Category Archives: FM

Radio Waves: AU2JCB Special Event, 1 Million Watt FM Tower, 3ZZZ Breaches Rules, Australia Calling, WWII KGEI, and EV Charger QRM

Radio Waves: Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

AU2JCB Special Event Station (Nov 25 – Dec 13, 2022)

Many thanks to SWLing Post contributor, Datta, who shares the following announcement:

AU2JCB is a special event call-sign to commemorate the birth date (30 NOV) & to pay homage & to tell about the great INDIAN scientist Acharya JAGADISH CHANDRA BOSE who is recognized as the “Father of Wireless Communication” by the scientific community of our world &IEEE.

I, VU2DSI, have been operating with this call sign for the last 17 years since 2005 & operate AU2JCB from 25 NOV 2022 to 13 DEC 2022.

The Details of operation —-

Period: 25 NOV 2022 to 13 DEC 2022

Frequencies:

10 M: 28545, 28510,28490
21 M: 21235, 21310, 21350
20M: 4210, 14250, 14310
40 M: 7040, 7150
80 M: 3710
6M in FM mode 50800, 51500
10 M: 29700

Preferably the operation will be on higher bands according to propagation conditions.

QSL— Direct to VU2DSI, “SURABHI” MEHERABAD. AHMEDNAGAR.414006. INDIA.

FOR DX STATIONS PLEASE SEND 2IRC’s—–IF POSSIBLE— as many many DX stations are requesting QSL’s.

I will appreciate the GOOD number of used postal stamps instead of IRC as I love collecting stamps.

About

Aacharya J.C.Bose is well known as the “Father of Wireless Communication”.

Acharya Bose’s demonstration in 1895 & 1897 predates all.

Bose transmitted wireless signals to a distance of a mile. Popova in Russia was still trying remote signaling at this time & the first wireless experiment by Marconi was not successful until May 1897.

Bose is a pioneer in microwave optics technology.

Bose’s invention of 1-centimeter to 5 millimeters radio waves is being used in radars, satellite communication& remote sensing.

Bose’s concepts from his original 1897 papers are now incorporated into a new 1.3 mm multi-beam receiver on the NRAO (National Radio Observatory) 12 Meter Telescope.

Bose anticipated the use of P-type& N-type semiconductors & hence 60 years ahead of his time. Bose developed the use of GALENA crystals for making receivers.

In Bose’s presentation to the Royal Institution in London in January 1897, he speculated on the existence of electromagnetic radiation from the sun. This radiation from the sun was not detected until 1942.

Video: Exploring a 1 MILLION Watt FM Tower (YouTube)

My Dad and I took a road trip to tour the 1 MW FM community tower in Crestwood, MO, serving the entire St. Louis metro area combining 10 FM radio signals into two antenna systems.

Special thanks to the Audacy engineers who allowed us to take a peek at their (very clean!) transmitter rooms and equipment!

Click here to view on YouTube.

3ZZZ breaches community radio broadcast rules in its coverage on Ukraine (ACMA)

The Australian Communications and Media Authority (ACMA) has found Melbourne-based community broadcaster 3ZZZ in breach of community broadcasting rules in its coverage of the invasion of Ukraine by Russia. Continue reading →

The International Radio Report’s 35th Anniversary!

A review of the Tecsun H-501x portable shortwave radio receiver

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I was recently searching for my review of the Tecsun H-501x on the SWLing Post to send to a reader when I realized I had not yet published it here! Let’s fix that…

The following review of the Tecsun H-501x was originally published in the November 2021 issue of The Spectrum Monitor magazine. Enjoy:

A review of the Tecsun H-501x

by Thomas (K4SWL)

Last year [2020], we were treated to a group of new shortwave portables from Tecsun: the PL-990, PL-330, and the H-501.

Although all of these models garnered attention from shortwave listeners, one model in particular seemed to draw the most interest, the Tecsun H-501.

