire HF band (selectable 30 MHz or 50 MHz in width)

I always suggest test driving an application prior to purchasing an SDR.

While all SDR applications have their own unique layout and menu structure, almost all have the same components, as follows:

  • a spectrum display, which gives you real-time information about all of the signals within the SDR’s frequency range;
  • a waterfall display, which is a graphical representation of the signals amplitude or strength across the SDR’s frequency range displayed over time;
  • filter controls, which help you adjust both audio and signal widths;
  • mode selections, which allow you to change between modes such as AM, SSB, FM, and digital;
  • a signal meter, which is typically calibrated and resembles a traditional receiver’s “S” meter;
  • a frequency display for the active frequency;
  • VFOs/virtual receivers, which may have real estate allocated on the display;
  • a clock, which displays the time, possibly as both UTC and local time (note that many SDR apps also embed time code in waterfall display);
  • memories, where you can store a near-infinite number of frequencies (and some SDR applications allow you to import full-frequency databases); as well as
  • other controls, such as squelch, gain, noise blanker, DSP, notch,etc.

After you’ve become comfortable with one SDR application, moving to another can be a little disorienting at first, but the learning curve is fairly short simply because most have the same components.

Types of SDR applications

SDR applications usually fit one of three categories: proprietary app, free third-party apps, paid third-party apps, and web browser based apps. (Assume each application runs on Windows unless otherwise noted.) Let’s take a look at each.

Proprietary SDR applications

Proprietary apps are those that are designed by the SDR manufacturer and provide native plug-and-play support for the SDR you choose. Proprietary apps give priority support to their own SDR, but some are compatible with other SDRs––or can, at least, read spectrum recordings from other SDRs. Most popular SDRs have a proprietary application. Here are examples of a few proprietary apps:

  • WinRadio App for the WinRadio/Radixon line of SDRs
  • Perseus Software Package for the Microtelecom Perseus
  • SDR# App for the AirSpy line of SDRs
  • SDRuno App for the SDRplay series of SDRs
  • FDM-SW2 App for Elad SDRs
  • SpectraVue App for the RFSpace line of SDRs
  • SmartSDR App for FlexRadio SDR transceivers

Free third party SDR applications

Free third party applications are incredibly popular and some even offer performance and feature advantages over proprietary applications. Third party apps tend not to be associated with any one particular manufacturer––SDR# being a noted exception––and tend to support multiple SDRs. I’m a firm believer in supporting these SDR developers with an appropriate donation if you enjoy using their applications.

  • HDSDR is a very popular application that supports multiple SDRs and spectrum file formats. The layout is simple and operation straightforward.
  • SDR Console is a very powerful and popular application. Like HDSDR, it supports multiple popular SDRs. It is my SDR application of choice for making audio and spectrum recordings.
  • SDR# runs AirSpy SDRs natively, but also supports a number of other receivers including the venerable RTL-SDR dongle.
  • Linrad (Linux)
  • SdrDx (MacOS and Windows)
  • Gqrx SDR (Linux)
  • SDR Touch is a popular SDR application for Android devices (Android)
  • iSDR is one of the only SDR applications currently available for iOS devices. Its functionality is somewhat limited. There are other SDR applications in the works, but at the moment these are in development stages only. (iOS)

Paid third-party apps

Paid third-party apps represent a tiny fraction of the SDR applications available on the market. Indeed, at time of posting, the only one I know about that’s currently on the market is Studio 1, which has been the choice for those looking for an alternative application to the Microtelecom Perseus Software Package.

Web browser-based  SDR applications

The KiwiSDR browser-based application

This is, perhaps, one of the newest forms of SDR applications. While a number of SDR applications (like SDR#, SDR Console and the Perseus Software package) allow for remote control of the SDR via the Internet, there are actually few applications that are purely web browser-based. At the time of this writing, the only one with which I’m familiar is the KiwiSDR application, which allows both the SDR owner and (if set up to do so) anyone else in the world to operate the SDR as if they are at the SDR’s location. In fact, the KiwiSDR only has a web browser-based application, there is no downloadable application. It will allow up to four simultaneous users, and the experience of using a KiwiSDR locally or globally is nearly identical. If you would like to use a KiwiSDR, simply visit http://SDR.hu or https://sdr.hu/map and choose a remote location.

[Note that if you like web-based SDRs, I highly recommend checking out the University Twente WebSDR located in the Netherlands.]

Choosing an SDR

In Parts Two and Three of this primer, we’ll take a closer look at some of the SDRs currently on the market; prices range anywhere from $15 to $6,000. As you can imagine from such a price range, these are not all created equally.

But first, ask yourself what your goal is with your SDR. Do you want to monitor ham radio traffic? How about aviation communications? Follow pirate radio? Listen to a range of broadcasters? Pursue radio astronomy? Is your dream to set up a remote receiver?

Whatever your flavor of radio, you’ll want to keep some of these needs in mind as you explore the SDR options available to you.

Budget

Photo by Kody Gautier

Be honest with yourself: how much are you willing to spend on an SDR? While entry-level SDRs can be found for anywhere from $15-50 US, a big leap in performance happens around the $100 mark. If you’re looking for benchmark performance, you may need to appropriate $500 or more. Whatever you choose, keep in mind that SDRs are only as good as the antennas you hook up to them. Set aside some of your budget to purchase––or build––an antenna.

