Category Archives: Nostalgia

Photos from the 2019 Charlotte Hamfest

This RS HF receiver was pristine. If I had the budget and the shack space, it would have gone back with me. See more photos in our gallery below.

Yesterday morning around 5:30 AM I started my nearly three hour pilgrimage to the 2019 Charlotte (North Carolina) Hamfest. The Charlotte Hamfest is one of the larger regional hamfests in the area–due to its central location, it attracts people from all of the surrounding states.

The Charlotte Hamfest typically falls on the heels of (or the same weekend as) the Winter SWL Fest in Pennsylvania so I usually don’t even put the dates in my calendar. Indeed, the last time I attended the Charlotte Hamfest was about twenty years ago! It was at a different location and, back then, was also very much a computer show. Today it’s almost purely radio.

Following Vlado to the hamfest site on a very foggy, rainy Saturday morning.

The Charlotte Hamfest is a Friday/Saturday event held at the Cabarrus Arena & Events Center in Concord, NC. The center is a superb hamfest venue: it’s well lit, clean, spacious and can easily house all of the vendors indoors–a huge bonus as weather was less than desirable.

My buddy, Vlado (N3CZ) reserved two vendor tables and packed it with gear to sell–I also brought along a handful of items.

I was very impressed with the turnout–indeed, it was one of the busiest regional hamfests I’ve attended in ages. I sold a couple of items and Vlado sold a lot (he also purchased a lot, but that’s another story!).

I believe I’ll start putting the Charlotte hamfest in my calendar–even though timing isn’t always convenient for me, I think it’s well worth the trip!

Kudos to the Mecklenburg Amateur Radio Society for putting on such a great show!

Photos

I’ve embedded over 140 photos of the Charlotte Hamfest below–click each one to enlarge. Being a lover of vintage radios, my photos feature a lot of boat anchors. Note that when possible, I try to include the price tags for each item.

Note: If you can’t view the embedded photos below in our email digest, click here to view them on the web.

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Advice on preserving 1940s era homemade records

At the Winter SWL Fest last week, my friend, Andrew Yoder (author of the Pirate Radio Annual) told me about a recent find: homemade records by amateur radio operator W3JJN.

Andrew wrote about these recordings on his blog:

[…]Before open-reel decks were wire recorders. Information was magnetized onto a fine reel of stainless steel wire. It was essentially the same concept as tape decks, whether open reel or cassette, only the tape system was a refinement (an oxide coating on a plastic tape), rather than trying to magnetize a wire.

[…]Before wire recorders were record recorders. These took an audio source and the needle cut a blank disc with grooves. From what I understand, these homemade discs weren’t meant to be played back too many times because the needles wore into the grooves more quickly than commercially manufactured records. I’m not sure what they were all made from, but I know that some were aluminum discs with a thin layer of plastic.

I always look for the homemade records because there weren’t too many options for audio sources back then. By the open-reel tape era, a lot of people were recording entire albums to tape, so they weren’t necessarily recording the radio. But, for example, in 1940, the options were basically either family greetings, someone singing or a band playing, or the radio. And chances are good that any recording you find is the only one in existence.

I found three of these on Saturday.

Here’s a photo of one.

They are amateur radio QSOs from W3JJN to a couple of other operators. W3JJN cataloged the discs by side . . . and this was number 477. So, at least 237 other records existed in his homemade record collection at one time. The sides that I have are dated in late 1945 and early 1946. To me, this is an astounding find because I’m not sure how many recordings exist of any amateur radio operations prior to 1950, not to mention that this is still very early in the post-war period.

I did some searching on W3JJN and he was William E. Belz, who lived at that time on 1509 Linden Avenue in Baltimore, Maryland. He was a TV repairman who was born in Duncansville, PA, and died in 1981 after a lengthy illness.

My big problem here is that these records are disintegrating. The plastic layer is cracking badly and separating from the aluminum discs. I guess what I really need is one of the laser turntables that can play back audio from broken discs and won’t damage the grooves. I don’t think I can risk playing any of these on a regular turntable, but I want to recover the audio quickly before the discs degrade further.

Click here to read the full article.

Post readers: Any advice on preserving these recordings? It sounds like using an actual needle to make a digital copy might be a little too destructive.  Are there alternatives?  Please comment if you have any experience or suggestions!

Guest Post: Repairing the National Panasonic DR22, the Panasonic RF-2200’s Euro-Sibling

Many thanks to SWLing Post contributor, Mario Filippi (N2HUN), who shares the following guest post:


National Panasonic DR22, the Panasonic RF-2200’s Euro-Sibling

By Mario Filippi, N2HUN

(All photos courtesy of author)

Thomas, your recent and thoroughly excellent post on the Panasonic RF-2200 was the inspiration for this short review of the RF-2200’s European sibling, the National Panasonic DR22.