No doubt, much had to do with the H-501’s size––a large format portable––and especially the twin stereo speakers, that no doubt sparked the interest of those of us who owned (or wished we owned) the venerable Grundig Satellit 500 or 700 with its reputation for robust audio.

Tecsun was also very clear during their product announcement in 2019 that the H-501x is the flagship portable for the Tecsun line.

H-501 versus H-501x

Note that the product being evaluated in this review is the H-501x; the latest “export” version of the H-501.

The differences between these two models is fairly modest. The “x” model gives the user a slightly lower frequency floor in longwave and shortwave, and finer FM tuning (50 kHz as opposed to 100 kHz) when the AM tuning steps are set to 9 kHz as opposed to 10 kHz.

The differences are so modest between the H-501 and H-501x, I wouldn’t be worried if you already have the H-501. I would simply encourage you to only purchase from a reputable Tecsun distributor so you can be confident you’re not receiving one of the very early production runs of the H-501 that was only distributed domestically within China. Some of these early domestic models didn’t have all the refinements of the latest H-501 versions. I would encourage you to only purchase the H-501 or H-501x from a reputable distributors like Anon-Co, Waters and Stanton, Tecsun Radios Australia, and Bonito.

Unique features

Besides the large dual speakers of the H-501x, there are a number of other unique features and design choices that truly set the H-501 series apart from other Tecsun models.

Firstly, the H-501x uses two 18650 Lithium Ion batteries housed in two separate battery compartments. Both batteries can be internally charged, but here’s the interesting part: each battery seems to be somewhat independent of the other. When you engage battery charging, you must select, via a mechanical switch on the back of the radio, “Battery A” or “Battery B.” Only one battery can be charged at a time, and thus only one will power the radio at a time.

More than once, I’ve been listening to the H-501x and the battery indicator started flashing, signifying a low battery. I simply switched the battery switch to Battery B, and, voliá: I have a full battery again! This reminds me of a college friend’s VW Beetle that had a spare fuel tank…with this unique feature, when you were running low on fuel, you’d kick in the spare fuel tank and then make plans to refuel the main tank soon. Of course, with the H-501x, both these “fuel tanks” are also generous ones, in that the batteries last for a good while.

I find that the play time of each battery impressive given the size and audio amplification used in the H-501x. I had worries that the unit’s need for two batteries could suggest a short battery life, but fortunately this hasn’t been the case, no matter what mode I’ve used (FM, AM, shortwave, or Bluetooth).

However I will note here that the supplied switching power supply will inject noise if you try listening to AM or shortwave while charging. This hasn’t affected FM reception, though.

The fold-out metal bail on the H-501x is very large. This shouldn’t have surprised me, but it did. The H-501x is tall and wide, but not very deep––only marginally deeper than, say, the PL-880. The bail needed to be low-profile, but also support this mini “wall” of the radio while in use. The metal wire bail is handy and certainly does the trick, although there’s only one tilt position, and when it’s deployed, the radio effectively has a large footprint. This might limit where you can set it if the surface––say, a bedside table––is small. Not a problem for me, but worth noting. Continue reading →

Don Moore’s Photo Album: Ecos del Torbes

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Many thanks to SWLing Post contributor, Don Moore–noted author, traveler, and DXer–for the following guest post series:

Don Moore’s Photo Album

by Don Moore

Introduction

When I discovered DXing over fifty years ago I also discovered the world. Through my ears I traveled to other countries and explored other cultures. But DXing has also literally taken me places. My early interest in Latin American DXing developed into a broader interest in Latin America. That led to me joining the Peace Corps after college and working three years in Honduras. That experience furthered my interest in Latin America and I have continued to travel in the region whenever possible. For me DXing and travel were always intertwined. I’m one of a handful of hobbyists who took DXing beyond just listening and went knocking on broadcasters’ doors to visit the distant stations I heard. My ex-wife dubbed this ‘door-to-door DXing.’

