Listening to the Hurricane Watch Net on shortwave

As Hurricane Laura starts to make landfall this evening (Wednesday, August 26, 2020), it is expected to be a category four hurricane—producing extreme winds, life-threatening storm surge and flash flooding.

This has been an active and early tropical storm season here in North America and September may produce even more named systems.

A few readers have asked about frequencies to monitor the HWN, so I thought I’d share this short primer.

Hurricane Watch Net (HWN)

hwn-hurricane-watch-netThe Hurricane Watch Net is a group of amateur radio operators who are trained and organized “to provide essential communications support to the National Hurricane Center during times of Hurricane emergencies.” The HWN focuses on “ground truth” observations (much like SkyWarn nets).

The Hurricane Watch Net is activated when a hurricane is within 300 statute miles of expected land-fall. The HWN covers the Caribbean, Central America, Eastern Mexico, Eastern Canada, and all US Coastal States.

The HWN operates in both English and Spanish, and is active on 14.325 MHz (upper sideband) during the day and 7.268 MHz (lower sideband) at night. The HWN is known to operate on both frequencies if propagation allows.

The HWN provides updates on their website regarding activation times and frequencies. As an example, here’s the latest for Hurricane Laura:

The Hurricane Watch Net will activate Wednesday morning at 8:00 AM CDT (1300 UTC) on our primary frequency of 14.325.00 MHz. Beginning at 4:00 PM CDT (2100 UTC), we will begin simultaneous operations on 7.268.00 MHz. Once activated, we will remain in continuous operation on both frequencies until the bands close. We will resume operations on those bands just as soon as propagation returns.

Please keep HWN frequencies clear

If you’re an amateur radio operator, please avoid using 14.325 MHz and 7.268 MHz anytime the HWN has been activated.

Monitoring hurricane frequencies

If you have a shortwave radio with a BFO/SSB mode, or a ham radio transceiver–and you live within the propagation footprint–you can monitor the Hurricane Watch Net.

Note that you’ll need to use upper sideband on 14.325 MHz and lower sideband on 7.268 MHz.

You can also monitor the Hurricane Watch Net via a number of WebSDRs on the KiwiSDR network and even potentially via the U Twente WebSDR in the Netherlands if propagation is favorable (although a WebSDR in North America would be preferable).

Click here to view the Hurricane Watch Net website.

If you live in an area prone to hurricanes, tropical storms and other natural disasters, please keep an emergency kit fully-stocked and at the ready. Click here for some ideas about building your own simple kit.

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Listening to shortwave broadcasts with the lab599 Discovery TX-500

The lab599 TX-500 Discovery is a general coverage transceiver with AM mode, which means it can do double-duty as a shortwave receiver.

If you’ve been following previous TX-500 posts, you’ve seen me take this near military-grade portable transceiver to the field. I’ve activated a total of 6 parks in 6 days with it and it’s been a load of fun.

At home, I’ve also been doing a fair amount of SWLing with it in the evenings. I have a pre-production model that doesn’t include all of the accessories that will be provided with the production model. I don’t have a good way to port the audio out of the transceiver for recording at present, but I have been listening to broadcasts in the shack using a simple battery-powered amplified speaker.

I made a short video demonstrating the shortwave listening experience with the TX-500. It’s not a deep-dive by any means, but I thought it might provide a little more context. Keep in mind, I recorded this with my iPad, so the audio is far from ideal.

In general, the TX-500 is a fine radio for shortwave radio listening. It has the sensitivity and selectivity even a demanding DXer would seek. The TX-500 has a very low noise floor and an effective RF gain for mitigating summer QRN (static crashes) here in North America. I wish I had the time to tinker with the audio and see what sort of fidelity is possible. I’m not sure I’ll have time to cobble together a connection to my station monitors before I need to send it on.

Speaking of which, I’ll be sending this TX-500 to Ham Radio Outlet within the next two days. If you have any questions about it, feel free to ask now!

I will write-up a comprehensive review of the TX-500 in the October issue of The Spectrum Monitor magazine (my IQ32 overview is in the September issue).


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Phillip loves the Icom IC-R30, but frustrated with mono audio out

Many thanks to SWLing Post contributor, Phillip Novak, who writes:

A question or perhaps comment on the Icom IC-R30 that I’m hoping SWLing Post readers might shed some light on.

I’m a very new and extremely pleased owner of one of these units for the past 2 weeks. Aside from receive capability, usability is a big deal for me and this thing has proven to be a joy! The menus, buttons and build quality just feel great and frankly, I’m pretty happy about having made the “investment”.

So, it was with great excitement that my wife and I have the week off at the cottage – more so for me, as I was looking to really break the R30 in while sitting on the lake shore.

And then …. I was extremely disappointed to find out that the r30 headphone jack is mono (just like the IC-R6 that I already owned). On top of that, the jack is slightly recessed into the body of the unit, which renders the mono-to-stereo split adapter useless! (I really thought they would have changed it!)

Someone, please enlighten me as to why Icom would choose a mono plug!