Compatible applications

As mentioned above, not all SDRs are compatible with anything beyond the OEM/proprietary application. If you have a choice third-party application in mind, make sure the SDR you choose is compatible with it.

Frequency range

If you want an SDR that covers everything from VLF/longwave up to the microwave frequencies, then you’ll need to seek a wideband SDR. Each SDR manufacturer lists the frequency ranges in their specifications sheet. It’s typically one of the top items listed. Modern wideband SDRs can be pretty phenomenal, but if you never plan to listen to anything above 30 or 50 MHz, for example, then I would advise investing in an SDR that puts an emphasis on HF performance. Check both specifications and user reviews that specifically address performance on the frequencies where you plan to spend the bulk of your time.

Recording and processing bandwidth

The new SDRplay RSPduo can display up to 10MHz visible bandwidth (single tuner mode) or 2 slices of 2MHz spectrum (dual tuner mode)

If you plan to make either audio or spectrum recordings, or if you plan to monitor multiple virtual receivers, pay careful attention to an SDR’s maximum recording and processing bandwidth. This bandwidth figure is essentially your active window on the spectrum being monitored. Your active virtual receiver frequencies will have to fall within this window, if you’re making simultaneous recordings. In addition, this figure will determine the maximum bandwidth of spectrum recordings. Some budget SDRs are limited to a small window––say 96 kHz or less––while others, like the Elad FDM-S3, can widen enough to include the entire FM broadcast band, roughly 20 MHz!

Portability

AirSpy’s HF+ was introduced late 2017. Don’t be surprised by its footprint which is similar to a standard business card to its left–this SDR packs serious performance!

If you plan to take your SDR to the field or travel with it, you’ll probably want to choose one that doesn’t require an external power supply. Most late-model SDRs use the USB data cable to power the unit.  This means you won’t need to lug an additional power plug/adapter or battery. Still, many professional grade SDRs require an external power supply.

Recording features

If you plan to make spectrum recordings, determine whether you have many options to set the unit’s processing bandwidth. Some SDR applications have robust recording functionality that allows for both spectrum and audio recordings, including advanced scheduling. Some applications don’t even have audio recording or spectrum recording capabilities. Test drive the application in advance to check out their recording functionality. Of course, if recording is your main interest, you’ll also want to set aside some of your budget for digital storage.

Know your goal!

If your goals are somewhat modest––perhaps your budget is quite low, you simply want to familiarize yourself with SDR operation prior to making a bigger purchase, or you only want to build an ADS-B receiver––then you might be able to get by with a $25 SDR dongle. If you plan to use your SDR as a transceiver panadapter during contesting, then you’ll want to invest in a unit that can handle RF-dense environments.

Identify exactly what you’d like out of your SDR, and do your research in advance. Note, too, that many popular SDR models have excellent online forums where you can pitch specific questions about them.

Scoping out the world of SDRs

Three benchmark receivers in one corner of my radio table: The Airspy HF+ (top), Elad FDM-S2 (middle) and WinRadio Excalibur (bottom).

Now that we have a basic grasp on what SDRs are, what components are needed, and what we should research in advance, we’ll look next at some of the SDR options available to us. In Part Two, we’ll look at budget SDRs; those under $200 US in price. In Part Three, we’ll survey higher-end SDR packages.

Stay tuned for more in Part Two (October–click here to read) and Part Three (November–click here to read)I’ll add links here after publication.

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C. Crane Updates the CCRadio-EP Pro

Many thanks to reviewer Jay Allen for sharing the news that a significantly updated version of the CCRadio-EP Pro is now available:

C. Crane CC-EP Pro AM/FM Analog-tuned Radio

The update eliminates the “false signal peaks” (images) of the EP Pro, a tuning anomaly that was widely criticized at introduction of this model. In addition, a 9/10 kHz tuning step switch has been added, and Jay also reports that reception performance is improved on the high band of medium wave.

Check out the full details in Jay’s post above!

Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington.  He’s a regular contributor to the SWLing Post.

 

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A detailed review of the Tecsun S-8800 and comparison with the Tecsun PL-660 & XHDATA D-808

Many thanks to SWLing Post contributor, 13dka, for the following guest post:


Tecsun S-8800 Review

by 13dka

Looking for a new toy again I recently revisited the Tecsun S-8800, which looked like it could replace both my battered old Grundig Satellit and my Tecsun PL-660.  Being in production for a few years now, and with the “birdies” situation ironed out long ago, the S-8800 has gathered much acclaim by now but also a few somewhat contradicting reviews.  For example, one review reports that the S-8800 can cope with larger antennas, another one states the exact opposite, one praises the MW performance, another one attests only average sensitivity, and only one mentioned an unpleasant detail I’m going to emphasize on in a bit.

All reviews touted the improved SW performance in AM and SSB though, and that was reason enough to make my own experiences.  Testing it turned out to be a bit of an emotional rollercoaster though.

I hope I can share more than only redundant bits of information about the radio, and I’ll skip most of the general information you can read in most other reviews.

Off to the 13dka radio test site at the dike!

13dka’s SWL Happy Place

General

Like the technically somewhat similar Tecsun PL-880, the S-8800 is a triple conversion receiver and has 2 conventional IF stages, the third IF stage is using a Si4735 DSP chip again, providing the  filters and all that jazz.

