Category Archives: Portable Radio

A review of the Sangean HDR-16 AM/FM HD Radio

It’s funny that, while I’ve written dozens and dozens of radio reviews over the years, I’ve never written even a single review that included an HD radio.

Well, the time to begin is now: HD radio, here we come.

Those readers living outside North America may be scratching their heads, asking, “What exactly is ‘HD radio?’” To answer in clear terms, I’ll turn the question over to Wikipedia:

HD Radio is a trademarked term for iBiquity’s in-band on-channel (IBOC) digital radio technology used by AM and FM radio stations to transmit audio and data by using a digital signal embedded “on-frequency” immediately above and below a station’s standard analog signal, providing the means to listen to the same program in either HD (digital radio with less noise) or as a standard broadcast (analog radio with standard sound quality). The HD format also provides the means for a single radio station to simultaneously broadcast one or more different programs in addition to the program being transmitted on the radio station’s analog channel.

Got that? In brief, HD radio is digital radio broadcasts that occupy the same FM/AM spectrum currently allocated for analog broadcasts. Wikipedia adds:

[HD radio] was selected by the U.S. Federal Communications Commission (FCC) in 2002 as a digital audio broadcasting method for the United States, and is the only digital system approved by the FCC for digital AM/FM broadcasts in the United States.

For my own part I had mostly ignored HD radio, assuming there would be few stations to listen to from my rural home location. That is, until recently, when I purchased a car that has built-in HD radio reception. I was impressed by the number of commercial stations I found that I can receive via HD radio. In truth, only a handful of the mainstream HD station offerings had any appeal for me, but I really took notice when I received a commercial-free jazz station via the HD2 channel of my favorite NPR member station, WFAE. Having been a jazz fan since I studied music in college, I was intrigued: could a portable HD radio receive this distant HD station reliably? I had my doubts; moreover, I really didn’t want to purchase a radio, then be obligated to send it back if it didn’t receive anything.

Instead, I contacted Sangean. The company was more than happy to send me a loaner radio for review. I requested the HDR-16––at the time it was Sangean’s most affordable HD portable, one about which a number of SWLing Post readers had expressed their curiosity.

Overview

The Sangean HDR-16 is a simple radio with a modern design. The chassis is a glossy black hard plastic and feels substantial. It has a useful fold-out carry handle and substantial telescoping whip antenna. The front face features a 16-character two-line backlit display, five function buttons, five dedicated preset buttons, and a dedicated power button. On the right side of the radio you’ll find a dedicated (two function) tuning knob and smaller volume/tone knob. The left side of the radio features an “aux-in” port, a “rec-out” port, an earphone jack, and a 7.5 volt “DC-in” port.

Features

HD Radio digital and analog AM / FM-Stereo reception
10 Memory Presets (5 FM, 5 AM)
PAD (Program-Associated Data) Service
Support for Emergency Alerts Function
Automatic Multicast Re-Configuration
Automatic Simulcast Re-Configuration
Auto Ensemble Seek
Real Time Clock and Date with Alarm and Sleep Function
2 Alarm Timer by Radio, Buzzer
HWS (Humane Wake System) Buzzer and Radio
Snooze Function
Tone & Bass Control
Information Display for Channel Frequency, Call Sign, Radio Text, Audio Mode, Service Mode, Signal Quality and Clock Time
Easy to Read LCD Display with Backlight
“Battery Low” LED Indication
Auxiliary Input for Additional Audio Sources
Record Output for Connecting to Hi-Fi System or Recording from Audio Program
I/O Jacks: DC In, Line-Out (Rec-Out), Aux-In, Headphone and HD / FM Rod Antenna

Audio

The HDR-16 sports two 2.5” front-facing speakers that deliver crisp audio that can be customized with simple treble/bass EQ settings. I found increasing the treble just a bit and the bass quite a lot produced the best audio for music broadcasts. Even the default audio settings are pretty good, however. The HDR-16 doesn’t have the rich fidelity of the Eton Field BT or the Tecsun S-8800, but it does offer stereo sound that is room filling and pleasant. Sangean obviously took audio fidelity seriously when designing the HDR-16.

The left side features AUX in, Record Out, Earphone and a DC power port.

Note that the the HDR-16 sounds especially good in spoken word/news broadcasts.

Operation and Ergonomics

The Sangean HDR-16 is a very simple and intuitive radio to operate. I sorted out all of its functions simply by following button and knob labels, but even the most tech-challenged person in your family could give the owner’s manual a single read-through and operate the HDR-16 with ease.

But let’s get one gripe out of the way…perhaps a case of simplicity gone too far: the HDR-16 only has five station preset buttons. Five! Actually, it offers a total of 10 memory allocations: five for AM, five for FM. Still…even in my rural market, I can easily program ten station memories on an FM radio, especially since HD Radio channels offer that many more new options. But the HDR-16 forces me to curate my presets down to a mere five stations per band. In my view, this strict limitation is an unfortunate design oversight.

Performance

The HDR-16 is an AM/FM radio that receives both legacy analog broadcasts and HD/digital broadcasts on both bands. I’ll break down performance by mode and band below.

HD performance

Digital FM

Of course, what I was most eager to explore was FM HD reception from my home. After unpacking the HDR-16, I placed the radio on my kitchen countertop and initiated an HD Seek scan via the dedicated button on the front panel. Couldn’t have been easier.

The HDR-16’s scan/seek functionality is impressively quick.

