Category Archives: Portable Radio

Exotic shortwave DX copied in Rio Capim, Northern Brazil

The beautiful Capim River in a land of Jaguars, Tarantulas and occasionally, wonderful shortwave DX

Hi there, I returned from my third trip to the Rio Capim area of Pará, Northern Brazil about 5 weeks ago, having been out there for exactly a month. Now, whilst this was strictly a business trip I always make time to tune around the bands, mostly shortwave, in the hope of copying some interesting DX. My previous two trips were reasonably successful; however, I didn’t really hear anything new – just lots of Tropical Band – and tropical stations with much greater signal strength and clarity. Part of the problem is one of which most of us suffer from – the dreaded local QRM. Even in the depths of the rain forest noise is present from building electrical systems (particularly lighting) and other equipment. In my first attempt to escape the noise on this trip I ventured out of my accommodation building (basically a very large hut) to the wire fence that separates us and the larger fauna (although having said that, the monkeys and everything else that lives in the area appears to have no difficulty scaling a 6 foot fence – funny that! ). Anyway, ultimately, you’ve really got to want to hear something special quite badly to venture out. I suppose it could be the definition of hard-core DX! I tried this only once because as I was copying a very nice signal from Radio Guinea on 9650 kHz, I found myself about 2 feet from a Tarantula Hawk Wasp dispatching a very large spider (check out the very brief video on my YouTube channel). That was me done for alfresco DXing in the jungle.

Bonito’s USB-powered MegActive MA305 E-field antenna up a tree…performed superbly in Brazil

Fortunately, I was lent a 4-wheel drive truck for the duration of my visit and so I decided to find a quiet location to park up and listen to the radio – therefore only having to venture outside (at night) to place my antenna. One evening after dinner I got in the truck and drove around the site for a while until I found a location, effectively on the edge of the jungle that was mostly very quiet. Perfect…as long as I didn’t end up as something else’s dinner. I took the super-compact USB-powered Bonito MegActive MA305 antenna with me on this trip because I’d already tested it at home on DXpeditions and in Crete and thus I was confident as to how superbly well it would perform in a quiet location. To supplement my antenna choices, during the first weekend, I made the 90 km drive to the nearest town and bought, amongst other supplies, a 40 metre length of speaker wire and a 3.5 mm jack connector to make a temporary long-wire antenna.

In my experience, there are roughly 3 tiers of Tropical and Tropical Band DX on short wave. There’s the bottom tier of stations which with a decent portable and a few metres of wire can be readily heard in the UK on a Dxpedition – and at home with a magnetic loop antenna, for example and a good quality table-top receiver or SDR. Amongst this group of signals I would include Rádio Clube do Pará, Brazil on 4885 kHz,  Radio Difusora Roraima on 4875.3 kHz, Emisoras Pio XII 5952.5 kHz, Radio Santa Cruz, 6134.8 kHz etc. etc. On the next tier are tropical stations that are really difficult to hear in the UK – but can be heard with good propagation and good equipment. This group includes Radio Aparecida  on 6135.2 kHz particularly, Rádio Educação Rural on 4925.2 kHz, Radio Tarma Internacional on 4774.9 kHz, Rádio Evangelizar (formerly Radio RB2) on 6040.7 kHz etc. There are many more examples from these two groups I could use, but you get the picture. Lastly, there is a tier of stations that are very rarely or never heard in Europe, irrespective of equipment or propagation. Often these stations operate with low TX power which makes them extremely difficult to copy anyway – and that leads to ambiguity farther as to whether they are even on-air. Furthermore, some of these stations broadcast very irregularly, which makes copying them even more of a lottery.

My mainstay travel receiver, the brilliant Eton Satellit..two-time veteran of South American DXing

In this context, a month in Northern Brazil was a useful timescale for surveying the Tropical Bands and geographically tropical stations for the presence of very rare signals. Fortunately, over many hours of listening in Rio Capim with the Eton Satellit and mostly the Bonito MegActive MA305 antenna, I manged to record six signals that are very rarely heard outside of South America. The list of stations follows below, complete with the antenna arrangement. Further below you will find embedded reception videos and text links to the same videos on the Oxford Shortwave Log YouTube channel. Please take the time to watch the videos and note the comments made by some of my subscribers with local knowledge. In particular, Rádio Gaúcha and Rádio Canção Nova on 4825 kHz are very irregular broadcasters and therefore I was fortunate to be in the right place, at the right time to copy their signal. More luck came my way with the reception of Radio Sora de Congonhas on 4775 kHz – made possible because of a total power cut on site, reducing noise effectively to zero (I was indoors at the time). I, personally, never heard anything else other than Radio Tarma, Peru on or around 4775 kHz – itself something of a rarity, except when conditions are very good.

