Category Archives: Travel

Pacific Island Results from Gary DeBock’s Hawaii Ultralight DXpedition

Clearing the southern coastline of Maui en route to the Big Island. (Photo by Gary DeBock)

Many thanks to SWLing Post contributor and intrepid Ultralight DXer, Gary DeBock, who shares this DXpedition summary with recordings:

Kona, Hawaii DXpedition– Pacific Island Results

by Gary DeBock

From December 17-20 a Mini-DXpedition was conducted in Kona, Hawaii with a 5 inch (13cm) “Frequent Flyer” FSL antenna and a 7.5 inch (19cm) loopstick C.Crane Skywave Ultralight radio.

The FSL antenna was a new type designed to easily pass through TSA security checkpoints at airports, and provide inductive coupling gain roughly similar to that of a 4 foot air core box loop. South Pacific island reception was generally good from 0630-0800 UTC daily, but usually became problematic after that when powerful Asian stations tended to drown out the exotic Pacific island stations as sunset progressed over Japan, Korea and China. By 0900 daily only the most powerful Pacific island stations on 621, 846, 1098 and 1440 had much of a chance of surviving the Asian signal onslaught, and even some of those were drowned out. During a similar visit to Kona, Hawaii with identical gear in April (DXing at the same motel) the Pacific island stations were generally stronger, and had no co-channel competition from the Asians from 0800-1030 UTC. As such the South Pacific results during this trip were slightly down from April, although there were still plenty of strong signals to record.

The new 846-Kiribati on Christmas Island was a star performer as the strongest island DU station, with local-like signals shortly after the Hawaiian sunset each evening. Despite this it had an intermittent transmitter cutout issue, with the signal failing to transmit at odd intervals (including one stretch with six signal dropouts within one minute, as documented in an MP3 linked below). In addition 846-Christmas Island’s programming had a variable time delay with that of distant 1440-Kiribati in Tarawa, with both a 19-second and 35 second time delay noted. This may be related to the transmitter cutout issue, with the time delay changing after a major dropout. DXers looking for a parallel with 1440 should keep this programming quirk in mind. Although both 846 and 1440-Kiribati signed off at the usual 0936 UTC time on the first couple days of the trip, they had both switched to a 1009 UTC sign off on the last couple of days. Whether this is a permanent programming change is unknown, but the loud 1000 Hz audio tone is still being broadcast before power is cut, resulting in a very easy way to distinguish the stations at sign off time (even in heavy domestic QRM).

846 and 1440 weren’t the only exotic DU’s with transmitter issues. 621-Tuvalu came down with distorted audio on December 18th, a problem which got worse and worse on the remaining two days. By the last day it was sounding very garbled, making a bizarre combination with 621-Voice of Korea’s buzzing Japanese service transmitter. Whether 621-Tuvalu has repaired its garbled audio is also unknown.

540-2AP was somewhat weaker than it was in April, while 558-Radio Fiji One was MIA during the entire trip (probably because of Asian QRM). Efforts were made to track down 630-Cook Islands but only a weak UnID was recorded. 801-Guam was possibly received during a Pyongyang BS/ Jammer fade, but 990-Fiji Gold was given a golden knockout by 990-Honolulu. 1017-Tonga showed up for a couple of good recordings, but got slammed by Asian co-channels after 0830. Efforts to track down 1035-Solomons ran into heavy 1040-Honolulu splatter, while 1098-Marshalls became the only Pacific island station to have stronger signals than in April. Its overwhelming signals after 0700 daily were one of the bright spots in Pacific island reception. Finally the new 1611-DWNX in Mindanao, Philippines was received at a strong level at 0855 on December 19th, apparently with a major boost from sunset skip propagation.

540 2AP Apia, Samoa, 5 kW Christian worship music at a good level through the T-storms at 0751 on 12-17, but not nearly as strong as in April:

Click here to download audio.

621 R. Tuvalu Funafuti, Tuvalu, 5 kW This station had very strong signals until around 0800 on most evenings, when it usually began to be pestered by Asian QRM (China, N. Korea and NHK1). It also came down with a garbled audio issue on December 18th, which continued to get progressively worse until I left Hawaii. Sign off time is still around 1006, but by that time it ran the gauntlet of powerful Asian co-channels during the December propagation.
Local employment offers read by the usual lady announcer at an S9 level at 0750 on 12-18. This was the last undistorted audio signal recorded from the station during this trip; after this the audio went “south”:

Click here to download audio.