I quickly found there were a number of commercial radio stations––about four, to be exact––that I could instantly receive with little to no effort. Mind you, I live in a relatively rural market in a mountainous area. No doubt, if I initiated an HD radio search in LA or New York City, the dial would be chock-full of terrific stations.

All of the HD radio stations I received were either local, or powerhouses from neighboring markets. I was disappointed to find that I could not receive my most desired station, WFAE HD2.

I then moved the HDR-16 to a south-facing window and tuned to WFAE’s FM frequency of 90.7. I found I could easily receive the analog station and its RDS information, but still had no option to listen to HD2. After tinkering with antenna position and placement in our kitchen window, a sweet spot for reception was found, and voila! WFAE HD2 came in fully decoded, without any drops.

Recalling the days when I used to tinker with the rabbit ears on a TV, once I found that sweet spot, I carefully left the HDR-16 alone and didn’t move it further. As a result, over the course of the afternoon, I had nearly 100% copy from WFAE HD2.

I knew WFAE was a fringe station and checked their propagation map for HD radio. My location was actually outside of the fringe reception area. I looked up GPS coordinates of the WFAE 90.7 MHz transmitting site and found it is exactly 101 miles/162 km from my home.

Obviously, the HDR-16 is a sensitive HD radio on FM!

Via the 1/8″ stereo AUX in jack, you can use the HDR-16 as amplified stereo speakers for your favorite portable music device.

Turns out, FM HD reception is pretty flaky when dealing with fringe stations, though.

Over the course of the next weeks, I tried the HDR-16 in different positions and locations. There was only one spot in my house where the HDR-16 could get reliable reception of WFAE HD2. When I started the evaluation, it was August; our trees were still had a canopy full of green leaves. Sangean kindly allowed me to hang onto the HDR-16 to see if reception improved in late fall when all of the leaves were off the trees. As I write this review, we’re in winter, and the tree branches are bare. But curiously, reception of WFAE’s fringe signal is about the same as before. Nor have I noticed any difference in the reception of other commercial stations.

The HDR-16 accepts four C cells.

My conclusion is that the HDR-16 is a true performer on the FM band in HD mode. I have no other HD radios with which to compare it, but based on what I know about HD radio, this rig certainly exceeded my expectations.

Digital AM

The HDR-16 can also receive AM HD signals. There are far fewer AM HD broadcasters on the air, however. In fact, one of the first in our region dropped their HD coverage last year due to a lack of listeners.

With that said, I’ve read that a number of HDR-16 owners who live in the vicinity of AM HD broadcasters love the fact they get a digital audio quality signal on the AM band. One SWLing Post reader recently told me he even gets the occasional night-time AM HD DX signal with an HDR-16.

There are no local AM HD stations near me, and despite my best efforts, I never decoded an AM HD broadcaster in the evening. Perhaps if I did a little research and planning, then inductively coupled the HDR-16 to a MW mag-loop antenna, it would increase my chances.

Analog performance

I’ve done almost as much analog FM listening on the HDR-16 as I have HD listening.

The HDR-16 can hold its own with most of my portable radios, in that it can receive all of my benchmark FM stations, and even some fringe analog stations.

RDS decoding also seems to be quite effective, even with fringe stations.

AM (mediumwave) performance is surprisingly good. Perhaps my expectations were low, but I expected analog AM reception to be an afterthought. Or perhaps to have acceptable AM HD reception, Sangean had to put some extra effort into overall AM performance. Honestly, I don’t know, but what I do know is I’ve been pleased with the HDR-16 on the AM band. The AGC is pretty stable, noise relatively low, and sensitivity better than on other similar digital radios.

Many of my shortwave portables, like the PL-660, PL-310ET, and PL-880, could outperform the HDR-16 on the AM band, but frankly performance is on a level that it’s going to please most radio listeners. I’ve even had luck getting solid copy from one of my favorite AM DX stations, CFZM (740 kHz) with the HDR-16.

Should you purchase the HDR-16 for AM/MW DXing? No; there are better radios for this exclusive function. But for what I would consider a “bonus” band on a digital radio, I’m very pleased.

Summary

Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget some of my initial impressions. Here’s the list I’ve developed over the time I’ve spent evaluating the HDR-16.

Pros:

Excellent FM HD radio reception
Excellent FM analog reception
Very good AM broadcast band reception for a modern digital portable
Good audio from internal stereo speakers
Nice carry handle that tucks away
Both auxiliary-in and -out jacks for audio
Dedicated earphone jack
Design is compact, sleek, yet sturdy
One of the more affordable HD radio options currently on the market
Easy access to bass/treble tone controls through volume multi-function
HD seek functions work on all but the most fringe stations

Cons:

No ability to internally recharge C batteries
No external antenna jack to improve FM HD reception with directional antenna
Limited to just 10 memory presets (five for AM, five for FM)
~~Fringe HD stations may continuously flip between digital and analog, annoying when HD station content and analog broadcast content are quite different~~ Update: I recently tried to have the receiver replicate this behavior but it did not, so I’m striking it from the cons list!

Conclusion

Can I recommend the HDR-16? Absolutely.

If you’re looking for an AM/FM HD radio that’s well-rounded, simple to operate, and provides quality audio, I don’t believe you could go wrong with the HDR-16. The HDR-16 has proven to me that it’s a worthy FM HD receiver as it’s sensitive enough to snag fringe HD stations with some reliability. I’m certain I could design a small FM antenna and get 100% copy from my favorite HD station 101 miles from my home.