A few years back when I was hunting for a used RF-2200, a second-hand National Panasonic DR22 was for auction on eBay. These radios were sold in Europe and are almost an exact match for the RF-2200, with a few minor cosmetic differences.  It was so close in appearance that I decided to bid and won the auction. The cost was around $150.00 plus shipping.

Author’s National Panasonic DR22, a.k.a. RF-2200BS

The seller described the unit as working, not a tech special, and was complete except for the original earphone.  The strap, which can be missing on some used models was in place, the antenna and all the knobs were there. When the radio was received, all appeared to be working well and most importantly the rotatable ferrite antenna was fully functional.  With the exception of tiny paint specks and years of accumulated dust the unit was cosmetically acceptable for a 40 plus year old radio. After a close olfactory inspection (smelling the unit hi hi) it was determined the radio was from a smoke-free home, which is important as smoke not only causes yellowing of plastic components, but it inundates the internal electronic components and coats them with a yellowish-brown stain.

National Panasonic DR22 Dashboard Shows Slight Labeling Differences

On close inspection, the unit differs slightly from the RF-2200, in that it is branded as a “National  Panasonic” along with the “DR22” designation on the upper right of the unit. And, the National Panasonic logo can be seen to the left of the AM/SW gain control.  Another difference is the additional labeling found above each shortwave band, the designations are KW1, KW2, etc.

Power, Dial Light, and BFO Switches Are Identical to RF2200

As for the rear panel of the DR22, a major difference is the presence of a voltage selector which allows one to switch from European voltage (220) to the US standard (110).   Inside the unit there’s a transformer that handles this option. Alternatively you can simply use four “D” batteries to power the unit.

DR22 Line Voltage Selector Switch

After receiving the unit, first order of business was a good cleaning of the outer case with mild soap and water.  All the knobs and carrying strap were removed and soaked in a warm soapy solution. A toothbrush was put to work to remove years of human tactile residue from the sides of the knobs.

Knobs (left) removed for cleaning. Carrying strap (right) was inundated with decades of dirt.

Next on the “to do” list was to obtain a copy of the service manual, available on line.  You’ll find it under the title of National Panasonic RF-2200BA. It’s an excellent manual with detailed photos of the circuit boards, exploded diagrams of the mechanical parts, parts list, schematics, and of course the alignment procedure.   Cracking open the case required removal of all the case screws and very gently coaxing of the two panels apart. Years of use, rust on the screws, and dirt/dust buildup all contribute to the challenge of this endeavor.

DR22 Case Disassembly

The alignment took several weeks as the radio was worked on in my spare time.  Note that I did not replace any electrolytic capacitors, and yes it was the lazy man’s way but a basic inspection of the caps for any evident leaks, explosions, or burns was conducted.  In short I did not want to replace capacitors at this time since the radio, as received from the former owner, was working well on all bands. Surely, as other operators have reported, cap replacement will restore full operational excellence but I felt if the radio passes the alignment specifications  that was good enough for me at this point.

DR22 Undergoing Testing

After several weeks the radio was restored to specifications, all switches were cleaned and dusted and the radio reassembled.  This was done a few years ago and the radio continues performing well. Even the 125/500 KHz crystal markers are pretty much on the money when checked against WWV.  No scratchy pots either hi hi. So now the radio sits in my kitchen and is on at least a few hours a day and keeps company with its sister, my RF2200. Note that recently DR22s have sold on eBay for $150 – $300US. Tech specials/parts radio run considerably less.  Thanks and 73’s de N2HUN.


Thank you, Mario! It looks like you scored an excellent deal on the DR22 and it’s serving you quite well! I’m glad you spent time checking for leaky capacitors after opening the chassis. Using the DR22 so frequently will keep those caps “juicy!”

Post Readers: Please comment if you love the National Panasonic DR22!


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Scott stumbles upon Radio Veronica at the NDSM Wharf

Many thanks to SWLing Post contributor, Scott Gamble, who writes:

[I was in Amsterdam recently] and was in a meeting over at the NDSM Wharf, and I happened to stumble upon Radio Veronica next to the office where I was meeting.

Never though I’d be so close to it. Such a cool piece of history.

Wow! What a fantastic opportunity to catch a glimpse of the legendary Radio Veronica! Thank you for sharing your photos, Scott.