It’s funny you mention the recessed plug as I had the same issue with a portable recently–the audio out port was recessed to the point that only the provided cheap earphones would fit!

Perhaps SWLing Post readers and IC-R30 owners can provide you with a simple solution? Of course, you can always purchase or build a mono-to-stereo adapter or patch cord–one with a slim profile to fit in the IC-R30 audio port recess (that’s the tough part, of course). But perhaps there are even earphones that have this functionality built-in? I honestly don’t know. Any ideas, readers? Please comment.

And, Phillip, we’d welcome your review of the IC-R30!

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Two September Special Simulcasts on Channel 292 and WBCQ



Both WBCQ The Planet and Radio Channel 292 will be presenting special simulcasts featuring multiple music and variety programs in September, both with time donated by the stations:

I.       Showcase 292 will air with time donated by the station on Radio Channel 292 from Rohrbach, Germany on September 7 from 2100 to 2200 UTC on 3955, 6070 and 9670 kHz.  This is Channel 292’s first collaborative simulcast featuring five music and variety programs that appear on its weekly schedule – Alt Universe Top 40 (rock), Encore (classical music), From the Isle of Music (Cuban music), Uncle Bill’s Melting Pot (world and novelty music) and the Voice of the Report of the Week (listener request music plus commentary).  3955 and 9670 are both new frequencies,  and listeners are encouraged to try them as a DX catch  in eastern Canada and the eastern US.  A special eQSL will be available from the producer (details will be given during the broadcast).  6070 kHz will of course not be receivable in Canada due to CFRX on the same frequency.
II.  WBCQ The Planet from Monticello, Maine, USA continues its popular simulcast series with time donated by Allan and Angela Weiner with    WBCQ Works! on September 7 from 10pm to 11pm EDT (0200-0300 UTC September 8) on 5130, 6160 and 7490 kHz with five of its popular regular music offerings – Area 51, beHAVior night, the Lost Discs Radio Show, Marion’s Attic and Uncle Bill’s Melting Pot.   In another recent broadcast, 6160 was heard as far as Western Russia and may be listenable  throughout most of Canada away from the NE.   5130 may be better for NE Canada, and 7490 may be better out west.  This, too, will have a special eQSL from the producer,  details will be given during the broadcast.  Since it will be Labor Day in the US, many of the songs will be related to work or the lack of it.

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Edward R. Murrow Transmitting station notes QSL delays to international recipients

VOA transmitter site in Greenville, NC

My friend, Macon Dail (WB4PMQ), is the Transmitter Plant Supervisor for the Edward R. Murrow Transmitting Station in eastern North Carolina, USA. He recently sent the following note and asked that I post it here:

“If anyone asks about the status of their QSLs from our station, please tell them that we had several returned over the past months as not deliverable. We think that the Covid-19 pandemic may have stopped some of the international mail delivery. I plan to resend them in the next week or so to see if they can make it through the postal service. “

Thanks for sharing the update, Macon!

In fact, this is not the only shortwave station experiencing problems. If you’ve requested a QSL this year, it could take much longer to get a response. You might make a note to follow up with broadcasters once this pandemic is in the rear-view mirror. Not all will be as careful about following up like Macon.

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Vlado restores Mike’s vintage Sony CRF-160

Sony CRF-160 Dial

Many thanks to SWLing Post contributor, Michael Schuster, who shares the following guest post:


Vlado works his magic on my Sony CRF-160

by Michael Schuster

Back in the 1970’s my grandfather gifted this solid-state portable to me as it was more than he needed. It was the first “real” radio I can remember owning, and it initiated my habit of scanning the dials into the wee hours of the morning. I began my serious SWLing using this set as it had excellent sensitivity, dual conversion design, big booming audio, and generous bandspread tuning for each major SW broadcast band.

One of the best-known SWL programs at the time was Happy Station on Radio Nederland, and I have distinct memories of listening in our back yard one summer afternoon when the show came up on the African Service over the Madagascar relay. My family was astonished at the program coming from so far away and even more so when Tom Meijer happened to read my letter over the air during the mailbag segment!

Fast forward many years (and two moves) later, it sat on a shelf until, trying it out again, I was dismayed to find both slide rule tuning dials, and the rotary drum band selector, to be frozen in place. And so there it sat until….

In a few online forums I kept hearing about a magician named Vlado at Ham Radio Repair. He specializes in restoring old sets, and has the courage and curiosity to tackle just about anything. Thinking this might be my last chance to bring this fossil back to life, and armed with a scanned copy of the service manual downloaded from the Radio Museum web site (the Internet is a marvelous thing) I began a several months’ long email exchange with Vlado entitled “Would you be willing to work on…”

He is chronically swamped with sets to work on, and has little room to store pending jobs, but was more than willing to have a look. Several months, and one pandemic later, we touched base again and I arranged to ship this monster off to him. Vlado is especially interested in the stories behind old hardware, so I shared its history with him as it adds that extra “human factor”.