I think the HDR-16 would be a safe purchase for anyone, as it’s easy to operate, relatively compact, and makes the process of seeking HD stations a breeze.

I’m especially pleased with the HDR-16’s AM analog reception. It pleasantly surpassed my expectations and makes it easy to recommend the HDR-16. The HDR-16 is one of the few HD portables that also includes AM HD reception.

If you’re looking for a well-rounded HD and analog portable, grab the HDR-16. If you’re looking for a mediumwave DX machine, go for a benchmark mediumwave radio instead, like a GE Super Radio, C.Crane CC Radio 2E, CC Radio EP Pro or even a “Holy Grail” vintage Panasonic RF-2200.

I like Sangean’s high gloss finish (though it does show fingerprints rather well!).

I’m very tempted to purchase the HDR-16; I’ve found it difficult to justify, though. Living in a rural location, I have fewer HD stations to choose from––all but one are commercial, chock-full of advertising, and lack any real variety and diversity. I am very pleased with WFAE’s jazz station on HD2, but it’s hard to justify a $100 purchase just to receive one station over the air. Especially since I can easily stream WFAE HD2 from my Sangean WFR-28, Como Audio Solo, or Amazon Echo.

But if I lived in an urban area, with the accompanying diverse radio market, I wouldn’t hesitate to buy the HDR-16.

Here are some retail options for the HDR-16––at the time of this writing, almost all retailers price it at $100–Amazon, New Egg and some eBay vendors offer free shipping:

In closing…I should add that there’s another tempting Sangean HD radio coming just around the corner: the HDR-14. It’ll be priced lower than the HDR-16, and is even more compact, suggesting that it might make an excellent portable for the traveler. I will certainly review the HDR-14 when it’s available, as I’ll be very curious if its equally effective at snagging fringe HD FM stations. Note that the HDR-14, unlike the HDR-16, has only one speaker, so I doubt audio fidelity will match that of the HDR-16, which should be a better choice for home and local use.

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Pacific Island Results from Gary DeBock’s Hawaii Ultralight DXpedition

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Clearing the southern coastline of Maui en route to the Big Island. (Photo by Gary DeBock)

Many thanks to SWLing Post contributor and intrepid Ultralight DXer, Gary DeBock, who shares this DXpedition summary with recordings:

Kona, Hawaii DXpedition– Pacific Island Results

by Gary DeBock

From December 17-20 a Mini-DXpedition was conducted in Kona, Hawaii with a 5 inch (13cm) “Frequent Flyer” FSL antenna and a 7.5 inch (19cm) loopstick C.Crane Skywave Ultralight radio.

The FSL antenna was a new type designed to easily pass through TSA security checkpoints at airports, and provide inductive coupling gain roughly similar to that of a 4 foot air core box loop. South Pacific island reception was generally good from 0630-0800 UTC daily, but usually became problematic after that when powerful Asian stations tended to drown out the exotic Pacific island stations as sunset progressed over Japan, Korea and China. By 0900 daily only the most powerful Pacific island stations on 621, 846, 1098 and 1440 had much of a chance of surviving the Asian signal onslaught, and even some of those were drowned out. During a similar visit to Kona, Hawaii with identical gear in April (DXing at the same motel) the Pacific island stations were generally stronger, and had no co-channel competition from the Asians from 0800-1030 UTC. As such the South Pacific results during this trip were slightly down from April, although there were still plenty of strong signals to record.

The new 846-Kiribati on Christmas Island was a star performer as the strongest island DU station, with local-like signals shortly after the Hawaiian sunset each evening. Despite this it had an intermittent transmitter cutout issue, with the signal failing to transmit at odd intervals (including one stretch with six signal dropouts within one minute, as documented in an MP3 linked below). In addition 846-Christmas Island’s programming had a variable time delay with that of distant 1440-Kiribati in Tarawa, with both a 19-second and 35 second time delay noted. This may be related to the transmitter cutout issue, with the time delay changing after a major dropout. DXers looking for a parallel with 1440 should keep this programming quirk in mind. Although both 846 and 1440-Kiribati signed off at the usual 0936 UTC time on the first couple days of the trip, they had both switched to a 1009 UTC sign off on the last couple of days. Whether this is a permanent programming change is unknown, but the loud 1000 Hz audio tone is still being broadcast before power is cut, resulting in a very easy way to distinguish the stations at sign off time (even in heavy domestic QRM).

846 and 1440 weren’t the only exotic DU’s with transmitter issues. 621-Tuvalu came down with distorted audio on December 18th, a problem which got worse and worse on the remaining two days. By the last day it was sounding very garbled, making a bizarre combination with 621-Voice of Korea’s buzzing Japanese service transmitter. Whether 621-Tuvalu has repaired its garbled audio is also unknown.

540-2AP was somewhat weaker than it was in April, while 558-Radio Fiji One was MIA during the entire trip (probably because of Asian QRM). Efforts were made to track down 630-Cook Islands but only a weak UnID was recorded. 801-Guam was possibly received during a Pyongyang BS/ Jammer fade, but 990-Fiji Gold was given a golden knockout by 990-Honolulu. 1017-Tonga showed up for a couple of good recordings, but got slammed by Asian co-channels after 0830. Efforts to track down 1035-Solomons ran into heavy 1040-Honolulu splatter, while 1098-Marshalls became the only Pacific island station to have stronger signals than in April. Its overwhelming signals after 0700 daily were one of the bright spots in Pacific island reception. Finally the new 1611-DWNX in Mindanao, Philippines was received at a strong level at 0855 on December 19th, apparently with a major boost from sunset skip propagation.