Check out more info about Radio Veronica on Wikipedia:

Radio Veronica was an offshore radio station that began broadcasting in 1960, and broadcast from offshore for over fourteen years. It was set up by independent radio, TV and household electrical retailers in the Netherlands to stimulate the sales of radio receivers by providing an alternative to the Netherlands state-licensed stations in Hilversum.

Broadcasts began on 21 April 1960. The station announced itself as VRON (Vrije Radio Omroep Nederland; Free Radio Station [of the] Netherlands) but changed to Radio Veronica, after the poem “Het Zwarte Schaap Veronica” — The Black Sheep Veronica — by the children’s poet Annie M. G. Schmidt.

After the station’s closure, some of its staff applied for a broadcasting licence and continued as a legal organisation with the same name.

The original Radio Veronica became the most popular station in the Netherlands. It broadcast from a former lightship Borkum Riff anchored off the Dutch coastline. The ship was fitted with a horizontal antenna between the fore and aft masts, fed by a one-kilowatt transmitter. Most of its programmes were recorded in a studio on the Zeedijk in Hilversum. At the end of the 1960s the studios and offices moved to bigger premises on the Utrechtseweg in Hilversum. Initially advertisers were reluctant to buy airtime, but those that did reported increases in sales and gradually the station’s revenue improved.

For a short time the station also ran an English language service under the call letters CNBC (Commercial Neutral Broadcasting Company). Although short-lived, CNBC was presented by professional broadcasters who were able to give invaluable technical advice to Veronica’s Dutch staff.

Click here to read the full Radio Veronica entry.

Mornings with the Panasonic RF-2200

It’s been a busy winter season here at SWLing Post HQ. Many of you might have noticed a slow response time if you’ve tried to contact me. I’m in the midst of a rather involved investment property renovation that’s consumed nearly all of my spare time.

Still, I’m keeping up with the Post and even managing a little one-on-one radio time in the early mornings/late evenings. Indeed, I’ve actually tried to turn my renovation project into an opportunity to play a little radio. The property is unoccupied and very rural, so there’s quite literally no RFI there. Woot!

Since I’ve been spending time evaluating the new CCRadio3 (click here to read my preview), I’ve also had the CCRadio EP Pro, Sony ICF-5500W and the legendary Panasonic RF-2200 nearby for comparison purposes.

All of these radios have their strong points, but the Panny RF-2200 is still the rig I reach for the most. That’s why I listed it as one of my daily drivers.

It also helps that my RF-2200 feels like a brand new unit after Vlado re-capped and cleaned it.

Band-scanning

Band-scanning with the RF-2200 is such a tactile experience. The ‘2200 tuning knob is quality and almost feels like a weighted encoder you’d find on a proper tabletop receiver. The RF-2200 even has fast/slow tuning gears and you can calibrate the dial so easily. Though tuning on the shortwaves feels a little vague, I find mediumwave is incredibly accurate.

Speaking of the dial and logging scale, I think it’s one of the most attractive from the 1970s:

Since I’ve been doing most of my listening around sunrise and sunset, it’s been a lot of fun to fit in a little mediumwave DXing as well. I see why the RF-2200 was one of The Professor‘s favorites.

If you ever find a good deal on a Panasonic RF-2200, don’t hesitate, just grab it!  Occasionally you’ll find one on eBay, but also check your local hamfests and swap meets! That’s where I’ve had the most luck.

If you ever find a ‘2200 for less that $100-125 that’s in decent cosmetic shape, with the original antenna, clean battery contacts, and is in good mechanical shape (meaning the tuning mechanism and dial work as they should), buy it! If there’s an electrical problem, Vlado can fix that. In fact, if your RF-2200 still has the original capacitors, you’d probably want to re-cap it anyway to keep leaky caps from eventually harming the board or internals. Plus, a properly re-capped ‘2200 will play like a new one!

My takeaway?  The RF-2200 is a keeper! I suppose that’s why I even have a spare!

Do you have or would you like an RF-2200? Please comment!


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Video: The Secret Life of Radios

Many thanks to SWLing Post contributor, Skip Arey (N2EI), who shared the following video on Facebook:

Any electrical spark creates radio waves and acts as a transmitter. You hear sparks on a radio as interference. That’s why lighting makes radios crackle, and even the tiny spark in a switch is enough to make a noise on the radio when turning on a light./blockquote>

Click here to watch on YouTube.

Guest Post: A Visit to Radio Tarma


Many thanks to SWLing Post contributor, Don Moore–author of  Following Ghosts in Northern Peru–for the following guest post:


A Visit To Radio Tarma

By Don Moore

(Note: A more extensive set of photos from Radio Tarma, and other Peruvian radio stations, can be found at Don’s website. The website also contains details of the Peruvian travelogue book he recently wrote and published.)

