Category Archives: Reviews

Andy’s experience with Studio 1 Software Defined Radio

Andy Wilkinson (EI2HWB) left some comments on the new Studio 1 software, which he purchased and has been using with his Perseus:

Being a Perseus owner I purchased the Studio1 software in the hope that there was an intuitive interface and the shortcomings of Perseus had been resolved. However I was very disappointed as the user interface is extremely poor (much worse than Perseus) and would really benefit from a designer with UI experience. […] Although I am not using the software at the moment (back on the Perseus software!) I am hoping that the software may improve with future versions. That said I will not be buying any further updates after the year is up as I feel cheated and let down. It seems to me that the software was rushed out of the door and to be very honest although the technical design on the backend may be reasonable, I have seen better freeware packages in terms of usability!

Andy then commented that he was banned from the Studio 1 email group for his criticisms.

Anyone else out there used Studio 1 with their Perseus? Your reviews are welcome!

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The Degen DE1129 unboxed: initial impressions

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Degen DE1129 and box (Click to enlarge)

Yesterday, I received a sample Degen DE1129 from TecsunRadio.com, which is, to my knowledge, the only current distributor of this newest Degen. I paid extra for DHL shipping to get it quickly to my door, as I’ve been very curious how this new radio stacks up against similarly-priced portables on the market–especially in light of the number of emails I’ve gotten from readers asking about this particular radio.

The DE1129 promises a lot: AM/FM/Shortwave coverage and a fully functioning MP3 player/recorder.

I have only played with the DE1129 for a few hours, thus have only developed some initial impressions of the unit. (A full-fledged comparison review will be coming in the very near future–simply follow the tag DE1129).

My very first impression–? The DE1129 is just a wee little radio–much smaller than I had imagined. Indeed, though its box (pictured above) isn’t very large, it’s a cavernous container for such a minute radio. Size-wise, it’s certainly within the realm of the ultra-portable. Note its size in comparison with my Grundig G3 and Tecsun PL-380 in the photo below:

For those of you not familiar with the size of these two radios, we’re talking quite small–the Degen is just a little bigger than a pack of cards, easy to hold in one hand.

There is no mistaking the fact that this radio is DSP-based. When you turn this Degen on, it seems to boot up, like a computer–a process which takes about four seconds. It starts where you left off, i.e., at your last frequency, or in the MP3 player, if you were listening to an audio file, just before turning it off.

The Degen DE1129’s display is small, but contains a lot of information (Click to enlarge)

The display on the Degen is back-lit, although the buttons are not. The display, moreover, has an incredible amount of information for such a tiny screen. Fortunately, it is crisp enough to read easily.

You’ll note that all of the buttons are labeled in Chinese Mandarin–since I don’t know or read Mandarin, I found that this English translation of the front panel came in very handy.

I can’t comment on the performance thus far, as I can tell that the learning curve is going to be slightly steeper than usual. I have yet to determine how to change the steps, bandwidth, AGC control (if there is one), and recording volume level.

Changing between receiver modes is simple enough; volume and tuning, of course, are intuitive.

I have very little to base a review on yet, but I can say this: I love this Degen’s compact size, crisp display, and am impressed that its tiny built-in speaker actually has some bass response. This is the first shortwave radio I’ve reviewed that (like the Grundig G2 and Degen DE1128) has a slim rechargeable battery pack instead of accepting the typical AA batteries most portables use. No doubt, this is how they keep the size of the unit so small and its profile so slim. Is this a pro or con? Battery longevity will tell.

The back of the DE1129 (Click to enlarge)

Any negatives? Just superficial ones at this point. Most notably, I’m disappointed in the unfortunate combination of no back stand (see photo) and a fixed, non-rotatable, telescopic whip antenna. This means that when listening to shortwave with the whip fully extended, you pretty much have to hold the DE1129 in your hand. Even if you have a universal portable radio stand (like this one), you won’t be able to make the antenna vertical in relation to the ground–rather, it will be fixed with only the ability to move from left to right. This is, alas, poor product design, as a radio so slim has very little stability when standing with the antenna fully extended; even a slight breeze can potentially tip it over.