540 2AP Apia, Samoa, 5 kW Christian worship music at a good level through the T-storms at 0751 on 12-17, but not nearly as strong as in April:

Click here to download audio.

621 R. Tuvalu Funafuti, Tuvalu, 5 kW This station had very strong signals until around 0800 on most evenings, when it usually began to be pestered by Asian QRM (China, N. Korea and NHK1). It also came down with a garbled audio issue on December 18th, which continued to get progressively worse until I left Hawaii. Sign off time is still around 1006, but by that time it ran the gauntlet of powerful Asian co-channels during the December propagation.
Local employment offers read by the usual lady announcer at an S9 level at 0750 on 12-18. This was the last undistorted audio signal recorded from the station during this trip; after this the audio went “south”:

Click here to download audio.

Guest speaker in Japanese-accented English, followed by local island-type music at 0835 on 12-18– the first sign of audio distortion:

Click here to download audio.

Full Radio Tuvalu sign off routine at 1003 on 12-18, but with China QRM initially. Tuvalu’s signal prevails during the national anthem, but the audio distortion is quite noticeable. The carrier apparently stays on for over a minute after the audio stops:

Click here to download audio.

630 UnID While trying for the Cook islands (Rarotonga) I came across this weak Christmas music with English speech at 0742 on 12-17, although this could just as easily be a west coast domestic station playing the “exotic” to fool a hopeful DXer. Walt says this station is a notorious underperformer:

Click here to download audio.

801 UnID (Guam?) Apparent Christian female vocal music received during Pyongyang BS/ Jammer fade at 0931 on 12-18, but no definite ID clues:

Click here to download audio.

846 R. Kiribati Christmas Island, 10 kW This newly rejuvenated station had awesome signals, and was overall the strongest Pacific island station received. Of all the Pacific island DU’s it faded in at the earliest time after sunset, and maintained its strength even during strong Asian propagation — as long as it managed to transmit without its signal dropping out. Unfortunately this seemed to be a pretty common occurrence while I was in Kona. Island-type music at typical S9 strength at 0735 on 12-18:

Click here to download audio.

This segment at 0620 UTC on December 17th features 6 signal dropouts within one minute:

Click here to download audio.

This segment at 0944 UTC on December 18th is even worse– 9 dropouts in 90 seconds:

Click here to download audio.

After a prolonged 846 transmitter dropout it seemed like the programming time delay between the distant 1440-Kiribati on Tarawa Island and the new 846-Kiribati on Christmas Island would change. On December 17th I recorded two different time delays– 19 seconds, as in the following recording (the MP3 starts out on 846 at 0635, switches to 1440 at the 1:02 point, then switches back to 846 at the 1:34 point, with a 19-second time delay evident between the 1440 and 846 programming (846 lags behind):

Click here to download audio.

Later on the same evening there was a 36 second time delay between 1440 and 846, with this MP3 starting off on 1440 at 0645, and switching to 846 at the 11 second point:

Click here to download audio.

1017 A3Z Nuku’alofa, Tonga, 10 kW Female native language speech at a very good level at 0858 on 12-19:

Click here to download audio.

Somewhat weaker through the T-storms on 12-17 at 0734:

Click here to download audio.

1098 R. Marshalls (V7AB) Majuro, Marshall Islands, 25 kW This station was very strong in Kona with its island music every night, and rarely had any Asian co-channels.
S9 Island music and native language speech (and possible ID) across the 0700 TOH on 12-17:

Click here to download audio.

Equally strong island music and native speech at 0813 on 12-18:

Click here to download audio.

1440 R. Kiribati Bairiki, Tarawa, 10 KW Somewhat weaker than its rejuvenated 846-Christmas Island parallel (which has variable programming delay times, as explained above), this home transmitter could hold down the frequency until around 0800 every night, after which it was usually hammered by JOWF in Sapporo. Despite this it often put up a good fight until its new sign off time of 1009, and it continues to use the loud 1000 Hz tone right before the power is cut (an awesome aid for DXers hoping to ID the station through heavy QRM).

Typical island language speech and strength level at 0830 on 12-18, just as it is starting to get jumbled by JOWF (a Japanese female “Sapporo desu” ID is at 25 seconds):

Click here to download audio.

Full sign off routine at 1005 on 12-19, including the National Anthem and the 1000 Hz tone before the power is cut. The tone gets through the JOWF QRM like a DXer’s dream:

Click here to download audio.

1611 DWNX Naga City, Mindanao, Philippines, 10 kW (Thanks to Hiroyuki Okamura, Satoshi Miyauchi and Mauno Ritola for ID help) Received at 0855 on 12-19, this station was a mystery until the Japanese friends matched the advertising format with that of a new, unlisted station which just came on the air in the Philippines. The propagation apparently got a major boost during sunset at the transmitter:

Click here to download audio.

73 and Good DX,
Gary DeBock (DXing at the Royal Kona Motel with a 7.5″ loopstick C.Crane Skywave Ultralight+
5 inch (127mm) “Frequent Flyer” FSL antenna.

Demo video of the “Frequent Flyer” FSL antenna:

Click here to view demo on YouTube.

Thank you for sharing your Hawaiian DXpedition with us, Gary! Your mediumwave DX catches with modest equipment reminds us all that when HF propagation is poor, there is still so much signal hunting below 2 MHz!