To date I’ve visited over 150 radio stations in thirteen countries. A few were medium-wave or FM only, but I was always most interested in visiting broadcasters that used shortwave, either at the time of my visit or a few years before. As my station visits were primarily made in the 1980s and 1990s, almost all of the stations are long-gone from the shortwave bands. However, many are still around on medium wave and FM and often also via streaming on the Internet. As much as I miss the magic of shortwave I know that these stations reach more listeners today via streaming than they ever did with their low-powered shortwave transmitters. Honestly, I sometimes enjoy tuning them in without the fading and static of shortwave. But the memories of what shortwave once was are still there.

Photos also bring back memories. I took dozens of pictures on my station visits and enjoy scrolling through them now and then. You may have seen some of them. Many of my photos were printed with articles I wrote for various DX publications and I’ve done a few slide-shows at DX get-togethers over the years.

In this series of columns I want to share my old photos once again. If you’ve been DXing as long as I have maybe they’ll bring back memories of what you once heard. And if you haven’t been around that long you will have a better understanding of the good old days we oldtimers talk about.

Ecos Del Torbes

There is no better place to start this journey than with Ecos del Torbes. Using ten kilowatts on 4980 kHz, this Venezuelan broadcaster was possibly the most consistent station in the sixty-meter band throughout the 1970s, 80s, and 90s. If you were DXing the tropical bands during those years you surely logged them a few times. If you were lucky you may even have heard their one kilowatt signal on 9640 kHz. They were a very good verifier and for many DXers Ecos del Torbes was among the first Latin American stations QSLed.

Just after Christmas in 1994, my then-wife, four-year-old daughter, and I flew to Mérida in western Venezuela for a family vacation. For ten days we had a great time in this Andean city and then Theresa and Rebecca returned to Iowa while I stayed another week to visit radio stations. I was also getting paid by the Voice of America to research and write a study on the media scene in Andean Venezuela. The now very-out-of-date report can be read at my Patepluma Radio website (which hasn’t been changed in over twenty years and is in need of a facelift).

In that week I visited fifteen radio stations in six towns and cities and Ecos del Torbes was the highlight. I arrived at their doorstep unannounced but was immediately treated as an important guest. I was given a great tour and even got to sit in on a live newscast to see the famous Venezuelan doorbell being used live. I was there about ninety minutes and then walked a block up the street to sister station Radio Táchira. Their facilities were smaller but that’s where the technical offices were and Chief Engineer Ivan Escobar had been told to expect me. Ivan gave me a tour and invited me to visit the Ecos del Torbes transmitter site with him in the afternoon. On the way we stopped by his house where his wife had lunch waiting for us. Visiting Ecos del Torbes was not just the highlight of this trip but ranks as one of my all-time favorite station visits. These pictures bring back many good memories.

Photos

Ecos del Torbes was located in the second floor of this building in downtown San Cristóbal. The entrance was the door on the side.

The small plaque next to the door was easy to miss. I walked right by the first time.

Edgar Fabala of the news department showed me around. Here he demonstrates the mini-xylophones that Venezuelan stations used to make the distinctive ‘doorbell’ sound that separated items in the news reports.

Announcer in the studio preparing to read the news.

The adjoining control room.

Ecos del Torbes had one of the largest record libraries in Venezuela. The LPs were color-coded by type.

Julio Achila was a control room operator who had worked at the station since it opened in 1947.

This pennant was considerably larger than the ones sent to DXers.

Sister station Radio Táchira was located a block up the street on the fourth floor of this building.

The Ecos del Torbes transmitter building.

The 50 kilowatt medium wave transmitter on 780 kHz.

Chief Engineer Ivan Escobar and Don Moore next to the 31 meter transmitter. The larger transmitter was for the well-heard 4980 kHz frequency.

The antenna array used for 4980 kHz. The medium wave tower is in the background.

Dipole antenna used for 9640 kHz.

San Cristóbal once had a third broadcaster on shortwave. Radio San Sebastian used 6070 kHz in the early 1970s. (They were not affiliated with Ecos del Torbes).