Also, the Degen DE1129, like the Tecsun PL-380 (and many other DSP-based radios), “chuffs” while tuning–meaning, it mutes between frequency changes. This is a pet peeve of mine, as I prefer a more uninterrupted analog-like fluidity while band scanning. I’ll experiment to learn whether there is a way to minimize this.

Again, look for a more complete review in the near future as I test this little radio against the (similarly priced) Grundig G3 and the (more affordable) Tecsun PL-380. Simply follow the tag DE1129 or subscribe to our email updates by clicking on the link in the right panel of our site.

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Using and setting up the Alinco DX-R8T/E receiver as an SDR (software defined radio)

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The Alinco DX-R8T (DX-R8E in Europe) can be used as a traditional tabletop or as a software defined receiver

Some time ago, I posted a review of the Alinco DX-R8T–a surprisingly capable, flexible and affordable dedicated tabletop receiver. In that review, I explored its capabilities as a tabletop unit, and was favorably impressed.

But I knew then that one of the virtues of the DX-R8T is that it’s more than a typical tabletop: the control head (or, front panel) can literally be detached, and with an extension cable, can be moved as far away as 16 feet from the rest of the receiver. Also, with the optional ERW-7 cable and a shielded audio patch cord, you can connect the Alinco to your PC, converting it to a software-defined radio (SDR). Just to be fair, I wanted to further check out this alternative operation mode, and review it independently.

I’ve recently had an opportunity to explore the Alinco DX-R8T/E as an SDR, and here’s what I’ve discovered.

As it took some time to figure out how to get KGSDR, the Alinco control software, communicating with my DX-R8T, it’s fair to state that the Alinco’s SDR functionality is not exactly “plug-and-play.” Nor does Windows seem to find the USB driver automatically. You must download a USB driver for your computer, as well as download KGSDR from external sites. It’s also important to note that the Alinco website is not easy to navigate–at least, the relevant links are somewhat buried in large portions of site content.

When I first attempted to set up my receiver as an SDR, I had to use a combination of the printed owner’s manual, the Alinco website, external sites, and simple determination.

Before reviewing the actual performance of the Alinco DX-R8T/E as an SDR, I’ll simplify setting it up as an SDR with a step-by-step process, below. (I wish this was clearly outlined in the owner’s manual, however.)

How to convert your Alinco DX-R8T/E into a Software Defined Receiver

The ERW-7 is the cable that connects your Alinco DX-R8(T) to your computer.

1.) Connect the ERW-7 cable and download the driver

The ERW-7 is the USB cable that connects your Alinco DX-R8T with your computer. Specifically, it allows your computer to tune and control the DX-R8T; it does not carry audio. If you wish to have full control of your receiver via your PC, you will need to purchase the ERW-7.

You simply plug one end of the cable (the one that looks like an 1/8″ audio connector) in the “clone” port on the back of your Alinco, the other end into an available USB port on your computer.

The download page–at FTDI Chip, the manufacturer of the Alinco cable–has versions of the USB driver for most OS platforms. If you have Windows, you can save a little time by downloading the USB setup tool that will attempt to automatically load the USB driver. Otherwise, you can download and manually install the drivers for the Windows 32 bit version or Windows 64 bit version.

You will need a shielded audio patch cord with 1/8″ stereo plugs on both ends

2.) Connect an audio patch cord

The Alinco DX-R8T/E sends the received IQ signal to your PC via a shielded audio patch cord. This is a standard audio cable that you can purchase at most electronics retailers. It needs to have 1/8″ stereo connectors on both ends, and it must be shielded.

One end of the patch cord is plugged into the IQ port on the back of the receiver, the other is plugged into the microphone input on your computer.

3.) Tell your DX-R8T/E to send the IQ audio to your computer

Your computer will need to “hear” the IQ (spectrum) audio produced by the Alinco DX-R8T/E. The receiver will only send the IQ audio to your computer if you tell it to do so. Fortunately, this is easily done: simply press the MODE button on the front panel of your receiver until FM appears. Then, simply press the FUNCTION button, then the MODE button. Your Alinco should now display “IQ” on the main display. You can feel confident the audio is now being sent to your PC.