Interested in Ultralight DX? Check out archived posts in our Ultralight DX category.

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SSB Reception Examples with the XHDATA D-808 Portable Receiver

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In my earlier article on this receiver, I shared reception videos of three weak medium wave stations and a single shortwave outlet, all demonstrated in AM mode.

These two videos are of reception in SSB. The first example is true SSB reception–in lower side band on the 40m amateur band, while tuning a local on-the-air ham radio classifieds broadcast:

https://youtu.be/bXsSBktVZRM

The next video demonstrates “ECSS” reception (tuning an AM mode signal in SSB). In this example I use a strong station so the audio quality and fine tuning accuracy of the XHDATA receiver can be clearly heard. Typically, ECSS is used by SWLs and DXers for AM mode stations that suffer from adjacent channel interference on one side or the other.

https://youtu.be/v7SD4czqHAs

Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington. He’s a regular contributor to the SWLing Post.

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Short Videos: the XHDATA D-808 Portable SSB Receiver on MW and SW

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I recently received a new XHDATA D-808 SSB portable receiver, after AliExpress had a $69 USD introductory sale. I’m intrigued by this new model, as it uses the SiLabs Si4735 DSP chip, the same “brains” that powers the Eton Satellit (and Executive version), and C. Crane Skywave SSB. I believe the same Si4735 is found in Tecsun’s PL-880 and the CountyComm GP-5/SSB. A key feature found in all of these radios is USB/LSB modes and 10-Hz tuning step in SSB.

It would be a mistake to assume that all portable DSP receivers with the same SiLabs chip will perform equally; quite the opposite! They all have reception differences that owners will notice. I certainly noticed differences in sensitivity, AGC action, audio quality, and (to some extent) variations in adjacent channel (splatter) rejection between receivers using the same bandwidth. I made these observations when I owned the PL-880 and GP-5/SSB radios. Differences in the circuitry surrounding the SiLabs chip, as well the sizes of MW ferrite loopstick antennas and SW/FM whip antennas contribute to each receiver’s personality.

Below are four videos showing the D-808’s reception of three weaker daytime medium wave stations from indoors at my suburban Seattle-Tacoma (WA) home, plus one video of a shortwave reception in the 41 meter band. The XHDATA D-808 is compared to C. Crane’s newest Skywave radio, the SSB model, and the Eton Executive Satellit. Although brief, these tests show how the new XHDATA portable is a welcome competitor to the field of modern, compact SSB-capable radios:

https://youtu.be/Ef0n5i2UNbo

https://youtu.be/UL6akqUbYMw

https://youtu.be/p41L-ena5rg

https://youtu.be/Wrt6WQ54BTo

What about single sideband? These four videos show reception in AM mode only, but rest assured the D-808 is very capable on the SSB modes of LSB and USB! A separate fine tuning rotary wheel on the right side of the radio’s case offers adjustment in 10 Hertz increments. The effect feels very similar to tuning CountyComm’s GP-5/SSB “walkie-talkie” style receiver. The plus or minus (+/-) offset is displayed in multiples of 10 Hz steps as “-1”, “-2”, “-3”, and so on.

I hope to post some future videos showing SSB usage of the D-808.

Soft mute. The dreaded soft mute is present in AM and SSB mode to some degree, but I do not feel it is excessive. Like most radio hobbyists I’m not a fan of soft muting and prefer uninterrupted tuning with no sign of “chuffing” or lowering of noise or audio. The amount of soft mute on this radio seems the same as the Eton Executive Satellit in my opinion.

What else to like? My take–

Audio. I find the D-808’s audio quality to be slightly more mellow or warmer…I like that, especially on FM! Audio on the MW and SW bands still has a crispness that aids in DXing on those bands, however.

18650 Li-Ion battery. Not all may agree, but I like this style of battery. The D-808’s internal circuit shuts off when the battery is fully charged, or after 10 hours of charging. The radio comes with a 18650 battery and a USB cable; the owner supplies a common 5V USB charger.

RDS on FM. This is a feature lacking on the Skywave SSB, but it is present and performs as expected with the D-808. The XHDATA radio lacks the Skywave SSB’s NOAA weather presets, however.

AM filter bandwidths. Interestingly, this receiver supplies two additional narrow AM mode bandwidths lacking in the Executive Satellit: 1.8 kHz and 1.0 kHz. It’s good to have options, although such narrow filters in AM mode sound a little muffled (offset tuning helps). The Skywave SSB does offer 1.0 kHz in AM mode, but has a 2.0 bandwidth in place of 1.8 kHz.

Backlighting. If desired, the D-808’s easy-on-the-eyes white backlight for the display can remain illuminated continually. Bravo, XHDATA! Now, if we could persuade more manufacturers to add backlighting to the keys themselves (a la the Degen DE1103/Kaito KA1103/Eton E5), we’d have more choices use in low light conditions like camping or bedside use.

Handy size. Probably a third larger than the diminutive Skywave SSB, the D-808 is still a very handy size that will fit most coat pockets, and is a smaller receiver than the Eton Executive Satellit. As you can tell from my videos, reception doesn’t suffer due to the smaller size.

Design. OK, this one’s very personal! As a graphic designer I have a real soft spot for any receiver that looks as good as it sounds, no matter what the technology or vintage. The D-808’s look really appeals to me and adds to my enjoyment while operating it. There are no unnecessary protrusions, ridges, or visual do-dads on this XHDATA model. In fact, I seem some design clues from the stylish Tecsun PL-880 in the D-808. The radio also has a quality feel to the plastic case and buttons, giving it a more “upper class” impression during use.

