Category Archives: AM

Radio Waves: WBCN, Reactions to AM Digital, More KPH, and Cereal Box Telescopes

Radio Waves:  Stories Making Waves in the World of Radio 

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors, Mike Terry, Troy Riedel, andGrant Porter for the following tips:


WBCN history reveals revolutionary power in local radio (Boston University News Service)

SOMERVILLE – What started as a midnight to 6 a.m. slot on a failing classical music station, became the voice of a generation in 1970s Boston. Now, more than 50 years after WBCN sparked a “revolutionary new experiment in radio,” the bygone rock station is still making waves.

The 2018 documentary, “WBCN and The American Revolution,” tells the origin story of Boston’s first rock and roll station through a combination of rock hits. Never-before-seen photos, videos and interviews with some of Boston’s most beloved radio hosts, were greeted with cheers at the Somerville Theatre screening Thursday night.

Bill Lichtenstein, who began volunteering with WBCN at 14, directed and produced the film. After crowdfunding and a decade in the making, it has been touring independent theaters and festivals across the U.S. for the last year and a half.

WBCN was grounded in good music. Founded by Ray Riepen, owner of South End music venue The Boston Tea Party, WBCN introduced voices like The Velvet Underground, The Who, Bruce Springsteen and Led Zeppelin to the city, and quickly found a home in Boston’s huge student population. Within three months, the station, run by amateur hosts and young volunteers during classroom breaks, was playing 24 hours per day.[…]


“It Will Make Millions of Receivers Obsolete … This Is Needless” (Radio World)

What people are saying to the FCC about all-digital on the AM band

Radio World is providing an ongoing sampler of comments of what people are telling the FCC about its proposal to allow U.S. stations on the AM band to switch voluntarily to all-digital transmission. Here are more in the series:

Kirk Mazurek told the FCC that he is an avid AM listener who has “invested time and money in equipment towards my hobby as many others have. If this proposal goes through it will make the millions of receivers obsolete requiring the purchase of new equipment. This is needless, there are a lot of people who have vintage radios and a lot of them have been restored. This proposal would make them useless. I urge you not to ratify this proposal.”

Mark Wells raised concern about interference from digital to analog signals on the same channel. “This is especially applicable at night when one is listening to distant stations in out-of-state markets, he wrote. “For example, clear channel stations WBT in Charlotte and KFAB in Omaha are both on both on 1110 kHz. Let’s say one switches to digital, and one does not. As it is they both may fade in and out as the atmosphere does its nightly tricks, but the signals remain mostly useable. But, if one is digital and the other analog would it not ‘blank out’ the analog station?”[…]


Podcast features Coastal Radio Station KPH (DitDit.fm)

There was a time when the airways bristled with Morse Code. There were commercial radio stations all around the world whose business was sending and receiving Morse Code messages to ships at sea. Coast station KPH, located at Point Reyes National Seashore near San Francisco, is one of those stations. Richard Dillman was there in 1997 when KPH sent it’s last message and closed it’s doors. It was the end of the line for the men and women who had spent their careers sending Morse Code to ships at sea. There was nowhere else for them to go…

Two years later, Richard Dillman with a group of volunteers returned to KPH and put it back on the air. Listen as Richard tells us about the future of Maritime Morse Code Coastal Station KPH!


A hydrogen line telescope made from cereal boxes and an RTL-SDR (RTL-SDR.com)

SpaceAustralia.com have recently been hosting a community science project that involves encouraging teams to build backyard radio telescopes that can detect the arms of our Milky Way Galaxy by receiving the Hydrogen line frequency of 1420 MHz.

This can be achieved at home by building a horn antenna out of cardboard and aluminum foil, and a feed from a tin can. Then the Hydrogen line and galactic plane can be detected by using an RTL-SDR, LNA, and software capable of averaging an FFT spectrum over a long period of time.

While most horn antennas are typically made from four walls, one participant, Vanessa Chapman, has shown that even trash can be used to observe the galaxy. Vanessa’s horn antenna is made from multiple cereal boxes lined with aluminum foil and an old tin fuel can. The boxes are held together by some string and propped up by some sticks.

With her cereal box horn antenna combined with an RTL-SDR Blog V3, and an RTL-SDR Blog Wideband LNA, Vanessa was able to use software to average the spectrum over time as the galactic plane passed overhead, revealing the Hydrogen line peak and corresponding doppler shift from the galactic plane.[…]


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Shortwave Radio Audio Archive: A treasure trove of radio history and nostalgia

One of the most amazing things about hosting and curating a massive collection of shortwave radio recordings is listening to each recording as they’re published on the site.