Guest speaker in Japanese-accented English, followed by local island-type music at 0835 on 12-18– the first sign of audio distortion:

Click here to download audio.

Full Radio Tuvalu sign off routine at 1003 on 12-18, but with China QRM initially. Tuvalu’s signal prevails during the national anthem, but the audio distortion is quite noticeable. The carrier apparently stays on for over a minute after the audio stops:

Click here to download audio.

630 UnID While trying for the Cook islands (Rarotonga) I came across this weak Christmas music with English speech at 0742 on 12-17, although this could just as easily be a west coast domestic station playing the “exotic” to fool a hopeful DXer. Walt says this station is a notorious underperformer:

Click here to download audio.

801 UnID (Guam?) Apparent Christian female vocal music received during Pyongyang BS/ Jammer fade at 0931 on 12-18, but no definite ID clues:

Click here to download audio.

846 R. Kiribati Christmas Island, 10 kW This newly rejuvenated station had awesome signals, and was overall the strongest Pacific island station received. Of all the Pacific island DU’s it faded in at the earliest time after sunset, and maintained its strength even during strong Asian propagation — as long as it managed to transmit without its signal dropping out. Unfortunately this seemed to be a pretty common occurrence while I was in Kona. Island-type music at typical S9 strength at 0735 on 12-18:

Click here to download audio.

This segment at 0620 UTC on December 17th features 6 signal dropouts within one minute:

Click here to download audio.

This segment at 0944 UTC on December 18th is even worse– 9 dropouts in 90 seconds:

Click here to download audio.

After a prolonged 846 transmitter dropout it seemed like the programming time delay between the distant 1440-Kiribati on Tarawa Island and the new 846-Kiribati on Christmas Island would change. On December 17th I recorded two different time delays– 19 seconds, as in the following recording (the MP3 starts out on 846 at 0635, switches to 1440 at the 1:02 point, then switches back to 846 at the 1:34 point, with a 19-second time delay evident between the 1440 and 846 programming (846 lags behind):

Click here to download audio.

Later on the same evening there was a 36 second time delay between 1440 and 846, with this MP3 starting off on 1440 at 0645, and switching to 846 at the 11 second point:

Click here to download audio.

1017 A3Z Nuku’alofa, Tonga, 10 kW Female native language speech at a very good level at 0858 on 12-19:

Click here to download audio.

Somewhat weaker through the T-storms on 12-17 at 0734:

Click here to download audio.

1098 R. Marshalls (V7AB) Majuro, Marshall Islands, 25 kW This station was very strong in Kona with its island music every night, and rarely had any Asian co-channels.
S9 Island music and native language speech (and possible ID) across the 0700 TOH on 12-17:

Click here to download audio.

Equally strong island music and native speech at 0813 on 12-18:

Click here to download audio.

1440 R. Kiribati Bairiki, Tarawa, 10 KW Somewhat weaker than its rejuvenated 846-Christmas Island parallel (which has variable programming delay times, as explained above), this home transmitter could hold down the frequency until around 0800 every night, after which it was usually hammered by JOWF in Sapporo. Despite this it often put up a good fight until its new sign off time of 1009, and it continues to use the loud 1000 Hz tone right before the power is cut (an awesome aid for DXers hoping to ID the station through heavy QRM).

Typical island language speech and strength level at 0830 on 12-18, just as it is starting to get jumbled by JOWF (a Japanese female “Sapporo desu” ID is at 25 seconds):

Click here to download audio.

Full sign off routine at 1005 on 12-19, including the National Anthem and the 1000 Hz tone before the power is cut. The tone gets through the JOWF QRM like a DXer’s dream:

Click here to download audio.

1611 DWNX Naga City, Mindanao, Philippines, 10 kW (Thanks to Hiroyuki Okamura, Satoshi Miyauchi and Mauno Ritola for ID help) Received at 0855 on 12-19, this station was a mystery until the Japanese friends matched the advertising format with that of a new, unlisted station which just came on the air in the Philippines. The propagation apparently got a major boost during sunset at the transmitter:

Click here to download audio.

73 and Good DX,
Gary DeBock (DXing at the Royal Kona Motel with a 7.5″ loopstick C.Crane Skywave Ultralight+
5 inch (127mm) “Frequent Flyer” FSL antenna.