Antenna jack. The D-808 has the standard 3.5mm antenna port on the left side of the receiver. This is an addition I appreciate, and wish that C. Crane had included one on their Skywave SSB model. I tried this external antenna jack with an amplified PK Loops’ shortwave antenna and the combination performs excellently.

Minor annoyances

So far, the list is short! As a sacrifice to style, the manufacturer has kept all front panel buttons almost flush with the case. The effect looks great, but they are almost too low and close to the front panel. Those with larger fingers may find operation awkward or frustrating. Also, entering a shortwave frequency with less than five digits (i.e., below 10,000 kHz) requires a trailing push of the Frequency (FREQ) button.

I encourage other new owners of XHDATA’s D-808 to leave their comments below. Where does this portable rate among other radios you may own?

Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington. He’s a regular contributor to the SWLing Post.

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Exotic shortwave DX copied in Rio Capim, Northern Brazil

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The beautiful Capim River in a land of Jaguars, Tarantulas and occasionally, wonderful shortwave DX

Hi there, I returned from my third trip to the Rio Capim area of Pará, Northern Brazil about 5 weeks ago, having been out there for exactly a month. Now, whilst this was strictly a business trip I always make time to tune around the bands, mostly shortwave, in the hope of copying some interesting DX. My previous two trips were reasonably successful; however, I didn’t really hear anything new – just lots of Tropical Band – and tropical stations with much greater signal strength and clarity. Part of the problem is one of which most of us suffer from – the dreaded local QRM. Even in the depths of the rain forest noise is present from building electrical systems (particularly lighting) and other equipment. In my first attempt to escape the noise on this trip I ventured out of my accommodation building (basically a very large hut) to the wire fence that separates us and the larger fauna (although having said that, the monkeys and everything else that lives in the area appears to have no difficulty scaling a 6 foot fence – funny that! ). Anyway, ultimately, you’ve really got to want to hear something special quite badly to venture out. I suppose it could be the definition of hard-core DX! I tried this only once because as I was copying a very nice signal from Radio Guinea on 9650 kHz, I found myself about 2 feet from a Tarantula Hawk Wasp dispatching a very large spider (check out the very brief video on my YouTube channel). That was me done for alfresco DXing in the jungle.

Bonito’s USB-powered MegActive MA305 E-field antenna up a tree…performed superbly in Brazil

Fortunately, I was lent a 4-wheel drive truck for the duration of my visit and so I decided to find a quiet location to park up and listen to the radio – therefore only having to venture outside (at night) to place my antenna. One evening after dinner I got in the truck and drove around the site for a while until I found a location, effectively on the edge of the jungle that was mostly very quiet. Perfect…as long as I didn’t end up as something else’s dinner. I took the super-compact USB-powered Bonito MegActive MA305 antenna with me on this trip because I’d already tested it at home on DXpeditions and in Crete and thus I was confident as to how superbly well it would perform in a quiet location. To supplement my antenna choices, during the first weekend, I made the 90 km drive to the nearest town and bought, amongst other supplies, a 40 metre length of speaker wire and a 3.5 mm jack connector to make a temporary long-wire antenna.

In my experience, there are roughly 3 tiers of Tropical and Tropical Band DX on short wave. There’s the bottom tier of stations which with a decent portable and a few metres of wire can be readily heard in the UK on a Dxpedition – and at home with a magnetic loop antenna, for example and a good quality table-top receiver or SDR. Amongst this group of signals I would include Rádio Clube do Pará, Brazil on 4885 kHz, Radio Difusora Roraima on 4875.3 kHz, Emisoras Pio XII 5952.5 kHz, Radio Santa Cruz, 6134.8 kHz etc. etc. On the next tier are tropical stations that are really difficult to hear in the UK – but can be heard with good propagation and good equipment. This group includes Radio Aparecida on 6135.2 kHz particularly, Rádio Educação Rural on 4925.2 kHz, Radio Tarma Internacional on 4774.9 kHz, Rádio Evangelizar (formerly Radio RB2) on 6040.7 kHz etc. There are many more examples from these two groups I could use, but you get the picture. Lastly, there is a tier of stations that are very rarely or never heard in Europe, irrespective of equipment or propagation. Often these stations operate with low TX power which makes them extremely difficult to copy anyway – and that leads to ambiguity farther as to whether they are even on-air. Furthermore, some of these stations broadcast very irregularly, which makes copying them even more of a lottery.

My mainstay travel receiver, the brilliant Eton Satellit..two-time veteran of South American DXing

In this context, a month in Northern Brazil was a useful timescale for surveying the Tropical Bands and geographically tropical stations for the presence of very rare signals. Fortunately, over many hours of listening in Rio Capim with the Eton Satellit and mostly the Bonito MegActive MA305 antenna, I manged to record six signals that are very rarely heard outside of South America. The list of stations follows below, complete with the antenna arrangement. Further below you will find embedded reception videos and text links to the same videos on the Oxford Shortwave Log YouTube channel. Please take the time to watch the videos and note the comments made by some of my subscribers with local knowledge. In particular, Rádio Gaúcha and Rádio Canção Nova on 4825 kHz are very irregular broadcasters and therefore I was fortunate to be in the right place, at the right time to copy their signal. More luck came my way with the reception of Radio Sora de Congonhas on 4775 kHz – made possible because of a total power cut on site, reducing noise effectively to zero (I was indoors at the time). I, personally, never heard anything else other than Radio Tarma, Peru on or around 4775 kHz – itself something of a rarity, except when conditions are very good.