Tecsun seems to have thrown a lot more parts into it than in previous radios, plus a pretty big ferrite rod (covering 8-9/10th of the radio’s width) with individual LW and MW coils (most of the smaller receivers have only one coil), a 108mm telescopic whip and of course the “gun metal” knobs.  Designing a radio with a rather simple front panel and making a remote control an integral part of the operation concept (like it is reality with TVs for a long time) is a charming oddball approach, in a way reviving an utmost luxurious feature of 1930s high-end radios.  So let’s cut to the chase and talk performance:

Longwave and Mediumwave

On LW and MW, I first compared the S-8800 with my old Grundig Satellit 400 at home.  The old clunker has similar dimensions, a big old speaker bass/treble controls and it was known to have an average sensitivity on the AMBC band in its time, when all the great, now vintage AM performers were still ubiquitous, so that’s rather a “Jay Allen average” than an “average of the mediocre AM radios of this millenium”.  I think Jay Allen might rate it 3 stars.

Longwave

The first station I tuned in was the BBC LW transmitter network on 198kHz and it turned out a tad more noisy on the Satellit.  Great!  I could also pick up Medi1 and Kalundborg a smidge better than on the Grundig, and in the early evening, out at the beach I was picking up stations on all still populated channels on LW (minus 180kHz where it has one of the remaining birdies).  The other new portables I currently own (PL-660, D-808) are far away (PL-660) and far, far, far away (D-808) from that kind of performance.

Mediumwave

Unfortunately that good impression vanishes gradually when leaving the long wave for the NDB band (still good) and finally medium wave.  Before I left the house to test the radios on the electrically quiet beach again, I was checking out one of my favorite border case stations (low power station from The Netherlands on 1602kHz, whatever their name is this week) and that made very clear already that the S-8800 can’t hold a candle to the Satellit, at least not on the top end of the MW band.  Despite all the noise indoors, on the Satellit I could easily recognize the song being played while the S-8800 didn’t pick up anything at all.

On the beach it turned out that – despite the ferrite rod being twice the size – I find it only marginally better than the PL-660, and not close enough to the little XHDATA D-808 (if you’ve read my D-808 review you already know that this little radio is almost on par with the Grundig on MW):

Timeline: 0:00: D-808 0:07: S-8800 0:11: D-808

Click here to download audio.

Of course I have read Thomas’ assessment of the AM performance so I was prepared to be underwhelmed.  But at least you can connect some high gain MW antenna to make up for the missing sensitivity and be happy again, or can you?

A not so nice surprise

The unpleasant detail I mentioned before is:  the Int/Ext Antenna switch does not turn off the internal ferrite bar antenna.  Jay Allen mentioned it in his review, it was the only review with that detail and unfortunately I overlooked it.  How does that matter?

The main issue is this: if you’re (like me) forced to use outdoor antennas to escape high indoor noise levels, the internal loopstick just won’t let you.  The external antenna will just increase the SNR a bit when the station is strong enough anyway.  Even in a low noise environment, the internal loopstick will needlessly add noise to the signal received from a high-performance active loop or FSL antenna.

That also explains a paragraph in Thomas’ S-8800 review:

“I also hooked up the S-8800 to my large horizontal loop antenna. This certainly did improve MW reception, but not as dramatically as I hoped. Additionally, it seemed to be very sensitive to RFI in my shack even when hooked up to the external antenna.”

There’s more external antenna idiosyncrasy:  only the BNC jack is wired to the “Ext” position of the antenna switch,  the “hot” (red) Hi-Z terminal is active when the switch is in the “Int”-position, it just seems to save you an alligator clip on the whip.

The dedicated “AM antenna” terminal was in part what sold the S-8800 to me.  The label made me assume this would be specifically wired to the AM circuit but as it turns out it’s just a generic high impedance input and I really didn’t anticipate that the internal loopstick remains always active (or in case of the Hi-Z terminals, the retracted whip).  Yes, technically you can connect an external antenna for MW, practically…YMMV.

To conclude this section, the final outcome of this antenna connector issue plus the not so brilliant MW sensitivity was that not even my active ML-200 loop (connected to the BNC-jack) could improve reception on 1602kHz enough to make the S-8800 get at least a bit into the ballpark of the Grundig with its loopstick antenna.  The currently mounted small 80cm rigid loop on the ML-200 just couldn’t produce enough signal to lift the station over the noise that much.

Shortwave SSB

As the other reviews reported already, Tecsun has obviously worked on the AGC issues their former products had.  I can confirm this so far, the AGC does not show the distorted onset of leveling anymore – unless the signal is very strong.  But the leveling happens much faster than e.g. on the PL-880 so the remaining blasts of distortion are quite short:

Click here to download audio.

A more relaxed AGC release time would save us most of those too.  I noticed AGC pumping effects from strong signals in the spectrum neighborhood only with a big antenna connected.  But unfortunately there is more…

Stuff you have to live with:

In his great review, Thomas mentioned the auto mute sometimes interfering with reception. I noticed this too (with all bandwidths on SSB) and I credited this to very low noise figures. When the bandwidth is narrow (=less noise) or if you have a very low noise floor anyway like when tuning through 25-30MHz, the receiver gets muted over the entire chunk of spectrum, just to intermittently and pretty suddenly pass the noise again.  Sounds like a broken antenna cable and has some potential to confuse people:

Click here to download audio.