That was nearly three decades ago and a lot has changed. Ecos del Torbes and Radio Táchira have been gone from shortwave for over twenty years.

In 1995 Ecos del Torbes was at the corner of Calle 9 and Carrera 8, the same address as when I first QSLed them in 1972. Sometime since my visit they moved an outer neighborhood about two kilometers to the east. To find the new offices locate San Cristóbal on Google maps and then search for “Grupo Radial Gonzalez Lovera”. The transmitter site is still where I visited it and can be seen by plugging the coordinates “7.7885, -72.2725” into Google maps and switching to satellite view. (Ignore the picture that pops up to the side. That’s not it.) Zooming in, the medium wave tower is clearly visible but there are no signs of the old shortwave antennas. I suspect they were sold for scrap years ago. I never have found out where the Radio Táchira transmitter site was.

I’d love to go back to Venezuela someday and see some of the other cities that I used to listen to, such as Barquisimeto, Valencia, El Tigre, and Sucre. Unfortunately the political and economic situation there doesn’t look good and it doesn’t look as if it will improve any time soon. But when it does, I’ll be back.

Click here to check out all of Don Moore’s Photo Album columns. Each new article will appear on the SWLing Post home page/feed and in this link.

“The Texas Tank: A Prison Radio Station Changing Lives”

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SWLing Post friend and contributor, David Goren, notes that a piece he’s produced and Maria Margaronis has presented is now available to listen to online via BBC Radio 4:

(Source: BBC Radio 4 with Photo credit from Michael Starghill))

The Allan B. Polunsky Unit in Livingston, Texas, used to be known as the Terror Dome for its high rates of inmate violence, murder and suicide. Polunsky houses all the men condemned to death in Texas (currently 185) and nearly 3,000 maximum security prisoners. But since the pandemic, a prison radio station almost entirely run by the men themselves has helped to create community–even for those on death row, who spend 23 hours a day locked alone in their cells.

The Tank beams all kinds of programmes across the prison complex: conversations both gruff and tender; music from R&B to metal; the soundtracks of old movies; inspirational messages from all faiths and none. The station’s steady signal has saved some men from suicide and many from loneliness; it lets family members and inmates dedicate songs to each other and make special shows for those on their way to execution. Maria Margaronis tunes in to The Tank and meets some of the men who say it’s changed their lives—even when those lives have just weeks left to run.

Produced by David Goren.

Click here to listen to The Texas Tank: A Prison Radio Station Changing Lives on Radio 4.

Small Unidirectional Loop Antenna (SULA) Part 3: Questions & Answers

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Many thanks to SWLing Post contributor extraordinaire, 13dka, who brings us Part Two of a three part series about the new SULA homebrew antenna project. This first article describes this affordable antenna and demonstrates its unique reception properties. The second article focuses on construction notes. This third and final article will essentially be a Q&A about the SULA antenna.

This wideband unidirectional antenna is an outstanding and innovative development for the portable DXer. I love the fact that it came to fruition via a collaboration between Grayhat and 13dka: two amazing gents and radio ambassadors on our SWLing.net discussion board and here on the SWLing Post. So many thanks to both of them!

Please enjoy and share Part 3:

Part 3: SULA Q&A

by 13dka

Q: Where can I ask questions, discuss all aspects of the the SULA or collaborate in its further development?

A: There is a thread dedicated to the SULA in the new SWLing.com message board: https://swling.net/viewtopic.php?t=55

Q: Since the antenna is “lossy”, what’s the point of having a “beam”?

A: The answer is once again “SNR”: First off, remember that the LNA is there to make up for most of the losses. Secondly, this is all about the noise pickup, 20dB less gain/more losses outside the main lobe means also a reduction of atmospheric/cosmic/whatnot QRN and of course everything manmade from all these sides. The wide horizontal lobe is more or less one hemisphere horizontally, but the flat-ish vertical pattern makes that only a slice of it. In other words, there will be less QRN and QRM pickup from the back and the top. The idea is that the SNR will ideally increase more than the preamp’s noise figure will cost and it often sounds like this is what actually happens. Of course it’s also nice that you can turn an unwanted signal down using the more or less pronounced notch in the backside pattern up to 21 MHz – also very helpful for direction finding.