4.) Install KGSDR

The KGSDR controls are very similar to those of the Ten-Tec RX-320D

KGSDR is a software-defined radio application built specifically for the Alinco DX-R8T/E receivers. A third-party software developer maintains the download page for the KGSDR. Click here to download the setup software for Windows. (If this link doesn’t work, you can also download a zipped copy by clicking here.) To my knowledge, there are no updates to the software–as of time of this post, the current version is 1.0.0.

Installation is simple and only requires that you extract the contents of the zipped folder, then run the KGSDR executable file.

If all has been installed correctly, and the IQ signal is being sent to KGSDR, then you should be able to hear the received audio via your computer.

I have actually installed KGSDR on three different computers. On my laptop, I had to troubleshoot and tweak the settings to get KGSDR to work. On the other two computers, it worked the first time. All of them were running a 64 bit version of Windows 7.

Troubleshooting tips

If you change the tuned frequency on KGSDR from, say 5,000 kHz to 10,000 kHz, but your Alinco receiver does not change frequencies (it still displays the centered frequency on the front panel), then the USB driver has not been installed or configured properly.

If the receiver tunes, but the audio is garbled or non-existent, you will need to check the audio cord connections. First of all, make sure it’s plugged into the microphone input on your computer (not the speaker/headphone port!) and the IQ port on the back of the Alinco. You cannot plug the patch cord into any other port port on the DX-R8T/E. The plug will fit in the headphone jack, for example, but the IQ port is the only one that sends interpretable analog information to your PC.

Review: the Alinco DX-R8T/E as an SDR

KGSDR comes with a spectrum and waterfall display (Click to enlarge)

I have read reports of people achieving remarkable results with their Alinco functioning as an SDR…I wish I could report the same.

While the Alinco DX-R8T/E is a very capable tabletop receiver, I find that the SDR functionality adds very little, performance-wise. In fact, in many respects this function seems to compromise the performance of the DX-R8T/E. Still, there are some positives:

Pros

Affordable – the EWR-7 USB cable is about $45 US, and you can easily buy a shielded audio patch cable for under $10. For about $55 US, you can unlock the SDR functionality of your receiver.
With KGSDR, you can see a bit of the surrounding spectrum on a waterfall display
KGSDR is a very lightweight program, not likely to tax even older PCs.
KGSDR allows for variable filter control–a true compensating factor since the DX-R8T/E only has a wide/narrow filter on AM (see review)
You get the basic benefits of typical SDR receivers:
- Spectrum/Waterfall display
- Recording at the push of a button (.wav only)
- Practically unlimited memory slots
- With practice, you can import frequency databases
- A basic DSP filter
Simple “lightweight” application that should work on any Windows-based PC (see con)
With a DRM decoder, you will be able to receive and decode DRM transmissions (see con)

Cons

Performance is underwhelming–not as good as the DX-R8T as a stand-alone tabletop receiver
- Images of strong stations several kilohertz above the source
- DX-R8T/E sensitivity is somewhat compromised in SDR mode
- Selectivity is mediocre
Audio patch cord transfers computer/shack RF noise more easily than SDRs which use a digital IQ output via USB
Audio fidelity, in general, is not as good as the stand-alone receiver will provide
KGSDR has only the most basic of SDR features
KGSDR does not allow the spectrum display to be expanded vertically
Requires tweaking and repeated efforts in order to function properly
Owner’s manual and website are confusing and lack vital information about the installation and trouble-shooting process (hopefully our guide above can help the average user)
DRM mode is not native; you will have to use a program like DREAM (see pro)

Summary

So, is it worth it? Well, yes––and no.

Yes

If you have $55-60 US dollars to spare, it’s a real bargain. I believe the extra SDR features and functionality are worth the price. I have not yet tested this in a DXpedition setting, where there are a limited number of RF noise-producing devices around. If you have an RF-“quiet” location in which to use the Alinco as an SDR, you may find you have better results than I describe above. I imagine you will still suffer from some imaging of stronger signals, however.