Demo video of the “Frequent Flyer” FSL antenna:

Click here to view demo on YouTube.

Thank you for sharing your Hawaiian DXpedition with us, Gary! Your mediumwave DX catches with modest equipment reminds us all that when HF propagation is poor, there is still so much signal hunting below 2 MHz!

Interested in Ultralight DX? Check out archived posts in our Ultralight DX category.

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The C. Crane CC Skywave SSB: first production run review

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[IMPORTANT UPDATE (October 21, 2018): Please note that C. Crane have addressed issues that I found in the first production run of the CC Skywave SSB. Click here to read the update and click here to read my full review of the CC Skywave SSB.]

Just last month, the little radio that I found most exciting this year hit the market: the C. Crane CC Skywave SSB.

Why the appeal for me? Frankly, since I do most of my portable radio listening while traveling, and since I typically travel out of one bag, having a compact radio with performance and features is an absolute must in my world. Up to this point, the original CC Skywave is the radio I often choose when traveling, as it packs so many useful features: AM, FM, Shortwave, AIR band, Weather Radio, and like any good travel radio, clock, alarm, and sleep functions, lacking only SSB mode. So it goes without saying that I was excited to see its newest edition.

The CC Skywave SSB

What follows is an account of my experience evaluating CC Skywave SSB production units, and a brief summary of their performance.

My hope is that this summary review will help readers with purchase decisions. Note that this is merely preliminary to an extensive, unabridged review that will appear in a future issue of The Spectrum Monitor magazine, then in the SWLing Post the following month.

Pre-production Skywave SSB

As many readers know, I was sent a pre-production model of the Skywave SSB for evaluation this summer.

As I mentioned in my sneak peek and reiterated to a number of inquisitive readers: I never base a product review or comment upon pre-production radios. I don’t comment about the performance of the pre-production model for an obvious reason: pre-production radios are quite simply not the versions that ship to customers upon the product release.

Now that the production model has been in the wild for a few weeks, I feel more at liberty to talk about my experience with the pre-production Skywave SSB.

In short: I have been very pleased, indeed, with the pre-production model’s performance. In terms of features, it is a nice incremental upgrade from the original Skywave. In terms of performance, it’s also tweaked in the right direction. As an early adopter of the original Skywave, I’ve been truly enthusiastic about this evaluation pre-production model.

All the notes I took while evaluating the pre-production Skywave SSB were made for C. Crane so they could hopefully implement any changes or address concerns prior to starting the first production run. But the truth is, I found the pre-production model in my possession to be quite solid, so my suggestions were minor.

Putting my pre-production model aside, I ordered an actual production unit on C. Crane’s website just like everyone else.

C. Crane kindly dispatched my unit as soon as they received the first production batch from the factory so I could get to work on the full review.

Quirks with the first production units

I was eager to get started on the review of the Skywave SSB, so as soon as I received it, I did what I always do: compared it with other radios.

I make my comparisons, by the way, at least fifty yards from my house to separate the radios from any inadvertent sources of local noise.

Production Radio #1

My first comparison was with the Digitech AR-1780 and the original CC Skywave. I quickly noted that the Skywave SSB was very slightly less sensitive than the other radios. I had tested the pre-production unit enough to know that the Skywave SSB’s performance should at least be on par with the original Skywave.

Upon careful listening, I discovered the production unit had a very faint, internally-generated whine on some of the shortwave bands; when tuned to marginal signals, this whine manifested itself as variable background noise. Between signals it was audible as a faint background whine, hardly noticeable. With that said, the whine was most notable while tuning––since the Skywave SSB mutes between frequency changes, the whine was most conspicuous during audio recovery.

The pre-production unit had no trace of an internally-generated whine. Audio was very clean in comparison.

Here’s a sample of the first production radio being tuned down from 10,000 kHz in 5 kHz tuning steps:

Here’s a sample from the pre-production unit:

Hear the whine in the first sample? Yes, so do I.

I contacted C. Crane promptly, and to their credit, they immediately dispatched another unit from inventory, via UPS Next Day, along with a return label to send my faulty unit back to their engineering team.

Production Radio #2

The second unit arrived while I was on Thanksgiving vacation, but was sent to me directly at my hotel. The day I received the replacement Skywave SSB, I put it on the air. The first listening session with it, alone, revealed that this unit did not have the internally-generated whine, however, this unit had issues with sensitivity. All of my comparison receivers were outperforming this Skywave SSB on the shortwave broadcast bands. When I compared it with the pre-production Skywave SSB unit and the first production unit, the second production unit was about four to five S-units less sensitive. Odd.