In conclusion, I have to say, once again, the DXing credentials of the Eton Satellit and the Bonito MegActive MA305 USB-powered antenna are clearly demonstrated here. The perfect travelling companions for the serious DXer and broadcast band listener alike, I had no issues getting through security at any of the airports and their combined weight is unnoticeable in a fully loaded backpack. I definitely recommend both products. It’s also worth noting that if you’re travelling to a relatively remote location, even with modest equipment, you might be able to copy rare signals that will provide good information to the rest of us trying to hear those same signals from 1000’s of km away. I will be returning to Rio Capim early in 2018 and I’m seriously considering taking my Perseus SDR with me. A superbly sensitive and selective receiver with noise reduction that actually works, it opens up the possibility of even more exotic DX on that trip.

As always, thanks for watching/listening/reading and I wish you all excellent DX and Season’s Greetings. 73!


   The list of exotic catches and antennas utilised:

  • Radio Apintie 4990 kHz, Suriname – Bonito MegActive MA305
  • Radio Cançao Nova 9675 kHz Sao Paulo – 20 metre long-wire
  • Radio Verdes Florestas 4865 kHz, Cruzeiro do Sul – Bonito MegActive MA305
  • Rádio Gaúcha 11915 kHz, Porto Alegre – Bonito MegActive MA305
  • Radio Sora de Congonhas 4775 kHz, Congonhas – Bonito MegActive MA305 antenna
  • Rádio Canção Nova 4825 kHz, Cachoeira Paulista – Bonito MegActive MA305

 

Click here to watch on Oxford Shortwave Log YouTube channel

 

Click here to watch on Oxford Shortwave Log YouTube channel

 

Click here to watch on Oxford Shortwave Log YouTube channel

 

Click here to watch on Oxford Shortwave YouTube channel

 

Click here to watch on Oxford Shortwave YouTube channel

 

Click here to watch on Oxford Shortwave Log YouTube channel

 


Clint Gouveia is the author of this post and a regular contributor to the SWLing Post. Clint actively publishes videos of his shortwave radio excursions on his YouTube channel: Oxford Shortwave Log. Clint is based in Oxfordshire, England.

The Wacky and Rare Toshiba RP-2000F Now on Ebay

Is this a receiver designed by MacGyverThe Toshiba RP-2000F was a portable radio designed for the 1970s Japanese BCL (Broadcast Listener) and is not often seen on the used market.

A fine example of this model is on the USA Ebay site right now: https://www.ebay.com/itm/TOSHIBA-RP-2000F-Shortwave-Radio-Full-88-108-FM-Dial-Great-Cosmetic-Condition/253300518829

 

The $495.00 starting price is steep, but probably inline with the radio’s rarity and condition. Do any SWLing Post readers have first-hand experience with this model? How does it perform? Let us know in the comments below!

Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington.  He’s a regular contributor to the SWLing Post.

The C. Crane CC Skywave SSB: first production run review

[IMPORTANT UPDATE (October 21, 2018): Please note that C. Crane have addressed issues that I found in the first production run of the CC Skywave SSB. Click here to read the update and click here to read my full review of the CC Skywave SSB.]

Just last month, the little radio that I found most exciting this year hit the market: the C. Crane CC Skywave SSB.

Why the appeal for me?  Frankly, since I do most of my portable radio listening while traveling, and since I typically travel out of one bag, having a compact radio with performance and features is an absolute must in my world.  Up to this point, the original CC Skywave is the radio I often choose when traveling, as it packs so many useful features: AM, FM, Shortwave, AIR band, Weather Radio, and like any good travel radio, clock, alarm, and sleep functions, lacking only SSB mode.  So it goes without saying that I was excited to see its newest edition.

The CC Skywave SSB

What follows is an account of my experience evaluating CC Skywave SSB production units, and a brief summary of their performance.

My hope is that this summary review will help readers with purchase decisions. Note that this is merely preliminary to an extensive, unabridged review that will appear in a future issue of The Spectrum Monitor magazine, then in the SWLing Post the following month.

Pre-production Skywave SSB

As many readers know, I was sent a pre-production model of the Skywave SSB for evaluation this summer.