Plus, KGSDR is so lightweight, I believe you could use it on a netbook. Moreover, I have heard of owners who’ve actually used other open source SDR applications to drive the Alinco DX-R8T/E. Additionally, though I have not yet tested it, N4PY makes a software controller that would be far superior to the KGSDR–I base this on the fact that N4PY’s RX-320D software was such an improvement over the standard OEM package.

If you wish to enhance the performance (not features) of your Alinco DX-R8T/E, I do not think it’s worth it to put your Alinco into service as an SDR. Again, I find that it somewhat compromises the performance of what is otherwise an excellent tabletop radio.

If, like me, you have other SDRs in the shack, you’ll find that you’ll seldom use the Alinco as an SDR. Your other digital IQ-based receivers or IF receivers will most likely run circles around it.

Thanks, Alinco

I think it’s pretty cool that for under $500, you can purchase an excellent tabletop receiver like the Alinco DX-R8T/E. Its price tag is significantly lower than its top two competitors (the Icom R75 and Palstar R30A). Still, even with this price edge, Alinco added bonuses like a detachable face plate and SDR functionality, making this a “Swiss Army Knife” of a receiver. So, again,I’ll say…thanks, Alinco!

What do you think?

If you are using the Alinco DX-R8T or E as an SDR and feel you are achieving better performance than I’ve described, or would like to share any other thoughts/suggestions, please comment below. Note that my Alinco is a very early-release–perhaps from the first production run. It is possible that some of the issues I mention above have been resolved in later production, or that I simply have not finished properly tweaking settings. I await your responses!

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Review of the 2012 Pirate Radio Annual

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Pirate radio is perhaps one of the most dynamic aspects of the diverse landscape of SWLing. In direct contrast with major broadcasters, many of whom are now thinning out their offerings, pirate radio just seems to adapt and grow.

I started listening to shortwave pirates in earnest only a few years ago. I had listened to pirates in the past, but had never followed the pirate scene, nor understood how to reliably find pirates on the shortwave radio dial. I now know, by the number of emails I receive from SWLing Post readers, that there are many others who feel as I did then.

Pirate radio broadcasters do not follow a regular broadcasting schedule, often operate at very low power, and are not necessarily always on the same frequency or even mode. It’s no wonder they’re hard to find.

I wish, in those early days of exploring the pirate bands, I had known about the Pirate Radio Annual, produced by pirate radio guru Andrew Yoder.

Not only is this book, which explores the pirate radio scene in North America, well written and insightful, it is chock-full of information. It’s a bit like the programming section of the former Passport to Worldband Radio, only focused on pirates. The book also comes with an accompanying audio CD. Yoder, by the way, has been covering the pirate scene for decades; he’s also the former publisher of hobbyist magazine Hobby Broadcasting.

The 2012 Pirate Radio Annual is divided into several sections:

An intro to the guide which–among many other things–explains important terminology, such as the difference between a pirate and a jammer
How to QSL pirates
Pirate station classification
A feature article comparing three different AM shortwave pirate transmitters
Other articles with interviews and events/media that have had an impact on the pirate scene (including the controversial “Pirate War” of 2012)
Profiles of pirate radio stations heard in 2011, with an additional section on international pirates heard in North America
An index for the included audio CD

I especially like the extensive station profiles of pirates who were active in 2011. Not only can I get more info about the more elusive stations that don’t offer many clues to their raison d’etre–such as Radio Strange Outpost–but it also makes for a handy resource to glean QSL contact info. In fact, I learned a lot about the personalities, broadcast histories and habits of many pirates we’ve featured here (like Undercover Radio, Captain Morgan Shortwave, Wolverine Radio, and North Woods Radio, to name a few). Yoder is able to provide details about these station that your average listener just wouldn’t know, including the types of transmitters used, output power, and historical perspectives.

The accompanying audio CD features clips from 78 stations, and includes audio from the transmitter comparison in the book.

For about $20.00 US (with shipping), the 2012 Pirate Radio Annual is unquestionably a great buy for those interested in pirate radio.