I created the Shortwave Radio Audio Archive (SRAA) in 2012 as a dedicated space to post and share off-air recordings with the world. Listening to SRAA recordings and subscribing to the podcast is 100% free, and entirely void of any advertising. The fact is, I pay for this site out of my own pocket, although some of your generous coffee fund and Patreon gifts are used to reinforce the archive’s longevity and future.

Not only does the SRAA serve as a historical record of radio–and even as audio samples for musicians–it’s also for radio listeners like us to enjoy.  We have over 3000 podcast and RSS subscribers. We invite you to subscribe as well as to contribute content in the form of your own radio recordings!

Great content, great contributors

Speaking of recordings, check out a sampling of our latest offerings from our amazing contributors:

Note that you can subscribe to the Shortwave Radio Audio Archive as a podcast via iTunes or by using the following RSS feed: http://shortwavearchive.com/archive?format=rss You can also listen via TuneIn.

Of course, one of the best ways to listen to recordings and read all of the recording notes is by visiting the SRAA website.


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Your support makes articles like this one possible. Thank you!

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RadioInfo: “Fires hit ABC Radio’s Batemans Bay transmitter”

Photo by Benjamin Lizardo

Many thanks to SWLing Post contributor, Michael Bird, who shares the following story from RadioInfo.com.au:

In an example of radio industry cooperation during adversity, commercial network Grant Broadcasters is working with the ABC on the South Coast of NSW to keep transmissions on air during the fires in that area.

As fires raged through the area last week, the ABC’s Mt Wandera transmission site at Bateman’s Bay was disabled by flames (see pictures below) and is expected to take some time to repair.

The ABC, through its transmission provider Broadcast Australia (recently renamed BAI Communications) asked if it could share Grant Broadcasters’ nearby transmission mast and infrastructure, and has now combined its transmissions onto the Grant Broadcasters antenna.

Local radio services, including ABC South Coast, are now back on air, but operating at reduced power. The ABC’s television transmitter on the site is also off air.

BAI has also established additional temporary low power facilities at Batemans Hill for ABC Local Radio (operating on 101.9 MHz) and ABC television (operating on Channel 41).  As this facility operates from a lower altitude and at lower power than those at Mt Wandera, its coverage will be largely limited within the town of Batemans Bay.

On the South Coast, the Grant Broadcasters stations 2EC and Power FM  had “no issues with transmission coverage” and have so far remained on full power. Diesel generators have 4-5 days capacity and are being refuelled continuously.

[…]Communications Minister Paul Fletcher has commended media and transmission providers for their efforts to keep services operating:

“I commend the network operators’ efforts in responding, which has included deploying temporary facilities to restore communications services for impacted communities, particularly those that are isolated. Many of the outages are due to power supplies being cut off, and in some cases are the direct impact of fire on network infrastructure. The current fire situations across Australia have made access difficult and unsafe at some sites to assess and restore services…

“In many cases, a portable transistor radio with a spare set of batteries is a vital way to receive emergency information, in the event there is a loss of mains power or mobile coverage.

“The ABC and other local radio stations are doing an excellent job transmitting vital emergency information to Australian communities. Telstra and Optus are offering targeted relief packages in affected regions in NSW and Victoria, including free use of payphones, call diversions from affected lines and other financial assistance.”[…]

Read the full article and view photos at RadioInfo.com.au.

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Radio World: Time to “sound off to the FCC about using all-digital on the AM band”

Many thanks to SWLing Post contributor, Dan Robinson, who shares the following note posted by Paul McClane at Radio World:

For those who want to sound off to the FCC about using all-digital on the AM band — either “fer it” or “agin it” —- the comment deadlines now are set.

Comments are due March 9, reply comments are due April 6.

As RW has reported, the FCC recently released a notice of proposed rulemaking to establish rules governing all-digital broadcasting by AM radio stations in the United States.

Read the NPRM here. The NPRM number is 19-123.

Click here to read at Radio World.

As we mentioned yesterday, this proposal is certainly in the final stages at this point.

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Final step for proposed rule to allow AM broadcasters to use all-digital transmissions

Many thanks to SWLing Post contributor, Paul Evans, who notes:

The Federal Register has today published the proposed rule for AM stations to go digital. This is close to the final step.

https://www.federalregister.gov/documents/2020/01/07/2019-27609/all-digital-am-broadcasting-revitalization-of-the-am-radio-service

Comments before 2020-03-09, replies by 2020-04-06.

Thanks for the tip, Paul!