As I mentioned in my sneak peek and reiterated to a number of inquisitive readers: I never base a product review or comment upon pre-production radios. I don’t comment about the performance of the pre-production model for an obvious reason: pre-production radios are quite simply not the versions that ship to customers upon the product release.

Now that the production model has been in the wild for a few weeks, I feel more at liberty to talk about my experience with the pre-production Skywave SSB.

In short: I have been very pleased, indeed, with the pre-production model’s performance. In terms of features, it is a nice incremental upgrade from the original Skywave. In terms of performance, it’s also tweaked in the right direction. As an early adopter of the original Skywave, I’ve been truly enthusiastic about this evaluation pre-production model.

All the notes I took while evaluating the pre-production Skywave SSB were made for C. Crane so they could hopefully implement any changes or address concerns prior to starting the first production run. But the truth is, I found the pre-production model in my possession to be quite solid, so my suggestions were minor.

Putting my pre-production model aside, I ordered an actual production unit on C. Crane’s website just like everyone else.

C. Crane kindly dispatched my unit as soon as they received the first production batch from the factory so I could get to work on the full review.

Quirks with the first production units

I was eager to get started on the review of the Skywave SSB, so as soon as I received it, I did what I always do: compared it with other radios.

I make my comparisons, by the way,  at least fifty yards from my house to separate the radios from any inadvertent sources of local noise.

Production Radio #1

My first comparison was with the Digitech AR-1780 and the original CC Skywave. I quickly noted that the Skywave SSB was very slightly less sensitive than the other radios. I had tested the pre-production unit enough to know that the Skywave SSB’s performance should at least be on par with the original Skywave.

Upon careful listening, I discovered the production unit had a very faint, internally-generated whine on some of the shortwave bands; when tuned to marginal signals, this whine manifested itself as variable background noise. Between signals it was audible as a faint background whine, hardly noticeable. With that said, the whine was most notable while tuning––since the Skywave SSB mutes between frequency changes, the whine was most conspicuous during audio recovery.

The pre-production unit had no trace of an internally-generated whine. Audio was very clean in comparison.

Here’s a sample of the first production radio being tuned down from 10,000 kHz in 5 kHz tuning steps:

Here’s a sample from the pre-production unit:

Hear the whine in the first sample? Yes, so do I.

I contacted C. Crane promptly, and to their credit, they immediately dispatched another unit from inventory, via UPS Next Day,  along with a return label to send my faulty unit back to their engineering team.

Production Radio #2

The second unit arrived while I was on Thanksgiving vacation, but was sent to me directly at my hotel.  The day I received the replacement Skywave SSB, I put it on the air. The first listening session with it, alone, revealed that this unit did not have the internally-generated whine, however, this unit had issues with sensitivity. All of my comparison receivers were outperforming this Skywave SSB on the shortwave broadcast bands. When I compared it with the pre-production Skywave SSB unit and the first production unit, the second production unit was about four to five S-units less sensitive. Odd.

I sent both production radios back to C. Crane with detailed notes and sample recordings. Their engineering team confirmed my findings and started looking into the variations in QC and double-checking their inventory to make sure none shipped with these problems.

Production Radio #3

A few days later, I was sent a third production unit. After putting it on the air, I immediately noticed the same faint noise characteristics of my first full production unit, which is to say, the notorious whine.

Once again, I contacted C. Crane.  This time, I requested that no less than three radios be sent to me, and they kindly expedite the request.

Production Radios #4, #5, and #6

Yesterday, I tested all three radios. What follows is a quick assessment of those radios:

Performance

In a nutshell, the three production units I tested yesterday performed better than my second and third production radios on all bands. Strictly in terms of sensitivity, these were on par with the pre-production unit.  Very good.

But with that said, even the last three production units I received had internally-generated noises that I couldn’t help but notice. Disappointing.

At this point, I must assume these noises are prevalent throughout the first production run since all but one of the six CC Skywave SSB production units I tested have it. Meanwhile, the only one that didn’t have the noise had serious sensitivity issues.

Noises

Yesterday, I spent two full hours searching for birdies (internally generated noises) and other anomalies on the three CC Skywave SSB production units I received Monday. Each radio’s noise location varied slightly (within 20-40 kHz). The following locations are roughly the average of frequencies:

Birdies

Birdies are a fairly common occurrence among sensitive receivers, and the CC Skywave SSB has about an average number. The birdies I noted are outside the space where I do my broadcast listening:

  • 2,305 kHz
  • 9,220 kHz
  • 11,520 kHz

Background audio whine/tone

All of the production units (save Radio #2) have a very slight audio whine present––either via the internal speaker or headphones––on certain portions of the spectrum.