Q: Do I need a rotor?

A: It depends. If you are one of the lucky few still having a low-QRM-environment at home and you want to put it in the backyard, you really may want to be able to turn it remotely. If you’re using it portable you can simply rotate the mast manually. If you have local QRM or can’t mount it very far away from your or other houses, you may want to rotate the back of the antenna towards that source, leave it at that position forever and enjoy what’s coming in on the pretty wide main lobe of the antenna. The horizontal lobe covers more or less half of the horizon, depending on your stations of interest and location you could get away with never turning the antenna at all.

Q: Is it better than the XYZ loop?

A: Hey, that’s exactly what I wanted to ask you! Even though the SULA is very similar in appearance and performance to a good SML working in ideal (ground conductivity) conditions, the SULA is a pretty different animal with a different behavior: Regular small loops, besides being bidirectional, can lose quite a bit of their low angle sensitivity over “poor” ground while the SULA is supposed to be retaining its properties better over any type of ground. Also, while many SMLs are tuned for VLF through the lower portion of the shortwave, the SULA complements those with quite uniform (good) properties up to 30 MHz and beyond.

Q: I have an end-fed random wire or dipole strung up from the house to a tree etc. – can the SULA beat that?

A: That’s quite possible. To get low takeoff angles from horizontal wire antennas you need to string them up at least 1/2 wavelength high, that’s 20m/66ft on 40/41m, 10m/33ft on 20m and so on. If you can’t do that, the SULA may be your ticket to listen farther beyond the horizon. Also, wire antennas are often strung up to match space restrictions or avoid QRM vectors and that way you may end up with some directionality in directions you don’t want, or no directionality at all when the wire is too low. Another noteworthy point is the ground: For most horizontal antennas, better ground means a considerable higher takeoff angle so the dipole needs even more height for low angles. The SULA’s takeoff angle benefits a little from the better ground and only gets a little worse over poor ground.

Q: Do I really need an LNA?

A: I hope so? Of course it depends… if you are going to try this antenna in a very noisy environment, the LNA may have little to no benefit. The noise is limiting your “radio horizon” to very loud signals anyway and for those you may not need an LNA, ever. On the other hand, the antenna is very lossy and in a quiet environment where noise is not an issue at all, weak signals may drop below the sensitivity threshold of your receiver without the LNA. The less noise you have, the more you’ll be able to benefit from an LNA. You will also need one when your radio isn’t all that sensitive, similar to the requirements to run a YouLoop. Andrew kept the loop impedance as constant as possible in order to allow any low impedance coax preamp to work behind the Balun. Any LNA with 20dB of gain should do, as per usual, better stuff may bring better results.

Among the sparse offers for decent shortwave LNAs, the NooElec LANA HF seems to be the only decent LNA sold via Amazon. It’s comparatively low-cost and unlike the other offers on Amazon, ready to be powered via Bias-T or even via Micro-USB and therefore happy with 5V. Since I also had the balun from the same company I could simply connect that all with a couple of these cute little SMA plumbing bits and it worked. The downside is its unknown but perceivably low resilience against intermodulation (low 3rd-order intercept point), this is usually not a problem with such a small loop but it can be in the presence of nearby transmitters.

If you do have nearby transmitters and don’t mind sourcing an LNA from Europe, Andrew recently pointed me to preamps from here. They offer a moderately priced preamp with a 2N5109 transistor (based on the W7IUV design) for a high IP3 value and low noise, which is also available in PCB-only and fully assembled versions including a compartment. They also offer Bias-T boxes.

Q: What is special/different about this antenna? There are already very similar designs!