In conclusion, I have to say, once again, the DXing credentials of the Eton Satellit and the Bonito MegActive MA305 USB-powered antenna are clearly demonstrated here. The perfect travelling companions for the serious DXer and broadcast band listener alike, I had no issues getting through security at any of the airports and their combined weight is unnoticeable in a fully loaded backpack. I definitely recommend both products. It’s also worth noting that if you’re travelling to a relatively remote location, even with modest equipment, you might be able to copy rare signals that will provide good information to the rest of us trying to hear those same signals from 1000’s of km away. I will be returning to Rio Capim early in 2018 and I’m seriously considering taking my Perseus SDR with me. A superbly sensitive and selective receiver with noise reduction that actually works, it opens up the possibility of even more exotic DX on that trip.

As always, thanks for watching/listening/reading and I wish you all excellent DX and Season’s Greetings. 73!

The list of exotic catches and antennas utilised:

Radio Apintie 4990 kHz, Suriname – Bonito MegActive MA305
Radio Cançao Nova 9675 kHz Sao Paulo – 20 metre long-wire
Radio Verdes Florestas 4865 kHz, Cruzeiro do Sul – Bonito MegActive MA305
Rádio Gaúcha 11915 kHz, Porto Alegre – Bonito MegActive MA305
Radio Sora de Congonhas 4775 kHz, Congonhas – Bonito MegActive MA305 antenna
Rádio Canção Nova 4825 kHz, Cachoeira Paulista – Bonito MegActive MA305

Click here to watch on Oxford Shortwave Log YouTube channel

Click here to watch on Oxford Shortwave YouTube channel

Click here to watch on Oxford Shortwave Log YouTube channel

Clint Gouveia is the author of this post and a regular contributor to the SWLing Post. Clint actively publishes videos of his shortwave radio excursions on his YouTube channel: Oxford Shortwave Log. Clint is based in Oxfordshire, England.

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The Wacky and Rare Toshiba RP-2000F Now on Ebay

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Is this a receiver designed by MacGyver? The Toshiba RP-2000F was a portable radio designed for the 1970s Japanese BCL (Broadcast Listener) and is not often seen on the used market.

A fine example of this model is on the USA Ebay site right now: https://www.ebay.com/itm/TOSHIBA-RP-2000F-Shortwave-Radio-Full-88-108-FM-Dial-Great-Cosmetic-Condition/253300518829

The $495.00 starting price is steep, but probably inline with the radio’s rarity and condition. Do any SWLing Post readers have first-hand experience with this model? How does it perform? Let us know in the comments below!

Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington. He’s a regular contributor to the SWLing Post.

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The C. Crane CC Skywave SSB: first production run review

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[IMPORTANT UPDATE (October 21, 2018): Please note that C. Crane have addressed issues that I found in the first production run of the CC Skywave SSB. Click here to read the update and click here to read my full review of the CC Skywave SSB.]

Just last month, the little radio that I found most exciting this year hit the market: the C. Crane CC Skywave SSB.

Why the appeal for me? Frankly, since I do most of my portable radio listening while traveling, and since I typically travel out of one bag, having a compact radio with performance and features is an absolute must in my world. Up to this point, the original CC Skywave is the radio I often choose when traveling, as it packs so many useful features: AM, FM, Shortwave, AIR band, Weather Radio, and like any good travel radio, clock, alarm, and sleep functions, lacking only SSB mode. So it goes without saying that I was excited to see its newest edition.

The CC Skywave SSB

What follows is an account of my experience evaluating CC Skywave SSB production units, and a brief summary of their performance.

My hope is that this summary review will help readers with purchase decisions. Note that this is merely preliminary to an extensive, unabridged review that will appear in a future issue of The Spectrum Monitor magazine, then in the SWLing Post the following month.

Pre-production Skywave SSB

As many readers know, I was sent a pre-production model of the Skywave SSB for evaluation this summer.

As I mentioned in my sneak peek and reiterated to a number of inquisitive readers: I never base a product review or comment upon pre-production radios. I don’t comment about the performance of the pre-production model for an obvious reason: pre-production radios are quite simply not the versions that ship to customers upon the product release.

Now that the production model has been in the wild for a few weeks, I feel more at liberty to talk about my experience with the pre-production Skywave SSB.

In short: I have been very pleased, indeed, with the pre-production model’s performance. In terms of features, it is a nice incremental upgrade from the original Skywave. In terms of performance, it’s also tweaked in the right direction. As an early adopter of the original Skywave, I’ve been truly enthusiastic about this evaluation pre-production model.

All the notes I took while evaluating the pre-production Skywave SSB were made for C. Crane so they could hopefully implement any changes or address concerns prior to starting the first production run. But the truth is, I found the pre-production model in my possession to be quite solid, so my suggestions were minor.

Putting my pre-production model aside, I ordered an actual production unit on C. Crane’s website just like everyone else.

C. Crane kindly dispatched my unit as soon as they received the first production batch from the factory so I could get to work on the full review.

Quirks with the first production units

I was eager to get started on the review of the Skywave SSB, so as soon as I received it, I did what I always do: compared it with other radios.

I make my comparisons, by the way, at least fifty yards from my house to separate the radios from any inadvertent sources of local noise.