In my first full production unit, I believe this whine may have slightly affected the unit’s overall sensitivity. On the last three production units, it didn’t seem to have as much of an impact on overall sensitivity.

The whine is still there, however, and occasionally when tuned to a weak signal within one of these zones, other faint sweeping noises could be detected in the background.

Sometimes it’s even more noticeable when the broadcaster is weak and is located within one of the whine zones. Here’s an example of 10 MHz WWV time station comparing the original Skywave with the Skywave SSB. Note that yesterday we had terrible propagation due to a geo storm, so WWV was very weak indeed.

Listen for the sweeping tones:

Here are the frequency ranges where I noted the background whine:

  • 7,830 – 8335 kHz
  • 8,610 – 8,690 kHz (note: very faint)
  • 9,770 – 10,415 kHz
  • 11,585 – 11810 kHz

Another oddity is a noise I found prevalent on CHU Canada’s 7,850 kHz frequency. I’m guessing it may be due to the combination of a DSP birdie on top of a relatively strong broadcaster.

Here’s a video comparing the original Skywave with one of the production models:

I noted no birdies or noises on the mediumwave band. The FM, AIR band, and Weather frequencies perform beautifully.

Summary:  The bad news––and the good

At the moment, it appears the first production run of the CC Skywave SSB has some challenging QC issues. Therefore, unfortunately, I can only recommend it at present if you’re willing to check your unit very carefully for any of the internally-generated noises I noted above.

If, however, you’ve already purchased a Skywave SSB and have noticed the noises, then please contact C. Crane. I’ve been a C. Crane customer for many years and I’m confident they will take care of your issue.

This being said, the truth is, I sympathize with C. Crane. It must be challenging to get things right and truly consistent on the first production run of a radio––especially on a tiny compact radio like the Skywave SSB.  It must be especially hard to keep noises out of the audio chain when so much is crammed into such a tiny package.

I fully suspect these issues will be sorted out in the second production run which, of course, I will test and review.

But the good news, and it’s sincerely good news, is this:  if C. Crane can produce a CC Skywave SSB as good as the pre-production unit, they’ll truly have a winner.  So let’s keep our fingers crossed that C. Crane can do it again…and again.

SWLing on the coast with the Elecraft KX2 and PK Loop

Since I purchased the Elecraft KX2 last year, I find I do almost as much SWLing with it as I do ham radio activity. The KX2 is actually a brilliant shortwave broadcast receiver–check out these audio samples. It’s incredibly sensitive, selective and outperforms all of my portables. It’s also a joy to operate, once you learn your way around the controls.

I’ve been at the South Carolina coast all week on an active family vacation. What little time I’ve had to play radio, I’ve used the KX2/PK Loop combo.

The KX2 pairs well with the PK Loop (C-LOOP-HDSW6-18) antenna and both can easily fit in one small pack. The combo limits me to the shortwave bands, but that’s okay since I always carry an Ultralight DX receiver like the Tecsun PL-310ET, Sony SRF-39FP or CC Skywave should I decide to hit the mediumwaves.

I can set up the KX2 and PK Loop on a small table or foot stool with room to spare. I typically use a pair of headphones with the KX2 since its built-in speaker leaves much to be desired (but is better than the KX3’s internal speaker, in my opinion). With headphones, you can also take advantage of the “delay” audio effect which makes broadcasts sound much wider that the 5 kHz maximum bandwidth.

Another favorite travel receiver is the CommRadio CR-1a. Like the KX2, it’s compact, has a built-in battery and (unlike the KX2) can even be charged from a standard USB source.

I still manage to take the KX2 on travels more often than the CR-1a simply because I always have the option to put on my ham radio hat and do field/portable operation should I choose.

But CommRadio is cooking up a new radio: I’m watching the new CommRadio CTX-10 with interest since it might also serve both of these radio purposes!

The CommRadio CTX-10 QRP transceiver

I will review the CTX-10 when it’s on the market.

On a side note: since I own both the KX2 and KX3, I’m planning to purchase the KXPA100 100 watt amplifier for the shack next year. At $749 for the ATU-less kit version, it’s a hefty sum–indeed–enough to purchase another 100 watt transceiver like the Icom IC-7200.  But in the end, I’m so please with both radios I think it’s worth the investment.  Thankfully, the KXPA100 was not included in the Elecraft Black Friday sale. I did not need that temptation.