Then I made some experiments with ECSS, destroying my “noise floor” theory.  It doesn’t always happen but under circumstances that may sound like this:

Click here to download audio.

Too bad that setting auto mute to ’00’ doesn’t actually turn it off in SSB mode so there’s likely no remedy for that.

On my example, there is absolutely no difference between the 3kHz and 4kHz SSB filters.  A working 4kHz filter would have been a good choice for ECSS reception.

Another remaining quirk at least on my specimen of the S-8800 is a slight FM modulation of an oscillator in SSB, particularly with strong signals.  You can hear it best if you create a heterodyne or listen to CW, the tone sounds a bit hoarse, so do voices and I’m not sure whether or not this could affect narrow-bandwidth digimiode decoding.  The front panel (namely the bandwidth knob area) is quite susceptible for “hand capacity”, the frequency varies a bit when you move your hand in front of the S-8800.  This is not uncommon with portables of course, but my D-808 for example has its “Theremin playing area” on the back of the radio.

In this clip you can hear both the “hoarse” modulation and my hand waving  to you.

This leads me to calibration and frequency drift.  The S-8800 can be calibrated on SSB (see the “Hidden features” section below), however this turned out to be a (too) fast moving target.  I don’t know if it’s the VFO or the BFO but it is so temperature-dependent that 6°C temperature difference equates to a quite substantial (for SSB) drift of 150Hz.  Whatever oscillator it is, it seems to lack any temperature compensation measures, with all the implications that may have on relaxed SSB listening, digimode decoding and ECSS reception when the temperature isn’t quite stable where you want to use it.  After calibrating it, it’s often slightly off again within the same minute.  My cheap little D-808 won’t drift even when I take it from an overheated apartment into a -5°C cold winter storm.

The good stuff

Now to the fun part!  When I compared the SSB performance of the S-8800 with my PL-660 the first time, I found them very close for some reason.  I could find only one weak station that came in noticeably better on the S-8800 and while I was happy that it wasn’t worse than the PL-660 I was also a bit disappointed.

Timeline: 0:00: PL-660, 0:10: S-8800 receiving the “Gander Radio” VOLMET.

Click here to download audio.

Then I repeated the test a few days later, this time a bit more into the evening and the outcome was very, very different.  The S-8800 won every single weak signal comparison with ease and sometimes in a way that made me think my PL-660 must be broken.

But then I could help the PL getting a lot closer by simply holding it in my hand, the difference was that I had placed the PL-660 differently so I could record both radios easier.  The factor I forgot to put in the equation was that the S-8800 is absolutely not depending on anyone holding it to give it some counterpoise – that and the long whip is certainly a part of its advantage, and the receivers would be much closer when used with the same external antenna.  With the radios just standing there tho (and that’s what most people will do with their radio instead of holding it in their hand), the difference is remarkable nonetheless and I also learned that you should always look and listen twice when testing radios!

Timeline: 0:00 D-808, 0:03: S-8800, 0:08: D-808, 0:10: S-8800

Click here to download audio.

Timeline: 0:00: PL-660, 0:05: S-8800, 0:10: PL-660, 0:16: S-8800

Click here to download audio.

When I repeated the test yet again but granted the PL-660/D-808 the litte bit of counterpoise they seem to need (I let them rest on the car door instead of holding them), the results were not that unequivocal anymore.  However, the receivers were 50% on par, the S-8800 was clearly better the other 50% and overall the other two receivers could not score a single point for them.  I think that shows that the S-8800 really is a hair or three better.  Beyond the increased sensitivity and minus the frequency drift, SSB reception feels more mature, the the S-8800 behaves more like a regular communications receiver now and the big speaker is a big plus.  Of course that means there should be also an improved reception of…

Shortwave Broadcasts

I know that the S-8800 has inherited the “Enjoy broadcasting” and “BCL RECEIVER” lettering from the cheap S350, but after stepping the PL-660 and the S-8800 through all shortwave broadcast bands, I felt that’s exactly hat it was made for, and it shows!

There is no doubt that a big speaker can create the illusion of better reception, but I think I don’t fall for that easily and rather listen to the background noise and how intelligible the “content” is.  While the comparison with the PL-660 often ended up in a tie when I subtracted the impact of the speaker in my mind, there were indeed some stations where the S-8800 had remarkably less noise than the PL-660.  But of course the big speaker is giving the S-8800 a permanent edge on all reception cases, and it’s a real joy to listen!  Combined with lower noise and a generally more stable signal (through better AGC) this made quite a difference between the two.

Bottom line is that when listening to shortwave broadcasts, the S-8800 gives you the warm and lush sound of yesterday’s famous receivers while it technically delivers the best performance of all Tecsun portables so far.  If you fancy music programs on shortwave and if you don’t mind the price for the luxury and performance, you’ll enjoy this radio a lot.

FM

Short story: my specimen of the S-8800 lacks the very good FM band sensitivity of the PL-660 or the XHDATA D-808.  While the latter radios present my favorite marginal case station 100km away  fairly with some noise at sea level, the S-8800 just doesn’t receive that station at all, no matter how I position the whip.  It’s not exactly worlds between them but considering that (assumedly) most of the FM receiver is in the Si4735 chip that it shares with a couple of great FM performers from the same company, this is a bit surprising.