I sent both production radios back to C. Crane with detailed notes and sample recordings. Their engineering team confirmed my findings and started looking into the variations in QC and double-checking their inventory to make sure none shipped with these problems.

Production Radio #3

A few days later, I was sent a third production unit. After putting it on the air, I immediately noticed the same faint noise characteristics of my first full production unit, which is to say, the notorious whine.

Once again, I contacted C. Crane. This time, I requested that no less than three radios be sent to me, and they kindly expedite the request.

Production Radios #4, #5, and #6

Yesterday, I tested all three radios. What follows is a quick assessment of those radios:

Performance

In a nutshell, the three production units I tested yesterday performed better than my second and third production radios on all bands. Strictly in terms of sensitivity, these were on par with the pre-production unit. Very good.

But with that said, even the last three production units I received had internally-generated noises that I couldn’t help but notice. Disappointing.

At this point, I must assume these noises are prevalent throughout the first production run since all but one of the six CC Skywave SSB production units I tested have it. Meanwhile, the only one that didn’t have the noise had serious sensitivity issues.

Noises

Yesterday, I spent two full hours searching for birdies (internally generated noises) and other anomalies on the three CC Skywave SSB production units I received Monday. Each radio’s noise location varied slightly (within 20-40 kHz). The following locations are roughly the average of frequencies:

Birdies

Birdies are a fairly common occurrence among sensitive receivers, and the CC Skywave SSB has about an average number. The birdies I noted are outside the space where I do my broadcast listening:

2,305 kHz
9,220 kHz
11,520 kHz

Background audio whine/tone

All of the production units (save Radio #2) have a very slight audio whine present––either via the internal speaker or headphones––on certain portions of the spectrum.

In my first full production unit, I believe this whine may have slightly affected the unit’s overall sensitivity. On the last three production units, it didn’t seem to have as much of an impact on overall sensitivity.

The whine is still there, however, and occasionally when tuned to a weak signal within one of these zones, other faint sweeping noises could be detected in the background.

Sometimes it’s even more noticeable when the broadcaster is weak and is located within one of the whine zones. Here’s an example of 10 MHz WWV time station comparing the original Skywave with the Skywave SSB. Note that yesterday we had terrible propagation due to a geo storm, so WWV was very weak indeed.

Listen for the sweeping tones:

Here are the frequency ranges where I noted the background whine:

7,830 – 8335 kHz
8,610 – 8,690 kHz (note: very faint)
9,770 – 10,415 kHz
11,585 – 11810 kHz

Another oddity is a noise I found prevalent on CHU Canada’s 7,850 kHz frequency. I’m guessing it may be due to the combination of a DSP birdie on top of a relatively strong broadcaster.

Here’s a video comparing the original Skywave with one of the production models:

I noted no birdies or noises on the mediumwave band. The FM, AIR band, and Weather frequencies perform beautifully.

Summary: The bad news––and the good

At the moment, it appears the first production run of the CC Skywave SSB has some challenging QC issues. Therefore, unfortunately, I can only recommend it at present if you’re willing to check your unit very carefully for any of the internally-generated noises I noted above.

If, however, you’ve already purchased a Skywave SSB and have noticed the noises, then please contact C. Crane. I’ve been a C. Crane customer for many years and I’m confident they will take care of your issue.

This being said, the truth is, I sympathize with C. Crane. It must be challenging to get things right and truly consistent on the first production run of a radio––especially on a tiny compact radio like the Skywave SSB. It must be especially hard to keep noises out of the audio chain when so much is crammed into such a tiny package.

I fully suspect these issues will be sorted out in the second production run which, of course, I will test and review.

But the good news, and it’s sincerely good news, is this: if C. Crane can produce a CC Skywave SSB as good as the pre-production unit, they’ll truly have a winner. So let’s keep our fingers crossed that C. Crane can do it again…and again.

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A review of the Red Oxx “Lil Roy”: an excellent radio kit bag

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Yesterday, I posted some photos of the yet-to-be-released CC Skywave SSB and a number of readers had the same reaction as Frank (K4FMH):

“Who makes and sells your canvas bag? Inquiring minds want to know!”