Radio Tarma building

Shortwave stations in South America are few and far-between these days, but those of us who have been tuning the bands for a few decades remember the days when the tropical bands were filled with Latin American broadcasters from dozens of scattered mountain and jungle towns. One such place was Tarma, a picturesque but chilly city of about 50,000 nestled in a narrow valley in the central Peruvian Andes at 3,000 meters above sea level. Tarma has been an important commercial center since colonial times and archaeological findings indicate that the region was heavily populated long before the Spanish came. Today it sits at the junction of two major trade routes, so it continues to be a bustling place.

View of northern Tarma from the Radio Tarma transmitter site

While wandering around central Peru in April 2018, I made a point of stopping in Tarma so as to visit the town’s namesake broadcaster, Radio Tarma, one of the few Peruvian stations still on shortwave. Radio Tarma’s frequency of 4775 kHz has been a fixture on the sixty meter band for over four decades. What I didn’t know was that this would turn out to be the best of the over one hundred Latin American station visits that I have made in my travels.

Radio Tarma Frequencies

When I first stopped by on Monday afternoon, everyone was busy and no one had time for a visiting gringo. By chance I had arrived on the station’s sixtieth anniversary and they were preparing for a big celebration that night. I was invited to come back in the evening when there would be a huge street party with live music. That evening I got to talk to several members of the station staff and was introduced to owner-manager Mario Monterverde, who invited me to come back for a tour in two days after the celebrations and ceremonies were over.

Radio Tarma’s 60th Anniversary Party

The Radio Tarma Party Band

Radio Tarma Owner/Manager Mario Monteverde

The reason for Radio Tarma’s continued presence on the sixty meter band is Mario Monteverde, Radio Tarma’s energetic owner-manager.

Mario Monteverde in the old record library.

Running radio stations is his passion, and that includes reaching distant listeners on shortwave. Don Mario remembers what shortwave used to be like in Peru and he can rattle off station names and frequencies from past and present as good as any serious DXer. We spend a lot of time talking about stations I used to hear and the ones that I visited in my 1985 trip to Peru. We mostly talk in Spanish, although he speaks English well. He studied in Lima and later in the United States for several months. In the 1980s, he lived in San Francisco for a year while working as a DJ at a Spanish language FM station.

Don Mario thinks that it’s unfortunate that there is so little use of shortwave in Peru today, but other radio station owners think he is crazy to continue to use shortwave. The only listeners to shortwave in Peru are peasants in jungle settlements and remote mountain valleys. That may be a suitable audience for a religious broadcaster, but these listeners have no value to commercial stations, such as Radio Tarma, as they are mostly outside the money economy and of no interest to advertisers. But Don Mario doesn’t care and so Radio Tarma continues to broadcast on shortwave several hours every morning and evening for whoever might happen to tune in.

Studio for Radio Tarma

And, Radio Tarma can afford to broadcast as it sees fit. Don Mario’s Grupo Monteverde is one of the most professionally run and profitable communications companies that I have visited in Peru. In addition to Radio Tarma (on MW, FM, and SW), the company operates two television stations in Tarma, the local cable network, the local FM repeater for Radio Programas del Peru (Peru’s radio news network), and Radio Tropicana, a chain of FM music stations in Tarma and three nearby towns.

(Click here to open video in separate window.)

Founded in 1958 by Mario’s father, Radio Tarma was the first radio station in this city. Using two homemade 500 watt transmitters, the station initially broadcast on both medium wave and 6045 kHz shortwave, but the shortwave went off the air after about a year. Then in 1978, Mario’s father dusted off the old shortwave transmitter and applied for a new license. He was granted 4770 kHz, but that was soon changed to 4775 kHz, where Radio Tarma has been ever since. In the past four decades, Radio Tarma has been logged by thousands of DXers all over the world and, although it’s hard to believe, when I visited Tarma in April 2018 they were still using that original 500 watt transmitter that Mario’s father built sixty years before. However, a new one-thousand watt solid state transmitter was currently in Lima being tested by the Ministry of Transport and Communications. It should be on the air by now.

Studio for Radio Tropicana’s Tarma station

Don Mario starts by giving me a tour of the station building and its well-equipped offices and studios. He shows me the closet where the transmitter for the studio-to-transmitter-site link is and then takes me  upstairs to the record library. Radio Tarma has one of the largest and oldest collections of vinyl records in the Peruvian Andes and includes numerous rare recordings. Many of the disks are EPs, or extended-play, which was once a very common format in the Andes. These records are the size of a 45 but recorded at 33 rpm so that there are two songs on each side. Don Mario keeps the records for their value but they aren’t used on the air anymore as Radio Tarma and its sister stations are all fully computerized. When there’s time they work on digitizing the better historical recordings from their collection.