Signal handling capabilities

The S-8800 is said to have a pretty robust frontend, which I found true but I want to put that a bit into relation.  My “lonely beach/dike listening post” sports 2 abandoned steel flag poles of 6 and 8m height.  They can serve as support for wire antennas, or easily be used as an antenna themselves by inductively coupling them to the receiver – IOW by winding a wire 2-4 times around the pole (you could use the Eiffel tower as an antenna this way) and connecting the other end to the radio.

For some reason this contraption produces quite massive output voltages, but I could always use it for a quick and thorough (and due to the location QRM-free!) reception improvement with my PL-660 anyway.  Why?

The PL-660/880 have a 3-position (DX, Normal, Local) switch. I think it turns off the input preamp in the “Normal” postion and adds a simple attenuator circuit in the “Local” setting.  The latter is sufficient to tame the output of all sorts of antennas (including the flag pole) enough to make my PL-660 work just fine with that on all bands.

The S-8800’s sensitivity switch on the other hand has only 2 positions and telling from the results it really only turns off the preamp.  Now it actually acts up much less on the flag pole than the PL-660 in its comparable “DX” and “Normal” positions, so obviously Tecsun has put some effort into making the frontend more robust indeed.  But it seems they thought “that should do, let’s ditch the 3rd (attenuator) position and save 3 resistors” and that left me with many (but tolerable) images across the entire shortwave above 3 MHz, and a heavily image-infested 160m band.  BTW, a few soft images from (I guess) 49/41m blowtorches could be heard around 29MHz with only the whip.

A word on the audio

I believe that the “legendary” status of the Grundig and Zenith lines of world band receivers is partly owed to their big sound.  They had their music loving and program listening audience in mind, and Tecsun’s choice of casing, big speaker, the bass and treble controls are certainly taking the same line.

Compared to my Satellit 400 (80s model, but still has much of that “legendary” sound), the Tecsun sounds a bit more boomy in the lower mids while having a less super-deep bass response than the Grundig, which also sounds more neutral.  Besides these very unimportant distinctions, the S-8800 does sound big and that also helps reception – lacking low mid/bass content can impair intelligibility as well, and it causes more fatique on long DXing sessions.

The bass/treble shelving EQ is certainly more sophisticated than the Grundig’s, it has quite sharp cutoffs at very sensibly chosen frequencies, so turning the knobs down will leave the main chunk of the mid range completely unaffected and just helps removing rumble or the 5kHz beat frequency from a band neighbor, or add some nice hifi-highs and beefy low end when you turn them all the way up.  In other words you can continuously blend the speaker sound from perfect “voice communications” style to “dad’s big old radio”.

Hidden functions

Of course the S-8800 has some unofficial “power off” and “power on” extra functions assigned to the number keypad on the remote (they all work by pressing and holding a number key for up to 10 seconds).  Some are identical to the PL-880, some are different:

0.) I found calibrating the S-8800 on SSB works with the same method used on the PL-880:  Tune to a station with a known frequency, switch to USB or LSB and use the fine tuning knob to tune for best audio/music playback. An alternative way of doing this is downloading a free spectrum analyzer app for your smartphone (“SpecScope”), tuning the radio 1kHz off frequency so you get a nice heterodyne tone on USB or LSB, then using the fine tuning knob to tune the tone to hit exactly the 1kHz mark on the analyzer display.  Your last 2 (Hz) frequency digits will now show an offset frequency.

1.) Then press and hold the ‘0’ button until a ’00’ appears in the top right corner of the display and the last 2 digits of the frequency readout start flashing.  Release the button and quickly use the fine tuning knob to reset the last frequency digits to ’00’ (the number on the top right corner should be changing while doing that), then immediately hold the ‘0’ key again to confirm – tadaa, the offset should be gone while the last 2 frequency digits show ’00’ now.  This all needs to happen pretty quickly and with the right timing, so it may take a few attempts to get it right.

2.) With the radio off, button ‘2’ turns the LW band on/off.

3.) Press and hold the ‘3’ button while the radio is off to toggle between permanent and “intelligent” display illumination.

4.) When the radio is turned on, this button enables access to the extra functions of the number 6 and number 9 keys.  The display will read “On” when you perform this the first time, doing it again will turn it off again.

5.) Radio on, set to FM band: this toggles between 75 (US) and 50 (anywhere else) microseconds deemphasis on FM.

6.) Radio on: When enabled using the ‘4’-button as described before, holding the ‘6’ will toggle the (annoying) dynamic bandwidth feature off and on.  You can set this independently for AM and SSB.  Ideally to zero, because it automatically resets your bandwidth setting and since this is happening in steps, it sounds quite strange.  The PL-660 uses a stepless dynamic envelope following low pass filter (which is I believe what they called “DNR).

7.) This is still a mystery to me.  On the PL-880, this button apparently controls the line out level on FM.  On the S-8800 it (ostensibly) seems to control the S-meter bias with numbers running from ’00’ to ‘+99’ and ‘-99′ for all bands.  Positive values reduces the S-meter display which made me curious if it rather controls AGC level or gain at some stage, but it really seems to affect the S-meter display only.

8.) Radio off: Toggles the seconds display on the main clock (when the clock is displayed instead of frequency).