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Mike reviews the Retekess TR608 AM/FM/AIR/SW receiver

Many thanks to SWLing Post contributor, Mike S, who shares his assessment of the Retekess TR608. Mike writes:

For this model, the company marketing electronics under the Retekess brand seems to be using a different supplier compared to the previous digital-radio-plus-memory—card-player products. The result is a more traditionally styled multiband DSP radio which runs on (gasp) traditional AA batteries. Its feature set takes inspiration from the Radiwow R108 and original CCrane Skywave, but with mixed results (albeit at a fraction of the price). It delivers decent performance for its price class but more serious listeners would be advised to spend a little more on a more established model.

Pros

    • Usual set of features: sleep timer, alarm, scanning, auto memory fill.
    • Uses replaceable alkaline or NiMH “AA” cells.
    • Decent sensitivity across the board.
    • Full shortwave coverage.
    • Frequency display is large and contrasty.
    • Dial light is effective and can be disabled. Display is readable without it, even in dim light.
    • No annoying keypad “beep”, so no mad rush to discover how it can be disabled.
    • Speaker can play reasonably loud without distortion.
    • FM reception is solid with good frequency response and stereo reception through headphones; this also activates a display indicator.
    • MW/SW reception is NOT plagued by digital hash bleeding through from the processor as with most other models in this price range!

Cons

    • Significantly larger than expected.
    • Unfortunately the added cabinet space is not utilized for a more wide-range speaker; audio is tinny.
    • Clumsy mounting of one spring in the battery compartment on my sample makes it almost impossible to insert the third AA battery without risking damage.
    • Many keypad buttons are so tiny and almost flush with the cabinet, that they are difficult to press.
    • Lens over LCD display is molded and unpolished with moiré distortion at some viewing angles.
    • Air band reception marred by birdies, bleed-through from other bands, and lack of squelch.
    • Volume control defaults back to level “10” under some circumstances (the manual warns about this).
    • Confusing 2-level LOCK function requires close attention to almost microscopic indicator on LCD.
    • No battery level indicator.
    • Although the manual advises that batteries can be charged using the 4.5V coaxial socket, no charging indicator is obvious.
    • Rotary knob, used for both tuning and volume adjustments, has no detents and so can easily spin off target.
    • Assigned function (no indication) depends on whether the tuning or volume buttons on the keypad were the last to be used.
    • No fine tuning outside of pre-programmed increments.
    • MW selectivity is a bit too wide for congested night reception.
    • MW reception occasionally exhibits weird artifacts; ghost images, sputtering audio on marginal signals, and “processed” sounding voice audio. Don’t know if these are DSP or AGC related, or a mixture of both. I have observed the same thing with the Eton Mini and other inexpensive portables using marginal DSP implementations.

SHOWSTOPPER ALERT: MW band channel assignments marred by 9kHz-centric firmware bug. Even after changing to 10kHz channel spacing (undocumented), the CPU still “thinks” in 9kHz assignments for direct input. Entering FREQ-1-0-1-0-FREQ should get you to 1010 kHz; but it actually lands on 1018 kHz because that is the nearest channel in the 9kHz band plan. You are now stuck in frequency step hell, as the up-down frequency keys still operate in 10KHz mode but do not know they are now off bandplan. UP/DOWN yield 1028/1008, not 1020/1000. The only way to recover is to enter a MW frequency that is the same in both bandplans, or to power off and double-reset the step rate resulting in all memories being lost.

Thank you so much for the review, Mike.  It sounds like this little receiver isn’t ready for prime time yet. The issues with frequency steps on the mediumwave band is certainly a show-stopper for anyone in North America. Indeed, it sounds like mediumwave reception, in general, is mediocre at best. At least the receiver isn’t plagued with internal noises.

With pricing around $29.99-$39.99 it’s certainly a bargain radio. But I’m sure you’re thinking what I’m thinking: you pay for what you get.

The Retekess TR608 can be purchased on eBay or Amazon.com (affiliate link).

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Video: “Tribute to a Century of Broadcasting”

Many thanks to SWLing Post contributor, Bill (WD9EQD), who writes:

You probably have already seen this, but from The ARRL Letter, November 21, 2019:

Art Donahue, W1AWX, of Franklin, Massachusetts, has posted his “Tribute to a Century of Broadcasting” video in recognition of the centennial of formal radio broadcasts. The video features a complete scan of the AM broadcast band (530 – 1700 kHz), with station IDs for all 118 AM radio channels.

Following is ARRL Link:

Radio Amateur’s “Tribute to a Century of Broadcasting” Video Debuts on YouTube

Following is YouTube link to the video:

It was a lot of fun to watch the video, hear the on-air id checks, and compare what he heard to the list of stations that I have heard.

Thanks for sharing this, Bill–I missed reading about this in the newsletter.  This goes to show you that the AM dial is chock-full of stations here in North America. Those who complain that it’s “dead” simply aren’t listening.

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