Radio Tarma mountaintop transmitter site

After seeing the studio, we get in Don Mario’s four-wheel drive SUV for the trip up a steep and winding dirt road that leads to the mountaintop transmitter site. For most of the station’s history, Radio Tarma broadcast from a field on the north side of town.

Radio Tarma’s pre-2012 transmitter site was in the large field in the center of this photograph.

Then in 2010 Don Mario decided to modernize by buying a modern 3000 watt solid-state transmitter for the medium wave frequency and by building a modern transmitter facility on a ridge overlooking town. The new site, which was inaugurated in 2012, is at 3,600 meters elevation (over 600 meters higher than Tarma) and located about 1.5 kilometers south of the old site. (If you’ve logged Radio Tarma both before and after 2012, I think it’s fair to count these as two different transmitter sites.)

Radio Tarma’s mountaintop transmitter plant.

Another view of Radio Tarma’s mountaintop transmitter plant.

Radio Tarma MW and FM masts

The transmitters and antennas for all the Grupo Monteverde stations in Tarma (MW, FM, SW, and TV) are housed in the gray fortress-like cement building covered with a jungle of antennas and satellite dishes, for both receiving and transmitting. All of Peru’s main cellular services have towers nearby, as do several other FM and TV stations in Tarma, but Radio Tarma has the best location, right at the end of the ridge overlooking all of the town. For shortwave, Radio Tarma uses a dipole antenna strung between two masts.

Radio Tarma’s shortwave dipole

The transmitters and other technical equipment are all housed in a large room that takes up most of the first floor of the building. Upstairs there is a small apartment, complete with a living room and kitchen, for the technician who lives here plus another small apartment where Don Mario comes to stay when he feels like escaping to the quiet mountaintop for a night or two.

Radio Tarma SW and three MW transmitters

Radio Tarma transmitter room

Don Mario takes pride in showing me the original 500 watt medium wave and shortwave transmitters that his father made. Normally the shortwave service is shut down for several hours in midday when the frequency won’t propagate, but he turns on the transmitter so that I can see the tubes come to life. The three medium wave transmitters – the original 500 watt one, its 1978 1000 watt replacement, and the new 300 watt solid-state one – are lined up against the wall adjacent to the shortwave transmitter.

Mario Monteverde and Radio Tarma’s original 500 watt shortwave transmitter

Alfonso, transmitter operator at Radio Tarma

Don Mario tells me that the two older medium wave transmitters are regularly maintained so that they could be used at a moment’s notice if needed. He then proceeds to show me that he means just what he says, and shuts down the solid-state transmitter. Once that’s down, he powers up the original Radio Tarma MW transmitter that his father made, and we watch the old tubes light up. Then when it’s operating fully, he turns his father’s transmitter off and switches on the 1978 transmitter for a few minutes before finally returning the signal to full power on the new transmitter. One wonders just what his listeners thought was happening with all this on-and-off transmitting on a beautiful sunny day barely a cloud in the sky!

View of southern Tarma from the transmitter site

Radio Tarma and the Grupo Monteverde are a model operation for radio in smaller cities in the Peruvian Andes. Getting to know both the city and the station was one of the highlights of a seven-month journey through the northern Andes in South America.

Don Mario’s father built the foundation and Don Mario turned Radio Tarma and its sister stations into the small but professional media group that they are. He’s now in his mid-sixties and plans to run the radio operations for several more years. But he is beginning to think of the future. He never married and has no children, his siblings live in Spain and Lima, and all his nieces and nephews are in the United States. It’s not likely that anyone in the family would return to Tarma to run a radio station. He is investigating options of how to set up the corporation so that Radio Tarma and its sister stations would continue as locally-owned and operated radio broadcasters. Whatever he works out, let’s hope it includes a commitment to continue broadcasting on shortwave for many years to come!

If shortwave conditions aren’t the best, you can always listen to Radio Tarma on the web.


Wow–Don, this was amazing. Thank you for taking us on a tour of the amazing Radio Tarma! What a special station to encounter during your travels!

Post Readers: If you like the photos Don included in this guest post, you’ll enjoy browsing even more on Don’s Radio Tarma page

Check out other radio travel photos’ on Don’s Peru DX Photos Page.

Don’s new book, Following Ghosts in Northern Peru: In the Footsteps of 19th Century Travelers on the old Moyobamba Route is available in Kindle and print formats via Amazon.

Purchasing through this Amazon link supports both the author and the SWLing Post.