You can purchase the 2012 Pirate Radio Annual from:

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Frank’s assessment of the Elad FDM-S1

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The ELAD FDM-S1 Software Defined Receiver

SWLing reader Frank Holden (VK3JFH/VP8DNM) contacted me by email to share his experience with the ELAD FDM-S1–of particular interest because we have yet to see many reviews of this particular software defined receiver. Although the FDM-S1 was announced with some modest fanfare, its actual release and availability skipped over many of us. Not over Frank, however: he purchased an FDM-S1 and had it shipped to his home in Australia, where he apparently put it through its paces.

Frank’s overview of the ELAD FDM-S1 is quite good, and he has kindly given us permission to post his observations here:

I have had an ELAD FDM-S1 now for over a month, having purchased it directly from the manufacturers, and while I don’t feel qualified to write a review you may be interested in my opinion of it.

In my shack at present I have an Icom R-1500, Icom 718, Tecsun 390, Tecsun 660, Grundig G6, Sangean ATS 909, Drake SW 8, Kenwood R5000, a Funcube Dongle and an Alinco DJ-X11. In the way of antennas I have a couple of dipoles, a G5RV , and a 10 metre vertical for TX together with an AOR DC to Daylight, a Diamond discone , a GWhip longwire and a simple 7 metre long untuned vertical on a squid pole for RX.

I was going to buy my ELAD pre-release from WoodBoxRadio but language difficulties and confusion over getting it VAT-free put paid to that. I take full responsibility for the confusion……

In the end I bought one direct from ELAD sdr for 362.81 Euros VAT-free, which price included 10 Euros postage to Australia. It arrived within a week… would that everything that I bought from overseas was as cost effective and fast.

Out of the box it was simple enough to set up with just a USB connection to the computer. I have it connected to a Dell Netbook and this had to be upgraded to XP Service Pack 3 together with some .Net software, the purpose of which remains something of a mystery. I imagine with a newer computer it would operate straight out of the box. It came with a DVD which had both the .net software on it plus an early version of the operating software. I immediately upgraded this software to v3.07 which is what I am currently using.

I believe that originally the frequency range stopped at 30 MHz… however, it can now receive up to 452 MHz if this is selected in the advanced menu. As I write this I am monitoring aviation traffic on 132.200. Likewise the original viewable spectrum was quite restricted, but in the latest version 1.2 MHz can be viewed in the waterfall.

Tuning is straightforward… either by direct keyboard entry or by clicking on the waterfall…. there are also three ‘sliders’ at the bottom of the screen which permit ‘mouse tuning’ by either metre band, MHz, or kHz. Mode selection and quite a bit of other stuff (did I mention that this is not a technical review?) are on a drop down menu at the right hand side of the screen. DRM is included amongst the modes and I listen to RNZI DRM most evenings.

I haven’t used any of the recording options on this radio yet. What I have been doing is either simple SWLing where the ability to monitor an entire Metre band is excellent, especially when combined with the info on the WRTV frequency guide DVD. I also use it at other times of the day in what I suppose you could call ‘Ham’ mode where it can be left watching the 20 metre, 40 metre or other ham band and I can see when a band has opened… far simpler than scanning around…

So all in all, I am very satisfied and would recommend this SDR to anyone.

My #2 radio these days is my Tecsun 390 with its ETM… another bit of brilliant kit.

Frank also sent some helpful photos of his screen, and added:

I am currently running v.3.07 beta… the last shot is the latest ‘polished’ version 3.01.

As you can see in that shot, you can now get three screens, including an AF and an IF screen. That version also comes with a separate program that lets you work with recorded files more easily.

He even included some photos of recording:

Thanks for your most interesting observations, Frank. If there are any others out there who have experience with the Elad FDM-S1, feel free to comment below or simply contact me.

For those of us here in the US, to my knowledge there still is no FCC approval of this device. I have contacted Elad with this question; they’re on annual holiday leave just now.

Follow our other Elad FDM-S1 posts with the tag: Elad FDM-S1

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Recording Radio Kuwait with the RadioJet’s IF recorder

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While playing with the Bonito 1102S RadioJet the other day, I received a strong signal from Radio Kuwait. I thought I’d record the music they were playing, as the fidely was impressive for a signal traveling nearly 7000 miles.