A: It’s supposed to be simpler and more compact/portable, and it seems to deliver more consistent results over the entire coverage range in different usage environments than similar designs. The SULA was designed to be made with things that are particularly easy to obtain, or which were already obtained — many of us SWLs have some of that Nooelec stuff in our drawer anyway, even when (or because) we’re not habitual antenna builders and balun winders. Now making a better balun and buying a better preamp is not hard and could even bring better results but the point is that you don’t have to. In summary, this is not meant to be a miracle antenna, just number of compromises re-arranged to create a particularly uncomplicated, small, unidirectional loop antenna that aims for DX, for apartment dwellers and DX nomads like me.

Radio Waves: The Gamut All Digital at 4 Years, Glory Days of Pirate Radio, AIR to Kashmir, and Podcast Collaborations

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Radio Waves: Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to Eric Jon Magnuson for summarizing these news items for Radio Waves!

Hubbard Is Four Years In With All-Digital AM. Here’s How It’s Doing. (Inside Radio)

It has been just over four years since Hubbard Radio’s adult alternative “The Gamut” WWFD, Frederick, MD (820) powered down its analog signal and began operating as a digital-only AM station under experimental authority granted by the FCC. Since then, new FCC rules permitting all-digital AMs industrywide have broadcasters taking a closer look at WWFD as they consider options for struggling AMs.

WWFD posted a 1.5 share (12+) in Nielsen’s Frederick, MD spring survey with a weekly cume of 3,300. Before it went all digital, Dave Kolesar, Senior Broadcast Engineer at Hubbard and the station’s PD, says it was a ratings no-show, “a wasted signal.”

The idea for making the all-digital leap came around Christmas 2016 when Kolesar concluded that a music format on AM – even one as differentiated as The Gamut’s expansive playlist – was “pretty much a nonstarter that exists for the purpose of having an FM translator. In all-digital mode, the AM signal has the capability of becoming relevant again” with digital sound quality, and artist and album title and album artwork displays.

According to Xperi, about 35% of cars on the road in the DC market are equipped with HD Radio receivers. Yet only a small fraction of listening to radio in the market is to AM radio. The station focuses on the one-third of the market that could enjoy a music format that looks and feels like any other service in the dashboard. The strategy involves using the FM translator as promotional vehicle for the digital AM frequency: “when you’re outside the coverage area of our 94.3 FM signal, tune into 820 and hear us while you’re driving around,” Kolesar explains. [Continue reading…]

OPINION: Remembering the glory days of pirate radio 55 years on (Eastern Daily Press)

Radio DJ Tom Edwards looks back at his youth spent broadcasting off the East Anglia coast

Although I’ve lived in Lincolnshire for nearly 30 years having been born and educated in Norwich, I will of course always be a Norfolk man. At 77 years of age now I’ve been a broadcaster for 57 of those years.

During Easter of 1964 a somewhat mysterious radio station came on the airwaves playing non-stop music and the presenters seemed to be just ad libbing at the microphone in contrast to the rather staid BBC light programme which hardly played any popular music. The station turned out to be the now famous Radio Caroline, which was transmitting from a ship off the East Anglia coast.

I was a Bluecoat at Pontins holiday camp at Pakefield and the site had a Radio Pontins Tannoy system so I asked the boss for some money to buy some 45 hit singles which he agreed to and so started doing record requests for the happy campers.

Other stations, whether they were ships or wartime fortresses, suddenly began to appear right around the coast of the UK. Apart from Caroline there were other stations including Radio London, Radio England, Radio270 and Radio 390.

The more I heard of these stations, which were becoming so popular with an estimated audience of 22 million, the more I wanted to be out there at sea with them. I wrote and sent tapes of my Pontins shows to all of them. While on a few days off in Norwich, a man called Reg Calvert called me and said he liked what he heard and offered me a weekend try out on Radio City. [Continue reading…]

AIR’s Station At 9,000 Feet Along LoC In Kashmir Broadcasts Programs For People Living Across Border (India Times)

Surrounded by the barbed wires, dense deodar trees and Pir Panchal mountains in the backdrop, this is the All India Radio (AIR) Srinagar’s Radio Station which has been set up close to the Line of Control (LoC) in Rustum area of J&K’s Uri sector.