The radio is in great shape as he noted, but needed a total rework of the tuning dials and drum selector. He also replaced all of the electrolytic capacitors (most were leaking as pictured), replaced some tiny light bulbs with LED’s, and realigned all of the circuits for maximum performance.

Unpacking and trying out the restored set was a true blast and somewhat miraculous. It performs just as I remember and now sits on the shelf, this time in use rather than in storage, booming its audio across my basement work room.

Now this set will probably outlive me as it did my grandfather; hopefully it will end up in the hands of an appreciative recipient for the next generation of radio enthusiasts.


Thank you for sharing this repair story, Mike. I visited Vlado’s home a few weeks ago and saw the box labeled “Sony CRF-160” in-line to be repaired. As Vlado worked on it, he sent me a couple of photos, too, because I believe it was the first time he had ever worked on this particular Sony model. It is certainly a gorgeous radio–wow! And I do love your philosophy as it’s the one I adopt too: keep vintage radios alive and working beyond our generation. 

Vlado is truly the most capable ham radio repair guy technician/engineer you’ll ever meet. He’s also as honest as the day is long. If you have a vintage or late-model solid-state radio that needs repair or restoration, contact him.

Click here to check out Vlado’s website HamRadio.repair.

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NPR listeners shift from over-the-air radio, to streaming content (in a very big way)

Many thanks to SWLing Post contributor, William Lee who shares the following story via Nieman Labs. Note that this is an excerpt from the story and that my comments follow:

Radio listening has plummeted. NPR is reaching a bigger audience than ever. What gives?

This year, for the first time, NPR will make more money from underwriting on podcasts than on its radio shows.

Since the pandemic took hold in the United States, NPR’s radio ratings have taken a nosedive. Half of AM/FM listening in the United States takes place in a car, but between reduced (or eliminated) commutes and social distancing, there’s been a steep decline in the drivers that make up public radio’s traditional broadcast audience.

“People who listened to NPR shows on the radio at home before the pandemic by and large still do,” NPR’s own media correspondent, David Folkenflikreported on July 15. “But many of those who listened on their commute have not rejoined from home. And that threatens to alter the terrain for NPR for years to come.”

Even as its legacy platform’s audience has declined, though, NPR says it is reaching more people than ever. The dip in radio listenership — 22 percent — has coincided with a record number of people turning to NPR on virtually every other platform. More people than ever are reaching NPR through the website, apps, livestreams, and smart speakers (“Alexa, I want to listen to NPR”).

[…]Some of the changes in NPR’s audience mirror what we’ve seen elsewhere in the news industry — traffic to news sites spiked in the early months of the pandemic — but the pandemic’s long-term effects seem poised to have a unique impact on radio listenership.

NPR’s senior director of audience insights, Lori Kaplan, has said public radio’s audience includes a disproportionate percentage of workers who are able to do their jobs remotely during coronavirus shutdowns — and that these professionals are interested in continuing to work from home even after we’ve left coronavirus in the rearview mirror.

“We’re experiencing a sea change,” Kaplan told Folkenflik. “We’re not going back to the same levels of listening that we’ve experienced in the past on broadcast.”

[…]NPR’s leaders have been reading the tea leaves. They’ve seen the studies showing younger generations overwhelmingly use the internet and their phones (not radios) for audio. In other words, they knew this shift was coming. They just didn’t know it would happen all at once.

“It was so clear people’s behaviors were changing,” said Tamar Charney, who leads NPR’s digital strategy. “You’d look at the demographic trends and young people were not listening to radio like older people.”[…]

Continue reading the full story at Nieman Labs.

This is a fascinating report and I’m willing to bet NPR has nothing to lose by being open about listening numbers and platforms compared to some commercial networks.

I’ve spoken with a number of friends in the commercial radio industry and the story is very familiar: since the pandemic especially, less people use over-the-air radio to listen to programming. The majority of over-the-air radio listening is done in the car and with the C-19 pandemic, there’s simply been less driving and commuting.

We radio enthusiasts are unique compared with our neighbors in that we actually have radios in our homes.

There is a trend, though, above and beyond anything pandemic related and it’s hard to ignore: with the proliferation of mobile Internet devices that anyone and everyone carries on their person, consumers prefer and expect on-demand content.  If you have a radio show on an FM station and it’s not offered as a podcast or via one of the streaming networks, you could be missing out on the bulk of your potential audience.

Even though I’m a hard-core radio enthusiast (by pretty much any measure), I appreciate on-demand content. For example, my staple evening news show these days is Marketplace. I prefer listening to the show live at 18:00 local on WCQS (88.1 FM) even though the signal isn’t super strong at my home (fortunately, I’ve got some brilliant radios to pull it in!). At least half of the time, however, family plans intrude on that 18:00-18:30 time slot, so I rely on the Marketplace podcast version of the show which is typically posted thirty minute after the end of their live show. So even though I’m a radio enthusiast, I still rely on streaming content for my favorite news show.

As technology and listener habits shift, I do wonder how local radio stations will adapt.

We’ve a number of SWLing Post community members who work in the radio industry around the world. Feel free to chime in and comment with your thoughts and experience.

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