9.) Another important one: this controls the threshold of auto squelch/soft mute.  If you want to turn that off, turn it down to ’00’ with the main tuning knob, then hit the ‘9’ key again.  You need to do this for AM, FM and SSB separately.

Random stuff

  • The S-meter was indicating a permanent base level of 2 bars even at my remote beach listening post.  But even though it can apparently be “calibrated”, a 5-bar indicator is quite a step backwards from the 99-step RSSI meter of the PL-880.
  • After an initial discharge and recharge cycle, the 2x2000mAh “18650” batteries gave me a continuous runtime of 21 hours.  When you connect the charger and then turn on the radio, it stops charging unless – and this seems odd – you are in FM mode.  A full charge while listening to FM radio took 4:41.

Verdict

I had a pretty hard time making my mind up about this radio.  It has so elaborate details, so much design improvement and costly parts went into it but I feel like it doesn’t quite meet the expectations Tecsun created with this radio.   Sadly, it has a few things that were started ambitious and ended underwhelming.

It got a huge 2-coil loopstick and somehow they managed to make it perform slightly worse than a 70€-radio with not even half of that loopstick size, they gave it 2 external antenna ports but they disappoint MW enthusiasts right again by keeping the loopstick always active, and how FM could turn out less sensitive than many radios with the same Silicon Labs chip (including their own models) is beyond me.

They improved the front end but then they dropped the attenuator, which costs the overall flexibility and better overloading-resilience their other radios have, they fixed the SSB issues of the predecessors and introduced a free-floating BFO with a mind of its own.

The price tag is making these downers certainly weigh heavier, and I think without them this radio may have turned out to be a real classic.

On the plus side I found a radio that really excels on shortwave. Shortwave program listeners can feast on a most sensitive, selective, luxurious and well-behaved portable with a big sound and I think there’s probably no current portable that could compete with that.

Ham radio aficionados get improved SSB reception and if there wouldn’t be this “cheap 70s receiver trademark” unstable oscillator, it would come close to communications receiver performance levels (minus the frontend needed for big antenna voltages).

That the price reaches into the ballpark of pre-loved high-end(-ish) JRC/Icom/Yaesu communication receivers or buys you a mint-condition ICF-2010/2001D may seem like a problem too.  But then again, none of those radios is perfect either, and only the Sony is a portable.

Despite the quirks, the S-8800 is still a great, valuable radio that revives an out-of-fashion style of radios in a pretty unique and modern way.


What a brilliant, critical review of the Tecsun S-8800!  Thank you so much for taking the time to properly test and compare the S-8800 with the venerable PL-660 and the XHDATA D-808 (readers, also check out his review of the D-808).

You’re right, too, in that I’ve noticed some contradictions in reviews–I do wonder if part of this might be variations between US and EU versions of the radio, or perhaps small quirks in production runs.

No doubt, however, that the Tecsun S-8800 is a champion of the shortwave broadcast bands and its audio fidelity is in a class of its own.

Click here to view the Tecsun S-8800 at Anon-Co or here to search eBay.

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A review of the Sangean HDR-14 portable AM/FM HD radio

Late last year, we learned that Sangean was planning to introduce a small portable HD radio to their product line: the Sangean HDR-14. Readers were excited about this release––indeed, I’ve received more inquiries and comments from readers about this radio than about any other HD radio.

While there have been numerous portable FM HD radios on the market over the years, there have been very few compact HD portables that can also pull AM HD signals from the ether. Shortly after Sangean made their announcement that the HDR-14 was forthcoming, I contacted them and requested a review unit. They sent me a review sample from the first production run in May.

Due to my exceptionally busy schedule this summer, it’s taken me longer than I’d like to  be able to write up a complete review. On the plus side, while I’ve not had a chance to sit down and write, I have had time to listen; thus I’ve had more on-the-air time with the HDR-14, with the result that my review is built on nearly three months of use.

Initial impressions

Size comparison: Sangean HDR-14 (left) and the C. Crane CC Skywave SSB (right)

The HDR-14 has a practical AM/FM portable radio design: the front panel features a backlit display, speaker grill, power button, memory preset buttons and a few other buttons to control essential functions like tuning, HD mode/channel selection, band, and information display toggle.

Like most similar Sangean radios, the chassis is a hard gloss plastic finish, while the front panel is mostly matte. The buttons are raised and have a pleasing tactile response.

On the left side of the radio you’ll find a coaxial power port (5VDC with a positive tip), volume wheel and headphones jack. I do wish Sangean had used a standard micro USB port, but their alternate choice might be be a result of the fact that USB power supplies are so RF noisy…? This is, however, mere speculation on my part.

On the right side, the only feature is one mechanical key lock switch––a bonus for me, as I prefer mechanical key locks over push buttons.

On the back of the radio you’ll find the usual silk-screened product specifications and model information. You’ll also find the large battery compartment cover which easily slides open to reveal positions for three AA cells.

The telescopic antenna is sturdy and about twenty-five inches in length, fantastic for FM radio reception.

One unique feature of the HDR-14 is that it doesn’t have a tilt-out stand on the back, rather a foot that swings out from the bottom/base of the radio. The foot gives the HDR-14 excellent stability while standing up, say, on a night stand next to the bed. Brilliant addition, Sangean!