Production Radio #1

My first comparison was with the Digitech AR-1780 and the original CC Skywave. I quickly noted that the Skywave SSB was very slightly less sensitive than the other radios. I had tested the pre-production unit enough to know that the Skywave SSB’s performance should at least be on par with the original Skywave.

Upon careful listening, I discovered the production unit had a very faint, internally-generated whine on some of the shortwave bands; when tuned to marginal signals, this whine manifested itself as variable background noise. Between signals it was audible as a faint background whine, hardly noticeable. With that said, the whine was most notable while tuning––since the Skywave SSB mutes between frequency changes, the whine was most conspicuous during audio recovery.

The pre-production unit had no trace of an internally-generated whine. Audio was very clean in comparison.

Here’s a sample of the first production radio being tuned down from 10,000 kHz in 5 kHz tuning steps:

Here’s a sample from the pre-production unit:

Hear the whine in the first sample? Yes, so do I.

I contacted C. Crane promptly, and to their credit, they immediately dispatched another unit from inventory, via UPS Next Day, along with a return label to send my faulty unit back to their engineering team.

Production Radio #2

The second unit arrived while I was on Thanksgiving vacation, but was sent to me directly at my hotel. The day I received the replacement Skywave SSB, I put it on the air. The first listening session with it, alone, revealed that this unit did not have the internally-generated whine, however, this unit had issues with sensitivity. All of my comparison receivers were outperforming this Skywave SSB on the shortwave broadcast bands. When I compared it with the pre-production Skywave SSB unit and the first production unit, the second production unit was about four to five S-units less sensitive. Odd.

I sent both production radios back to C. Crane with detailed notes and sample recordings. Their engineering team confirmed my findings and started looking into the variations in QC and double-checking their inventory to make sure none shipped with these problems.

Production Radio #3

A few days later, I was sent a third production unit. After putting it on the air, I immediately noticed the same faint noise characteristics of my first full production unit, which is to say, the notorious whine.

Once again, I contacted C. Crane. This time, I requested that no less than three radios be sent to me, and they kindly expedite the request.

Production Radios #4, #5, and #6

Yesterday, I tested all three radios. What follows is a quick assessment of those radios:

Performance

In a nutshell, the three production units I tested yesterday performed better than my second and third production radios on all bands. Strictly in terms of sensitivity, these were on par with the pre-production unit. Very good.

But with that said, even the last three production units I received had internally-generated noises that I couldn’t help but notice. Disappointing.

At this point, I must assume these noises are prevalent throughout the first production run since all but one of the six CC Skywave SSB production units I tested have it. Meanwhile, the only one that didn’t have the noise had serious sensitivity issues.

Noises

Yesterday, I spent two full hours searching for birdies (internally generated noises) and other anomalies on the three CC Skywave SSB production units I received Monday. Each radio’s noise location varied slightly (within 20-40 kHz). The following locations are roughly the average of frequencies:

Birdies

Birdies are a fairly common occurrence among sensitive receivers, and the CC Skywave SSB has about an average number. The birdies I noted are outside the space where I do my broadcast listening:

2,305 kHz
9,220 kHz
11,520 kHz

Background audio whine/tone

All of the production units (save Radio #2) have a very slight audio whine present––either via the internal speaker or headphones––on certain portions of the spectrum.

In my first full production unit, I believe this whine may have slightly affected the unit’s overall sensitivity. On the last three production units, it didn’t seem to have as much of an impact on overall sensitivity.

The whine is still there, however, and occasionally when tuned to a weak signal within one of these zones, other faint sweeping noises could be detected in the background.

Sometimes it’s even more noticeable when the broadcaster is weak and is located within one of the whine zones. Here’s an example of 10 MHz WWV time station comparing the original Skywave with the Skywave SSB. Note that yesterday we had terrible propagation due to a geo storm, so WWV was very weak indeed.

Listen for the sweeping tones:

Here are the frequency ranges where I noted the background whine:

7,830 – 8335 kHz
8,610 – 8,690 kHz (note: very faint)
9,770 – 10,415 kHz
11,585 – 11810 kHz

Another oddity is a noise I found prevalent on CHU Canada’s 7,850 kHz frequency. I’m guessing it may be due to the combination of a DSP birdie on top of a relatively strong broadcaster.

Here’s a video comparing the original Skywave with one of the production models:

I noted no birdies or noises on the mediumwave band. The FM, AIR band, and Weather frequencies perform beautifully.

Summary: The bad news––and the good

At the moment, it appears the first production run of the CC Skywave SSB has some challenging QC issues. Therefore, unfortunately, I can only recommend it at present if you’re willing to check your unit very carefully for any of the internally-generated noises I noted above.

If, however, you’ve already purchased a Skywave SSB and have noticed the noises, then please contact C. Crane. I’ve been a C. Crane customer for many years and I’m confident they will take care of your issue.

This being said, the truth is, I sympathize with C. Crane. It must be challenging to get things right and truly consistent on the first production run of a radio––especially on a tiny compact radio like the Skywave SSB. It must be especially hard to keep noises out of the audio chain when so much is crammed into such a tiny package.

I fully suspect these issues will be sorted out in the second production run which, of course, I will test and review.

But the good news, and it’s sincerely good news, is this: if C. Crane can produce a CC Skywave SSB as good as the pre-production unit, they’ll truly have a winner. So let’s keep our fingers crossed that C. Crane can do it again…and again.

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