Set up in November 2020, the station has been built 9,000 feet above the sea level.

The radio station has been set up with an aim to provide access to the Kashmiri people living on the other side of the border to listen to their favourite programs.

“The local news, music programs and especially Pahari and Gojari programs are aired from this station for the Kashmiri population living on the other side of the LoC,” said Qazi Masood who heads the station in Uri. [Continue reading…]

Podcast Collaborations: The positives, the pitfalls, and the public interest (Public Media Alliance)

Three top public media podcast executives discuss with PMA the benefits and complications that come with collaborations, and how ultimately, they can help public media organisations fulfil their public service obligations.

As the podcast market globally becomes ever more saturated and competitive, PMA invited three top podcast executives from three leading public media organisations to discuss how collaborations might provide the pathway for public media organisations to remain the premier podcast producers. It came after a talk about podcast collaborations at Radiodays Europe in Malmö, Sweden in May 2022.

They spoke to PMA’s Editorial Manager, Harry Lock.

Harry Lock: Could you give me some examples of podcasts which you’ve worked on where you collaborated with another organisation? How does it actually work logistics-wise?

Arif Noorani, Director of CBC Podcasts: Hunting Warhead is a collaboration we did with VG, Scandinavia’s biggest newspaper, on a story they’d spent more than two years on (it was nominated for a Prix Italia.) Production wise – CBC led the podcast and embedded a VG team member in the production team providing contacts, research and notes on scripts.

We have three international co-productions with the BBC World Service – launching in the next year. It’s an equal joint effort – Jon Manel, commissioner for the BBC World Service and I co-lead all aspects of the project. We think the combined heft of CBC Podcasts and the BBC World Service was attractive. We meet weekly and more (along with Whatsapping each other if it’s urgent) to discuss production, content, rollout and all the business side of things. We have one point person between the production teams and the BBC/CBC to keep it streamlined. To make this work, you have to have lots of trust between all sides, and a shared vision of the type of content you want to make (in this case journalistically-driven serialised narrative storytelling rich in characters and heartbeat). Jon and I have informally collaborated for a few years so that really helped. We’ll also combine our audience building, digital and marketing efforts in the launch and rollout.

Andrew Davies, Digital and Engagement Editor, ABC Australia: Co-productions and collaborations with external organisations/partners is still a relatively new area for the ABC in podcasting. There have been a number of collaborations between Radio National (ABC’s specialist talks network) and the BBC but those have mostly been radio focused. The ABC’s Audio Studios team did a co-production with WNYC Studios a few years ago with Short & Curly, our very popular ethics podcast for children.

More recently we’ve worked with Arif and the CBC Podcasts team around the release of series two of our popular Stuff The British Stole podcast. That involved the CBC team helping with audience building (through cross-promotion, publicity, marketing and digital/social content) in the North American market. That was a really successful collaboration and we were excited to work with the CBC as we knew they recognised not just what a great show it is but also wanted to help it reach a bigger audience. There were a large number of people involved from both broader teams but I want to echo Arif’s point about having clear point people on both sides to keep things streamlined.

Tim Watkin, Executive Producer of Podcasts & Series, RNZ: RNZ Podcasts has produced 46 podcasts in partnership with 38 different organisations. That includes other broadcasters and media, production houses and funders. Collaboration can take many forms.

The most common form of collaboration for RNZ is where we make a podcast alongside an independent production company. For example, Eating Fried Chicken in the Shower is a series that was pitched to us by an independent producer, Charlie Bleakley, and host James Nokise. RNZ paid for the series but was very hands-on, more than a mere commission. We provided a supervising producer, sound recordist on location, draft audio edits, studios for the final mix and promotion. [Continue reading…]