Frank was referring to the bag in the background on many of the radio shots–and he wasn’t alone in his inquiry. I received a few email messages and inquiries on Facebook about this bag.

Be warned: I’m an avid bag and pack geek. If you find the topic boring, you should run away now!

The Red Oxx “Lil Roy”

The Lil Roy might look like a typical canvas bag. But the Lil Roy isn’t made by the typical pack manufacturer–it’s made by Red Oxx Manufacturing in Billings, Montana, USA. Red Oxx gear isn’t just designed in Montana, it’s made in Montana. The two leaders, Jim Markel and President Perry Jones, are military veterans and bring mil-spec quality to all of their products.

I love the design of Red Oxx bags–they’re not tactical, but they’re not really low-profile or urban either. Markel describes the design as:

“Tactical strength without looking like you’re going to war.”

I was first introduced to Red Oxx gear in 2012 when I traveled to a meeting in Denver with my good friend Ed Harris (who is an SWLing Post reader).

Even though Ed and I had traveled together in Belize and had known each other for quite a while, I never realized he was a one-bag traveler like me. Once the topic came up, we proceeded to talk about our main travel bags. Ed showed me his Air Boss by Red Oxx.

The Red Oxx Air Boss.

I instantly fell in love with the overall quality and the bold Red Oxx design.

All Red Oxx bags are manufactured to the company’s high standards, including the Lil Roy…

Four portable radios, an antenna reel and earphones all easily fit into the Lil Roy with room to spare.

Though it looks like a canvas bag, the Lil Roy is made of 1000 weight CORDURA nylon. Red Oxx uses super strong UV resistant threads in the stitching and into every seam. Each stress point is box stitched.

Red Oxx uses large, pricey #10 YKK VISLON zippers on all of their bags. They slide beautifully and if you don’t zip up the bag completely, the zippers won’t slide back open–they essentially lock into place. They’re even field-repairable.

Inside the Lil Roy you’ll find two “stiff mesh” pockets on each inside wall with Red Oxx Mil-Spec snaps to keep things contained.

FYI: If you ever want to check the quality of a bag or pack, flip it inside out and look for frays, bad stitching and incomplete seams. Cheap bags are loaded with them–you won’t find one thread out of place on a Red Oxx bag.

While the Lil Roy is a small bag, I’ve found that it holds a lot of stuff. This month, I’ve had no less than four radios to beta test and review. I found that the Lil Roy can hold all of my portables and accessories, making it easy to grab the whole lot and take them to the field for testing.

While in Canada this summer, I had to do all of my radio listening and testing in the field. I was able to pack my portable radio and my recording gear into the Lil Roy with room to spare.

Listening to the 2017 BBC Antarctic Midwinter Broadcast from the back of my vehicle in Saint-Anne-de-Beaupré, Québec, Canada.

I’ve also packed my CommRadio CR-1a, NASA PA-30 antenna and all assorted cables for a little weekend travel and radio fun. The Lil Roy easily accommodated everything. In the photo below, I simply placed the CR-1a inside (on top of the CC Skywave and CC Skywave SSB) to show how much room there is to spare:

So are there any negatives? Perhaps one: the Lil Roy was never designed to carry radio equipment, so there’s no padding inside.

Indeed, I believe Red Oxx initially designed Lil Roy for someone who wanted a bag to hold their car chains. Of course, most customers use the Lil Roy as an electronics organizer–something to hold tablets, Kindles, cables, etc. Some even use it as a packing cube.

Since there’s no padding in the bag, I’m selective about what I put inside and how I pack it. Most of my portables have soft cases that protect them anyway. When I put something like the CommRadio CR-1a inside, I enclose the radio in a soft padded sack. Even though the sack makes the CR-1a bulkier, the Lil Roy can still easily accommodate it.

In general, Red Oxx gear is considered pricey by most standards. After all, you’re purchasing products wholly designed and made in the United States, so US wages are baked into that price. On top of that, Red Oxx backs all of their stuff with what they call a “No Bull” no question’s asked Lifetime Warranty. Because of this warranty, Red Oxx gear holds its value amazingly well. The warranty still holds even if you purchase the bag used.

I also believe when you’re purchasing from Red Oxx, you’re supporting a good local company that does one thing and does it very well.

The Lil Roy retails for $35 US. I think it’s a fantastic value for a simple, rugged bag that can be used in a variety of applications. The longer I’ve had it, the more uses I’ve found.