Post readers: Any others take a compact general coverage transceiver on travels? What model do you prefer?  Please comment!

Radio Deal: Grundig Edition Eton Mini $26.10 shipped

Amazon.com has lowered the price on the Eton Mini shortwave receiver to $26.10 with shipping. This is about the lowest price I’ve seen for the Mini (a radio that makes a great stocking stuffer). Standard Amazon pricing disclaimer: this might not last long as they shift pricing without notice.

Click here to purchase via Amazon.com (affiliate link).

Rocky is pleased with the CC Skywave SSB

Many thanks to SWLing Post contributor,Rocky Robello (KA7EII), who writes:

Just got my new C. Crane Skywave SSB radio. Same size as my wife’s C. Crane Skywave. AM, FM, WX and Airband all work just as well on the Skywave SSB as the regular Skywave.

So far, I am very satisfied with the SSB reception on the new Skywave SSB. It has one strange quirk – when you press the SSB button, it takes about 3 to 4 seconds to go into SSB mode. Five dashes appear on the display during this wait. After that, it is great.

I enjoy aeronautical communications and I get good reception of San Francisco radio and aircraft flying between the west coast and Hawaii. This is on the built in whip antenna.

Also been tuning through the ham bands and it does a nice job. There is an extra 0.5 KHz bandwidth on SSB mode so it is possible to do some casual CW listening. I like how the “Band” button works on shortwave.

When in AM mode, it cycles through the shortwave broadcasting bands. In the SSB mode, it cycles through the ham radio bands. It even selects LSB on 160-30 meters and USB on 20 through 10.

The only other receiver I have to compare it with (other than my wife’s Skywave) is my 18-year old Sangean ATS-909. The ‘909 is a bit more sensitive on MW AM broadcast band but selectivity is as good or better on the Skywave SSB.

FM sensitivity is great and the FM selectivity of the Skywave SSB beats the ‘909 hands down. Using the built in whip antennas, the Skywave SSB is more sensitive than the ‘909 on shortwave. Haven’t tried the included roll-up antenna on the Skywave SSB yet.

Having a squelch is really nice for monitoring the VHF Airband. One thing the Skywave SSB does that the regular Skywave does not do – you can scan 10 VHF Airband frequencies on the Skywave SSB.

So far, I am very satisfied with this new, tiny shortwave receiver.

Many thanks for sharing your mini review, Rocky!

I’ll also post a CC Skywave SSB review here hopefully by the end of next week–after Thanksgiving travel. My review has been delayed a as my CC Skywave SSB production units have had some QC issues: a very slight internally-generated noise in one and subpar sensitivity in the other.

My pre-production CC Skywave SSB is as Rocky describes: a gem of a compact receiver with sensitivity equal to that of its predecessor and relatively good noise characteristics.

C. Crane engineering is looking into the issues with my early production units and dispatching a replacement. I’ll post an update and review when I receive the replacement.

C. Crane CCRadio-EP Pro: a new enhanced version of the EP

Many thanks to SWLing Post contributor, Troy Riedel, who notes that C. Crane has developed an enhanced version of the original CCRadio-EP AM/FM portable.

C. Crane includes the following description on their website:

The new CC Radio-EP PRO is an enhanced version of the original EP. It has the same simple controls and the same high performance with superior selectivity and sensitivity. The portable CCRadio-EP PRO could be considered a super radio; built for ease of use and outstanding long-range AM with our C. Crane patented Twin Coil Ferrite® AM Antenna. FM performance is excellent.

Great for listening to Talk Radio, NPR®, Music, and Sports. The EP PRO has a wide bass and treble adjustment range for defined music and accurate and lively voice reproduction.

A large, 5-inch speaker is combined with a hi-fidelity amplifier and a “Wide/Narrow” enhancement dial to give extra clarity to AM programs. The dial accuracy of the new EP PRO is superior to our original model. Weight: 3.1 lbs. (without batteries). Size: 11.4″ W x 7.3″ H x 2.75″ D. Runs on four optional “D” batteries (not included). AC adapter is included.

C.Crane lists a shipping date of March 30, 2018 or after.

Since I receive so many questions about affordable radios for mediumwave DXing, I’ll certainly review the CCRadio-EP Pro when it’s available. I look forward to evaluating out a radio with such simple controls!

Click here to check the CCRadio-EP Pro on C. Crane’s website.