Features and specifications

For such a compact portable, the HDR-14 sports a compliment of features:

  • HD Radio digital and analog AM / FM-Stereo reception
  • 40 Memory Presets (20 FM, 20 AM)
  • PAD (Program Associated Data) Service
  • Support for Emergency Alerts Function\
  • Automatic Multicast Re-Configuration
  • Real Time Clock and Date with Alarm and Sleep Function
  • 2 Alarm Timer by Radio, Buzzer
  • HWS (Humane Wake System) Buzzer and Radio
  • Snooze Function
  • Information Display for Channel Frequency, Call Sign, Radio Text, Audio Mode, Service
  • Mode, Signal Quality and Clock Time
  • Easy-to-Read LCD Display with Backlight
  • Low Battery LED Indicator
  • I/O Jacks: DC In, Headphone and HD / FM Rod Antenna

The clock and alarm features make the HDR-14 ideal for travel. Sangean’s “Human Wake System” is one of the best wake up alarm systems I’ve ever used on a radio: the buzzer alarm sound will slowly increase in volume for 1 minute, then stop for one minute of silence, and repeat up to one hour. Of course, this will wake most of us on the first go. If not, it’s patiently persistent, but a gentle way to wake:  I like this.

The internal speaker is well balanced though it lacks any notes of bass. Still, music is quite pleasing, and the spoken word sounds brilliant and clear. Note that my expectations for audio fidelity are always fairly low from radios in this size class (although the Sangean  WR-7 showed me that compact radios are capable of amazing fidelity).

Operation

Tuning the radio and storing frequencies to memory are each straightforward and simple.

Keep in mind, however, that the Sangean HDR-14 can receive both AM and FM radio in analog and HD. On either band, if you tune to an analog station with accompanying HD channels that can be received, the HD Radio logo will flash on the display, indicating that the signal is blending from analog to digital. Once the radio locks onto the HD signal, the HD Radio logo on the display will cease flashing and appear steady.

Saving a station to a memory is simple: 1) tune to a frequency, use the page button to select the desired memory page of five presets; 2) press and hold the button where you would like to store the frequency, and when you hear a beep, the station has been stored. If you chose, for example, the third page and first memory position, “31” (indicating “page 3” and “memory 1,” respectively) will appear on the top line of the display. After entering your presets, you can then recall a station by selecting a page and simply pressing the preset.

The HDR-14 does have a useful “HD Seek” function that searches for HD signals automatically. In addition, there is an HD Auto Preset System that will scan the band for HD signals, then auto-store them in memory presets according to their signal strength. The first memory on the first page will be the strongest station received.

If the HDR-14 acquires an HD station that multicasts (and in my market, most do), the display will note “HD1,” “HD2,” or “HD3,” based on the number of multicast HD signals per broadcaster. You can flip through these with the tune up/down buttons once the display indicates multicast signals.

The HDR-14 also features an alpha-numeric RDS system which makes identifying the station and even their programming/music quite easy. I find that the RDS decode is quite good: it works on even marginal FM signals.

Performance

The last Sangean HD radio I reviewed was the HDR-16, and I was impressed by its performance. As you can imagine, my hope was that the HDR-14 would pack the HDR-16’s performance in a smaller package…So, did it?

Let’s just say it comes quite close.

The HDR-16’s analog AM broadcast band performance is, overall, better than that of the HDR-14. The HDR-14 isn’t poor, but its noise level is slightly higher than the HDR-16’s. I can’t say I’m disappointed with the HDR-14’s analog AM performance, however; it’s just what one would expect. I do wish it had impressed me.

I’ve only received one AM HD signal with the HDR-14, so I can’t comment on the AM HD performance other than to say I was impressed with the steady HD lock. I listened to WWFD in Germantown, MD:  I could receive the station both day and even at night when power output was decreased dramatically. I find that AM HD sort of boggles the mind; it’s odd listening to a clear, static-free signal on the AM dial.

Click here to view on YouTube.

I’ve had several SWLing Post readers tell me they were impressed with the HDR-14’s ability to acquire AM HD signals. One reader added that it’s the best he’s ever used…wow! As I travel this year, I hope to snag a few more AM HD signals myself.

The HDR-14 is a very sensitive FM analog receiver. I find that I can receive all of my benchmark local and distant analog FM stations. The HDR-14 seems to be every bit as good as the HDR-16 in terms of sensitivity.

One caveat is that when I tune to an FM analog signal which happens to be adjacent to a strong FM station, sometimes the strong adjacent station bleeds into the audio. FM selectivity isn’t as good as the HDR-16.

In terms of FM HD performance, you might recall that in my review of the Sangean HDR-16, I mentioned that one of my benchmark distant HD FM stations is WFAE HD2. WFAE’s transmitter is just over one hundred miles from my home shack, and I’m well outside even the the fringe reception area. I’m pleased to note that, on more than one occasion, from my porch, I’ve gotten a reliable HD lock on WFAE with the HDR-14. I’m convinced that when the leaves fall off the trees this fall (they do attenuate signals) reception will be fairly near to reliable.

Listening to the HDR-14 from a hospital room.

While waiting for a block of time to pen this review, I’ve spent a lot of time tuning to FM HD signals in a least five different urban and regional markets in two countries. And I can say I’m very impressed with reception; the HDR-14 seems to snag every available HD signal.

Summary

Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget some of my initial impressions. Here is the list I formed over the time I’ve spent evaluating the HDR-14.