I’m considering purchasing the Red Oxx Mini Boss or possibly Skytrain in the next few months to replace my Timbuk2 Small Wingman.

Told you…I’m a pack geek! Don’t say I didn’t warn you! 🙂

Click here to check out the Lil Roy at Red Oxx Manufacturing.

Post readers: Red Oxx is one of three quality pack manufacturers I support–Tom Bihn and Spec Ops Brand are two others. Do you have any favorites? Please comment!

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The C. Crane Skywave SSB: A sneak peek!

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Tuesday afternoon, I took a number of portable radios to the field: the Tecsun S-8800, Tecsun PL-880, Digitech AR-1780, C. Crane CC Skywave and the new C. Crane CC Skywave SSB.

Last week, I received a pilot run (pre-production) CC Skywave SSB from C. Crane to test and provide feedback. My unit, of course, is still subject to cosmetic changes and engineering tweaks.

Since this is not a final iteration of the product, I won’t comment or review performance other than to say that if you like the original CC Skywave, you should love the new CC Skywave SSB.

C. Crane has kindly given me permission to post a few preview photos.

CC Skywave SSB Photos

First thing you’ll notice is that the CC Skywave SSB is essentially identical to its predecessor in size and shape.

Indeed, the CC Skywave SSB fits the original Skywave’s carry case perfectly. If you’ve purchased a custom protective case–like this one— for the original Skywave, it’ll fit the CC Skywave SSB like a glove. As you can see above, the front panel design has changed, though. The CC Skywave SSB accommodates four additional function buttons and sports a re-designed speaker grill (similar to the CC Pocket Radio). Nice touch! C. Crane thought to use that little piece of real estate behind the backstand.

As many of you know, I’m a one-bag-traveler-kind-of-guy who never leaves home without a shortwave radio. On one bag travels, of course, I only carry one full-featured portable. Space is too precious to carry two.

Listening to the 2016 BBC Midwinter Broadcast to Antarctica while traveling in Canada with the CC Skywave.

The original CC Skywave has pretty much been my go-to travel radio since it was released. I’ve taken it everywhere.

I’ve also taken the amazing Sony ICF-SW100 and the full-featured Grundig G6 (which even includes the AIR band) on trips when I wanted access to single sideband mode–something the original CC Skywave lacked. (Note that both of these radios are now discontinued.)

But when traveling in North America or by air, I really appreciate the Skywave’s excellent NOAA weather radio and access to aviation frequencies on the AIR band. Very handy features for the traveler who likes to stay informed.

By adding single sideband mode to an already capable ultra-compact travel radio, C. Crane has created a welcome radio traveling companion indeed.

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Video: Peter’s review of the Digitech AR-1780

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Many thanks to SWLing Post contributor, Rob Wagner (VK3BVW), who comments:

There’s a quick and dirty video review of the AR-1780 by Peter VK3YE, which highlights a few interesting quirks (if that’s the right word!) with this receiver. Some birdies, specs that don’t appear accurate, and a query over one of the bandwidth settings. Well worth a look!:

Click here to view on YouTube.

Thank you for sharing this video review, Robert!

Peter (VK3YE) has done an excellent job indeed summing up the AR-1780–his notes and comments mirror my own. I would have never caught that oddity with the 1.2 to 1 kHz bandwidth reversal.

Check out Peter’s website by clicking here and his YouTube channel by clicking here.

[UPDATE: Click here to read our full review of the Digitech AR-1780.]

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The CC Skywave SSB: Is C.Crane developing a Holy Grail travel radio?

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Earlier today, intrepid SWLing Post contributor, Cap Tux, spotted an interesting link on Google when he searched for “C.Crane Skywave SSB”:

Turns out, it’s a product sheet for a new C.Crane radio: the CC Skywave SSB. Ther is no mention of this radio on C.Crane’s website yet. Here’s a screenshot:

Yes, C.Crane has obviously listened to our feedback and has developed a version of the Skywave with SSB mode–! Based on the product sheet, the CC Skywave SSB has all of the features of the original Skywave as well. That’s a plus because I love the NOAA weather radio functionality and the aviation band, especially when traveling.

If the Skywave SSB performs well, and the price point is decent, I think it might become one of the most popular shortwave portables currently on the market.

Why?