Instead of recording the actual audio of the broadcast with the RadioJet’s AF recorder, I decided to use the IF recorder, which saves and records 24 kHz of actual spectrum. This is an excellent way to record while leaving it unattended. Later, when you review the material, you can refine and shape your recording of an individual broadcast. Then, if an adjacent signal or some other condition requires you to adjust filters, you can do so just as you would when recording a live broadcast.

Though the file sizes are marginally larger than those the AF recorder produces, it’s not a hard drive-eater like broad spectrum recordings on an SDR.

One more (very cool) RadioJet feature: while making an IF recording, the RadioJet embeds UTC time code in the recording. This way, should you make a recording and forget to note the time you begin it, the time code shows up in the display. The Perseus also does this, and I think it’s a brilliant addition.

If you want to hear the 30+ minute recording I made of Radio Kuwait, simply listen to the file embedded below, or click here to download the mp3:

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Review: The Worldwide Listening Guide

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The Worldwide Listening Guide by John Figliozzi

On the SWLing Post, I write an annual review of the World Radio TV Handbook–a fantastic and comprehensive frequency guide, with a focus on broadcasters and frequencies, though it certainly lacks the programming detail–i.e. content–I so enjoyed in the late Passport To World Band Radio.

That’s where John Figliozzi’s The Worldwide Listening Guide (WWLG) comes in–in short, I think you need a copy in your shack, not to mention, next to your computer.

The Worldwide Listening Guide is like no other frequency/schedule guide you’ll find on the market. First of all, it’s instantly apparent that the author, John Figliozzi, is a DXer, since the book has a spiral bind–which permits it to lie flat when open, and allows the pages to be folded back to take up less table space. A small detail, but important for those of us who want an easily accessible reference in the shack. Figliozzi, moreover, is a noted SWLer, a long-time active member of the North American Shortwave Association, co-host of the annual NASWA Winter SWL Fest in Plymouth Meeting, PA–and did I say, a great guy?

But back to the book: perhaps what makes the WWLG so unique is its comprehensive look at “radio” listening in general, guiding the reader through the many forms radio content now takes: live, on-demand, WiFi radio, podcasts, satellite, internet, AM/FM and, of course, shortwave radio. He explains the pros and cons of each delivery method and a little about its utility. I thought that I wouldn’t gain a lot from these beginning sections as I’m quite familiar with all of them, but was pleasantly surprised to find all sorts of interesting facts hidden within; no doubt you will, too. Figliozzi also spends a good deal of time time covering the various devices–such as WiFi radios, satellite radios, apps, shortwave radios, portables–that have become indispensable tools of the trade.

Program details like no other

My favorite part of WWLG, and the sections I turn to the most, are those covering programming and content. Figliozzi exhaustively curates more than 4,000 programs sorted by time of day, station, days of broadcast, program types, their frequencies and web addresses. He also sorts the listings by genre: from the arts, culture and history, to music, sports and more. In fact, he has a well-thought-out list of 34 genres that have helped me locate programming I would have otherwise have never known about. For example, SWLs will find his “Media and Communications” genre listing programming from Allan Weiner Worldwide, Glenn Hauser’s World of Radio and DXers Unlimited to Click and Tech Nation. Each listing tells you exactly when you can catch the program, and where.

What’s also great is the fact that if I find a program I like, I can cross-reference its offering on shortwave–and, if I miss that, I can look up where to find it on demand, on the internet.

A program guide with longevity

I have the 5th edition of The Worldwide Listening Guide–the latest. While I like to have an annual guide, I actually believe this guide will be valid for several years. True, some programming comes and goes–as we’ve seen shortwave stations leaving this year–but, Figliozzi also actively maintains a companion website, The Worldwide Listening Guide Online, which he keeps up-to-date with the latest changes; there is even a blog with his comments and news items. He tells you when to cross out and change listings in your WWLG as programming evolves.

In short, I like the WWLG and have decided that it will become a permanent reference book in my shack, along side my trusty WRTH. There is a surprising amount of information packed into this slim, spiral-bound book. Enough to keep even the seasoned DXer happy for years.

The Worldwide Listening guide can be purchased here:

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