Pros:

  • Excellent overall FM Analog and HD performance
  • Excellent AM HD reception (a stand-out for pocket sized HD receivers)
  • 40 memory presets
  • Built-in speaker has first-rate fidelity for spoken word and music (see con)
  • Uses standard AA cells
  • Excellent build quality
  • Gentle but persistent alarm
  • Useful swing out stand for bedside listening and alarm usage
  • Compact form factor, ideal for travel

Cons:

  • AM analog performance is acceptable but not for weak-signal work
  • FM Analog selectivity is mediocre, some strong adjacent station bleed-through
  • Built-in speaker lacks bass response, so not optimal for all music listening (see pro)

Conclusion

While I have mixed feelings about digital radio in general––but especially In-band on-channel (IBOC) HD radio––I do love exploring all that over-the-air radio has to offer. Like it or not, HD radio is a part of that landscape for the foreseeable future.

HD Radio has opened up a few alternative music stations that otherwise I’d never have discovered in my local market. In addition, I find that NPR and public radio stations often multicast commercial-free talk, jazz, and classical music, which makes HD Radio a worthy addition at home and while I travel. In large urban markets, HD Radio certainly increases the number of available commercial options sometimes by a factor of two or possibly more.

If you like chasing AM and FM HD signals, you’ll be very pleased with the HDR-14. It’s first rate, and I recommend it.

The Sangean HDR-14 RDS display (Photo: Thomas)

I’ll close by adding that I continue to be impressed with Sangean as a company.  They’ve always been one of the quality leaders in the portable radio marketplace, and still make products with the radio enthusiast in mind––something of a rarity these days. I always look forward to seeing what they’ll come up with next!

The Sangean HDR-14 can be purchased at a number of retailers including:

Click here to check out the Sangean HDR-14 on Sangean’s website.

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Tecsun S-8800 Hidden Feature: Frequency display calibration

Many thanks to SWLing Post contributor, Dan Robinson, who shares the following procedure for calibrating the Tecsun S-8800. Dan received this procedure from Anna at Anon-Co:

Apparently there is a “hidden function” through which you can manually calibrate the SSB frequency display. Please follow the below calibration steps to see if it helps:

1) Turn on the device and set it to USB/LSB.

2) Now press & hold the “AM NORM.” button until you see the backlight blink twice (takes about 2 seconds).

3) Now press & hold the “MEMORY” button, until a certain value is shown on the display, for instance “6829”. This example value refers to a frequency like “xxx68.29 kHz”.

4) If you noticed a frequency deviation of 0.05 kHz up/down earlier, then you can use the main tuning knob to do the calibration. In the above-mentioned example, you would turn the main tuning knob to adjust the value to “6824” or “6834”.

Wow!  Thanks for sharing this Dan!  That’s two posts about S-8800 hidden features in one day. A record for sure!  Readers: please comment if you know of other hidden features.  I’m compiling a full list.

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Bill discovers a number of Tecsun S-8800 Hidden Features

Many thanks to SWLing Post contributor, Bill (WD9EQD), who writes:

I’ve owned a Tecsun S-8800 for about eight months and have come to enjoy it more all the time. It, along with my PL-880, have become my main work horses for shortwave listening.

The S-8800 is perfect on the desk connected to a wire antenna and the PL-880 is perfect for carrying around.

Since I knew of the hidden features of the PL-880, it got me thinking on whether the S-8800 had any hidden features.

A quick Google search turned up the following Web Page:

http://swli-05940-mi.blogspot.com/2017/03/tecsun-s-8800-hidden-features.html

I used Google Translate to get a rough translation and then spent some time testing the features out and also just pressing and holding buttons to see if anything else showed up.

Following is what I have come up with:

(Note: some of these are in the manual)

With the radio off

Toggle Longwave on/off: With the Radio OFF, Press & Hold 2

Toggle backlight permanently on/off: With the Radio OFF, Press & Hold 3  – Note that this means the light will be on even when radio is off. While the light does go out when radio is turned off, any operation of a control will turn the backlight on and it will then stay on. Too bad they just didn’t install a slide on/off switch. Plus I know of no way to turn the backlight on permanently without the remote.

Toggle Seconds display on/off: With the Radio OFF,  Press & Hold 8

Displays “0888”: Maybe this is version?: With the Radio OFF,  Press & Hold “Back”

Displays all segments of display: With the Radio OFF, Press & Hold “AM NORM” – Displays all segments of display. Press & Hold again to display “H802”

With the radio on in FM mode

Displays “75US”: With the radio ON, Press & Hold 5

Squelch Setting: With the radio ON, Press & Hold 9 – Range 0-5. Use Tuning Knob to set. Press 9 again to set.

With the radio on in SW/AM mode

Toggles Extended functions on/off: With the radio ON, Press & Hold 4

With extended functions on:

Press & Hold 6 – Toggles DNR (Dynamic Noise Reduction) on/off.

Press & Hold 9 – Squelch Setting. Use Tunng Know to Set. Press 9 again to set.

Squelch ranges:

MW: 0-40

MW with USB/LSB: 0-30

SW: 0-25

SW with USB/LSB: 0-30

So far that’s all I’ve been able to find. Has anyone else found any others?

Post readers: please comment if you’ve discovered other hidden features on the Tecsun S-8800! I’ll compile a complete list and post it separately.

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