Well, for one, I’m a huge fan of the original CC Skywave (check out my review from 2014). It’s compact, feature-rich and has brilliant performance for a very compact travel radio. It’s a brilliant piece of kit for us one-bag travellers. The only glaring omission with the original Skywave was SSB mode, but at the time I believe DSP chips simply couldn’t implement this functionality.

Similarity to the Digitech AR-1780?

The Digitech AR-1780

In terms of size, the side-mounted encoder and some key placement, the CC Skywave SSB resembles the Digitech AR-1780 I ordered yesterday. The overall chassis design and display, however, are quite different.

I wouldn’t be surprised if both the AR-1780 and the Skywave SSB are built on the same DSP chip.

Will they have similar performance? I doubt it.

If you recall, when the original CC Skywave was first announced, we radio geeks noticed a striking resemblance to the Digitech AR-1733. Fortunately, the Skywave was far superior in terms of performance. I made the following note in my Skywave review:

“But I was concerned a few months ago when I noted the similarity between the CC Skywave and the poorly-reviewed Digitech AR1733, sold in Australia/New Zealand by Jaycar.

Fortunately, it’s clear that C. Crane noticed the shortcomings of the AR1733 and has modified the Skywave’s design and firmware accordingly, which may account for the delayed roll-out of the CC Skywave. Obviously, the Skywave’s ACG circuit has been tweaked to cope with medium wave and shortwave listening, since a poor ACG circuit is one of the shortcomings of the AR1733. But, if so, wow…what a tweak.”

I know the crew at C.Crane and I can confirm that they do their own product development. Their team consists of proper radio enthusiasts and ham radio operators who work directly the engineers. This is why C.Crane never releases products with serious receiver flaws like other manufacturers have in the past.

A CC Skywave SSB review?

You bet!

As soon as I can get my hands on the CC Skywave SSB, I’ll share updates here on the SWLing Post. Just follow the tag: CC Skywave SSB.

You might have noticed that my expectations are pretty high for the CC Skywave SSB, so I hope I’m not disappointed when I do the review.

In the past decade, there have been very few full-featured, ultra-compact travel radios with SSB introduced to the market. There is, of course, the CountyComm GP5-SSB, but it lacks a direct entry keypad, aviation coverage and NOAA weather radio. There is also the discontinued Grundig G6, but it too lacks NOAA weather radio and SSB operation was pretty basic (let’s not forget the G6 was also a “sticky radio”).

The CC Skywave SSB could be a Holy Grail travel radio, if it lives up to expectations.

At this point, of course, I have no idea when this little radio will hit the market. We can assume, though, that C.Crane will do their best to ship it prior to the 2017 Christmas shopping season.

Stay tuned! And thanks for the tip, Cap!

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Brilliant hard-core DX with the USB-powered Bonito MegActive MA305 antenna

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Hi there, you might remember my post from last month focussing on the Bonito MegActive MA305 E-field antenna, kindly supplied to me for testing, by Bonito themselves. That post was essentially a report on my experiences travelling to Crete with the MA305, navigating through security at London Gatwick and Heraklion airports (mostly with relative ease), but more importantly, how well it worked with the equally excellent Eton Satellit portable receiver. Whilst in Crete I managed to copy a number of personal firsts, including CRI on 7295 kHz, via their relay in Bamako, Mali, The Voice of Beibu Radio on 5050 kHz, Nanning, XSL ‘Slot Machine’ on 6251 kHz USB, Ichihara, Japan, S32 ‘The Squeaky Wheel’ on 3828 kHz and NHK World Radio Japan, 11910 kHz. I also copied RTM Wai/Limbang FM on 11665 kHz from Kajang, Myanmar Radio on 5985 kHz and AIR Bhopal on 4810 kHz, amongst others – all of which I would certainly consider to be difficult catches in Europe.

The USB-powered MegActive MA305 is perfect for DXing on the move…

Despite excellent all-round results from the ultra-portable USB powered MA305, there was one signal I copied, which more than any other, demonstrated the DXing credentials of this antenna; Radio Tarma from Peru on 4775 kHz. With a TX power of 1 kW, this is a very difficult station to hear in Western Europe, even with a longwire. To catch this station in Crete, with a 22 cm antenna was incredible and it was at that point during my trip that I realised E-field antennas really can work superbly well for hard-core DXers on the move.

Upon my return to Oxford, I immediately started thinking about a DXpedition to the local woods I use for what I consider serious DXing. For obvious reasons, E-field antennas require an electrically quiet environment to ensure maximum SNR performance. In noisy environments, these types of antennas amplify the signal of interest and the background ‘electro-smog’, thus increasing signal levels but critically, not signal-to-noise. Fortunately, the Oxfordshire wood I have been using for a couple of years is only a 10 minute drive from my QTH as I sort of live in the countryside anyway and the QRM levels there are just about zero. Now, given that this was essentially an experiment to determine the best possible performance from the MA305, I decided to use my best portable radio. It was quite tempting to pack up the Elad FDM DUO which running on a home-brew battery pack has proven itself to be my best (pseudo) portable radio. However, this is supposed to be a real-world test and in this type of scenario, DXpeditions with the Bonito antenna are much more likely to be undertaken with a portable radio. For these reasons I decided to conduct the test with the venerable Sony ICF-2001D. Having proven to be a superb receiver over many, many dxpeditions (check out the evidence on my YouTube Channel Oxford Shortwave Log) and still regarded by DXers as one of the best ever portable radios – possibly the best – it was the obvious choice.

My portable DXing kit comprising the Bonito MegActive MA305 antenna and the Sony ICF-2001D…a bit of a legend in DXing circles…

I ventured out in early June around 23:00 hrs BST (22:00 hrs UTC), parked the car on the edge of the wood and proceeded to set up my cheap camera tripod, slightly modified to accept a 2 metre-long stainless steel tube, into which a slightly thinner 1 metre tube was mounted, topped off with my partially disassembled ‘Selfie Stick’ – which made it back from Crete lol. The antenna was set up in less than 5 minutes and approximately 4 metres above the ground – much quicker and easier than de-spooling 100 metres of wire! With fresh batteries in the Sony and the MA305 powered up using the USB power brick supplied by Bonito, I was ready to start listening. Almost immediately I heard and recorded a personal first; Lao National Radio, Laos, signing on 6130 kHz, with an excellent signal. Hearing them in the UK was only made possible by the annual two week shut down of the PBS Xizang transmitter in Lhasa, Tibet, but hey, I’ll take it. A brilliant start to my listening session.

Over the next two hours I was amazed at what could be heard using this 22 cm amplified antenna. Bearing in mind I have spent many hours at the woods previously, listening via various 100 metre longwires and a 200 metre Beverage, my expectations were, I thought, realistic in that the MA305 coupled to the Sony would catch some very good DX. However, I did believe there might be an absence of at least some of the more exotic low power stations on the Tropical Band – afterall the MA305 is a very short antenna. Clearly I was wrong, because what transpired during the session surpassed anything I thought possible with this set-up. A list of reception videos follows below and further below, a selection of embedded videos. Some of the entries on this list simply stunned me at the time. Rádio Educação Rural for starters is such an incredibly difficult signal to hear in Europe, even with a very large antenna. Thus, to hear them on an ultra-compact set-up felt very special. Radio Mali is another station that is very difficult to catch with any modulation, except on a large antenna and yet there they were – at the first time of trying. Similarly, Rádio Nacional de Angola and Alcaravan Radio are exotics that at best deliver very weak audio – and most of the time no audio. Furthermore, the signals from Emisoras Pio XII, Myanmar Radio and Rádio Clube do Pará were verging on what I would call superb…I’d never heard anything like it previously except via 100 (or more) metres of wire.

The ICF-2001D and MegActive MA305 Rádio Educação Rural transmitter site in Tefé, Brazil

So what’s next? Well it would certainly be an interesting experiment to compare the performance of the MegActive antenna with the Wellbrook ALA1530 active loop in a similar environment. I have used the Wellbrook on DXpeditions several times, with often excellent results, however, it’s not designed to be portable and if SNR performance could be demonstrated as similar between these two products, given a very favourable price delta, the Bonito antenna would add up to be a very compelling purchase decision. More on that to come. In the meantime, thank you very much for reading/watching/listening and I wish you all excellent DX.

Please click on the links below for the reception videos on the Oxford Shortwave Log YouTube channel.

Selected embedded reception videos from the list above:

Clint Gouveia is the author of this post and a regular contributor to the SWLing Post. Clint actively publishes videos of his shortwave radio excursions on his YouTube channel: Oxford Shortwave Log. Clint is based in Oxfordshire, England.

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